Men Art

Figure is a linocut print realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Not signed. Good conditions. Mino Maccari (Siena, 1924-Rome, June 16, 1989) was an Italian...

Theseus slaying the Minotaur by Antoine-Louis BARYE (1796-1875) A rare bronze group with a nuanced greenish dark brown patina Signed "Barye" on the base Cast by "F. Barbedienne Fon...

Lorraine was born in London and studied sculpture for several years before undertaking a Fine Art Degree. She currently spends much of the year in the French Alps, which is a great i...

Mediterranean Male Nude by Boat, Sitges School Figurative Coastal Scene Artist: F. Benítez Date: 2012 Medium: Oil on panel Support: Panel Dimensions (panel): 35 × 50 cm (13.8 × 19.7...

Mike Carson is a Minneapolis painter, and graduate of the Minneapolis College of Art and Design, whose artwork can be found in private and corporate collections throughout the Unite...

Open and Limited Edition Silver Gelatin Prints
Hand Signed by Bob Gruen Please contact us for inquiries of desired size

This is a signed press proof of one of Leroy Neiman's coolest images, created originally for Playboy Magazine in two panels. This never fails to get guests' attention on the wall, as...

A remarkable eighteenth-century crayon manner engraving by Gilles Antoine Demarteau (1722-1776) after a drawing by Jean-Joseph Taillasson (1745-1809) depicting Saint John of the Cros...

ABOUT THE ARTWORK Entitled "FLORA," this painting is a serene contemplation of nature's restorative embrace. The subject, a solitary figure melded with avian elements, sits peaceful...

The photography belongs to a cycle of photographies of NY, published in the book "New York", Verlag und Volk, Berlin 1967. Signed by the author on the back, certificate will be inclu...

Medium: lithograph (after the the sketch). Executed as a sketchbook drawing during the middle 1950's and subsequently made available by Picasso for publication as a lithograph. This ...

Soldiers and Camp Followers by a Fireside, English School Figure Study Late 18th / Early 19th Century English School circa 1780–1800 Watercolour wash on artist paper, unframed Drawin...

"What I wish to show when I paint is the way I see things with my eyes and in my heart." -Raoul Dufy This lithograph was reproduced after a painting by Raoul Dufy entitled "L'Atelie...

Isidore-Jules Bonheur (French, 1827–1901) A Rare Gilt and Patinated Bronze Jockey on A Horse, circa 1875. Introducing a truly exceptional and highly so...

Akingbade Mayowa 1988 - Current Next of Kin, 2025 Acrylic on Canvas 108 x 81.3 cm 42 1/2 x 32 in

Woman Sewing Artist: Pierre Neveu (French b.1929) Medium: oil on canvas, unframed Canvas: 36 x 29 inches Condition: Good and sound condition Provenance: From the artist’s studio sale...

Serigraph in colors on 300gsm paper. Hand signed lower right by Ronnie Wood; hand signed lower left by Muhammad Ali. Hand numbered 32/100 lower right. Sheet size: 28.5 x 21.5 inches. Frame size: 37 x 30 inches. This image was published in two editions - Both were autographed by Muhammad Ali in addition to being signed by Ronnie Wood. The first one, an edition of 99 pieces, was printed on canvas. The second, an edition of 100 pieces, was printed on paper and given to the Muhammad Ali Foundation's Center for Peace to be used as donor gifts. Artwork is in excellent condition. About the Artist: Ronald David "Ronnie" Wood (born 1 June 1947) is an English rock guitarist and bassist best known as a former member of The Jeff Beck Group, Faces, and a member of The Rolling Stones since 1975. He also plays lap and pedal steel guitar...

The series "Venus Nostalgia" is a collection of sculptures inspired by the famous Venus de Milo, an emblematic work in the history of art that has had a great impact on Castello's wo...

The Trial of Christ Dutch Old Master, 17th century oil on panel, unframed panel: 11 x 7.5 inches provenance: private collection, England, Christies auction stencil marks verso condi...

Rembrandt's print 'Christ Crucified Between Two Thieves: an oval plate' is one of the most captivating of the artist's oeuvre. Etched to an oval rather than a rectangular plate and t...

French School of the20th Century Bust of a man viewed from behind, signed on the lower right (unidentified signature, see detail photograph) watercolor on paper 46 x 34 cm In a very...

