Landscape Art

John McNulty, Irish/American (1949 - ) - Lakeside Trees IV, Year: 1982, Medium: Etching with Aquatint, signed and titled in pencil, Edition: 250, Size: 22 x 30 in. (55.88 x 76.2 cm)

Oil on canvas

Borja Fernandez (b. 1944, Spanish) Title: "Black River, Patagonia" Medium: Oil on Canvas Dimensions: 45" x 57.5" Markings: Signed LR Gallery Wrapped

I primarily paint on location, en plein air. Direct observation allows me to translate the light and color of a particular location as I try to capture a specific point in time. The ...

Available upon request (A0, A1, A2, A3 and aluminum) Other Available Formats: Format: A3 Passe-partout (1/7) · Measure: · Aperture - 27 × 40,4 cm · External - 50,8 × 40,...

Print detail: Painting like photographic Fine Art Print, Printed on Museum Glass and Hand Gilded with Gold leaf in custom made frame. 41 x 57 cm (Framed) Glass Print from Edition of 1/5 Series: Blossom Blizzard (New Print on Glass edition 2022) About the work: "Despite T.S. Eliot's assertion that 'April is the cruellest month', I invariably feel a sudden surge of wellbeing and optimism when the first scent of spring hangs in the air. I know I'm far from alone in this - photographers and artists surely feel that sense of excitement as keenly as any gardener eagerly rifling though their seed packets. Mother Nature, it seems, is handing us our images on a plate. The light is soft and benign, the colours, gentle, and the countryside seems to suddenly be filled with boundless enthusiasm. Quotes such as 'Spring is nature's way of reminding us that every day is worthy of celebration' pop up on social media with unfailing regularity - long before the first cuckoo is heard. This image was taken at Stanmer Park, just outside of Brighton. A blustery day in early April, the air was filled with the sweet smell of April and the profligacy and exuberance of the new growth emerging was inspirational. Blossom-laden branches were everywhere but I concentrated on one small tree that stood apart from the rest. For reasons unclear, its tiny flowers seemed whiter, fluffier, altogether more generous than that of any of its neighbours. It was bitterly cold. The type of cold that can only be experienced when one has left home in overly optimistic clothing, only to realise that the wind chill factor hadn't been accounted for when getting dressed. I struggled on for about half an hour - reluctant to retreat to the warmth of the nearby cafe and the very enticing appeal of a cup of coffee. Fortunately, my inspiration came quickly - as the tiny petals blew around my head and I stood there shivering in all my reckless optimism, I realised it felt like nothing more than being encased in one of those half-domed snow globes. The fiercest blizzard was surely never this intense. I certainly couldn't imagine it ever being this cold. Photographic perfection is not my objective. Its obedient conformity initially attracts, but, for me, leaves little enticement to investigate further. So it was that the tangled complexity of branches and the disparate arrangement of blossom engaged, rather than frustrated my aspirations. By layering image upon image, frame upon frame, I was able to build up the layers of blossom and emphasise the movement of the branches. All photographic images represent a moment in time. The way I make my images combine several. I walked around the tree, back and forth trying to engage with the long-limbed gaucheness of its extended branches. The colour palette needed little intervention; I don't think anybody makes a paint called 'blustery blue' but perhaps they should. This contrasted beautifully with the jade and emerald grass, subsequently overlaid with soft white snowflakes and created, what for me, was a very pleasing and fresh arrangement of seasonal colours." - Valda Bailey

Edt Austria, Original Contemporary Impressionist Landscape Painting, 2014 16" x 20" x 1.5" (HxWxD) Acrylic on Canvas A quaint depiction of the Austrian countryside, this impressionist landscape painting by artist Ingrid Dohm...

Signed and numbered on label, verso 11 x 17 inches // (Edition of 25 + 5 APs) 22 x 34 inches // (Edition of 20 + 4 APs) This work is offered by CLAMP in New York City.

The View from the new road at Pangi, #1478, 1866 Signed and numbered on recto Vintage albumen print Image 9"x10-3/4", Mount 10"x12"

Rice Terrace, Yuanyang, Yunnan Province, China A completely natural scenery that is pure poetic painting, of rice padi fields in China. Image is 12 x 18 in. Printed on Fuji Flex supe...

A Scottish landscape depicting a Safeway freight train crossing an old bridge and travelling past water and mountains. Heather and a stag can be seen in the foreground. Signed and da...

Available upon request (A0, A1, A2, A3 and aluminum) Other Available Formats: Format: A3 (1/7) - Main format · Measure: · Aperture - 27 × 40,4 cm · External - 50,8 × 40,...

Robert Amirault's "September Morning" 30x50 oil painting on canvas of a hazy fall morning sunrise with a light fog on a forest trail landscape. A self...

