Drawing Art

This exquisite lithograph after Henri Matisse (1869–1954), titled Pinceau (Brush), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 editi...

Jean Jansem (1920-2013) Peintre dans son atelier, 1969 Lithographie sur papier Rives Signée en bas à droite et justifiée en bas à gauche 39 x 52 cm / 56 x 76 cm D'une édition à 120 exemplaires Bibliographie: Jansem Lithographe, 1954-1983, de Francony Editeur, Nice, 1984, n. 211, reproduit p. 53, référencé p. 231. "Ma première lithographie date de 1954. Elle représente un enfant en haillons portant deux seaux d'eau, d'après un croquis rapporté de Cordoue lors de mon voyage en Espagne en 1952. Je l'exécutai sur pierre, au pinceau et à l'encre lithographique. Je fus déçu du résultat et n'en tirai qu'un essai et une épreuve. Quatre ans plus tard, je réalisai une dizaine de nouvelles lithographies, toujours sur pierre, la plupart en noir. Au lieu d'employer l'encre et le crayon...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

This exquisite lithograph after Edgar Degas (1834–1917), titled Danseuse arrangeant sa robe (Dancer Arranging Her Dress), originates from the 1945 folio Degas, Ten Ballet Sketches. Published by The Studio Publications, Inc., New York, rendered and printed by Albert Carman, City Island, 1945, this work reflects Degas’s sensitive mastery of line, movement, and intimate observation, capturing the grace, poise, and psychological immediacy that define his iconic ballet imagery. In Danseuse arrangeant sa robe (Dancer Arranging Her Dress), Degas reveals gesture and inner emotion through economical contour and lyrical nuance. Executed as a lithograph and pochoir on velin paper, this work measures 17 x 13 inches (43.18 x 33.02 cm). Signed in the plate and unnumbered as issued. Rendered and printed by Albert Carman, City Island, one of the notable American ateliers specializing in fine art lithography during the mid-20th century. Artwork Details: Artist: After Edgar Degas (1834–1917) Title: Danseuse arrangeant sa robe (Dancer Arranging Her Dress), from Degas, Ten Ballet Sketches, 1945 Medium: Lithograph and pochoir on velin paper Dimensions: 17 x 13 inches (43.18 x 33.02 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1945 Publisher: The Studio Publications, Inc., New York Printer: Albert Carman, City Island, 1945 Condition: Well preserved, consistent with age and medium Provenance: From the 1945 folio Degas, Ten Ballet Sketches, published by The Studio Publications, Inc., New York Notes: Excerpted from the album, Born in Paris in 1834, Edgar Degas lived, and surely loved the life of that city during most of his years. These continued somewhat sadly beyond those of most of his friends— into the debacle of the first World War, during which he died in 1917. Judging by the frequency with which he used them as models, he must have had an especial admiration for the ballet girls who followed a profession that at the time brought none of the glory and prosperity which attend it today. New aspects of the human body, revealed in movement, fascinated him. But his occupation with the simply anatomical side of his subjects never resulted in a cold interpretation. On the contrary there is a warmth and sympathy that pervades all of his work. The drawings here represent the painter in one important phase of his multi-sensitive view of life; and permit an insight which a more ambitious work might not do-into the operation of the creative process, the artist's transformation of reality as it passes through the mesh of his sensibilities. The Edition of this Portfolio is limited to MMMD examples. Rendered by Albert Carman. About the Publication: Degas, Ten Ballet Sketches, published in 1945 by The Studio Publications, Inc., New York, stands as one of the most elegant and scholarly mid-century American fine art folios devoted to the ballet imagery of Edgar Degas. Conceived as a high-quality interpretive portfolio, the album presents a series of lithograph-and-pochoir renderings based on Degas’s original drawings, executed with exceptional attention to tonal subtlety, contour fidelity, and the emotional interiority that defines the artist’s draftsmanship. Rendered and printed by Albert Carman on City Island, the publication embodies an American postwar effort to restore and celebrate European masterworks through meticulous handcraft and artisanal color application, honoring Degas’s distinctive line and the atmospheric delicacy of his studio-based studies. Produced in a substantial edition of MMMD examples, the portfolio offered audiences rare access to Degas’s private working drawings—images rarely seen outside institutional collections—while exemplifying the technical refinement and interpretive care characteristic of Carman’s workshop. Today, Degas, Ten Ballet Sketches remains a sought-after historical publication, valued for its craft, fidelity to Degas’s aesthetic, and its role in preserving and disseminating the artist’s intimate ballet imagery in a beautifully executed mid-century fine art format. About the Artist: Edgar Degas (1834–1917) was a French painter, draughtsman, printmaker, and sculptor whose groundbreaking fusion of classical draftsmanship, modern experimentation, and psychological depth helped define the trajectory of Western art, positioning him as one of the most influential figures of the nineteenth and early twentieth centuries; renowned for his depictions of ballet dancers, racehorses, theater scenes, cafe life, domestic interiors, milliners, laundresses, and women at their toilette, Degas reimagined observational realism through radical compositional innovation—employing extreme cropping, asymmetrical framing, oblique viewpoints, and dramatic lighting that anticipated photographic and cinematic language long before these technologies shaped visual culture, and although associated with Impressionism, he rejected plein-air spontaneity in favor of studio-based discipline rooted in the linear precision of Jean-Auguste-Dominique Ingres, the expressive chromaticism of Eugene Delacroix, and the modernity of Edouard Manet while also drawing inspiration from Japanese ukiyo-e prints, classical sculpture, and early photography; his independent artistic philosophy resonated with and helped shape the innovations of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, whose explorations of movement, form, dream logic, abstraction, and conceptualism all find antecedents in Degas’s investigations into seriality, temporality, and the fragmented figure, and his pioneering use of pastel, monotype, and wax sculpture fundamentally transformed each medium, influencing artists from Henri Matisse, Francis Bacon, Lucian Freud, and Giacomo Manzu to Paula Rego, contemporary realists, experimental photographers, and choreographers; his works are held in nearly every major museum collection worldwide—including the Musee dOrsay, the Louvre, the Metropolitan Museum of Art, the National Gallery of Art, the Art Institute of Chicago, the Courtauld Institute, and the National Gallery, London—affirming his central place in the history of art, and the highest auction record for Degas was achieved at Sothebys London on February 3, 2015, when Danseuses en Bleu sold for 37,033,000 GBP, cementing his status as one of the most sought-after and enduringly significant artists of the Western canon. Edgar Degas lithograph...

