Drawing Art

Camille BELTRAND (1877-1951) Peaceful Landscape in Normandy, 1924 Original woodcut Handsigned in pencil Numbered /105 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp ...

Original lithograph, realized in the last years of 19th Century. Specimen "avant la lettre", before the text. A striking and highly graphic Belle Époque composition by the celebrat...

Maurice Brianchon Saint-Jean-de-Luz : La Plage 1964 Original Color Lithograph on Velin d'Arches Size: 10x7.375in Edition: 2,000 Annotated verso Unsigned as issued Publisher: Mourlot,...

The Cats and Kitty is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was ...

JOSEPH PENNELL (1857- 1926) UP TO THE WOOLWORTH 1915 (Wuerth 673) Etching, signed in pencil. Early state before additional work, especially before extensive darkening in the sky. I...

Lithograph on paper. Hand signed, titled and numbered. Edition of 100. Very good condition.

Henri AMEDEE-WETTER (1869-1929) Life in the Sea : Mermaid Maternity, 1922 Original woodcut Handsigned in pencil Numbered /105 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blin...

Mid-century modern French pencil drawing of two nudes and architectural elements, circa 1950. Original artwork on paper displayed on a white mat with a gold border. Archival plasti...

Yvon TAILLANDIER Paris, The Pink Eiffel Tower Original screen print Handsigned in ink Numbered / 5 copies On thick paper 56.5 x 46 cm (c. 22.2 x 18.1 in) Very good condition, slig...

"The Portrait" by Geneviève Zondervan (French 1922-2013) pencil/ charcoal on thick paper, unframed paper size: 24.75 x 19 inches Beautifully decorative, mid 20th century French ori...

French Landscape by Guy Nicod (French 1923 - 2021) watercolour on artist paper, unframed painting : 8 x 10 inches provenance: artists estate, France condition: very good and sound co...

Lithograph realized in 1959. Hand signed and dated in pencil. Artist Proof. Good conditio, with some minor foxing.

ARTIST: Salvador Dali TITLE: Poems Secrets Frontispiece MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions Argillet, Paris EDITION NUMBER: 75/145 MEASUREMENTS: 15.15"...

Untitled (Two Men, Sitting and Standing) 2017 Signed and dated, l.r. Charcoal with red and white conté crayon on Rives BFK paper 30 x 21 inches (76.2 x 53.3 cm) $1,600 This work ...

Etching on laid paper Signed in plate lower left: Justin Gabriel Published by Cadart & Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blindstamp of the Société des Aquafortis...

Surrealistic figurative print by Polish artist Joanna Wiszniewska-Domanska. Artwork depictics a man dressed in black visible from the back. THe is standing in a bathtube or a bowl, h...

Wayne Ensrud, American (1934 - ) - Mediterranean, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 45, Image Size: 21 x 28.5 inches, Size: 2...

Very stylish, unique and original 1940's fashion design by French illustrator Geneviève Thomas. The painting, executed in gouache and pencil. The s...

Man in Mirror is a drawing artwork realized by Alfredo Furiga in the mid-20th century. Pastel and watercolor on paper. Hand-signed by the artist. Good conditions.

Named after the exotic Rabbit known for its luxurious wool, Joan Miró La Femme Angora, 1969, depicts a fantastical woman with anthropomorphic features. Conveyed in a grand scale, the...

French pencil drawing of tree, circa 1920. The artist's perspective lends a sense of upward movement to this piece, as the tree's branches seem t...

A Finely Drawn, 1930s Modern Figure Study of a Seated Male Nude Model by Notable Chicago Modern Artist, Harold Haydon (Am. 1909-1994). An early charcoal drawing by Haydon (a compos...

Woman is an Original drawing in watercolor realized by Lucien Coutaud in 1931. Hand-signed on the lower by the artist. Good conditions. The delicate ...

Work on paper

Artist: Henri Matisse Title: La Voix Tintante Portfolio: Poesies Antillaises Medium: Lithograph Year: 1972 Edition: 250 Sheet Size: 14 7/8" x 11 1/8" Image Siz...

