Cross Art

Portrait (52) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board, unsigned Size: 20 in. x 15 in. (50.8 cm x 38.1 cm)

This artwork titled "Ants" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by renown British artist Graham Vivian Sutherland, ...

Ex Libris - André de Raynal - Ex Biblioteca Macabrum is an Etching print created by Michel Fingesten. Hand Signed and dated on the lower margin. Good conditions. Michel Fingesten...

Billy Childish Untitled 7, 2013 Giclee archival print 41.91 x 30.48 cm 16.5 x 12 in Billy Childish’s emotional, introspective portraits and landscapes take inspiration from the arti...

James Carter, American (1948 - ) Date: 1991 Acrylic on Canvas, signed and dated verso Size: 30 x 24 in. (76.2 x 60.96 cm) Frame Size: 31 x 25 inches

'Isletas Church' by Alain Le Garsmeur Limited Edition Archival Pigment Print Church in Isletas, a small town with a banana plantation, Honduras, Central America, 1981. Paper siz...

Roman Wall Motif With Nehebkau and Pegasus from "Antiquities of Herculaneum" is an etching on paper realized by Carlo Nolli in the 18th Century. Signed on the plate. Good condition...

Crucifixion is an original artwork in mixed media -pencil and oil pastel- on cardboard realized by an Anonymous artist of the XX century. The State of preservation is very good. S...

Created for Icons in Bloom, Burton Morris’ first Los Angeles solo exhibition in over fifteen years at Mash Gallery, Pop! Silver from the Pop! x Bang! series reflects a pivotal shift ...

Etching realized by Amedeo Tedeschi Toschi in 1996 ca. Hand signed and numbered in pencil. Edition of 16. Excellent condition.

The European Macabre Dance N.4 is a hand-colored lithograph, from the Series "La Danza Macabra Europea" illustrated by Alberto Martini (Oderzo, 1876 – Milan, 1954) in 1915. Signed ...

Vintage Photo of Painting is a vintage photograph realized in the early 20th Century.  The photo belongs to Albumen of historical painting, photographs, meticulously captured. Good...

Veni, Domine Jesu is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Sign...

Amazing and gorgeous pair of business welcome panels, made of carved and lacquered wood in a bull's-eye tone, with embossed gold characters. They are reversible; one side has two ch...

Different French orders of chivalry of the Crusades is a lithograph made by Auguste Wahlen in 1844. Hand colored. Good condition. At the center of the artwork is the original titl...

'Mussolini In Celebration' is a b/w photographic print on glazed paper. Stamp of agency Trampus, Paris and cliché applied on the back. Celebration of the 16th annual of the Fasci, re...

Crucifix is a black and white etching realized by the French artist Michel Ciry in 1964. Signed and dated on the lower right. Sheet dimensions: 57 x 38 cm. In good conditions. The artwork represents a standing crucifix...

This refined lithograph by Carlo Canestrari presents an enigmatic scene in which two stylised figures appear suspended along a vertical ladder-like structure, creating a striking int...

Matt Devine is a self-taught sculptor working with steel, stainless steel, aluminum and bronze. Born and raised in New England, Devine moved to California in 1995, where he learned t...

A study in neutrals, the essence of timeless Taos comes together in this picture. The backdrop of the Sangre de Cristo Mountains and particularly notice the brilliant light on the st...

Nude is an original drawing in watercolor, realized in the Mid-20th Century by Jean Delpech (1916-1988). Good conditions. Jean-Raymond Delpech (1988-1916) is a French painter,...

Monument VII, paper/etching, 14x9.5 cm

Junghans (1956, Recklinghausen) creates abstract sculptures in stone, wood and bronze, mostly torsos and primal portraits, in a primitive, cubic and expressionistic imagery. He also ...

Ancient Roman Fresco from the series "Antiquities of Herculaneum", is an original etching on paper realized by Casanova in the 18th Century. Signed on the plate. Good conditi...

Composition is an original Contemporary artwork realized by Laurent Schkolnyk (Paris, 1953). Original Etching on paper. Passepartout is included (cm 60 x 40). Hand-signed and n...

A Little Poor Woman is a Lithograph realized by Adolphe Léon Willette ( 1857-1926). Good condition included a cardboard passpartout (65x50 cm). Hand-signed by the artist on the low...

Maria Veronica is dead, Tixán, Ecuador by Flor Garduño is a black and white photograph of a woman, carrying a cross in her hands, and a man, carrying a casket strapped to his back. ...

Wonderful black & white photograph of Cretian Chapel by William Giles (American, 20th Century). New acid free conservation over-mat. Unframed. Unsigned. Image size, 8"H x 10"L. William Giles studied and worked with many wonderful photographers including Minor White, Ansel Adams, Dorothea Lang, Beaumont Newhall, Nathan Lyons...

Guardian Angel from "Antiquities of Herculaneum" is an etching on paper realized by Ferdinando Campana in the 18th Century. Signed on the plate. G...

Nude is an original drawing in oil pastel realized by Simon Goldberg (1913-1985). Stamp on the lower right "Atelier Simon Goldberg". The state of pres...

Letter of the Alphabet I, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Good conditions. The etching belon...