Title: Double Sided Female Figure Portrait Studies Graphite Drawing French Paper Artist: French School (20th century) Medium: Graphite drawing on artists paper, double-sided, unframe...

Medium: lithograph (after the pencil drawing). Printed in Paris in 1952 by Mourlot Freres in an edition of 1500. The total sheet (including margins) measures 12 3/8 x 9 5/8 inches (3...

Humphrey Bogart & Ingrid Bergman CASABLANCA Oscars Academy Awards Movie Legends Al Hirschfeld (1903-2003) Humphrey Bogart & Ingrid Bergman in "Casablanca" Etching and Aquatint, 1998...

Contemporary figurative male nude pencil drawing by Polish artist Ryszard Piotrowski. This artwork is in classic, traditional style, the body is shown realisticaly. Artist celebrates...

Artist: Salvador Dali (Spanish, 1904-1989) Title: "Le Téléphone (Lobster Telephone)" Portfolio: Hommage à Leonardo da Vinci (Great Inventions) *Signed by Dali in pencil lower right Y...

Judith Williams’ Moonlit Musings evokes a dreamlike moment of introspection. This charcoal drawing features soft shadows and flowing lines that suggest movement, memory, and quiet th...

Sexual Attraction is a China ink drawing artwork, realized by Sergio Barletta in the 1970s. Hand-signed on the lower margin. Good conditions with foxing on the margins Included p...

We often call our conversations sincere, yet they are nothing more than reflections — a play of roles and images. The mask becomes not a barrier, but a language of its own. Behind wo...

Greeting is an original offset and lithograph realized by George Grosz. The artwork is the plate n. 5 from the portfolio Ecce Homo published between 1922/1923, edition of Der Malik...

PIERRE-AUGUSTE RENOR (1841 - 1919) SUR LA PLAGE, a BERNEVAL (D.: S. 5) Drypoint on laid paper. The plate was created in c. 1892. Plate 5 3/8 x 3 3/4". Sheet 11 1/4 x 10 1/8". This...

Douglas Martenson (b.1960). Sleeping Man, 1982. Pencil on paper. Sheet measuring 11 x 15 inches. Framed measurement: 12 x 16 inches. Mahogany custom frame. Signed with artist i...