Simple French pencil and watercolor painting of woman in blue working at easel, circa 1930. Original artwork on paper displayed on a white mat with a gold border. Archival plastic ...

Young Woman is an original litograph, realized by Sandro Trotti in 1980s. Representing a young woman exalted by a wonderful contrast of colors, this original print is hand-signed in...

Jean-Baptiste VALADIE Seated Nude Original lithograph Handsigned in pencil Justified EA (artist proof) On vellum 51 x 39 cm (c. 20 x 16 in) Very good condition, light defects at th...

Serigraph created by Tom Wesselmann for a Tammy Wynette concert in Vermont, 1989. Printed on regular poster stock, not rag paper. Shipping and Handlin...

Raoul DUFY The Dance, c .1910 Original woodcut Signed with stamp of the artist's studio Numbered on /220 Titled in the board 50.5 x 65.4 cm (c. 19.6 x 25.5 inch) Excellent condition

Engagement is an original offset and lithograph realized by George Grosz. The artwork is the platen. 17 from the portfolio Ecce Homo published between 1922/1923, edition of Der Mal...

Signs of the Zodiac, Taurus and Gemini is a modern artwork realized by Jacques Villon in 1937. China ink drawing on paper. Hand signed and dated on the lower margin. Vintage frame included in this rare artwork...

A very fine original antique English botanical watercolour painting depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, En...

Charcoal drawing on archival, 100% cotton paper by Dutch contemporary artist and art teacher Rubins J. Spaans. His drawings are elaborated sketches for his paintings. ***FREE SHIPPI...

Flirtatious Women is a Pen Drawing realized by Mino Maccari (1924-1989) in 1960s. Hand-signed in the lower margin. Good condition. Mino Maccari (Siena, 1924-Rome, June 16, 1989) ...

Alberto Giacometti, Swiss (1901 - 1966) - Head From Derriere Le Miroir no. 127, Year: 1961, Medium: Lithograph, Edition: ~2500, Size: 15 x 11 in. (38.1 x 27.94 cm), Publisher: M...

A Fine, Mid-Century Modern 1950s Academic Anatomical Figure Study of Arms, Legs and Feet by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). A well executed ink composite figu...

Title: French Village Street Church Tower Architecture Ink Drawing Bernard Labbe Artist: Bernard Labbe (French, mid 20th century) Medium: ink on paper, unframed Size: 16.25 x 13 inch...

Untitled (woman's head) Lithograph printed in grey ink on japanese paper, c. 1900-1920 Unsigned Provenance: estate of the Artist By descent to wife ...

'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)

Tranquil pen and ink female figurative by artist and architect Reiner Keller (Swiss/American, 1926-2024), dated 2012. With a dynamic point of view, this figure drawing invites us int...

Once a peer of David Hockney and Peter Blake during school, Colin Self is an important contemporary British printmaker whose innovative etching techniques and novel use of found mate...

The Biggest of All; Telephone and Telegraph Building. 1925. Etching. Wuerth 853. 9 7/8 x 11 7/8 (sheet 11 1/2 x 17 1/8). Edition probably 35. An atmospheric impression with plate tone, printed on antique laid paper...

Porta S.Spirito is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions. Giuseppe Vasi (Corleone,1710...

Porta S.Sebastiano is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions. Giuseppe Vasi (Corleone,1...

Darling gouache and pencil sketch of a feminine stage costume complete with matching bonnet for a Paris theater by Willie & Co., circa 1930. Original artwork on paper displayed on a...

Work on paper Support size 17 x 24 x 0.4 cm

Paul Cezanne Small French Garden, 1971 Lithograph and stencil (Jacomet workshop) Unsigned Numbered / 225 On paper applied on Arches vellum 41.5 x 53.5 cm (c. 16.5 x 21 in) INFORMAT...

Purple Peony by Josine Vignon (French 1922-2022) signed pastel/watercolor on paper, unframed painting: 13 x 20 inches good condition provenance: from the artists estate, France Jos...

