Cross Photography

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

'Neon Cross', part of Richard Heeps' 'This is Not America' series photographed in Vietnam in 2016. This artwork has a fun kitsch vibe, the neon really makes...

Taos Pueblo, New Mexico (square hole) Gelatin silver print, 1933, printed 1953 A lifetime printing by Brett Weston, supervised by his father Edward Edition of 5 or 6 examples Provena...

This exquisite heliogravure after Man Ray (1890–1976), titled Rayograph, originates from the 1980 folio Man Ray, Electa Editrice Portfolios. Published by Gruppo Editoriale Electra, Milano, and printed by Gruppo Editoriale Electra, Milano, 1980. This image exemplifies Man Ray’s pioneering “rayograph” technique—a cameraless photographic process in which objects were placed directly onto photosensitive paper and exposed to light, creating luminous abstract compositions that fused chance, intuition, and surrealist invention. Through this groundbreaking process, Man Ray transformed photography into pure visual poetry, redefining its potential as a form of modern art. Executed as a heliogravure on velin paper, this work measures 15.75 x 11.75 inches. Unsigned and unnumbered as issued. The edition exemplifies the refined craftsmanship of Gruppo Editoriale Electra, Milano. Artwork Details: Artist: After Man Ray (1890–1976) Title: Rayograph Medium: Heliogravure on velin paper Dimensions: 15.75 x 11.75 inches (40.01 x 29.84 cm) Inscription: Unsigned and unnumbered as issued Date: 1980 Publisher: Gruppo Editoriale Electra, Milano Printer: Gruppo Editoriale Electra, Milano Condition: Well preserved, consistent with age and medium Provenance: From the folio Man Ray, Electa Editrice Portfolios, published and printed by Gruppo Editoriale Electra, Milano, 1980 Notes: Excerpted from the folio (translated from Italian), Limited edition of M examples, drawn in heliogravure on special paper, designed specifically for the Portfolios Electa. Gruppo Editoriale Electra/Milan. Printed in Italy. About the Publication: The Man Ray, Electa Editrice Portfolio (1980) was published by Gruppo Editoriale Electra in Milan as part of the distinguished Electa Portfolios series, which celebrated the masters of 20th-century photography through the artisanal process of heliogravure printing. This edition was dedicated to Man Ray’s seminal body of photographic work from 1920 to 1934—an era in which he redefined modern image-making through technical invention, surrealist experimentation, and intellectual daring. Produced in collaboration with leading photographic historians and Italian master printers, the portfolio was printed on specially manufactured velin paper designed exclusively for the Electa Portfolios, ensuring tonal precision and textural depth true to the artist’s originals. The publication represents one of the most refined posthumous tributes to Man Ray’s legacy, combining Italian craftsmanship with avant-garde vision to preserve the luminous complexity of his photographs. Created with the same devotion to innovation and elegance that characterized Man Ray’s own practice, this edition remains an important intersection of fine art publishing and modernist history. About the Artist: Man Ray (1890–1976) was an American-born painter, sculptor, photographer, filmmaker, and conceptual visionary whose radical imagination and technical innovation transformed modern art and established him as one of the leading figures of the 20th century. Born Emmanuel Radnitzky in Philadelphia, he became a central force in both the Dada and Surrealist movements, defying artistic boundaries and redefining the relationship between art, technology, and the unconscious. After early involvement in New York’s avant-garde with Francis Picabia and Marcel Duchamp, Man Ray moved to Paris in 1921, where he joined a revolutionary circle of artists including Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, and Marcel Duchamp. There, he pioneered the “rayograph,” or photogram—a cameraless photographic technique that used light and shadow to create ethereal abstract compositions—and produced some of the most iconic images in art history, including Le Violon d’Ingres (1924) and Noire et Blanche (1926). His photography, distinguished by its fusion of elegance, surrealism, and psychological depth, captured the essence of modernist Paris and immortalized creative icons such as Kiki de Montparnasse, Gertrude Stein, and James Joyce. At the same time, Man Ray’s experimental films, including Le Retour a la Raison (1923) and L’Etoile de mer (1928), and his sculptural works like The Gift (1921) and Object to Be Destroyed (1923), expanded the possibilities of art itself, transforming ordinary objects into symbols of mystery and desire. His conceptual approach—viewing art as an idea rather than an object—anticipated later movements such as Pop Art, Minimalism, and Conceptual Art, profoundly influencing artists like Andy Warhol, Robert Rauschenberg, Jasper Johns, and Joseph Beuys, as well as photographers Helmut Newton, Guy Bourdin, Cindy Sherman, and Richard Avedon. Even in exile during World War II, while working in Los Angeles, he continued to innovate, blending Surrealist fantasy with the luminosity of the California landscape before returning to Paris, where he spent his final decades refining his poetic, intellectual, and sensuous vision. Exhibited in major institutions such as the Museum of Modern Art, the Tate Modern, and the Centre Pompidou, Man Ray’s work remains foundational to modern art history—bridging painting, photography, film, and sculpture in a body of work that continues to shape the language of visual culture. Standing alongside Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, and Marcel Duchamp, Man Ray endures as one of the most original and influential artists of the modern era. His highest auction record was achieved by Noire et Blanche (1926), which sold for 3.13 million USD at Christie’s, Paris, on November 9, 2017, confirming his status as a timeless innovator whose genius continues to inspire artists, collectors, and dreamers worldwide. Man Ray Rayograph...