A Very Finely Drawn Mid-Century Modern Figure Study of a Standing Young Male Nude Model (Torso) by Notable Chicago Modern Artist, Harold Haydon (Am. 1909-1994). A well executed stu...

This exquisite heliogravure, titled Sans titre (Untitled), after Leonor Fini, from the album Fruits de la passion, trente-deux variations sur un theme de Leonor Fini (Fruits of Passi...

A serene study in charcoal, The Art of Relaxation by Judith Williams captures the quiet strength of a woman at rest. Rendered with expressive, gestural linework, this minimalist figu...

Vintage California Wine Country Etching - "Sonoma Oak" Landscape Wonderful iconic wine country scene of large California Live Oak with barn and water tower by Napa County artist Lou...

Etching and drypoint in black on laid paper, with wide margins Signed in the plate From La Vie Artistique by Gustave Geffroy Literature: Delteil 8; Stella 8 Le Chapeau...

A an impression after Rembrandt's only state of this image. Paris: 1644. Etching and engraving on high quality buff wove paper 4 7/8 x 4 1/2 inches (124 x 114 mm); sheet 12 5/8 x 1...

Etching realized by Castiglione (Il Grechetto) in 1640 ca. From the Series Small Studies of Heads Good condition. Ref. Bartsch 46.43

Art: 20"x 26" Frame: 28-1/2"x 32-1/2" Charcoal on paper. Signed, dated and inscribed to David Barnett. Claude Weisbuch was born in Thionville, France in 1927 and was a pupil at L' É...

Red Creature is an original watercolor drawing on paper realized by Frick Mueller. With the stamp of the artist's atelier on the lower left. Very good conditions. Enjoyable artwor...

JEAN-BAPTISTE CAMILLE COROT (1876 - 1875) LE PETIT CAVALIER SUR BOIS. 1854 (1921) (Delteil 42) Cliché-verre on thin vellum. Signed in plate at bottom. 8 1/4 x 6 5/16” (sheet size)....

Salvador Dali 1971 L'Académie de Paris Etching 19x25 inches Image 27x33 inches with frame overall good condition Pencil Signed lower right Pencil Edition Size EA This Large piece is pencil signed and has lots of light Colors "Academy of Paris - Dali" refers to the etching L'Académie de Paris (1971) by Salvador Dalí, created to commemorate his admission to the French Academy of Fine Arts. It also refers to the Dali Paris...

Image dimensions: 24.3 x 17.5 cm. Single sheet with passepartout. "...The unhappy man had approached that mysterious spot where, amid a thousand aquatic plants, the Water-arrow grows." T. Delord. Les Fleurs animées...

Erte Beauty and the Beast Serigraph in colors on wove paper 24 5/8 x 21 1/2 in. 1977 From the limited edition of 300 Signed and numbered in pencil Circle Fine Art Corporation, Chicag...

Lithograph on paper realized in 1960s. Hand signed and numbered in pencil. Edition of 300. Excellent condition.

Plate #4 from Gustav Klimt's 1907 "Dialogues of the Courtesans" portfolio, consisting of 15 collotypes on cream japon paper. The drawings in this folio are said to be studies for Kli...

Title: Seated Nude Female Figure Minimalist Pencil Life Drawing Contemporary Gesture Study By Minty Ramsey Size: 8.5 x 11.75 inches (height x width) Medium: Pencil drawing on paper, ...

A unique pencil drawing by David Hockney, ‘John’ was created in 1969 during his highly sought-after California period. Showcasing Hockney’s exceptional draughtsmanship and expressive...

Alice In Wonderland:White Rabbit is an original hand made etching by the American abstract painter Knox Martin. Printed in black ink on archival printmaking paper, 100% acid free. Er...

Lithograph on paper realized in 1960s. Hand signed and numbered in pencil. Edition of 300. Excellent condition.

Red chalk on cream laid paper, 7 1/4 x 9 3/8 inches (182 x 236 mm), the full sheet. In very good condition with minor toning and two small nicks in the top sheet edge. Some modern no...

ARTIST: Salvador Dali TITLE: La Quete du Graal The Pass og Gadalore MEDIUM: Etching EDITION NUMBER: XV/XXV SIGNED: Hand Signed by Salvador Dali PUBLISHER: Pamela Verlog MEASUR...

