Landscape Art

Artist: Joseph Grippi, American (1924 - 2001) Title: Tan Landscape Year: circa 1975 Medium: Silkscreen, signed and numbered in pencil Edition: 20, AP Image Size: 18 x 26 inches Size:...

commercial enamel on aluminum Signed, titled, and dated on verso, "Timothy Tompkins, Longevity Painting v.2, 2015".

Lamorna: Cornish Coastal Path Series by Anna Harley Hand signed by the artist Limited Edition Screen Print Edition of 12 Sheet size H 76 x W 56 x D 0.1cm Sold Unframed Please note that the insitu images are purely an indication of how a piece may look. Discover new works by Anna Harley available to buy online and in our art gallery. Anna Harley is a professional fine art screen-printer, making prints at Spike Print Studio in Bristol. She has a Masters Degree in Multi-Disciplinary Printmaking and lives in South Bristol...

Hong Kong Skyline at Night, Original Cityscape Photography, 2017 19" x 10" Artist Commentary: Hong Kong must be experienced to be believed. Growing ...

Malvern Sunset by Eleanor Woolley [June 2021] original and hand signed by the artist Oil Paint on Canvas Image size: H:50 cm x W:50 cm Complete Size of Unframed Work: H:50 cm x W:50...

Ron Rizk’s paintings depict the intimate personal history of locales from his life. Ethereal and yet grounded in reality, the paintings tell the stories of very real places as seen ...

Rodrigo Katayama Nature Abstraction #16, Mendoza (Color Abstract Photography) 71 x 48 inches Edition of 5 Archival Pigment Print Unframed

Dennington towards pypes barn by Cornelia Fitzroy [2022] original and hand signed by the artist Pastel on Paper Image size: H:23 cm x W:30 cm Comp...

Oil on board, signed and dated '1974' lower right Image size: 31 x 48 inches (79 x 122 cm) June 1987 Exhibition label on verso Original frame Provenance The Artist's Estate Exhibited "Raymond Booth, A Memorial Exhibition", The Fine Art Society, London, 12th August - 9th September 2016, no.62 "Raymond Booth, In the Wild", The Fine Art Society, London, 02 May -29 May 2017, No. 11 Booth was above all a great recorder of the natural world who could translate his observations of the Yorkshire countryside, its fauna and flora, into compositions of a beauty and intensity rivalling the greatest of his Victorian predecessors. This intense, yet intimate, landscape depicts a section of woods around Booth's home in Alwoodley, Leeds, where he spent much of his time. Here Booth has worked slowly to develop the densely worked, close-up, landscape in which the woodland and meadows have acquired a poetic quality through his sensitivity to season, weather and time of day. Raymond Charles Booth Intensely private, and possessing an obsessive work ethic and passion for the natural world, Raymond Booth earned a reputation as one of the greatest botanical painters and illustrators, despite rarely leaving his Yorkshire home. Eschewing the more fashionable modernist principles of the early mid-twentieth century, he instead produced beautiful, intense compositions in oil of British flora and fauna, that rival the very finest Victorian followers of the genre. Raymond Booth was born in Wetherby, West Yorkshire, on 8 August 1929, to John Booth, a member of the local police force, and his wife Margaret Edna. When Raymond was still a young child, the family moved from their first home in the crowded streets of central Leeds, to Fearnville Place, in the leafy suburb of Roundhay. His father was a keen rambler and impressed upon Booth from an early age a respect and understanding for the British countryside. Just a short walk from his childhood home was Roundhay Park, the second largest urban park in Europe, comprised of over 700 acres of parkland, lakes and woodland. It is likely that growing up so close to such an environment had a profound influence on him, helping to develop what would become a lifelong obsession with natural world. Booth’s early passion for nature was surely heightened by the number of summer holidays he spent on an estate near Winterslow, Wiltshire, where an uncle worked as a gamekeeper. In 1946, at the age of 17, Booth won a scholarship to study at Leeds College of Art. However, his studies were put on hold during two years of National Service, which he spent largely with the RAF in Egypt, guarding the Suez Canal. He returned to Leeds College in 1949, graduating in 1953. While at Leeds College, he had frustrated his teachers and fellow students by insisting on working in a more traditional, precise style, and rejecting the more Modernist principles that were being promoted. As a result, his teachers convinced him that he was unlikely to earn a living as an artist, and encouraged him instead to study for a teaching diploma. Shortly after graduation however, he was diagnosed as suffering from tuberculosis, a consequence of his time in Egypt, and was admitted to a sanatorium, where he would stay for the next six months. Years later, Booth would joke ‘I am one of the few people who can say, “Thank God for TB”’ (The Times obituary, 9 September 2015), as his months of recuperation gave him countless hours to develop his skills as a botanical artist. This enforced focus on his work gave him the confidence to submit a number of his drawings to a botanical art exhibition in London organised by the Royal Horticultural Society. These works attracted the attention of a number of prominent horticulturalists, including Dr Harold Fletcher, the director of the RHS’s gardens at Wisley, Sir George Taylor...