This is a new series of photography featuring the icy tranquil waters of Finland. The beauty of the light and landscape is unparalleled and as such the inspiration for our photograph...

A delightful depiction of a mountainous landscape with a small village placed by the edge of a lake. Painted in fine detail, this atmospheric scene captures the essence of a rural mo...

Represented by George Billis Gallery in Westport CT.

The work is signed, dated, and numbered 4/15 in the lower right recto corner, with other sizes available. It is unframed and printed later. Printed on Hahnemühle Fine Art paper. Mi...

Oil on linen

Oil on linen

The series 'Trespassing' explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded...

Mark Sylva is an artist with an eye for beauty that was born gazing at the waters around Cape Cod. His love of the sea and boating was an early influence that ultimately led to a car...

Green Haze is an acrylic on masonite painting, 10 x 14 inches, signed 'RICKER' lower right corner. Framed in a contemporary dark brown/black frame.

American, b. 1962 Contemporary artist Lori Zummo paints in a style evocative of the American Barbizon School. She received her BFA from Syrac...

Archival Pigment Print Image size: 13 1/2 x 20 in. Paper size: 18 x 22 in. Signed and numbered in black ink on print margin by Peter Brown Available in an edition of 25, with more sizes available From the series, Hometown Texas. West Texas: Ocotillo in Bloom by Peter Brown depicts a desert landscape lit by the setting sun, with the Mule Ears Peaks at Big Bend National Park in the background. Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely. His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred Whitehead Award from the Texas Institute of Letters. He presently is photographing the Llano Estacado of Texas and New Mexico under a grant from the Southwest Collection at Texas Tech University and the central high plains in a collaboration with the novelist Kent Haruf. His book with Haruf, West of Last Chance, will be published by W.W. Norton in January 2008. His photographs are in many public, private, university and corporate collections, including those of the Museum of Fine Arts and the Menil Collection in Houston, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Los Angles County Museum of Art and the J. Paul Getty Museum in Los Angeles, the Amon Carter Museum in Fort Worth, the Santa Barbara Museum of Art, the Stanford University Museum of Art, the Rice University Collection, The Humanities Research Center at the University of Texas Austin, the Sheldon Museum at the University of Nebraska, the Spencer Museum at the University of Kansas, the Snipe Museum at Notre Dame, and the University of Kentucky Museum of Art, among many others. His work has been exhibited in one man and group shows in museums and galleries in this country and abroad. Among others: The Museum of Modern Art in New York; The Museum of Fine Arts and the Contemporary Arts Museum in Houston; The San Francisco Museum of Modern Art; The Amon Carter Museum in Fort Worth and the Los Angeles County Museum of Art. His first book Seasons of Light, consisted of photographs of interior scenes with Brown’s short prose pieces, and was published with an afterword and poetry by Denise Levertov by Rice University Press in 1988. It was excerpted in American Photographer. His second, On The Plains, dealt with the open landscape and small towns of the western plains. Published with an introduction by Kathleen Norris by W.W. Norton, On the Plains was excerpted in DoubleTake, LIFE, The New Yorker, Aperture and Texas Monthly. His forthcoming book West of Last Chance, will be excerpted in Harpers, Texas Monthly and 5280. His work has also appeared in Dwell, House and Garden, Landscape Architecture, Duke, Stanford, Popular Photography, American Photographer, FotoMetro, Southwest Art, American Cowboy and other magazines - as well as on the covers of books by Annie Proulx, Jane Smiley...

Portofino Evening is a serigraph on paper, image size 27 x 36 inches, signed ‘Kerry Hallam’ lower right and numbered lower left. From the edition of 500, numbered 171/ 175 (there wer...

Available upon request (A0, A1, A2, A3 and aluminum) Other Available Formats: Format: A3 Passe-partout (1/7) · Measure: · Aperture - 27 × 40,4 cm · External - 50,8 × 40,...

Original Oil Painting signed by the Artist in the lower left corner.

A completely natural scenery that is pure poetic painting, of rice padi fields in China. Peter Leung has won acclaim for his poetic style of imagery. Printed on superior Fuji photogr...

IN THE MOMENT Size: 40 x 40 cm (unframed) Acrylic on canvas A very well executed contemporary coastal composition, painted onto canvas by British artist Nicky Knill Jones. This pai...

"Breakthrough Light Across The Mountain” is a semi abstract landscape painting by Helen Howells. It was inspired by the landscape of South Wales, which is my homeland. It is not of a...

'Unforgiving Land' is a black and white landscape photograph. This print is edition 1 of 20. This listing is for an unframed print - a framed print is also available. Chris Little is inspired by the work of Ernest Hass, Jay Maisel...