ARTIST: Salvador Dali TITLE: The Woman in The Cosmos Dominating The World MEDIUM: Lithograph SIGNED: Hand Signed PUBLISHER: Jean-Paul Lorriaux EDITION NUMBER: 115/150 MEASURE...

Etching with drypoint on lightweight Japon paper, 9 3/4 x 9 7/8 inches ( 247 x 250 mm); sheet 14 x 12 3/4 inches (355 x 324 mm), full margins. Signed in pencil in the lower margin. I...

Seductive Woman is an ink and watercolor Drawing realized by Mino Maccari (1924-1989) in the 1960s. Hand-signed on the lower margin. Good condition. Mino Maccari (Siena, 1924-Rom...

Luis Rey Polo (Spain, 1924-2000) 'Rehén', N/A silkscreen on paper 17.8 x 17.4 in. (45 x 44 cm.) Edition of 300 ID: POL1362-001-300 Unframed Hand-signed by author

"Barns in the Helderberg, New York" by Martin Lewis shows neighbors (one in a Model T car) visiting outside a series of barns with a tree in the background...

GERTRUDE by the African American woman artist Samella Lewis, is an original hand drawn lithograph printed using hand lithography techniqu...

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited editio...

Soup. 1920. Drypoint. Appleby 65. 9 x 8 1/8 (sheet 15 x 11 9/16). Edition 100. Illlustrated: Print Collector's Quarterly 13 (1926): 85. Signed in pencil. Edmund Blampied was a painter, etcher, lithographer and sculptor. Born in 1886 to a family of three boys in St. Martin, Jersey, Blampied became interested in drawing at an early age. After visiting the studio of John Helier Lander in 1899, Blampied decided to make a career as an artist. In 1903 he went to London to attend Lambeth Art School, where he studied etching under Walter Seymour. In 1905, he joined the Daily Chronicle as an artist. In that year he was awarded a scholarship to Bolt Court Scool of Photo-engraving and Lithography. In 1912 he left the Chronicle and established his own studio. He earned a living by illustrating novels and short stories. In 1913, he had his first exhibition at the Leicester Gallery in London. The following year he married Marianne Van Abbé. During the 1920's, he became a member of the Royal Society of Painter-Etchers and Engravers. During the 1920s Blampied became a member of the Royal Society of Painters-Etchers and Engravers and exhibited in London to critical acclaim. He produced a folio of comic drawings in the 1930s which was published in New York in 1934 and another that was published in London in 1936. The Keeper of Prints and Drawings at the British Museum published a mongraph on his work. His London exhibitions were highly successful. In 1938, he moved to Bulwarks, St.Aubin in Jersey, but at the onset of the Occupation, had to relocate to Route Orange, St. Brelade. remained there throughout World War II during the German Occupation, despite the fact that his wife was Jewish. During the Occupation he designed bank...

This is an original 19th century John James Audubon hand-colored lithograph entitled "Hare Indian Dog", No. 27, Plate CXXXII, 132, from Audubon's "Quadruped...

SUMMER - female nude - by Paula Craioveanu - original sepia drawing. Sepia ink drawing on watercolor paper inspired by Matisse's nudes. Original, unique, not...