Bert stern Marilyn Crucifix 2 The last sitting (1962) great and big photo of Marilyn Monroe photographic paper format 61 X 61 cms image 51 x 51 cms signed...

Marina Sign, photograph by Richard Heeps taken in the Salton Sea, California. This authentic classic American Sign has been beautifully weathered. The bold graphic style makes it hav...

Neon Cross, from Richard Heeps' series 'This is Not America' photographs from Vietnam in 2016. This striking artwork has a fun religious kitsch vibe, the ne...

The Old Days - Historical Photo  is a black and white vintage photo, silver salt print, realized in the early 20th century.  It belongs to historical album including historical mome...

11 x 14" vintage silver gelatin photograph of the Plaza Hotel Fountain on Christmas Night 1965, part of a series he took that evening. Comes directly from the Jack Mitchell Archives ...

Part of Richard Heeps 'Ordinary Places' Series, it captures Britain on the brink of change. It was Richard's first colour series and it achieved much success with an exhibition at th...

Gelatin silver print Signed and inscribed "AP," verso This artwork is offered by ClampArt, located in New York City.

National Museum of Rome-Faun with Bacchus is a black and white vintage photo, realized in the early 20th century.  It belongs to a historical album including historical moments, roy...

Hand printed by the artist. Exquisitely framed in museum quality glass and black wood. Edition 4/25

Gaia 128b - Catalonian Landscape Natural Environment Photograph Diptych by Jaume Llorens Bach Gaia Diptych 128b is a 18cm x 24cm Black and White Photographic print on Premio Kozo 18...

This work is unique. Dated 'SEP 27 1978' on the reverse. Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The Andy...

Co-signed by both Raquel Welch and photographer Terry O'Neill, 20x24" silver gelatin print. Actress Raquel Welch in a photo conceived by photographer Terry O'Neill after Welch noted that she was afraid that the press would "crucify" her for her film choices, taken on the Fox Lot in the late 1960s. Originally deemed too scandalous for promotional use at the time, the photo wasn't published until 30 years later, on the cover of The Sunday Times...

Original Photograph / Photographer unattributed Yokohama, Japan: c 1885. Hand-tinted albumen print, 7 3/4 x 10 1/4 inches (197 x 260 mm), numbered B 86 and captioned caption on lowe...

Merle Oberon as Antonita, 1934 - Cecil Beaton (Fashion Portrait Photography) Signed in pencil on mount Inscribed with 'Merle Oberon' in unknown hand and s...

Why do we dream of a simple and unique image of Eden; What happens when pain represents our sanctuary... Léa Bon work is a profound exploration of dreams and fantasies, transcending...

Marina Sign, photograph by Richard Heeps taken in the Salton Sea, California. This authentic classic American Sign has been beautifully weathered. The bold graphic style makes it hav...

Individual technique on grey military blanket Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of F...

The artist's photographs capture the transformation of everyday life into another reality. Images that explore what the future will be like. Industrial, eccentric and progressive, Ca...

This authentic classic American Sign has been beautifully weathered. The bold graphic style makes it have a great Pop Art appeal. This artwork is a limited edition of 25, gloss phot...

Part of Richard Heeps 'Ordinary Places' Series, it captures Britain on the brink of change. It was Richard's first colour series and it achieved much success with an exhibition at th...

Hugh Hefner American publisher Hugh Hefner, founder of ‘Playboy’ magazine, surrounded by erotica at the Playboy Club in Chicago, 1961. 24 x 20" - paper size Estate Stamped Coll...

Ernest Hemingway's Grave is a vintage black and white photograph realized in 1962, dated on the back. With stamp and handwriting on the rear. Good conditions with slight folding on...

Titled with artist's reference number on back of mount. Stamped, 'Edward Weston printed by' and signed by Cole Weston on back of mount. Artist reference number: Y-MR-6G.

Still Life 2019 Edition 1/10 plus 2 Artist Proof, 20x25cm. Digital Print based on a Polaroid photograph on Hahnemühle photo rag paper. Signature label and certificate. Not mounted....

Maria Veronica is dead, Tixán, Ecuador by Flor Garduño is a black and white photograph of a woman, carrying a cross in her hands, and a man, carrying a casket strapped to his back. ...

'Hugh Hefner' American publisher Hugh Hefner, founder of 'Playboy' magazine, surrounded by erotica at the Playboy Club in Chicago, 1961. 40 x 30" inch...

Christ - Resurrection: Fine-Art Print Utilizing green screen technology, a scene representative of the XIV Stations of the cross, Station IX. Includes elements of Photography, 3d modeling...

