Cross Art

Lifetime prints are the last remaining prints available, signed by Terry O’Neill and obtained from the Terry O’Neill Archive in London. American actress Raquel Welch being crucified in an oddly anachronistic publicity still for the Hammer Films production 'One Million Years BC...

Cross-Vintage Photo is a black and white photograph of the early 20th century. Good conditions, aged with foxing.

The European Macabre Dance N.4 is a hand-colored lithograph, from the Series "La Danza Macabra Europea" illustrated by Alberto Martini (Oderzo, 1876 – Milan, 1954) in 1915. Signed ...

To see our other works of Oxford and Cambridge, particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Anonymous, c. 1850 Anglo Catholic...

"Huntington Gardens XLVII," is part of Edward Alfano's "Huntington Gardens," series that he has formed over a number of years. This work is framed and ...

Brauerei is a contemporary artwork realized by the artist Fifo Stricker in 1985. Mixed colored aquatint and etching. Hand signed and dated by the artis...

Nude is an original drawing, realized by Sergio Barletta in 1974. Hand-signed. In good condition. Here the artwork represents the woman sitting in a transparent cube...

Letter of the Alphabet I, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Good conditions. The etching belon...

Veni, Domine Jesu is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Sign...

Ancient Roman Fresco from the series "Antiquities of Herculaneum", is an etching on paper realized by Carlo Nolli in the 18th Century. Signed on the plate. Good conditions ex...

The proclaimers is an artwork realized by the English artist Martin Bradley in 1977. Watercolour on cardboard, hand-signed, dated on the lower right corner "Martin Bradley 1977 " an...

Ancient Roman Statues from the series "Antiquities of Herculaneum", is an original etching on paper realized by Casanova in the 18th Century. Signed on the plate. Good condit...

A Little Poor Woman is a Lithograph realized by Adolphe Léon Willette ( 1857-1926). Good condition included a cardboard passpartout (65x50 cm). Hand-signed by the artist on the low...

Men is a pair of two original monotype woodcuts realized by an Anonymous artist of the XX century, in 1950 ca, glued on paper. In very good condition. Image dimension : 26 x 19.5 c...

Ernest Hemingway's Grave is a vintage black and white photograph realized in 1962, dated on the back. With stamp and handwriting on the rear. Good conditions with slight folding on...

Ex Libris For Giorgio Balbi, realized by Italo Zetti, 1948.  It includes passepartout, 30 x 24 cm. Woodcut, sheet 10,5 x 7 cm. Signed on plate bottom right.  Good conditions.

Medium: linocut Year: 2023 Image Size: 24 x 18 inches Edition Size: 10 An hommage to all those immigrants who die on the journey as they seek asylum in new countries. As a cultural activist/artist/printmaker, Juan Fuentes has dedicated his career to being part of a global movement for social change. His works address issues relating to local communities of color, social justice, and international struggles for liberation. The turbulent times of the 70’s set the tone for Fuentes' approach to creating social art. The Chicano, African American, Middle Eastern, Asian and Native American struggles for equality, peace and justice helped shape the themes that recur in his art. His development and introduction to silkscreen printing by mentors such as Rupert Garcia and Malaquias Montoya guided his subsequent community and political poster involvement. Fuentes' relief printing process follows closely the social realist tradition of Latin American artists such as Jose Guadalupe Posada...

Stations of the Cross, Number IX: Utilizing green screen technology, a scene representative of the XIV Stations of the cross, Station IX. Includes elements of Photography, 3d modeling...

St. Giulia Church in Brescia- Vintage Photo is a black and white photograph realized by U. Vecchi in the early 20th century. Stamped of on the rear. The title is Hand-written in th...

This sculpture was part of a show reviewed in the Boston Globe. "Dewart sculpts gatelike forms and mandalas that read like sacred geometry. The gate template, is basic and universal,...

S. Francesco Church- Vintage Photo is a black and white photograph realized by Zuecca Uno in the early 20th century. Stamped on the rear. Good conditions, aged with foxing.

Ex Libris - Istvan Traurig is a Woodcut print created by Michel Fingesten. Signed on plate on back. The work is glued on cardboard. Total dimensions: cm 32x24 Good conditions. ...

Guardian Angel from "Antiquities of Herculaneum" is an etching on paper realized by Ferdinando Campana in the 18th Century. Signed on the plate. G...

Letter T is an etching realized by Luigi Vanvitelli artist of 18th century. Good condtions. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original ti...

Daniel Poensgen Title: In Memory of Santa Croce Medium: 2-Part Photograph on Agfa Paper Year: 1986-1987 Digned, dated and inscribed Size: 7.6 × 5.1 on 8.2 ...

Ancient Roman Decorations is an etching on paper realized by Giacomo Casanova in the 18th Century. Signed on the plate. Good conditions with some foxing and folding and a small c...

An original 1920s silver gelatin print by photographer Tina Modotti, showing a fresco, "The Spirit of Fire", in the Agricultural School-Chapingo, Mexico by artist Diego Rivera. Phot...

