Cross Photography

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Lifetime prints are the last remaining prints available, signed by Terry O’Neill and obtained from the Terry O’Neill Archive in London. American actress Raquel Welch being crucified in an oddly anachronistic publicity still for the Hammer Films production 'One Million Years BC...

Our Lady of Guadalupe inspires faith along the rear wall of San Fernando Cathedral in San Antonio, Texas. This limited artist-signed release is printed on museum archival Hahnemuhle ...

Taos Pueblo, New Mexico (square hole) Gelatin silver print, 1933, printed 1953 A lifetime printing by Brett Weston, supervised by his father Edward Edition of 5 or 6 examples Provena...

Forest Light (Strange Love) - 2003 60x225cm, Edition of 5 plus 2 Artist Proofs. Archival C-Print, based on a 35mm film. Signature label and certificate. Not mounted. A piece of...

Co-signed by both Raquel Welch and photographer Terry O'Neill, 20x24" silver gelatin print. Actress Raquel Welch in a photo conceived by photographer Terry O'Neill after Welch noted that she was afraid that the press would "crucify" her for her film choices, taken on the Fox Lot in the late 1960s. Originally deemed too scandalous for promotional use at the time, the photo wasn't published until 30 years later, on the cover of The Sunday Times...

The artist's photographs capture the transformation of everyday life into another reality. Images that explore what the future will be like. Industrial, eccentric and progressive, Ca...

Elevate your Southwestern themed space with this design-friendly abstract photo of shadows, lines and textures of an adobe church in Northern New Mexico. :: Photograph :: Black &...

Richard Kagan, born in Philadelphia, followed a circuitous path to become a photographer. Beginning with street photography using a meterless Asahi Pentax as a student at Temple Univ...

Terry O'Neill (1938-2019) Raquel Welch on the Cross, Los Angeles 1970 lifetime edition Lambda C-Type print 48 x 48 in. (paper size) edition of 50 signed and numbered printed later Price: £25,200 GBP (inc. 20% UK VAT) Notes: A publicity shot for One Million Years B.C. From the start of the 1960s and continuing until the present day the name of Terry O'Neill has become inextricably connected with some of the most interesting takes on photographic portraits of celebrities. From the Beatles and Rolling Stones in the 1960s to the Royal Family and the Prime Minister's family in more recent times Terry O'Neill has proved adept at recording the significant subjects of the day in a visually stimulating and sometimes unexpected way and thus illuminated history of our age. Terry O'Neill was born on 30 July 1938 in the East End of London. His career as a photographer evolved by chance out of his first ambition to become a jazz drummer. Leaving school at fourteen and then doing his National Service his ambition was to go to America to study with the great drummers there. He thought that the best way to travel frequently and inexpensively to the USA would be to get a job as an air steward for BOAC. The airline at that time had no vacancies for stewards but suggested he took a vacancy in their technical photographic unit, which he combined with time at an art school and he then became interested in photojournalism. At first, O'Neill worked as freelance at London Airport, later was offered a stunt as a reportage photographer at Heathrow. This was followed by three years in Fleet Street, with O'Neill at 21, the youngest photographer in Fleet Street taking pop pictures for the up-tempo Daily Sketch. One thing lead to another and O'Neill quickly became a significant image-maker and one of the group of talented young photographers who helped create the photographic icons of the 1960s and create part of the buzz that became Swinging London. The peer group that emerged in this decade included David Bailey, Terence Donovan and Brian Duffy from the East End and Patrick Lichfield and Lewis Morley...

MASSIMO LISTRI Sammezanno VIII, Tuscany, 2005 Unframed Unframed Available sizes: 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inches 120 x 150 cm Edition of 5 71 x 88.5 in...

Photographed for Dior, Palais de Glace Dress, 1957. Image size is 10" x 15" (for 11" x 17" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. Fashion photography of a model wearing a grey Dior dress outside by the Louvre metro. A model is wearing a dress with gloves...

