Landscape Art

I primarily paint on location, en plein air. Direct observation allows me to translate the light and color of a particular location as I try to capture a specific point in time. The ...

The Tree of Life - The Getaway (The Last Picture Show) - 1999 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist Inventory #35...

A glorious landscape study by the English artist Peter Deakin. Here the artist has captured an idyllic sunset over rolling countryside. Signed and dated to the lower right. On waterc...

Views of Colombo -Sri Lanka- is a set of 2 original vintage albumen prints on single cardboard: 25 x 34 cm. Size of photos: 21.5 x 27.5 Very good conditions. Caption in Italian, ...

Title printed on front of mount.

Autumn by American artist Stephen McMillan presents a sweeping view of the vineyards of Sonoma County at the height of the fall season. The composition unfolds across a broad panoram...

American Photorealist Ian Hornak’s stunning depiction of a tropical landscape is framed by back-lit palm trees and clouds illuminated with the setting sun. The painting is signed, ti...

Tregenna castle looking out to sea, is a favourite spot for me to paint from . ‘To the Lighthouse’ was painted in November 2024 . The trees at the edge of Tregenna golf course frame ...

"December" is a poetic oil painting by Marcel Demagny depicting a typical winter landscape with snow-covered peaks, rivers and trees. This piece is n...

Paysage is an original tempera by Emile Deschler. Unsigned. Good conditions, except for a rip along the left margin. Emile Deschler (France, 1910 - 1991) was a French painter. In 19...

Edition of 12 more sizes on request A Portrait of big majestic male lion lying on a rock and waits for the sun. Born in Germany in 1958, Joachim Schmeisser is best known for his ma...

Blue mountain. 1975. Watercolor on paper, 14x19 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and many mili...

A fine oil by Vivian Bewick, depicting a ruined castle amongst rolling green hills, possibly Dunstanburgh Castle in Northumberland. Unsigned. On board.

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2024 Style: Impressionism, Subject: Poppies Size: 43" x 56.5" x 1''...

Oil on board, in excellent conditions. Beautiful cityscape of Rome from Pincio Hill, realized by Amedeo Bocchi in 1920 ca. Includes vintage wooden gilded frame 46x74 cm. A Certificate of authenticity will be released by the Gallery. Amedeo Bocchi (Parma, 1883 – Rome, 1976) At the age of 12, Amedeo Bocchi is enrolled at the Regio Istituto di Belle Arti in Parma. After graduating in 1901 with the highest grades, he attends the School of Nude Art in Rome where he will spend the rest of his life. In 1910 Bocchi is accepted, for the first time, with two paintings, to the Venice Biennial where he is able to admire the great solo exhibition by Gustav Klimt. In 1911, at the grand Exposition in Rome for the fiftieth anniversary of the Italian Unification...

The mountains exhale a quiet, steady breath, and the valley listens. Autumn settles gently here — in the golden grasses, the warm rust of trees, and the soft haze that gathers along ...

This artwork captures an idyllic mountain landscape with remarkable precision and vibrancy. In the foreground, a serene lake reflects the intricate interplay of colors from the surro...

Battle Mountain, Nevada (2005), oil on canvas, 30x40 inches (framed size: 39 x 50 inches) Earl Jones (1937- ) is one of Utah’s best known landscape artists. As an undergraduate at the University of Utah, where he earned a BFA in 1959 and an MFA in 1962, Jones was preoccupied with the figure, studying under the tutelage of portrait painter Alvin Gittins. He then ventured from Utah to New York and the Art Students League where he took figure painting classes with Joseph Hirsch. Later Jones became heir to the landscape legacy of LeConte Stewart...

The artwork will be sent unframed Linocut print „ The song of the turquoise mountains” 2023 Reduction linocut print technique Limited edition, print unique number 3/11 Paper Fabriano...

Large format photograph of a billboard signage in California desert landscape, from a series of conceptual motivational messages on iconic Americana roadside signs and billboards cap...

Corea Harbor is a beautifully rendered color mezzotint by James Groleau, capturing the quiet, atmospheric stillness of the Maine coast at dusk. Layers of deep violet, slate, and ochr...

Taking inspiration from his surroundings in Spain, Pozas gives us this lush landscape entitled "Unpredictable Valley". The verdant scene, with its golden field in the foreground and blue mountain in the background is painted with meticulous detail. Each blade of grass and every leaf is painted with precision. "Pozas" René Monzón...

Signed and numbered on label, verso 11 x 17 inches // (Edition of 25 + 5 APs) 22 x 34 inches // (Edition of 20 + 4 APs) This work is offered by CLAMP in New York City.

In ‘song’s of summer’s morn Lee Tiller has created the perfect evocation of an early summer’s morning. It’s full of promise and optimism. A perfect antidote to the claustrophobic day...

John McNulty, Irish/American (1949 - ) - Eagles I, Year: 1983, Medium: Etching with Aquatint, signed and titled in pencil, Edition: 175, Size: 22 x 3...

Artist: Jerry Schurr, American (1940 - ) Title: Mt. Baker Year: 1984 Medium: Acrylic on Canvas, signed and dated l.l. Size: 41 in. x 78 in. (104.14 cm x 1...

Nice chromolithography on the Douaumont fort. Fort Douaumont, briefly called Fort Gérard, is a fortified structure located in the commune of Douaumont-Vaux (Meuse department), in the...