West Texas: Ocotillo in Bloom, Mule Ears Peaks, Big Bend National Park by Peter Brown is listed 13 1/2 x 20 inch archival pigment print, with the paper size as 18 x 22 inches. This photograph is signed and numbered in black ink on print margin by Peter Brown. This size is available in an edition of 25, with more sizes available. This photograph is from Peter Brown series, Hometown Texas. West Texas: Ocotillo in Bloom by Peter Brown depicts a desert landscape lit by the setting sun, with the Mule Ears Peaks at Big Bend National Park in the background. Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely. His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred Whitehead Award from the Texas Institute of Letters. He presently is photographing the Llano Estacado of Texas and New Mexico under a grant from the Southwest Collection at Texas Tech University and the central high plains in a collaboration with the novelist Kent Haruf. His book with Haruf, West of Last Chance, will be published by W.W. Norton in January 2008. His photographs are in many public, private, university and corporate collections, including those of the Museum of Fine Arts and the Menil Collection in Houston, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Los Angles County Museum of Art and the J. Paul Getty Museum in Los Angeles, the Amon Carter Museum in Fort Worth, the Santa Barbara Museum of Art, the Stanford University Museum of Art, the Rice University Collection, The Humanities Research Center at the University of Texas Austin, the Sheldon Museum at the University of Nebraska, the Spencer Museum at the University of Kansas, the Snipe Museum at Notre Dame, and the University of Kentucky Museum of Art, among many others. His work has been exhibited in one man and group shows in museums and galleries in this country and abroad. Among others: The Museum of Modern Art in New York; The Museum of Fine Arts and the Contemporary Arts Museum in Houston; The San Francisco Museum of Modern Art; The Amon Carter Museum in Fort Worth and the Los Angeles County Museum of Art. His first book Seasons of Light, consisted of photographs of interior scenes with Brown’s short prose pieces, and was published with an afterword and poetry by Denise Levertov by Rice University Press in 1988. It was excerpted in American Photographer. His second, On The Plains, dealt with the open landscape and small towns of the western plains. Published with an introduction by Kathleen Norris by W.W. Norton, On the Plains was excerpted in DoubleTake, LIFE, The New Yorker, Aperture and Texas Monthly. His forthcoming book West of Last Chance, will be excerpted in Harpers, Texas Monthly and 5280. His work has also appeared in Dwell, House and Garden, Landscape Architecture, Duke, Stanford, Popular Photography, American Photographer, FotoMetro, Southwest Art, American Cowboy and other magazines - as well as on the covers of books by Annie Proulx, Jane Smiley...

‘Having first pursued my interest in landscape through photography and urban design, I have turned to landscape painting. This has led me to become a more analytical observer of the ...

Early morning sails by Caroline McMillan Davey [2021] original Oil on canvas Image size: H:60 cm x W:80 cm Complete Size of Unframed Work: H:60 cm x W:80 cm x D:3.8cm Sold Unframed ...

Ian Phillips Clouds Rest on Aran Fawddwy Limited Edition Linocut Print on Paper Edition of 8 Image Size: H 38cm x W 56cm Sheet Size: H 41cm x W 64cm x D 0.01cm Sold Unframed Free Shi...

Sweet’s work interrogates themes of femininity, identity, and power. Her distinct visual language combines intricate line work with bold, symbolic color, offering a reimagining of tr...

Artist Commentary: Thanksgiving sunset in the Texas Hill Country. Keywords: Landscape Artist Biography: Judith grew up 15 miles north of Milwaukee in t...

Evening Light over Torcross by Ann Burnham [2021] limited_edition linocut Edition number 1 -10 Image size: H:15cm cm x W:35cm cm Complete Size of Unframed Work: H:55cm cm x W:75cm c...

Maggie Laporte Banks. Towards Godrevy lighthouse [2021] original Acrylic on art board Image size: H:30 cm x W:40 cm Complete Size of Unframed Work: H:30 cm x W:40 cm x D:.02cm Sold ...