Artist: Rene Portocarrero, After, Cuban (1912 - 1986) Title: Flor Ornamentada II Medium: Screenprint on Johannot paper, signed in the plate and numb...

Powerful reproduction of a classic Chinese propaganda poster originally issued during the late Maoist / early post-Mao era, promoting national military strength and modernization. Th...

Tennis in The Bahamas, 1957 by Slim Aarons 16 x 16" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "Tennis in the Bahamas, 1957" is a beautiful Limited...

Legendary photographer Slim Aarons relaxes in a self portrait shot in Athens, near the Acropolis. Slim Aarons said, "I love a solo holiday. It tends to refresh the part of oneself that is most depleted by modern life — patience. "Let me dispel a few myths. You will be lonely. No: you won’t. My solo travels in Paris have brought many perfect hours of being alone but not a moment of loneliness. People who depend on other people are often in hiding from themselves. Two and a quarter million people live in the City of Light: you will see many of them and you will pass them in the street, but when you see Notre Dame after dark and walk home and perhaps stop to have a drink in the Marais, you can feel that the only thing that is missing from your experience is the common dependency on someone to distract your attention. "I’ve had solo pints of Guinness in the pubs of County Kerry and County Cork. I’ve walked across the sage- and juniper-scented maquis of Corsica on a spring day, where you can still find the world of Napoleon’s childhood. More than once I went to the Isle of Iona in the Scottish Hebrides...

Touching The King (1956) (Photo By Phillip Harrington) May 27, 1956. Elvis Presley mobbed by adoring fans backstage after a performance at the University of Dayton Fieldhouse. Ad...

Lake Street, c. 1920 -30s, oil on board, 12 x 9 inches, signed lower right and verso, titled verso About the Painting At the center of Oscar Daniel Soellner’s Lake Street, we see the stairway leading to an elevated railway station on what is now Chicago’s Green Line route. When its first section opened in 1893 as the second permanent elevated rapid transit line in Chicago, this route was known as the Lake Street Elevated Railroad. Chicago’s “L,” like the New York subway and rapid transit system, played an instrumental role in the development of the urban economy and the overall look and feel of the city. The formal aspects of urban railroads and the role they played in efficiently moving large number of everyday citizens across America’s growing metropolises were catnip for many American Scene painters during the first half of the 20th Century. Here, Soellner uses the techniques of the impressionists and the palette of the Ash Can School, to convincingly depict a classic Chicago scene...

A Fabulous, Surrealist 1946 Mid-Century Modern Abstract Portrait of a Young Man by Noted Chicago Artist, Harold Haydon (Am. 1909-1994). Titled "Introspective Stare", the drawing is ...

Mike Carson is a Minneapolis painter, and graduate of the Minneapolis College of Art and Design, whose artwork can be found in private and corporate collections throughout the Unite...

Dean Kugler The Black Road: Crystal, 2022 resin, steel, limestone 31h x 13w x 12d in 78.74h x 33.02w x 30.48d cm DK0044 Dean Kugler is a seasoned interdisciplinary artist, painter, ...

Ex Libris is a woodcut print created by Michel Fingesten in 1937. Hand Signed on the lower right margin. Good conditions. Michel Fingesten (1884 - 1943) was a Czech painter an...

Portrait of Oliver Cromwell (1599-1658), 17th Century circle of Sir Peter Lely (1618-1680) Large circa 1700 portrait of Oliver Cromwell (1599-1658), oil on canvas. Excellent qual...

A Handsome 1940s Portrait of a Seated Man by Chicago Modern Artist, Harold Haydon (Am. 1909-1994). A wonderfully executed line drawing dating from 1946 with great character; looks ...

''James Dean Liz Taylor Round Up' 1956 GALERIE Limited Edition silver gelatin print A gorgeous candid shot of the movie and style icons James Dean with Elizabeth Taylor on the set ...

Original poster: HEAD OUT TO OZ, artist: James McMullan. Size 24" x 37". Rolled, Not folded; very good to excellent lithograph condition. Year: ...

Portrait of a Genovese Sailor, ca. 1890. Watercolor on cardboard measuring 4 x 5.5 inches; 9 x 11 inches framed.