Wonder Valley (29 Palms, CA) - 2009 including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024. 20x20cm...

Max Epstein, Canadian (1932 - 2002) - Spring Thaw, Year: 1977, Medium: Lithograph, signed, numbered, dated, and titled in pencil, Edition: 50, Size: 23.25 x 31 in. (59.06 x 78.74...

A charming watercolour scene depicting Monks' road in the Peak District. The artist captures a small farm in the foreground before the vast mountain landscape stretching out to the h...

original en plein air oil on panel paint near Ghost Ranch in New Mexico :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the ar...

A calming impressionistic study of Portlet Bay on the magical Channel Island of Jersey. Signed and dated to the lower right. Titled to the reverse. On canvas board.

A dramatic alpine landscape unfolds in this large-scale oil painting by Colorado artist Raymond Knaub, depicting Terra Tomah Mountain in Rocky Mountain N...

Sunshine after the Rain was inspired from my many trips to the East Coast, particularly the Suffolk coast. The gold leaf capturing the light and sands following a long down pour, ref...

River Light is a contemporary landscape print by Phil Greenwood. The meticulous attention to detail that Greenwood has used is highlighted by the reflection of the sun in the river w...

This is one of eighteen color mezzotints (printed on chine collé) depicting the landscape of coastal Maine. Intimations of the Arts and Crafts Movement of the early twentieth century...

The Cow Edition of 25 signed and numbered by the artist A cow on the top of the hills in the Bavarian Alps. Every year the cows are taken to the pastures on the mountain pastures w...

A charming watercolour study depicting a herd of deer grazing by a highland lake before a dramatic mountain skyline. Signed and dated to the lower right. On paper.

Jack's Place (Sidewinder) - 2005 including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 196 pages, hardcover, published by Snap Collective, 2024. 20x20cm, ...

The Field (Musica Poetica) - 2016 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #186 N...

Untitled (Oilfields) - 2016 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #1197 Not mo...

Title: First Snow on Guiji I Medium: Oil on canvas Size: 11.75 x 15.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Not...

North Shore Mirage (California Badlands) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #18078 Not mo...

"Sabanilla" by Diego Glazer is an original oil painting depicting an arid landscape. Artist Statement: The Sabanilla gorge, painted on location near my hometown of Quertaro, Mexico...

Verbier View - Slim Aarons Estate Stamped Skiers admire the view across a valley of clouds at Verbier, 1964. 30 x 30" inches / 76 x 76 cm paper size Estate Stamped Collection Edi...

This piece, "Winter Night", is a 36x46 winter landscape oil painting on canvas by artist Craig Mooney featuring a view of trees and fields below from on top a snowy mountainside slop...

Main Street Lech - Austrian Landscape Winter Ski Resort Photograph by Slim Aarons 16" x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'Main Street...

Noel Daggett, American (1925 - 2005) - A Long Rifle Awaits, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 17 x 26 inches, ...

Monte Mano 1973 - Slim Aarons Estate Stamped A swimmer in the seaside-style pool at architect Jacques Cou‘lle’s home ‘Monte Mano’, on the Costa Smeralda, Sardinia, Italy, August 197...

Available upon request (A0, A1, A2, A3 and aluminum) Other Available Formats: Format: A3 (1/7) - Main format · Measure: · Aperture - 27 × 40,4 cm · External - 50,8 × 40,...

Valley Vista (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 864. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2024 Style: Impressionism, Title: Windy Day, Size: 8" x 29.5" x 0.8'...

Train Crosses Plain (Wastelands) - 2003 20x25cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 544. Signature labe...

A secluded path leads into a dense woods begging the viewer to ask the question - what is beyond the path? "The Walk" is a small scale landscape painted with painstaking detail. Each leaf and blade of grass a rendered in tiny brush strokes making the painting feel much larger than it is. This oil on panel painting is framed in a silver and black wooden frame measuring 20.5 x 15 inches. "Pozas" René Monzón...

The Valley - (Wastelands) - 2003 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 1233. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Published in: WASTELANDS, published by edition braus, Wachter Verlag, Heidelberg, 2006 (monograph) Exhibited: Wastelands, Städtische Galerie, Waldkraiburg, Germany (S) (2006) / Wastelands, Zephyr, Mannheim, Germany (S) (catalog) (2006) Wastelands, Kunstverein Recklinghausen, Germany (S) (2007), Stranger Than Paradise, Scott White Contemporary, San Diego, (S) (2012) Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dust bowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids...

A Scottish landscape depicting a Safeway freight train crossing an old bridge and travelling past water and mountains. Heather and a stag can be seen in the foreground. Signed and da...

Title: Vibrant Acrylic Painting of Yosemite National Park of View of Half Dome Summit By Minty Ramsey Signed: Verso Size: 18 x 24 inches (height x width) Medium: Acrylic on Canvas Co...

A fine watercolour showing a scorching Summer's day at the shore of an Italian farming hamlet. The artist has applied the paint in intense layers without using much water to give a v...

Title: Taihang Mountain VI Medium: Oil on canvas Size: 11.75 x 15.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note:...

Joseph McGurl is regarded as a leader of the current American landscape school. This has been confirmed by his inclusion in several important museum shows and his successful relation...