Artist Commentary: I took this as a photo in the beautiful, rugged, Texas hill country, then painted it. Keywords: Landscape Artist Biography: Judith grew up 15 miles north of Mil...

Selsley Church, Gloucestershire By Max Panks [2021] original Watercolour on Paper Image size: H:33 cm x W:49 cm Complete Size of Unframed Work: H:36 cm x W:51 cm x D:0.1cm Sold Unfr...

Heartland By Ana Bianchi [2020] original Oil on Canvas Image size: H:8.138 cm x W:11 cm Complete Size of Unframed Work: H:76 cm x W:102 cm x D:3cm Frame Size: H:80 cm x W:106 cm x D...

Rapeseed Fields in Cotswold by Tushar Sabale [2020] Original Oil on board Image size: H:30 cm x W:25 cm Complete Size of Unframed Work: H:30 cm x W:25 c...

Moonlight Phantasy [2021] Original Acrylics on canvas Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:30 cm x W:30 cm x D:3.5cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look "Moonlight Phantasy" comes from a lovely wood near my home in the High Peak. When the moon is full you can walk in the evening and it feels almost as light as day. The wood is quiet with dark tones of the trees creating shadows in the pale moonlight. An original artwork, one of a kind, this painting has been created with high quality acrylic paints on deep edged canvas. I begin with observation of the place making notes and taking photographs to work from in the studio. From these beginnings I work intuitively, painting some base layers with a brush and then impasto techniques layer on layer applied with a palette knife. Harnessing optical mixing techniques employed by the impressionists and some of the methods of the old masters such as scumbling and glazing. I continue working until the painting reaches a natural conclusion. The result is a contemporary painting, which lies somewhere between abstraction and realism. The painting continues round the sides, a frame is not needed and it is ready to hang. Amanda Horvath...

Battersea Bridge [2014] Original Oil paint on canvas Canvas Size: H:51 cm x W:76 cm x D:4cm Sold Unframed Please note that insitu images are purely an...

Winter Trees [2021] Original Landscapes Acrylic Canvas Size: H:51 cm x W:76 cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look I saw t...

Sunrise Over The Marina by Gerard Tunney [2021] original acrylic on canvas Image size: H:40 cm x W:60 cm Complete Size of Unframed Work: H:40 cm x W:60 cm...

Fields Of Gold By Adele Riley [2021] Original Acrylic and acrylic inks Image size: H:20 cm x W:50 cm Complete Size of Unframed Work: H:20 cm x W:50 cm x D:4cm Framed Size: H:25 cm x W:55 cm x D:5cm Sold Framed Please note that insitu images are purely an indication of how a piece may look Field of Gold is an acrylic and acrylic ink landscape by artist Adele Riley. Adele’s love of the landscape surrounding her and her fascination with colour, have clearly come together in this striking scape. This painting was inspired when coming across a rape seed field...

Artist Commentary: This painting is from a photo reference I took while on an RV road trip through Wisconsin. I've painted this image several times in values of purple and green, wh...

Aqua Tide [2021] Original Seascapes Acrylic and acrylic inks on boxed canvas Image size: H:60 cm x W:60 cm Complete Size of Unframed Work: H:60 cm x W:60 cm x D:4cm Framed Size: H:65...

A one of a kind 14" x 11" Impressionist Acrylic & Ink on Wood Landscape Painting executed by artist Stefanie Bales. A certificate of authenticity will be provided upon its delive...

‘Having first pursued my interest in landscape through photography and urban design, I have turned to landscape painting. This has led me to become a more analytical observer of the ...

Bagley Woods View [2020] Original Landscape Acrylic Canvas Size: H:76 cm x W:51 cm x D:2cm Sold Unframed Please note that insitu images are purely an indication of how a piece may lo...

A one of a kind 24" x 18" Impressionist Acrylic & Ink on Canvas Painting executed by artist Stefanie Bales. A certificate of authenticity will be provided upon its purchase or de...

‘Having first pursued my interest in landscape through photography and urban design, I have turned to landscape painting. This has led me to become a more analytical observer of the ...

Landscape II, Vietnam 60 x 60 inches Edition of 3

Thank you for your interest in my work. This painting was created using professional quality oil paints on a 100% cotton stretched canvas. It is singed and comes with a signed Certif...

Signed lower left: Blakelock

In his oil painting, “Birches in Autumn,” Carl Wuermer paints abrook running through a meadow and bordered by evergreens and birches displaying autumn color.