At Night at Maxims Artist: Pierre Neveu (French b.1929) Medium: oil on canvas, unframed Canvas: 45 x 57.5 inches Titled verso Condition: Good and sound condition with slight small pa...

NYC Cafe WPA American Scene Social Realism Regionalism Modernism Woman Artist Dorothy Eaton (1893-1968) New York City Cafe Scene, 1931. 20 x 29 inches ...

Luis Miguel Valdés (Cuban, 1949). ´Luneta' (Lunette), 2008 SilkscreeN Edition of 40 Overall Size: 55 x75 cm. (22.75 x 29.5 in.) Surface: Canson Paper 200 g. Hand-signed, COA (Certifi...

8 x 10" vintage silver gelatin photograph of dancer, choreographer Lar Lubovitch photographed in 1964. This is a print that was published by a newspaper ...

Felix Campean's artwork presents a scene of a human body emerging with astonishing anatomical precision, capturing every detail of musculature and skin with hyper-realistic fidelity....

This is one of six cowboy images completed by the artist. Chicano artist Viramontes is known for both political subject matter, as well as more personal s...

Introducing the breathtaking bronze sculpture by Jeremy Geddes featuring a cosmonaut, a stunning tribute to the wonder and beauty of space exploration. Jeremy Geddes is an Australian...

Artist: Jacob Lawrence Title: Harlem Street Scene Medium: Screenprint in Color Edition: 113/150 Sheet Size: 26" x 19-3/4" Frame Size: 36" x 29-3/4" Year: 1975 Publisher: Published by...

New York Mets Major League Baseball pitcher for the 1986 World Champion Mets. :: Painting :: Illustration :: This piece comes with an official certifi...

Art Shay's true love was street photography. It is evidently clear in this shot entitled "The Three, Maybe Four, Ages of Women" with the young mannequin bride, the middle aged women...

Pablo Picasso Grande Tête De Femme Au Chapeau Orné (Woman’s Big Head with Decked Hat), 1964 A.R. 518 is a remarkable and beautiful work. It represents Picasso’s most important relati...

Reginald Marsh (1898-1934), Tattoo-Shave-Haircut, etching, 1932. Signed, titled (“Tattoo-Haircut-Shave”), dedicated (“for Arnold Newman”), and annotated (“Fourth State. First of Two Prints”). Reference: Sasowsky 140. On cream wove paper. In very good condition, with small margins (as trimmed, slightly irregularly, by the artist) (slight foxing in margins), remains of prior hinging verso; 9 7/8 x 9 3/4, the sheet 10 15/16 x 10 5/8 inches; archival matting. A very fine rich black impression; we have not seen impressions of comparable quality on the market. Provenance: Estate of Arnold Newman. Arnold Newman (1918-2006) was one of the great 20th Century masters of photography, and a friend of many leading artists; it is appears that Marsh took special care in printing this impression for Newman. Sasowsky calls for 10 states of Tattoo-Shave, based largely on Marsh’s notes. But the states are not clearly delineated (e.g., his States 3 and 4, one proof each, are characterized by Marsh as “Engraving added”; no information is given for State 5). The design for the print was complete in the first state, and subsequent state changes were not, apparently, major. This impression does not appear to differ in etching lines from the final state impression shown in Sasowsky. Its inscription (as a Fourth State, by Marsh), as well as its rich inking and quality, attest to its being a proof before the edition (of about 34 impressions), but the state of this print (and, presumably of many of the other several proof impressions) cannot at this time be stated with confidence. Marsh printed this impression personally (we recall his famous answer to a question about the size of his editions: “Since I do practically all my own printing, I do not limit the edition. The buyer limits the edition – he rarely buys, I rarely print”). Tattoo-Shave-Haircut depicts a scene in the Bowery, a section of New York’s Lower East Side, during the Great Depression. The building and train structures in the top half of the print recall Piranesi’s Carceri...

Watermark: Lion and Star (Lieure 38) References: Lieure No. 505 Notes: An early impression of the only state of this major work. According to Lieure (Jacques Callot: Catalogue de l...

Robert Longo, Men in the Cities (Rick) , 1984 - unique artist-certified photographic document, 1992 Vintage photographic print on Kodak paper, with unique artist inscription and cert...

