Cross Photography

'Neon Cross', part of Richard Heeps' 'This is Not America' series photographed in Vietnam in 2016. This artwork has a fun kitsch vibe, the neon really makes...

'Notre Dame 3' 2010, Edition of 10 plus 2 Artist Proofs, archival Pigment Print, based on a Polaroid 810 transfer process, 27.3x20cm, not mounted, Signed, embossed stamp and artist c...

This authentic classic American Sign has been beautifully weathered. The bold graphic style makes it have a great Pop Art appeal. This artwork is a limited edition of 25, gloss phot...

Part of Richard Heeps 'Ordinary Places' Series, it captures Britain on the brink of change. It was Richard's first colour series and it achieved much success with an exhibition at th...

Josef Sudek Calvary Original gelatin silver photography Hand signed in pencil on the back (see picture) Printed in the 1940s 28.5 x 22.5 cm (c. 11 x 8.6 in) PROVENANCE : The Jan St...

Signed limited edition print of David Bowie by Brian Aris, taken from a session at Brian’s London studio in 1991. Brian Aris limited edition prints, signed...

Nadie nos desata (No One Unties Us) by Marta Maria Perez Bravo is a black and white photograph of a woman lying on her stomach, surrounded by a structure of crosses. Gelatin Silver ...

Copts 04 - Signed limited edition archival pigment print, 2012 - Edition of 5 In assignment for ARTE & LE LOUVRE 2012 Exhibition in Le Louvre, Paris France This is an Archival ...

Christ - Resurrection: Fine-Art Print Utilizing green screen technology, a scene representative of the XIV Stations of the cross, Station IX. Includes elements of Photography, 3d modeling...

Ceremony is a Silver salt photograph on cardboard, with the description on the lower realized in 1906 by "Valparaiso" with the stamp on the lower right. Good conditions.

Lifetime prints are the last remaining prints available, signed by Terry O’Neill and obtained from the Terry O’Neill Archive in London. American actress Raquel Welch being crucified in an oddly anachronistic publicity still for the Hammer Films production 'One Million Years BC...

Cross-Vintage Photo is a black and white photograph of the early 20th century. Good conditions, aged with foxing.

"Huntington Gardens XLVII," is part of Edward Alfano's "Huntington Gardens," series that he has formed over a number of years. This work is framed and ...

Ernest Hemingway's Grave is a vintage black and white photograph realized in 1962, dated on the back. With stamp and handwriting on the rear. Good conditions with slight folding on...

St. Giulia Church in Brescia- Vintage Photo is a black and white photograph realized by U. Vecchi in the early 20th century. Stamped of on the rear. The title is Hand-written in th...

S. Francesco Church- Vintage Photo is a black and white photograph realized by Zuecca Uno in the early 20th century. Stamped on the rear. Good conditions, aged with foxing.

Daniel Poensgen Title: In Memory of Santa Croce Medium: 2-Part Photograph on Agfa Paper Year: 1986-1987 Digned, dated and inscribed Size: 7.6 × 5.1 on 8.2 ...

An original 1920s silver gelatin print by photographer Tina Modotti, showing a fresco, "The Spirit of Fire", in the Agricultural School-Chapingo, Mexico by artist Diego Rivera. Phot...

Jen's love of photography began as a child, when her grandfather, a photographer, gave her a camera. However, it wasn't until she graduated from UC Berkeley that photography became a...

Charlotte Salomon is an original digital photograph realized by Angelo Cricchi in 2009. Hand-signed, dated, numbered by the artist on the back of t...

Xtreme (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid photograph. Artist inventory Number 909. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

Star Link (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 1194. Signature label and Ce...

Expanses of Time (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 1193. Signature label...

Cleaning Heros Edition of 25 signed and numbered by the artist A statue of a hero holding a severed head near the Uffizi Gallery in Florence is cleaned by a professional team. JJK...

'Mussolini In Celebration' is a b/w photographic print on glazed paper. Stamp of agency Trampus, Paris and cliché applied on the back. Celebration of the 16th annual of the Fasci, re...

View Of Rome is a vintage black and white photograph realized in the early 20th Century as reprint of an image of the late 19th century. With the hand-note in pencil on the rear. Go...

The Church of St. Marco, Venice is an original photograph taken in Venice, Italy, and realized by Osvaldo Böhm. Signed on the plate on the lower. Titled on the lower, with the desc...

Andy Warhol’s Mexican Crucifix and Maxfield Parrish, In Second Bedroom East 66th St NYC, 1987 6X7 Format Film Archival Inkjet on Paper *Also availa...

Guadalupe (The Last Picture Show) - 2005 38x37cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Archive Fuji Crystal Paper, based on the Polaroid. Artist inventory...

Alain Foussier, born in France living in the Netherlands, perfects the mood and spirit of Spaniel dogs with his portrait photography. His Spaniel dog a...

The Sphere (Ensign Broderick record Shoot 'Blood Crush') - Bombay Beach, CA - 2019 40x50cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature ...

Why do we dream of a simple and unique image of Eden; What happens when pain represents our sanctuary... Léa Bon work is a profound exploration of dreams and fantasies, transcending...

Marina Sign, photograph by Richard Heeps taken in the Salton Sea, California. This authentic classic American Sign has been beautifully weathered. The bold graphic style makes it hav...