Abruzzo, located in southern Italy, is known as the ‘green region of Europe’ because of the system of parks and nature reserves covering more than one-third of its territory. It has ...

Richard Kagan, born in Philadelphia, followed a circuitous path to become a photographer. Beginning with street photography using a meterless Asahi Pentax as a student at Temple Univ...

'Mussolini In Celebration' is a b/w photographic print on glazed paper. Stamp of agency Trampus, Paris and cliché applied on the back. Celebration of the 16th annual of the Fasci, re...

St. Giulia Church in Brescia- Vintage Photo is a black and white photograph realized by U. Vecchi in the early 20th century. Stamped of on the rear. The title is Hand-written in th...

Cross of St. Helena is a black and white photograph realized in the early 20th century by Alinari. Preserved in the Christian Museum of Brescia. Titled in the Italian language on t...

"Vintage photo - The Cucifix" is a black and white vintage photo, realized in Mid 20th Century. Good conditions and aged. It belongs to a historical and nostalgic album including h...

Charlotte Salomon is an original digital photograph realized by Angelo Cricchi in 2009. Hand-signed, dated, numbered by the artist on the back of t...

Lifetime prints are the last remaining prints available, signed by Terry O’Neill and obtained from the Terry O’Neill Archive in London. American actress Raquel Welch being crucified in an oddly anachronistic publicity still for the Hammer Films production 'One Million Years BC...

Vintage Photo of Painting is a vintage photograph realized in the early 20th Century.  The photo belongs to Albumen of historical painting, photographs, meticulously captured. Good...

'Isletas Church' by Alain Le Garsmeur Limited Edition Archival Pigment Print Church in Isletas, a small town with a banana plantation, Honduras, Central America, 1981. Paper siz...

The Church of St. Marco, Venice is an original photograph taken in Venice, Italy, and realized by Osvaldo Böhm. Signed on the plate on the lower. Titled on the lower, with the desc...

‘St Mark's Cathedral.' is a b/w photographic print on Cardboard. 2390 Venezia-Chiesa S.Marco - Formella Bizantina Rip. Int. C.Naya Venezia” is written at the bottom. The artwork re...

Wonderful black & white photograph of Cretian Chapel by William Giles (American, 20th Century). New acid free conservation over-mat. Unframed. Unsigned. Image size, 8"H x 10"L. William Giles studied and worked with many wonderful photographers including Minor White, Ansel Adams, Dorothea Lang, Beaumont Newhall, Nathan Lyons...

Hand printed Platinum Photograph. Tom Millea was well known for his printing. He loved Death Valley and even made a portfolio of it. This is a loose print.

Venetian medieval art is an original photograph taken in Venice, realized by an Anonymous photographer. With the description on the rear. Very Good conditions.

Forest Light (Strange Love) - 2003 60x225cm, Edition of 5 plus 2 Artist Proofs. Archival C-Print, based on a 35mm film. Signature label and certificate. Not mounted. A piece of...

Signed limited edition print of David Bowie by Brian Aris, taken from a session at Brian’s London studio in 1991. Brian Aris limited edition prints, signed...

Field of Sticks, Kamikawa Hokkaido, Japan by Michael Kenna is a 8 x 8 inch* silver gelatin print, available in an edition of 25. *Please note: the measurements of this print are appr...

A striking black and white photograph by Harold E. Malde capturing a timeless Southwestern adobe church, defined by its sculptural forms, sunlit surfaces, and quiet, architectural pr...

Cleaning Heros Edition of 25 signed and numbered by the artist A statue of a hero holding a severed head near the Uffizi Gallery in Florence is cleaned by a professional team. JJK...

Xtreme (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid photograph. Artist inventory Number 909. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

Star Link (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 1194. Signature label and Ce...

Expanses of Time (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 1193. Signature label...

Dutch fashion model Apollonia van Ravenstein at the Lannan Foundation, Palm Beach, wearing a Mary McFadden dress on Ronald Bladen’s The X. Town & Country, October 1983. Apollonia va...

The Sphere (Ensign Broderick record Shoot 'Blood Crush') - Bombay Beach, CA - 2019 40x50cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature ...

Part of Richard Heeps' 'This is Not America' series photographed in Vietnam in 2016. This striking piece has a fun kitsch vibe, the neon really makes it pop. This artwork is a limit...

Copts 04 - Signed limited edition archival pigment print, 2012 - Edition of 5 In assignment for ARTE & LE LOUVRE 2012 Exhibition in Le Louvre, Paris France This is an Archival ...

'Magic Mountain' (California Badlands), 2016, 24x20cm, Edition 1/10, digital C-Print, based on a Polaroid, Certificate and Signature label, artist Inventory No. 19398.08, not mounte...

'Salton Sea', Edition 1/10, 20x30cm, 2016, Color Print, printed on Velvet Watercolor, 310gsm, Bright White, Acid Free, Signature label and Certificate. About Tao Ruspoli (born 7 Nov...