Cross Art

Kiev, St. Sofia is a Color Markers and Colors Pastels Drawing realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition on a sheet of a notebook. No signature, ti...

Letter of the Alphabet T, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Good conditions. The etching belon...

Tree of Life - Poster is a mixed-colored offset by Gino Marotta Sheet dimension: 80 x 60 Good conditions.

St. Francis and the Crucifix is an original lithograph realized by Carlo Verdoni. Good condition on a brown paper. No signature. The very beautiful artwork is a watercolored litho...

Letter of the Alphabet I, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Good conditions. The etching belon...

Letter of the Alphabet I, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Good conditions. The etching belon...

Letter of the Alphabet T, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Good conditions. The etching belon...

The proclaimers is an artwork realized by the English artist Martin Bradley in 1977. Watercolour on cardboard, hand-signed, dated on the lower right corner "Martin Bradley 1977 " an...

Charlotte Salomon is an original digital photograph realized by Angelo Cricchi in 2009. Hand-signed, dated, numbered by the artist on the back of t...

War Cemetery is a photograph realized in the 1950s. Good conditions.

Letter of the Alphabet I, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Good conditions. The etching belon...

Ex Libris D'Istvan Traurig is a woodcut print by Michel Fingesten, realized in 1936. Hand signed, included a white cardboard passpartout (30x24 cm). In excellent conditions: As good as new. Michel Fingesten (1884 - 1943) was a Czech painter and engraver of Jewish origin. He is considered one of the greatest Ex Libris artists in history. From an Austrian weaver father and a Jewish mother...

Pietro Ruffo - Exhibition Poster is an offset print realized for the exhibition by Pietro Ruffo at Galerie Di Meo in 2011. The artwork is represented in ...

Popes is an original drawing in charcoal, ink and watercolor on paper realized by Edouard Dufeu in the mid-20th century. with the stamp of the atelier"E. Dufeu" on the rear. Good c...

A Little Poor Woman is an Original Lithograph realized by Adolphe Léon Willette ( 1857-1926). Good condition included a cardboard passpartout (65x50 cm). Hand-signed by the artist ...

Matt Devine is a self-taught sculptor working with steel, stainless steel, aluminum and bronze. Born and raised in New England, Devine moved to California in 1995, where he learned t...

La obra no va firmada Buen estado de conservación el de la pintura, solo comentar que la tela está reentelada Se presenta enmarcada la obra Medidas obra: 72 cm x 54 cm. Medidas m...

Alexej von Jawlensky Torschok 1864 - 1941 Wiesbaden Head (zurückweichend), circa 1923. Etching in umber, hand-printed. Catalogue raisonné Rosenbach 38 With the embossed artist's mo...

Crucifixion (36) John F. Leonard American (1921–1987) Date: 1964 Oil on Board, signed Size: 21.5 in. x 15 in. (54.61 cm x 38.1 cm)

Wonderful black & white photograph of Cretian Chapel by William Giles (American, 20th Century). New acid free conservation over-mat. Unframed. Unsigned. Image size, 8"H x 10"L. William Giles studied and worked with many wonderful photographers including Minor White, Ansel Adams, Dorothea Lang, Beaumont Newhall, Nathan Lyons...

Amicalement is a hand-colored etching and drypoint, signed by Chas Laborde on the lower right margin. Hand-titled on the lower left margin. This original print is hand-colored with t...

Oil, charcoal on cardboard Keta Jikia is a Georgian artist born in 2002 who lives and works in Tbilisi, Georgia. She is graduated in 2025 with a degree in International Relations f...

Tribal Man is an original lithograph realized in the early 1930s by Emmanuel Gondouin, (Versailles, 1883 - Parigi, 1934) The artwork is depicted through strong strokes and is part ...

Capital letter I from the Antiquities of Herculaneum Exposed, original etching from the end of the 18th century, made by Various Old Masters. In very good condition, except for some...

Ex Libris Wagnerow is an original Contemporary Artwork realized in the half of the 20th Century. Original B/W woodcut print on ivory-colored paper. The work is glued on cardboar...