"Nelson Dominguez (Cuba, 1947) 'Sin título I', 2005 silkscreen on paper 27.6 x 19.7 in. (70 x 50 cm.) Edition of 99 ID: DOM1267-007-106" _______________________________________ "Biography. Nelson DOMÍNGUEZ.  Born: 1947, Santiago de Cuba, Cuba. Studies: 1970 National School of Art, Cuba. Experience: 1970 - 1985 Professor National School of Art, Cuba. He has been Professor of Painting and Engraving and Head of the Painting Department of the Higher Institute of Art (ISA). Member of the Union of Writers of Cuba and the International Association of Plastic Artists. Awards: Among the awards and recognitions that the Cuban artist received: Order for the National Culture, Cuba; Order Alejo Carpentier, Cuba; Diploma and Order of Honor from the Fuji Museum, Japan. In 1972, he received the National Prize at the International Painting Festival in Cagnes-sur-mer, France; 1976 Grand Prize, International Biennial of Wood Engraving, Banska Bystrika, Czechoslovakia and Painting Prize, Triennial of Committed Realist Art, Sofia, Bulgaria; Honor Prize, Graphic Biennial, India, as well as at the Jaime Guasch Biennial in Barcelona, Spain. Exhibitions In summary, exhibitions of personalities. In 1983 he made the exhibition ""Retrospective (10 years of professional work)"" at the National Museum of the Palace of Fine Arts of Cuba, in 1984 at the Francoise Tournie Gallery in Paris; in 1985 he did it in the National Welfare Organization of Athens, Greece and in 1986 in the Gallery del l 'Incisione in Venice, Italy. During the eighties and nineties his work was shown in Brazil, Italy, Puerto Rico, Japan, Mexico, Spain, the United States, Cuba and Mexico. In 2001, an individual exhibition was held at the Hotel Trip Cayo Coco in Cuba. Collections: Many of his works are exhibited in the Los Oficios Studio Gallery, Old Havana, Cuba and in the collections of the National Museum of Fine Arts of Cuba, Merugo Museum of Japan; Herbeat F. Johnson Museum of Art of the United States; The Presidential House, Los Pinos, of Mexico; Alejo Carpentier Foundation and José Martí Memorial Collection, Havana, Cuba; Collection Imperial Palace of Japan; Center for Cuban Studies in New York; Julio Cortázar...

Pablo Picasso "Portrait of Jacqueline, Right Profile" Original Lithograph The 3rd and final state, executed on zinc Hand signed in pencil, numbered 21/50 from the edition of 50 Paper...

This piece, titled "The Meeting 29" is an original artwork by Seth Clark as part of his newest solo exhibition, "Passing Through". made of ink transfer, charcoal, pastel, acrylic, an...

This exquisite lithograph after Edgar Degas (1834–1917), titled Danseur debout de profil (Dancer Standing in Profile), originates from the 1945 folio Degas, Ten Ballet Sketches. Published by The Studio Publications, Inc., New York, rendered and printed by Albert Carman, City Island, 1945, this work reflects Degas’s sensitive mastery of line, movement, and intimate observation, capturing the grace, poise, and psychological immediacy that define his iconic ballet imagery. In Danseur debout de profil (Dancer Standing in Profile), Degas reveals gesture and inner emotion through economical contour and lyrical nuance. Executed as a lithograph and pochoir on velin paper, this work measures 17 x 13 inches (43.18 x 33.02 cm). Signed in the plate and unnumbered as issued. Rendered and printed by Albert Carman, City Island, one of the notable American ateliers specializing in fine art lithography during the mid-20th century. Artwork Details: Artist: After Edgar Degas (1834–1917) Title: Danseur debout de profil (Dancer Standing in Profile), from Degas, Ten Ballet Sketches, 1945 Medium: Lithograph and pochoir on velin paper Dimensions: 17 x 13 inches (43.18 x 33.02 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1945 Publisher: The Studio Publications, Inc., New York Printer: Albert Carman, City Island, 1945 Condition: Well preserved, consistent with age and medium Provenance: From the 1945 folio Degas, Ten Ballet Sketches, published by The Studio Publications, Inc., New York Notes: Excerpted from the album, Born in Paris in 1834, Edgar Degas lived, and surely loved the life of that city during most of his years. These continued somewhat sadly beyond those of most of his friends— into the debacle of the first World War, during which he died in 1917. Judging by the frequency with which he used them as models, he must have had an especial admiration for the ballet girls who followed a profession that at the time brought none of the glory and prosperity which attend it today. New aspects of the human body, revealed in movement, fascinated him. But his occupation with the simply anatomical side of his subjects never resulted in a cold interpretation. On the contrary there is a warmth and sympathy that pervades all of his work. The drawings here represent the painter in one important phase of his multi-sensitive view of life; and permit an insight which a more ambitious work might not do-into the operation of the creative process, the artist's transformation of reality as it passes through the mesh of his sensibilities. The Edition of this Portfolio is limited to MMMD examples. Rendered by Albert Carman. About the Publication: Degas, Ten Ballet Sketches, published in 1945 by The Studio Publications, Inc., New York, stands as one of the most elegant and scholarly mid-century American fine art folios devoted to the ballet imagery of Edgar Degas. Conceived as a high-quality interpretive portfolio, the album presents a series of lithograph-and-pochoir renderings based on Degas’s original drawings, executed with exceptional attention to tonal subtlety, contour fidelity, and the emotional interiority that defines the artist’s draftsmanship. Rendered and printed by Albert Carman on City Island, the publication embodies an American postwar effort to restore and celebrate European masterworks through meticulous handcraft and artisanal color application, honoring Degas’s distinctive line and the atmospheric delicacy of his studio-based studies. Produced in a substantial edition of MMMD examples, the portfolio offered audiences rare access to Degas’s private working drawings—images rarely seen outside institutional collections—while exemplifying the technical refinement and interpretive care characteristic of Carman’s workshop. Today, Degas, Ten Ballet Sketches remains a sought-after historical publication, valued for its craft, fidelity to Degas’s aesthetic, and its role in preserving and disseminating the artist’s intimate ballet imagery in a beautifully executed mid-century fine art format. About the Artist: Edgar Degas (1834–1917) was a French painter, draughtsman, printmaker, and sculptor whose groundbreaking fusion of classical draftsmanship, modern experimentation, and psychological depth helped define the trajectory of Western art, positioning him as one of the most influential figures of the nineteenth and early twentieth centuries; renowned for his depictions of ballet dancers, racehorses, theater scenes, cafe life, domestic interiors, milliners, laundresses, and women at their toilette, Degas reimagined observational realism through radical compositional innovation—employing extreme cropping, asymmetrical framing, oblique viewpoints, and dramatic lighting that anticipated photographic and cinematic language long before these technologies shaped visual culture, and although associated with Impressionism, he rejected plein-air spontaneity in favor of studio-based discipline rooted in the linear precision of Jean-Auguste-Dominique Ingres, the expressive chromaticism of Eugene Delacroix, and the modernity of Edouard Manet while also drawing inspiration from Japanese ukiyo-e prints, classical sculpture, and early photography; his independent artistic philosophy resonated with and helped shape the innovations of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, whose explorations of movement, form, dream logic, abstraction, and conceptualism all find antecedents in Degas’s investigations into seriality, temporality, and the fragmented figure, and his pioneering use of pastel, monotype, and wax sculpture fundamentally transformed each medium, influencing artists from Henri Matisse, Francis Bacon, Lucian Freud, and Giacomo Manzu to Paula Rego, contemporary realists, experimental photographers, and choreographers; his works are held in nearly every major museum collection worldwide—including the Musee dOrsay, the Louvre, the Metropolitan Museum of Art, the National Gallery of Art, the Art Institute of Chicago, the Courtauld Institute, and the National Gallery, London—affirming his central place in the history of art, and the highest auction record for Degas was achieved at Sothebys London on February 3, 2015, when Danseuses en Bleu sold for 37,033,000 GBP, cementing his status as one of the most sought-after and enduringly significant artists of the Western canon. Edgar Degas lithograph...