No Kids – Come Into My House, 2008 Autographed by Alex Katz in 2013 Vinyl, Album, LP Tomlab – tom 108 lp The artwork depicted on this album cover is “Ives Field I”, an oil on linen ...

The Band by Guy Nicod (French 1923 - 2021) watercolour on artist paper, unframed painting : 18.5 x 13 inches provenance: artists estate, France condition: very good and sound condition

America Martin "What a Good Swim" Pastel & Ink on Paper 37.75 x 25.25 in Framed 44 x 32 in America Martin is an internationally represented Colombian-American fine artist based ...

A narrative work that reflects Picasso's engagement with storytelling, historical imagery, and the reinterpretation of earlier artistic traditions. The print demonstrates his ability...

Figures Relaxing on a Mediterranean Beach beneath Dramatic Coastal Cliffs Maurice Mazeilie (French, 1924–2021) Watercolour on artist paper, unframed. Artwork: 7.5 × 11 inches. Proven...

This 1660 winter landscape photograph, captured by society photographer Slim Aarons, features an individual skiing at Sugarbush, a mountain resort in Vermont, April 1960. This is an...

Lithograph from the book ' The Posters of Toulouse-Lautrec', lithography by Mourlot Freres. Aristide Bruant was a French cabaret singer, comedian, and nightclub owner. He has been c...

A little slice of happiness ; spring trees in full blossom, sunshine and wide open spaces. Therese James fills her paintings with joy and they are guaranteed to make you smile and li...

