Juan Pablo Castro

Golden Flame. Landscape architectural color limited edition photograph

2018

Metallurgic B, 2018 by Juan Pablo Castro Chromogenic print on ultra premium photo paper Image size: 54 in. H x 36 in. W Edition of 5 Unframed All Prices are quoted as "initial pric...

POV, 2018 by Juan Pablo Castro Chromogenic print on ultra premium photo paper Image size: 60 in. H x 80 in. W Edition of 5 Unframed All Prices are quoted as "initial price". Pleas...

Metallurgic A, 2018 by Juan Pablo Castro Chromogenic print on ultra premium photo paper Image size: 54 in. H x 36 in. W Edition of 5 Unframed All Prices are quoted as "initial pric...

Marine Stadium by Jill Peters Overall size: 48 in. H x 68 in. W 2015 Edition of 2 Archival Pigment Print Print Unframed All sizes signed, titled, dated, and numbered on artist label...

Beach 2, 2015 by Jill Peters Archival Pigment Print 40" x 60" Edition 1/10 Print Unframed All sizes signed, titled, dated, and numbered on artist label verso. Additional sizes are a...

Landscape I, 2015 by Jill Peters Aerial photography Archival pigment print on heavyweight cotton rag paper Image size: 48 in. H x 68 in. W Edition of 2 Print Unframed All sizes signed, titled, dated, and numbered on artist label verso All Prices are quoted as "initial price". Please note that prices and availability may change due to current sales. _____________________________ Jill Peters finds her inspiration in the quickly changing architectural landmarks of her youth, like the demolished Miami Herald building, an abandoned roller coaster or a neglected go-cart track. Shooting mostly from air, which allows her to find a new level of intrinsic beauty to otherwise overlooked structures, Peters has gone on to capture and document man’s wider imprint on nature. Whether it’s the graphic symmetry of urban architecture or the abstract choreography of the forms and hues of nature itself. Within this body of work, one can marvel at the worn wreckage of the past or the fragile resources of the present. Born in Miami and trained in NYC. Peters worked with prestigious photographers such as Patrick Demarchelier and shot editorials for Harper’s Bazaar, LIFE, Interview, Details, George, Vanity Fair and many more publications. Upon returning to live in Miami Beach in 2012, Peters happened to revisit the Miami Marine Stadium, a landmark she had frequented as a child, Long abandoned. Jill Peters finds her inspiration in the quickly changing architectural landmarks of her youth, like the demolished Miami Herald building, an abandoned roller coaster or a neglected go-cart track. Shooting mostly from air, which allows her to find a new level of intrinsic beauty to otherwise overlooked structures, Peters has gone on to capture and document man’s wider imprint on nature. Whether it’s the graphic symmetry of urban architecture or the abstract choreography of the forms and hues of nature itself. Within this body of work, one can marvel at the worn wreckage of the past or the fragile resources of the present. Jill was recognized in Photo Lucida’s Critical Mass Top 50...

Signature: Signed, Dated, Numbers 4/15 lower right recto, other sizes available. unframed , printed later

Before one of America's most iconic streets was desecrated into a mall, Fremont street was a wonderland of classic casino signs. Mitchell Funk doubles down...

Graffiti-clad New York City Street scene with wall shot by veteran street photographer Mitchell Funk in his trademark colorful style. In Funk's oeuvre co...

Tropical Colors abound in this photography of South Beach. Ocean Drives Neon light show is in full display in this Mitchell Funk photograph. This archival color photograph by fine ...

Photograph of the ocean horizon. Abstracted color field Made to order 16x24 on metal - $650 20x30 on metal - $900 Title: Calm Year: 2019 Medium: Photography (printed on metal) Size: ...

Monument Valley Navajo Tribal Park, Four Corners at dawn. Signed dated and numbered 2/15 lower right recto, other sizes available, unframed, printed later, Printed on Hahnemühle Fi...