Image dimensions: 14.7 x 19.8 cm. La Cava is an original black and white etching on paper, printed in 1843 as a plate of the print suite "90 Views of the citi...

A Bit of Extra Fun This graphite pencil drawing ‘Hold Your Horses – 04-01-22 was a done deal in my head already during the live session. That was the same one spawning ‘Julia...

This exquisite lithograph and pochoir after Marc Chagall (1887–1985), titled La Bete Bleu (The Blue Beast), from the folio Couleur amour, 13 Aquarelles, Gouaches, Lavis (Color of Lov...

Black and white iithograph realized by Franco Marzilli. Hand signed in pencil. Edition of 100. Not numbered.

A rare Walter Anderson of zebras in the Audubon zoo in New Orleans. Circa 1940 to 1950. One of a pair. Framed size 17 5/8"x 20.25" Walter Inglis Anderson (1903-1965) is considered o...

This exquisite lithograph by David Hockney (born 1937), titled Letter V, from the folio Hockney's Alphabet, Drawings by David Hockney, originates from the 1991 edition published by A...

Amedeo MODIGLIANI (1884-1920) (after) The acrobat Lithograph from a drawing of the artist On Arches vellum 48 x 36 cm (c. 19 x 14,2 in) Limited to 300 ex...

Figurative drawing made with graphite, conte crayon and charcoal on Arches paper 30 x 13 inches, unframed This unique life study drawing of two standing male nudes was made by Mar...

Title: Cavalier King Charles Spaniel Bill Dog Portrait Oil Painting Artist: Dorothy Johnson Medium: Oil on canvas laid to board, mounted within card mat, unframed. Size (including mo...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...