Photographed for Dior, Palais de Glace Dress, 1957. Image size is 22" x 32" (for 24" x 36" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. Fashion photography of a model wearing a grey Dior dress outside by the Louvre metro. A model is wearing a dress with gloves...

Vintage black and white photo of a Byzantine tile in San Marco church, Venice. The photo was taken by Osvaldo Böhm probably in 1920s. Very good conditions.

Individual technique on grey military blanket Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of F...

"Cross Country 0693" Landscape Photography 36" x 44" Edition of 12 by Ben Cope Unframed - ships rolled in a tube Signed and numbered by the artist. Comes with COA issued by the art...

'Hugh Hefner' American publisher Hugh Hefner, founder of 'Playboy' magazine, surrounded by erotica at the Playboy Club in Chicago, 1961. 60 x 40" inch...

Original Photograph / Photographer unattributed Yokohama, Japan: c 1885. Hand-tinted albumen print, 7 3/4 x 10 1/4 inches (197 x 260 mm), numbered B 86 and captioned caption on lowe...

Merle Oberon as Antonita, 1934 - Cecil Beaton (Fashion Portrait Photography) Signed in pencil on mount Inscribed with 'Merle Oberon' in unknown hand and s...

Renaissance Play House is a photographic series that juxtaposes Renaissance drawings and paintings with plastic toy furniture, creating unexpected visual encounters between historica...

Part of Richard Heeps 'Ordinary Places' Series, it captures Britain on the brink of change. It was Richard's first colour series and it achieved much success with an exhibition at th...

Wonderful black & white photograph of Cretian Chapel by William Giles (American, 20th Century). New acid free conservation over-mat. Unframed. Unsigned. Image size, 8"H x 10"L. William Giles studied and worked with many wonderful photographers including Minor White, Ansel Adams, Dorothea Lang, Beaumont Newhall, Nathan Lyons...

"The Beauty of the Uncommon Tools" is from Tony Chirinos' project entitled, "The Precipice", - also released as a book project by Gnomic Book in 2021 - which serves as a photographic...

Gaia 128b by Jaume Llorens Bach Gaia Diptych 128b is a 18cm x 24cm Black and White Photographic print on Premio Kozo 180gsm White Paper by Awagami Factory This size in a limited ed...

Artist Statement: "My first visit to Japan in 1970 had a profound and lasting effect on my life and work. While working on a theatrical project in Tokyo, I visited the Shinto shr...

'Notre Dame 3' 2010, Edition of 10 plus 2 Artist Proofs, archival Pigment Print, based on a Polaroid 810 transfer process, 27.3x20cm, not mounted, Signed, embossed stamp and artist c...

Part of Richard Heeps 'Ordinary Places' Series, it captures Britain on the brink of change. It was Richard's first colour series and it achieved much success with an exhibition at th...

Hugh Hefner American publisher Hugh Hefner, founder of ‘Playboy’ magazine, surrounded by erotica at the Playboy Club in Chicago, 1961. 24 x 20" - paper size Estate Stamped Coll...

Daniel Poensgen Title: In Memory of Santa Croce Medium: 2-Part Photograph on Agfa Paper Year: 1986-1987 Digned, dated and inscribed Size: 7.6 × 5.1 on 8.2 ...

Finnish photographer Pentti Sammallahti depicts nature, eroded and broken down by civilization, but does not put man and the environment in opposite camps. He sees an equal relations...

'Mussolini In Celebration' is a b/w photographic print on glazed paper. Stamp of agency Trampus, Paris and cliché applied on the back. Celebration of the 16th annual of the Fasci, re...

National Museum of Rome-Faun with Bacchus is a black and white vintage photo, realized in the early 20th century.  It belongs to a historical album including historical moments, roy...

11 x 14" vintage silver gelatin photograph of the Plaza Hotel Fountain on Christmas Night 1965, part of a series he took that evening. Comes directly from the Jack Mitchell Archives ...

Cross-Vintage Photo is a black and white photograph of the early 20th century. Good conditions, aged with foxing.