'Magic Mountain' (California Badlands), 2016, 24x20cm, Edition 1/10, digital C-Print, based on a Polaroid, Certificate and Signature label, artist Inventory No. 19398.08, not mounte...

The artist's photographs capture the transformation of everyday life into another reality. Images that explore what the future will be like. Industrial, eccentric and progressive, Ca...

"Huntington Gardens XLVII" is part of Edward Alfano's "Huntington Gardens" series that he has formed over a number of years. This work is framed and ready to hang, but we can also ...

'Notre Dame 4' 2010, Edition of 10 plus 2 Artist Proofs, archival Pigment Print, based on a Polaroid 810 transfer process, 27.3x20cm, not mounted, Signed, embossed stamp and arti...

Part of Richard Heeps' 'This is Not America' series photographed in Vietnam in 2016. This striking piece has a fun kitsch vibe, the neon really makes it pop. This artwork is a limit...

Somewhere Between Here and There 2017 "Over and over, the works in 'Somewhere Between Here and There' invoke not only the borderlands of dreams but the shadow world inhabited by thos...

In the Wake of the Bind – 2016 We often speak of old, neglected buildings in anthropomorphic terms as having “good bones”. As such, the specter of death already haunts the languag...

Black and white silver gelatin photograph by Houston, TX artist Jim Reitz. The work features a broken crucifix sculpture found on the ground. Signed by artis...

40x40in ed.18 Archival Pigment Print Mounted and Framed Also available in 48x48in and 60x60in. Limited edition signed print by Guido Argentini. Guido Argentini was born in Florenc...

San Francisco de Asis Mission Church, Rancho de Taos, NM. This beautiful fine art photograph is a standout in any room. :: Photograph :: Black & White :: This piece comes with an...

Capri Tan, 1968 Chromogenic Lambda Print Estate edition of 150 1968, A kneeling sunbather shows off her rings and pendant on a beach in Capri, Italy. Estat...

Iscritto dal 1997 all'Ordine dei giornalisti pubblicisti, qualifica in fotografia nel 1998, Mostra fotografica personale al Pan (palazzo delle arti) Napoli marzo 2016 (con pubblicazi...

Black and white photograph by Houston, Texas photographer, Nash Baker, of the Chapel of St. Basil's cross window and crucifixion procession sculpture. Titled, signed, and dated by ar...

Collage on paper. Signed and dated in pencil verso. W. Perry Barton constructs his colorful collages with a skill for storytelling and a certain amount of play. The medium of collag...

Vintage Photo of Painting is a vintage photograph realized in the early 20th Century.  The photo belongs to Albumen of historical painting, photographs, meticulously captured. Good...

Historical Photo is a  vintage photo, realized in the 1970s. The artwork is a well-balanced composition.

Vintage Photo. The Italian Actress Antonella Lualdi on the set of a movie.

The Old Days - Historical Photo  is a black and white vintage photo, silver salt print, realized in the early 20th century.  It belongs to historical album including historical mome...

Edition 1 of 15. CURRENT EXHIBITION - runs through October 29th, 2017. Any framed photographs purchased during the show will be available after October 29th. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.” ABOUT In 2008, Andrew Arrick and Michael Hofeman first came across The Robin Rice Gallery and immediately fell in love with the fine art photography becoming fans and collectors of the work. On a visit to the gallery this past winter, Michael and Andrew had a brilliant idea to join forces with Robin to curate an exhibition in tune with the aesthetic of their vintage lifestyle boutique, FINCH hudson...

Jen's love of photography began as a child, when her grandfather, a photographer, gave her a camera. However, it wasn't until she graduated from UC Berkeley that photography became a driving force in her life. She loves to photograph America's worn-out, offbeat, and forgotten corners. Working with color Jen takes ordinary scenes just a bit beyond our everyday view. Many of her photographs depict California highway establishments and signage, revealing an appreciation for their dated aesthetic and patina of rust and neglect. "Jack London...

San Francisco de Asis Mission Church, Rancho de Taos, NM. This beautiful fine art photograph is a standout in any room. :: Photograph :: Black & White :: This piece comes with an...

Old sign on the Mother Road, old Route 66, located in Tucumcari, New Mexico. This beautiful fine art photograph is a standout in any room. :: Photograph :: Color :: This piece co...

War Cemetery is a photograph realized in the 1950s. Good conditions.

This piece is sold with a custom wood copper finish box frame, perfect for a contemporary setting. This gorgeous artwork on paper was created initially with a screen print base of the model, then Rosie hand finishes the work with a unique splash and painted composition. Some call them Unique Prints. The base image is only used 9 times Rosie Emerson, born in 1981, is a contemporary artist working almost exclusively on representing the female form. Emerson’s figures draw reference from archetypes old and new, from Artemis to the modern day super model, each solitary figure, an allegory of her own fantasy. Interested in surface, the interplay between photography and painting. Emerson’s works are playful constructs; Photography is used, not as a device for capturing reality but for creating romanticised optical illusions. Inspired by her love of theatre, performance, shrines and rituals, she uses lighting, costume, set and prop making, alongside printmaking and painting to create other worldly one off pieces. Her photography is inspired by both the drama of the baroque, and ethereal qualities of Pre Raphaelite works. Other important influences include late medieval and renaissance paintings, Japanese prints, and magical realist literature. Emerson’s screen...

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...