Old Church is an original artwork realized by Franz Edmund Weirotter in the first half of the XVIII Century. Original Etching on paper. Passepartout included (cm 37 x 55). Signed...

Venus and the Sapient is an original etching and drypoint realized by Leo Guida in 1980s. Mounted on a white cardboard passpartout (50x35 cm). Not signed. Leo Guida (1992 - 2017)...

Robert Kipness was an American painter and printmaker who’s work focused on forms and a pronounced moodiness. This print is signed, numbered, dated, and...

Sketch is an original artwork realized in 1972 by the italian Contemporary artist Leo Guida (1992 - 2017). Original pencil drawing on ivory-colored paper. Hand-signed and dated ...

Caryatids, Study for Bas-relief is an original drawing in china ink and pastel on brownish paper realized by an anonymous artist in the early 20th Century. Good conditions. The art...

Ex Libris Obratil is an original Contemporary Artwork realized in the Mid-20th Century. Original Ex Libris. Original B/W woodcut print on ivory-colored paper. Hand-signed in penci...

‘St Mark's Cathedral.' is a b/w photographic print on Cardboard. The artwork represents crucified Christ.The stamp of Foto Bohm Venezia on the rear.

The Florence Baptistery is a b/w photographic print on paper, the artwork represents the detail of a door of Florence Baptistery. Gilberti Lorenzo is written at the bottom of the ...

Painting with a traveler on a white horse and accompanied by a dog looking up at a road sign in the form of a cross. On the roadsign is ” Arnhem”. (a town at the Rhine river in the E...

Christ on the Cross is an original etching on paper realized by Antoine Revoy. Hand-signed on the lower margin. Image Dimensions: 16.5 x 12.5 cm. Edition 25 of 50 prints. In very good conditions, except for a light stain on the lower right corner. Beautiful print representing a still life with a realistic line. Antoine Revoy is a French author and illustrator. He is the creator of the horror story graphic novels ANIMUS (originally titled The Playground) and Ghost Notes, published by First Second Books. Revoy is married to illustrator Kelly Murphy. Revoy began his career as a designer in Dublin, Ireland and Paris, France. After moving to the United States, he began working as an illustrator, creating works of art for the chapter of the horror story The Haunted Houses...

This vintage black-and-white photograph by Harold E. Malde (1923–2007) beautifully captures the timeless architecture of an adobe church set against a striking Southwestern landscape...

Harbor View is a very good watercolour by Herna Hausmann. The artwork is in good conditions, except for some stains on the margins. Atelier stamp on the right margin at the bottom.

La Tombe du Pére or The Father's Grave is a rare etching and dry-point, hand-signed in pencil in the lower right margin and hand-numbered in the lower left margin by Marc Chagall. E...

Medium: original lithograph. This lithograph was printed in 1957 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...

Nude is an original drawing, realized by Sergio Barletta in 1974. Hand-signed. In good condition. Here the artwork represents the woman sitting in a transparent cube...

Men is a pair of two original monotype woodcuts realized by an Anonymous artist of the XX century, in 1950 ca, glued on paper. In very good condition. Image dimension : 26 x 19.5 c...

Allégorie à l'Eglise Catholique à Berlin is a black and white etching realized in the late 18th century by Jean Laurent Legeay, a French Neoclassical architect. This is an original ...

Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - La descente de croix, Year: 1875, Medium: Heliogravure, Size: 16.75 x 11.5 in. (42.55 x 29.21 cm), Printer: Am...

Born in Bronx, NY, Ida Applebroog attended NY State Institute of Applied Arts and Sciences and the School of the Art Institute of Chicago. She received a MacArthur Foundation Fellows...

Junghans (1956, Recklinghausen) creates abstract sculptures in stone, wood and bronze, mostly torsos and primal portraits, in a primitive, cubic and expressionistic imagery. He also ...

Xtreme (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid photograph. Artist inventory Number 909. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

Star Link (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 1194. Signature label and Ce...

Expanses of Time (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 1193. Signature label...

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...

Lifetime prints are the last remaining prints available, signed by Terry O’Neill and obtained from the Terry O’Neill Archive in London. American actress Raquel Welch being crucified in an oddly anachronistic publicity still for the Hammer Films production 'One Million Years BC...