Jesus Christ is an Original Ink and Watercolour realized by Gaston Touissant (1872-1946). Good condition on a little paper, included a white cardboard passpartout (51x35 cm). No Signature, stamp of the Atelier Touissant, Vendome on the lower right corner. Gaston Toussaint...

Andrey and Aleksey Kulibin #4

Portrait (52) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board Size: 20 in. x 15 in. (50.8 cm x 38.1 cm)

“Woman” is a Stainless Steel Sculpture by the artist Marian Owczarski. It measures approximately 15 x 8.5 x 6 inches. The date of creation is unknown,...

Unknown Artist - Torture Scene, Medium: Gouache on thin laid paper, Image Size: 4.5 x 4.5 inches, Size: 7 x 9.75 in. (17.78 x 24.77 cm)

Jen's love of photography began as a child, when her grandfather, a photographer, gave her a camera. However, it wasn't until she graduated from UC Berkeley that photography became a...

The Crucifixion is an etching and drypoint on paper realized by Gian Paolo Berto in 1974. Good conditions, except for light scratches at the top marg...

Charlotte Salomon is an original digital photograph realized by Angelo Cricchi in 2009. Hand-signed, dated, numbered by the artist on the back of t...

Xtreme (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid photograph. Artist inventory Number 909. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

Kiev, St. Sofia is a Color Markers and Colors Pastels Drawing realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition on a sheet of a notebook. No signature, ti...

Letter X - from the suite Letters of the Alphabet is a contemporary artwork realized by Erté (Romain de Tirtoff). Lithograph and Screen Print. The artwork i...

Letter of the Alphabet I, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Good conditions. The etching belon...

Letter of the Alphabet T, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Good conditions. The etching belon...

Star Link (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 1194. Signature label and Ce...

Expanses of Time (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 1193. Signature label...

Cleaning Heros Edition of 25 signed and numbered by the artist A statue of a hero holding a severed head near the Uffizi Gallery in Florence is cleaned by a professional team. JJK...

'Mussolini In Celebration' is a b/w photographic print on glazed paper. Stamp of agency Trampus, Paris and cliché applied on the back. Celebration of the 16th annual of the Fasci, re...

Pietro Ruffo - Exhibition Poster is an offset print realized for the exhibition by Pietro Ruffo at Galerie Di Meo in 2011. The artwork is represented in ...

Ancient Roman Fresco from the series "Antiquities of Herculaneum", is an original etching on paper realized by Casanova in the 18th Century. Signed on the plate. Good conditi...

Ex Libris with Knight is a vintage B/W Offset print on ivory-colored paper. The work is glued on cardboard. Total dimensions: 21 x 15 cm. Mint conditions. The artwork represent...

Christ on the Cross is an original etching on paper realized by Antoine Revoy. Hand-signed on the lower margin. Image Dimensions: 16.5 x 12.5 cm. Edition 25 of 50 prints. In very good conditions, except for a light stain on the lower right corner. Beautiful print representing a still life with a realistic line. Antoine Revoy is a French author and illustrator. He is the creator of the horror story graphic novels ANIMUS (originally titled The Playground) and Ghost Notes, published by First Second Books. Revoy is married to illustrator Kelly Murphy. Revoy began his career as a designer in Dublin, Ireland and Paris, France. After moving to the United States, he began working as an illustrator, creating works of art for the chapter of the horror story The Haunted Houses...

Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - Mercury, Year: 1875, Medium: Heliogravure on Laid Paper, Size: 13 x 8.5 in. (33.02 x 21.59 cm), Printer: Amand...

Edition of 15

Bronze & marble Irakli Tsuladze is a Georgian sculptor born in 1973 who lives and works in Tbilisi, Georgia. His sculptures present a peculiar unity of substance and emotions, where...

Lebadang (aka Hoi), Vietnamese (1922 - 2015) - 4 from the 10 Horses portfolio. Year: 1974, Medium: Lithograph with Embossing, signed in pencil, Edition: EA, Size: 30 x 21 in. (76 x ...

We acquired a series of watercolour stained glass designs from Jane Gray's studio. To find more scroll down to "More from this Seller" and below it click on "See all from this seller...

"Sankt Franziskus" is an original Black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924). F...

Image dimensions: 23.5 x 16 cm. Les Sepulcres Secrets is an original artwork realized by Jean Torthe in the XX Century. Original ink and watercolor on paper. Hand-signed on the ...

View Of Rome is a vintage black and white photograph realized in the early 20th Century as reprint of an image of the late 19th century. With the hand-note in pencil on the rear. Go...

Still Life is an original lithograph realized by Raymond Peaux. Good condition, hand-signed by the artist. Edition numbered and monogrammed. Edition of 100.

Image dimensions: 24.5 x 31.5 cm. Centaur In The Smithy is an original print, realized in 1898. Black and white xylograph on applied Japon paper. Good conditions except for yellowing of paper (especially along the margins), and very light foxings on lower part of paper. The print was realized by Johann Jacob Weber and it's part of the series Meisterwerke der Holzschneidekunst (original title: SECHZEHN HOLZSCHNITTE NACH GEMÄLDEN ARNOLD BÖCKLIN...