Old days Photo - Painting of Church Goers is a black and white vintage photo, realized in the early 20th century. Good conditions and aged. It belongs to a historical and Nostalgic...

Charlotte Salomon is an original digital photograph realized by Angelo Cricchi in 2009. Hand-signed, dated, numbered by the artist on the back of t...

Ernest Hemingway's Grave is a vintage black and white photograph realized in 1962, dated on the back. With stamp and handwriting on the rear. Good conditions with slight folding on...

Vintage Photo. The Italian Actress Antonella Lualdi on the set of a movie.

The Old Days - Historical Photo  is a black and white vintage photo, silver salt print, realized in the early 20th century.  It belongs to historical album including historical mome...

The Church of St. Marco, Venice is an original photograph taken in Venice, Italy, and realized by Osvaldo Böhm. Signed on the plate on the lower. Titled on the lower, with the desc...

‘St Mark's Cathedral.' is a b/w photographic print on Cardboard. The artwork represents crucified Christ.The stamp of Foto Bohm Venezia on the rear.

A man walking past a church in New Mexico in winter :: Photograph :: Black & White :: This piece comes with an official certificate of authenticity signed by the artist :: Ready ...

Hand printed by the artist. Exquisitely framed in museum quality glass and black wood. Edition 4/25

Xtreme (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid photograph. Artist inventory Number 909. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

Star Link (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 1194. Signature label and Ce...

Expanses of Time (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 1193. Signature label...

Titled with artist's reference number on back of mount. Stamped, 'Edward Weston printed by' and signed by Cole Weston on back of mount. Artist reference number: Y-MR-6G.

Cleaning Heros Edition of 25 signed and numbered by the artist A statue of a hero holding a severed head near the Uffizi Gallery in Florence is cleaned by a professional team. JJK...

Why do we dream of a simple and unique image of Eden; What happens when pain represents our sanctuary... Léa Bon work is a profound exploration of dreams and fantasies, transcending...

The Sphere (Ensign Broderick record Shoot 'Blood Crush') - Bombay Beach, CA - 2019 40x50cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature ...

'Magic Mountain' (California Badlands), 2016, 24x20cm, Edition 1/10, digital C-Print, based on a Polaroid, Certificate and Signature label, artist Inventory No. 19398.08, not mounte...

'Salton Sea', Edition 1/10, 20x30cm, 2016, Color Print, printed on Velvet Watercolor, 310gsm, Bright White, Acid Free, Signature label and Certificate. About Tao Ruspoli (born 7 Nov...

Still Life 2019 Edition 1/10 plus 2 Artist Proof, 20x25cm. Digital Print based on a Polaroid photograph on Hahnemühle photo rag paper. Signature label and certificate. Not mounted....

'Notre Dame 4' 2010, Edition of 10 plus 2 Artist Proofs, archival Pigment Print, based on a Polaroid 810 transfer process, 27.3x20cm, not mounted, Signed, embossed stamp and arti...

No title (No 60) Ballet Photograph 60 x 60 in Ed. of 8 by Yevgeniy Repiashenko No title (No 60) by Yevgeniy Repiashenko Year photo was taken: 2017 Limited Edition of 8 Picture size...

Maria Veronica is dead, Tixán, Ecuador by Flor Garduño is a black and white photograph of a woman, carrying a cross in her hands, and a man, carrying a casket strapped to his back. ...

"Beach House" Photography 27" x 36" inch Edition 4/7 by Brendan North Signed and numbered by the artist. Comes with COA issued by the Artist Available sizes: Edition of 7: 18" x 2...

Hand printed by artist. Now retired. Mint Condition

Somewhere Between Here and There 2017 "Over and over, the works in 'Somewhere Between Here and There' invoke not only the borderlands of dreams but the shadow world inhabited by thos...

Abruzzo, located in southern Italy, is known as the ‘green region of Europe’ because of the system of parks and nature reserves covering more than one-third of its territory. It has ...