This painting is Bruno Surdo’s contemporary reimagining of Saint Sebastian, one of the most enduring subjects in Western art. From Mantegna and Botticelli to Guido Reni and Caravaggio, Sebastian has long been depicted as the bound, arrow-pierced martyr whose physical suffering becomes an image of spiritual transcendence. Surdo clearly situates himself within this lineage: the contrapposto pose, uplifted gaze, and carefully modeled anatomy reflect his atelier training and deep engagement with Renaissance ideals of the heroic nude. The flesh is luminous and sculptural, recalling Michelangelo’s influence on the canon of the male body as both aesthetic and symbolic form. Yet Surdo decisively destabilizes the tradition. The arrows piercing the body are not lethal shafts but rubber suction-cup darts—objects associated with toys and staged play. This substitution transforms martyrdom into performance. The gravity of sacred suffering is undercut by irony, even absurdity. The saint is no longer impaled by instruments of death but by harmless projectiles, suggesting that contemporary suffering may be theatricalized, trivialized, or culturally mediated. At the same time, the figure’s expression remains sincere and emotionally vulnerable; the psychological intensity is real, even if the wounds are not. This tension between authentic emotion and artificial harm introduces a modern critique of spectacle—how pain can be aestheticized, simulated, or consumed. The graffiti-covered urban wall further collapses sacred history into contemporary space. Instead of a devotional landscape or heavenly backdrop, Surdo situates his Sebastian against a chaotic, tagged surface, merging classical beauty with raw urban immediacy. Saint Sebastian has long functioned not only as a symbol of faith but also as an emblem of sensualized male beauty and coded identity in art history. Surdo acknowledges that layered tradition while reframing it through irony and cultural commentary. By replacing deadly arrows with toy darts, he transforms martyrdom into a meditation on vulnerability in an age where suffering may be symbolic rather than fatal—performed, projected, or socially inflicted rather than divinely ordained. As in much of his work, Surdo grounds contemporary psychological tension in the authority of Renaissance form, using the language of history painting to question what sanctity, sacrifice, and spectacle mean today. Bruno Surdo Paradox of St. Sebastian oil on canvas 60h x 36w in 152.40h x 91.44w cm Bruno A. Surdo b. Chicago, 1963 EXHIBITIONS 2018 Liberation, Gallery Victor Armendariz, Chicago, IL Blood Sport, Gallery Victor Armendariz, Chicago, IL Art on Paper 2018, Gallery Victor Armendariz, Pier 36, New York, NY SOFA Chicago 2018, Gallery Victor Armendariz, Navy Pier, Chicago, IL 2017 POP!ARAZZI, Gallery Victor Armendariz, Chicago, IL Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2015 SOFA Chicago 2015, Ann Nathan Gallery, Navy Pier, Chicago, IL Bruno Surdo: Allegories, Ann Nathan Gallery, Chicago, IL 2014 Bruno Surdo: Respond, Ann Nathan Gallery, Chicago, IL Modern Metaphors, Rockford Art Museum, Rockford, IL 2013 Bruno Surdo: Revelations, Ann Nathan Gallery, Chicago, IL Vice + Virtue, Northern Illinois University Museum of Art 2012 Contemporary Realism Biennial, Fort Wayne Museum of Art, Fort Wayne, IN 2011 Bruno Surdo, University of St. Francis School of Creative Arts, Fort Wayne, IN Uncensored, Ann Nathan Gallery, Chicago, IL 2010 Art Chicago 2010, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2009 Art Chicago 2009, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Bruno Surdo, Art Institute of Indianapolis, Indianapolis, IN 2006 Context/Content: Making Meaning with the Figure, University of Arkansas, Conway, AR Creative Imaginings, Mobile Museum of Art, Mobile, AL Bruno Surdo: Cycles, Ann Nathan Gallery, Chicago, IL 2005 Art Chicago 2005, Ann Nathan Gallery, Chicago, IL 2004 Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Group Show, Arcadia Gallery, New York, NY Drawings VII, Koplin Del Rio Gallery, West Hollywood, CA Armory Show, New York Armory, New York, NY 2003 Paintings & Drawings, College of Lake County, Grayslake, IL The Art Show, New York, NY Bruno Surdo: New Work, Ann Nathan Gallery, Chicago, IL Art Chicago 2003, Ann Nathan Gallery, Chicago, IL 2003-10 International Show of Contemporary Artists, Chicago Art Open, Chicago, IL 2002 Bruno Surdo: Perception of Appearance, Frye Museum, Seattle, WA Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Bruno Surdo: Transcendence, Ann Nathan Gallery, Chicago, IL Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Tragedy, Memory, & Honor, Ann Nathan Gallery, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR 1998 Evanston and Vicinity Artists, Evanston Art Center, Evanston, IL 1996 Bruno Surdo: A Personal View, University of Wisconsin, Kenosha, WI 1995 Bruno Surdo: Recent Works, College of Lake County, IL AIDS in Our Society, Loyola University, Chicago, IL Bruno Surdo: Life, Struggle, and Hope, Chicago Cultural Center, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR Bruno Surdo: Dualities of Life, Ann Nathan Gallery, Chicago, IL 1999 Group Show, Ann Nathan Gallery, Chicago, IL 1998 Group Exhibition, Fine Arts Building Gallery, Chicago, IL 1995 Spiritual Inquiries, Struve Gallery, Chicago, IL 1994 Recent Works, The 14th Annual Juried Exhibition for Lake County Artists, Grayslake, IL Go Figure, Figurative Works on Paper, Chicago Printmakers Collaborative, Chicago, IL SELECTED COLLECTIONS The Re-Birth of Venus, Temporary Loan, Fort Wayne Museum of Art Arkansas Art Center, Little Rock, AR College of Lake County, Greyslake, IL Flashpoint Academy, Chicago IL John Robert Wiltgen Design Shoemaker Ruud Collection Julie & Thomas Danilek Michael Vozzella and Mike Silver Benjamin Fernandez Tom Braake Betsy Colburn Michael Diemand & Lor LaRose Michael Staab & Kathy Brock Bruce Leep Frank Tzurect Mary Foley Rosalyn Carlson Mimmy Turney Janet Long Halstead Billy Hunt Carol Galli Myles Kerrigan Honorable & Mrs. Edwin Berman Theodore Gage Northrop Art Museum Past Present & Future Company Dr. James & Peggy Kemmler Salvatore Monastero Nix & Virginia Lauridsen Joel Miller David & Marlene Zerkel Ann & Andy Abel Claudia Rush Marc Miller Leonard Goldberg Lawrence Pucci Howard Tullman Collection Susan & Manny Kramer James Rinnert Richar Interiors Michael & Nancy Colt Khalid Altijir Dr. Joe Grodman Beryl & Jack Gore Larry Wolf & Eric Naegle Chuck Wolandi Jack Schwab & David Sandelin Thomas Kaczmarek Marti Dinerstein Craig & Michael Golden...

This artwork confronts a timeless struggle: humanity’s unease with the mysteries of divine timing. The central figure, blindfolded and clutching an hourglass, has its sands visibly s...