Shaun Series Rainer Fetting, German (1949) Date: 1989 Etching, signed and numbered in pencil Edition of AP Image Size: 19.5 x 9.5 inches Size: 27.5 x 19.5 in. (69.85 x 49.53 cm)

The painting draws a fine line between space and religion.

Pierre Spori, Swiss (1923 - 1989) - Crucifixion, Year: 1953, Medium: Gouache on Paper, signed and dated in pen top right, Size: 10.5 x 7.75 in. (26.67 x 19.69 cm)

Attributed to Eugene Deully (1866-1933) A woman , study, Pencil and heightenings of white gouache on blue grey paper in two parts, the left part added ...

Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - Mercury, Year: 1875, Medium: Heliogravure on Laid Paper, Size: 13 x 8.5 in. (33.02 x 21.59 cm), Printer: Amand...

Gordon House was born in 1932 in Pontardawe, South Wales. Early exposure to art on trips to the Glynn Vivian Art Gallery as a young boy inspired House towards creative endeavors and at the age of fourteen he was awarded a grant to enter art school which he accepted. From 1947 to 1950 he studied at Luton School of Art, Bedfordshire, and St. Albans School of Art, Hertfordshire. House's contemporaries included Richard Smith and John Plumb with whom he remained close. During the early fifties, after finishing art school, House began work as assistant to the ecclesiastical sculptor Theodore Kern. He also spent time at an advertising studio where he honed his burgeoning skills in typography and graphic design. In 1952 House was offered the position of designer for Imperial Chemical Industries Plastics Division where he stayed until 1959. This was followed by two years spent as graphic designer for the Kynoch Press in London. In 1961 House set out on his own as a self-employed designer and typographer. Initially this was supplemented by part-time teaching at art schools in and around London but by 1964 House was able to devote himself entirely to his design work which freed up valuable time to concentrate on his own artistic output in the studio. In the late fifties, informed by the new art emerging from America and that of his contemporaries in England, House began to create large-scale abstract works which he was invited to show in 1959 at Dennis Bowen's legendary New Vision Centre in Marble Arch. House was an active participant in the vibrant London art scene of the sixties, regularly attending lectures, exhibitions and discussions. In 1960 he exhibited in 'Situation' the key abstract exhibition of the decade held at the RBA Galleries. Other participating artists included Robyn Denny, Bernard and Harold Cohen, Gillian Ayres, John Hoyland, Richard Smith and William Turnbull among others. These artists, united by a common admiration for American Abstract Expressionism, were frustrated by the lack of exposure given to large-scale abstract works in commercial galleries so they organised their own exhibition. The name was derived from the participants' idea that an abstract painting that occupied the whole field of vision would involve the spectator in an 'event' or 'situation'. This exhibition was followed by 'New London Situation' in 1961 and a nationwide touring Arts Council presentation in recognition of the significance of the two earlier shows. In 1961 House began producing his first prints at the Kelpra Studio, run by Chris and Rose Prater, where he made the earliest fine art screenprint ever to be produced in Britain. Artists such as Paolozzi and Hamilton followed in his footsteps and together they started a printmaking revolution in Britain. They cemented the medium of the screenprint in the world of fine art as opposed to the commercial sphere and secured the reputation of Kelpra in the process. Later, together with Cliff White, House set up the White Ink (Ltd.) print studio in London, where he produced etchings and wood engravings on a series of magnificent antique printing presses...

The Blood Of Christ, The Milk Of The Madonna, 16th Century circle of Adriaen Isenbrandt (1480-1551) Huge 16th Century Flemish old Master depiction of...

Why do we dream of a simple and unique image of Eden; What happens when pain represents our sanctuary... Léa Bon work is a profound exploration of dreams and fantasies, transcending...

The Sphere (Ensign Broderick record Shoot 'Blood Crush') - Bombay Beach, CA - 2019 40x50cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature ...

One of a kind mixed-media sculpture by Philip Kuznicki from the Spirit exhibition. Comes in its original frame. Born in Dunkirk NY, Kuznicki started his career working for artists su...