The series 'Trespassing' explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded...

Framed Size - 80 x 105.5 cm Inspired by the stunning Jurassic coastline and the rolling hills of Somerset and Dorset, Katie Brent works expressively with a variety of mediums: oils,...

David Drebin Bally of Cannes, France, 2013 30 x 72 inches Edition of 10 40 x 96 inches Edition of 7 C-Print

Digital C-print (Edition of 10) Signed and numbered, verso This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Amy ...

Digital C-print Signed and numbered, verso 24 x 30 inches (Edition of 10 + 2 APs) 30 x 40 inches (Edition of 3 + 2 APs) This photograph is offered by ClampArt, located in New York...

Archival pigment print Signed and numbered, verso 20 x 24 inches 30 x 40 inches 40 x 50 inches 48 x 63 inches (Total edition of 15) This artwork is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. With the series, "Lost" (2003-2004), Nix and Gerber continue their investigation of the constructed landscape, this time examining feelings of isolation and loneliness. Like much of their previous work, this group of photographs...

The series 'Trespassing' explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded...

Cyanotype on albumen-coated watercolor paper (Unique) Signed, verso This artwork is offered by ClampArt, located in New York City. “Ghost Ship” is a series of unique, large-scale c...

The series 'Trespassing' explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded...

The series 'Trespassing' explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded...

The mansion of Remy de Haenen on a peninsula in the bay of St. Jean at Eden Rock on the Caribbean island of St Barts (Saint-Barthelemy), March 1973. The house is now a hotel Slim Aa...

The mansion of Remy de Haenen on a peninsula in the bay of St. Jean at Eden Rock on the Caribbean island of St Barts (Saint-Barthelemy), March 1973. The house is now a hotel Slim Aa...

The mansion of Remy de Haenen on a peninsula in the bay of St. Jean at Eden Rock on the Caribbean island of St Barts (Saint-Barthelemy), March 1973. The house is now a hotel Slim Aa...

Pioneering SciFi photographer Mitchell Funk experiments with altered realms of reality by juxtaposing two landscapes of unnatural color to form a never-before-seen original vision. A single silhouetted figure looks out on a day-glow yellow sea leading to a dreamscape of trees. The yellow of water is picked up in the trees to unify the different perspectives. Published Popular Photography Magazine, February 1976...

Tula Telfair is widely admired as among the most distinctive landscape painters in America. Often monumental in scale, Telfair’s work depicts the land more as it is felt than seen. H...

Living in a creekside cabin in Bliss, New York, Daly involves the environment around him in almost all of his paintings. He mostly paints landscape pictures and also produces still l...

A plein air painting of a surfer about to head into the waves while in the background sunbathers recline under their umbrellas. A serene depiction of a summer day at Ditch Plains...

Ice Castle North Pole, 2017 20 x 45 in / Edition of 6 - $4,500 Also available: 32 x 73 in / Edition of 6 - $8,500 39 x 90 in / Edition of 6 - $17,500 Archival Pigment Print pri...

"Salty Branches" The Delta Series Baja, Mexico - 2022 Archival Pigment Print Available sizes: Edition of 20: 24” x 42.5” (61 x 108 cm) $4,500 Edition of 15: 31” x 55” 78.7 x 139...

Signed, stamped, dated and numbered on the back of the print. Edition of 15. Price subject to change without notice.

A plein air painting by Nelson White. Artist Bio Nelson H. White was born in New London, Connecticut in 1932. White has been surrounded by art and artists from the time he was born...

Original oil oainting on canvas by artist Alexandr Onishenko. Framed.

Marilyn Turtz is a former student of Lois Dodd. Her intimate paintings, evoked from observation of the Maine landscape, translate to serence glimpses of light and color. "Ms. Turtz h...

Dalmatia 18.0 x 24.0 x 0.75, 1.0 lbs Acrylic Hand signed by artist Artist's Commentary: "This is a great memory for me. This is based off a photo my husband took on our trip to ...

Original oil painting on canvas by artist Nicholas Reti. Gallery-wrapped.

Ed. of 5, includes signed signature label. Additional sizes available upon request. With his passion for formal technique and composition, internationally renowned photographer Nat...

A plein air painting of a path leading to a Tuscan church. This painting is from earlier in Dalessio's career, and a great marker of how his style has evolved over the years. Framed...

This atmospheric landscape watercolor painting on archival paper by Dodi Fredericks depicts a moody sky over a luminous wheat field. The softness of the wash creates a feeling of bei...

Dalessio excels at the full foliage seen in this small painting. The greens glow and the little bit of the water that can be seen nearly shimmers.