Michele Zalopany was born in Detroit, Michigan. She attended the Columbus College of Art and Design from 1973 to 1974 and the Cleveland Institute of Art from 1976 to 1978. She earned her Bachelor of Fine Arts degree from the School of Visual Arts in 1981. Through her labor-intensive mezzotints, Zalopany employs realism to depict fictitious scenes, bearing witness to the disintegration of what was once the fulcrum of the American economy in Detroit. Zalopany’s work is widely represented in many public and private collections in the United States and in Europe including The National Gallery of Art, The Yokohama Museum of Art, The Whitney Museum of American Art, The Walker Art Center, The Museum of Fine Art in Boston, The Cleveland Museum of Art, The Royal College of Art in London, and numerous others. Her work has been exhibited in galleries that include P.P.O.W., John Good...

Jayson Lilley A little Bit of London Limited Edition City Scape Art Screen Print with Gold Leaf, Pen and Ink on Museum Board Edition of 50 Size: H 24cm ...

Rodrigo Katayama Nature Abstraction #17, Mendoza (Color Abstract Photography) 71 x 48 inches Edition of 5 Archival Pigment Print Unframed

Ed. of 5, includes white frame. With his passion for formal technique and composition, internationally renowned photographer Nathan Coe’s works exude a deep reverence for the classi...

Elke Schönberger ist am 31 Mai 1966 in Wien geboren, lebt und arbeitet in Wien. Nichts könnte die Arbeit von Elke Schönberger unzutreffender beschreib...

40 x 60 inches Edition of 10 Archival Pigment Print Araquém is a strong supporter of Brazil's natural heritage, particularly the Amazon Rainforest and the Atlantic Forest. It is als...

American, b. 1962 Contemporary artist Lori Zummo paints in a style evocative of the American Barbizon School. She received her BFA from Syrac...

Ed. 1/5, includes white frame. Coe’s 2022-23 Nantucket series captures the nostalgic essence of the island complemented by the artist’s signature element of surprise. Emphasizing th...

Editions of 12. Mounting and framing not included in price.

18"x24" limited edition historic photograph, edition 1/5. This photograph depicts ... Phillip Buehler is a New York based photographer who documents the deterioration and remnants o...

H-Allen Benowitz is a self-taught photographer, born and raised in Brooklyn, NY, and a graduate from the Interboro Institute of Business in Manhattan, migrated to Miami, FL in the 19...

I primarily paint on location, en plein air. Direct observation allows me to translate the light and color of a particular location as I try to capture a specific point in time. The ...

I primarily paint on location, en plein air. Direct observation allows me to translate the light and color of a particular location as I try to capture a specific point in time. The ...

Francesco Iacurto, Canadian, 1908-2001 Charlevoix, 1991 Oil on canvas 20 x 24 in Signed lower right ; signed, dated and titled verso Framed

Joan Parker (20th C.) "Straw Fields" Oil on Canvas Canvas Size: 10 x 20 inches Framed Size: 21 x 31 inches Joan Parker, is a Plein Air landscape painter and a native of California....

Jurmala 1965, paper/watercolor, 19.5x35.5 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and many military courses. In 1933 he graduated from the Arts Academy of Latvia, Graphic workshop under the guidance of R. Zarins. He participated in the exhibition since 1924. He painted mostly military themes. And also painted landscapes and compositions with oriental motives in watercolors technique. He drew sketches for the plates painting to porcelain factory of Kuznetsova and faience factory. One of the first drawer of Latvian journeyman army in 1922. He i san author of Viesturs Order sign...

In one of the most exotic places on earth, in the mountains of New Zealand, a lake is formed by a glacier - a fjord. The stillness of this place is otherworldly. Indeed, supernatural...

Oil on canvas, monogrammed bottom right, inscription and artist label on stretcher Image size: 12 x 24 inches (30.5 x 61 cm) Original frame Provenance Collection of Mrs Fairchild, L...

American, b. 1958 Designated a living master by the Art Renewal Center and widely regarded as a leader of the American landscape school, Joseph McGurl is one of the most important r...

To see our other hunting pictures, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Donald Ay...

Joan Parker (20th C.) "Sunflower State of Mind" Oil on Canvas 10 x 20 Framed Size: 21 x 31 inches Joan Parker, is a Plein Air landscape painter and a native of California. Her arti...

Pine on the Backbone by Lu Haskew Oil 12x9" image size Landscape Painting This painting is unframed, canvas on gator board, the price reflects that it is unframed. Shipping price i...

the painting is being offered with a work and authenticity certificate