Tree of Life - Poster is a mixed-colored offset by Gino Marotta Sheet dimension: 80 x 60 Good conditions.

Tree of Life - Poster is a mixed-colored offset by Gino Marotta Sheet dimension: 80 x 60 Good conditions.

Figure is an original B/W etching artwork on cardboard realized by Leo Guida in 1972. Hand-signed in pencil on the lower right. Image Dimensions: 32 x 19 cm. Numbered on the lower ...

‘St Mark's Cathedral.' is a b/w photographic print on Cardboard. The artwork represents crucified Christ.The stamp of Foto Bohm Venezia on the rear.

It is said that Marbling (his painting technique) originated in Japan in the 12th Century. Mikael has been able to reinvent the technique existing for more than hundreds of years li...

Popes is an original drawing in charcoal, ink and watercolor on paper realized by Edouard Dufeu in the mid-20th century. with the stamp of the atelier"E. Dufeu" on the rear. Good c...

Original work by Israeli artist Igor Litkin, depicting two bold, perpendicular lines set against a plane surface. The composition features an upper horizontal line subtly detached fr...

Forest Light (Strange Love) - 2003 60x225cm, Edition of 5 plus 2 Artist Proofs. Archival C-Print, based on a 35mm film. Signature label and certificate. Not mounted. A piece of...

Winning Hero is an original artwork realized in 1971 by the italian Contemporary artist Leo Guida (1992 - 2017). Original colored etching on ivory-colored cardboard. Not signed...

Ex Libris with Knight is a vintage B/W Offset print on ivory-colored paper. The work is glued on cardboard. Total dimensions: 21 x 15 cm. Mint conditions. The artwork represent...

The crucifixion is an original drawing in pencil on paper applied on a paper Passepartout realized by an anonymous artist in the early 20th Century. Good conditions, with very small diffused stains. The artwork represents the crucifixion of Christ...

Venetian medieval art is an original photograph taken in Venice, realized by an Anonymous photographer. With the description on the rear. Very Good conditions.

Venus and the Sapient is an original etching and drypoint realized by Leo Guida in 1980s. Mounted on a white cardboard passpartout (50x35 cm). Not signed. Leo Guida (1992 - 2017)...

Rita Simon (aka Atirnomis), American (1938 - ) - Rara Avis, Year: 1978, Medium: Screenprint, signed and numbered in pencil, Edition: AP 30, Image Size: 33.5 x 24 inches, Size: 3...

Ex Libris Obratil is an original Contemporary Artwork realized in the Mid-20th Century. Original Ex Libris. Original B/W woodcut print on ivory-colored paper. Hand-signed in penci...

Christ is an original print realized by Jacques Beltrand in 1928. Cromolithograph. Good conditions except for being aged and some rips on the lower margin and a cutaway on the top l...

"Sankt Franziskus" is an original Black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924). F...

Harbor View is a very good watercolour by Herna Hausmann. The artwork is in good conditions, except for some stains on the margins. Atelier stamp on the right margin at the bottom.

Two Samurai Fighting with a Stick is a Japanese multi-colored print realized around the end of the XIX Century by Toyohara Kunichika (Edo period, 1835 - 1900). Original Woodcut on p...

Setsugo-Δ Mezzotint, 1977 Signed, titled and numbered in pencil (see photo) Edition: 30 (8/30) Provenance: Ninion and Sheldon Landy Collection, Donors to Art Inst. of Chicago Hamanishi Exhibition, Oct. 12, 2013-January 5, 2014 Hamanishi Large 12 HAMANISHI Katsunori...

Medium: original lithograph. This lithograph was printed in 1957 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...

Old Church is an original artwork realized by Franz Edmund Weirotter in the first half of the XVIII Century. Original Etching on paper. Passepartout included (cm 37 x 55). Signed...

Lithograph on cream wove paper, 12 3/4 x 9 1/8 inches (322 x 231 mm), margins trimmed. Some scattered light foxing on the verso, handling creases, and adhesive residue along the top sheet edge, and left sheet edge, verso. Recto is clean. Born in Bordeaux in 1804, Adrien Dauzats...

Kosuke (*1986, Japan) WARNING #18, 2008 Silver gelatin print Image 39.2 x 52.7 cm (15 3/8 x 20 3/4 in.) Sheet 50.8 x 61 cm (20 x 24 in.) Edition of 15, plus 3 AP's; Ed. no. 1/15 prin...

Cleaning Heros Edition of 25 signed and numbered by the artist A statue of a hero holding a severed head near the Uffizi Gallery in Florence is cleaned by a professional team. JJK...

Titled with artist's reference number on back of mount. Stamped, 'Edward Weston printed by' and signed by Cole Weston on back of mount. Artist reference number: Y-MR-6G.

Xtreme (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid photograph. Artist inventory Number 909. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

An intimate interior scene by Belgian artist Jehan Frison (1882-1961), featuring an ornate chest of drawers, large crucifix affixed to the wall...

A decorative watercolour by the artist Adolf Schill (1848-1911), featuring a fire burning in a brass stand, encircled by leafy foliage. The dates "1471-1528" are delicately painted a...