The Kitten is a Drawing in pencil realized by Augusto Monari in the Early-20th Century. Hand-signed on the lower. Good conditions, including a creamy-colored Passepartout. The art...

A Unique Offering of Two 1940s Chicago City Street Scenes, "Studies for Fulton Street Market" by Notable Chicago Modern Artist, Harold Haydon (Am. 1909-1994). Two related, boldly ex...

Noblewoman is an amazing black and white etching on cream paper, made by the French artist and engraver, Jean Coraboeuf (1870-1947), grand prix de Rome in 1898 and successful worldly portraitist. Monogrammed on plate on lower right corner, signed and dated on plate on lower margin at the center, and hand-signed in black inck on lower right margin. This original print realized with a very fluid and sure touch, represents a noblewoman charms still today for her beauty and elegance. Because of the Neoclassical fashion, her hairstyle, her pose on the triclinium, it is possible to recognize the woman in the person of Paolina Borghese...

Etching on chamois-colored laid paper, realized in 1968/69. Plate from "Faust (La Nuit de Walpurgis), published by Argillet, Paris. Edition of 49/150, hand colored. Hand signed an...

Forest Road, paper, etching, 21.5x28.5 cm Piotr Petrovich Belousov (1912-1989) was a Soviet, Russian painter, graphic artist, art teacher, professor of the Leningrad Institute of Pa...

Spanish Expressionist Marker Drawing of Ballet Dancers and Theater Scene Artist: Ignacio Gil Sala (1913–2003) Title: Untitled (Ballet and Theater Sketches) Date: circa 1985 Medium: ...

A Finely Drawn, 1930s Modern Figure Study of a Standing Young Male Nude Model (Backside) by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An early charcoal drawing by Hayd...

Judith Williams’ “Longing” evokes quiet intimacy through fluid linework and soft washes of charcoal and acrylic. The painting’s muted tones and subtle textures heighten its emotional...

Signed lower right, 'Henry Ottmann' (French, 1877-1927) and created circa 1915. An elegant pencil and ink-wash drawing showing two women conversing, one seated side-saddle on horse ...

ARTIST: Salvador Dali TITLE: Saint Martin MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 162/175 MEASUREMENTS: 26.5" x 20.5" YEAR: 1965 FRAMED: No CONDITION: Excellent ...

Sepia-toned gelatin silver print Signed and numbered, verso 20 x 24 inches, sheet (Edition of 35) 26 x 39 inches, sheet (Edition of 15) This photograph is offered by ClampArt, located in New York City. “Horenstein’s creatures are decontextualized. They appear without the backdrop of the natural landscape, outside even the artificial world of the zoo or aquarium, and devoid of their true color. As a consequence, the images are truly arresting; and in both a literal and a metaphorical sense, we see these animals as we have never seen them before. We notice details, and Horenstein focuses our vision on the unexpected: the foot of an elephant, the eye of an octopus, the hair on the back of a gibbon’s head, the pattern of feathers on a bird’s neck. He plays with scale: the rear end and tail of a rhinoceros occupy the entire picture frame. We see these as if through a magnifying glass. His pictures challenge us to look more closely, to ask questions and make connections. We think about form and function: the relationship between an elephant’s foot, a horse’s hoof, and our own toes. We ponder modes of sensing and communication: the signals that hold together a school of fish. Examining these photographs, we become scientists and discoverers. “In some respects, Horenstein’s work continues a centuries-old tradition of natural history illustration in the realm of photography. In natural history illustration, animals are often presented in shallow space with limited landscape, sometimes even against a blank page, in order to promote close examination and study of detail. But as much as these photographs promote scientific inquiry, they are more than scientific illustration. Animals were the subjects of our first art and our first metaphors; and freed from the constraints of space and time, many of Horenstein’s creatures remind us of the lost magical connection between the ‘animal world’ and our own. They are unsettling and they mesmerize. They transcend and transgress familiar boundaries between subject and object. Who is observing whom? The Komodo dragon looks at us with piercing eyes. We’re transfixed by the gaze of the harbor...