Men Art

Gouache and watercolour on corrugated cardboard after the famous self portrait by Vincent van Gogh with his fur hat, bandaged ear and pipe. This painting is by Jean Ducel who has pla...

We are pleased to offer a captivating portrait, most likely painted in the late 18th century, attributed to an artist within the circle of Christian Wilhelm Ernst Dietrich. This oil ...

A Fine 1940s, Mid-Century Modern Academic Figure Study Portrait of a Handsome, Seated Male Model Wearing a Suit by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed early 1940s charcoal...

Still life with flowers oil/cardboard, 51x40 cm

When was the last time you broke yourself from the hustle and bustle of the daily routine, spent quality time with yourself and enjoyed the ease of mind and soul? "Our lives are com...

François Désiré Antoine Gailliard. Belgian ( b.1861 – d.1932 ). Le Petit Jardinier, 1887. Oil On Canvas. Signed & Dated Lower Right. Image size 36.6 inches x 28.5 inches ( 93cm x 72.5cm ). Frame size 41.7 inches x 33.5 inches ( 106cm x 85cm ). Available for sale; this original oil painting is by the Belgian luminist artist François Gailliard and is dated 1887. The canvas and the painted surface have benefitted from cleaning, restoration and conservation, which was performed on our instruction, supervision and approval. The painting is presented and supplied in its original frame. The frame has been restored and reinforced with supporting brackets along with new replacement hanging fittings. This antique painting is now in very good condition. It wants for nothing and is supplied ready to hang and display. The painting is signed and dated lower right. The renowned Belgian luminist painter, François Désiré Antoine Gailliard (also known as Frans or Franz Gailliard) was born in November 1861, in Brussels, Belgium. He was the son of Désiré Gailliard, a baker, and Anne Hubert. He grew up during a period when the country’s artistic landscape was flourishing. Raised in an atmosphere that encouraged artistic expression, Gailliard showed an early talent for drawing and painting. He pursued formal training at the Académie Royale des Beaux-Arts in Brussels, one of Belgium’s most prestigious art institutions. There, he studied under influential artists and developed the foundational skills that would shape his career. Gailliard initially joined the studio of Jean-François Portaels, then went on to study with Jules Hoeterickx, François Bossuet, and James Ensor. He also worked alongside Fernand Khnopt and became friends with James Abbott McNeill Whistler, the American artist, who he met in 1887 during stays in Berlin and Paris. He became part of the artistic and intellectual circles of Belgium, and other close friends included artists such as Alfred Stevens, Jean-Louis Forain and Félicien Rops. Finally, he joined the studio of Jean-Léon Gérôme in Paris. The academic environment in Brussels exposed Gailliard to various artistic traditions, but his work reflected an interest in pushing beyond academic conventions. Gailliard was particularly drawn to the evolving styles of the time, especially Realism and early explorations of Impressionism and Luminism, which would later define his signature style. Gailliard’s early work showed influences from the Barbizon School and other European Realists, focusing on meticulous, lifelike representations of nature, figures, and everyday scenes. Like many artists of his generation, he was deeply impacted by the works of French artists such as Jean-François Millet and Camille Corot, who emphasized the beauty in the ordinary and the rural. This focus on realism, combined with a sensitivity to light and atmosphere, became a defining feature of Gailliard’s work. However, Gailliard also admired Impressionism and its experimental use of colour and light. By the late 19th century, the work of French Impressionists like Claude Monet and Pierre-Auguste Renoir had gained international attention, and Belgian artists, including Gailliard, were beginning to incorporate these new approaches into their own work. His art became a fusion of detailed realism and a growing interest in capturing fleeting moments, light, and atmosphere—characteristics that placed him in alignment with Belgium’s Luminism movement. Gailliard’s paintings from this period are characterized by their use of light and their focus on everyday scenes, especially those connected to nature and the rural life of Belgium. While he was not a strict follower of Impressionist techniques, his work often employed similar methods, particularly the soft, diffused use of colour to create atmosphere. “Le Petit Jardinier” (1887), is one of his most notable works and exemplifies his ability to render both figures and nature with careful attention to light. Gailliard’s paintings were usually large canvases presenting genre scenes, portraits, nudes and landscapes. His works often highlighted the beauty in the ordinary and displayed a sense of quiet dignity and respect for his subjects. He also produced news cartoons, presented in French, Belgian and English weekly newspapers such as Le patriote illustré, Le petit bleu, and the London Illustrated News. Gailliard’s work was regularly exhibited both in Belgium and abroad. He presented his first painting at the 1881 Brussels Salon, then from 1882 to 1891 exhibited at the Salon des Artistes Français de Paris. He also exhibited in Berlin, and participated in major exhibitions, including those organized by influential art societies in Belgium such as Les XX and La Libre Esthétique, both known for promoting avant-garde art. Although Gailliard was not a founding member of these groups, his participation in their exhibitions placed him alongside other significant artists of his time, and he gained a reputation for his refined style and technical mastery. In 1897 he painted a portrait of King Chulalongkorn of Siam during his official visit to Belgium. Gailliard married Julie Constantine Maus in Brussels in 1898. They had a son, Jean-Jacques Gailliard, who also became an artist, designer and engraver. As Gailliard matured as an artist, his style remained rooted in realism and Luminism, though he also incorporated elements of Symbolism and Romanticism. His later works showed a deepening appreciation for mood and emotion, with a focus on portraits, landscapes, and scenes that often carried a sense of introspection. His paintings evoke a sense of calm and reflection, with light used not just to illuminate but to convey a deeper emotional or symbolic meaning. Gailliard went on to become the director of the Academy of Fine Arts of Saint Gilles, where, through the later efforts of his son, his reputation lives on. François Gailliard died in 1932 in Saint-Gilles, Brussels, where a street was named after him. He left behind a body of work that, while perhaps overshadowed by more radical movements of the time, remained respected for its craftsmanship and its commitment to realism and light. In the decades following his death, his work has been rediscovered and appreciated for its role in bridging the gap between Realism and the evolving movements of Impressionism and Luminism in Belgium. In 1957 he was given a retrospective tribute exhibition in the City Hall of Saint Gilles, organised by the Group d’Art Saint Gillois. Today, Gailliard’s paintings are celebrated for their quiet elegance, their masterful treatment of light, and their sensitive portrayal of everyday life. His work continues to be exhibited in Belgian art institutions, and he is regarded as one of the key figures of late 19th and early 20th century Belgian art. © Big Sky Fine Art “Le Petit Jardinier” (1887) by François Gailliard (also known as Franz or Frans Gailliard) is a captivating and significant oil on canvas painting, signed and dated by the artist in the lower right corner. In this evocative piece, a young boy, dressed in a blue apron over a striped shirt, stands confidently against a textured background of warm, earthy tones. His gaze is calm and proud. He holds a red geranium plant in a terracotta plant pot...

5179 Antique figural garden scene

This portrait depicts a solemn figure in dark attire against a textured, earthy background, creating a sense of depth and character. The subject's profile view and stoic posture domi...

Martin Friedman (1896-1981). Two Nude Figures, ca. 1960. Charcoal on paper, image measures 17 x 22.5 inches; 24 x 30 in original custom chestnut frame ...

The High Life 1968 by Slim Aarons Slim Aarons Limited Estate Edition Actor George Hamilton (in blue) takes off in a speedboat with friends Ruth Luthi and Mike Belami, during a sta...

A charming early 19th Century miniature portrait of a kindly looking gentleman in a smart black jacket and wing collar shirt. The portrait is unsigned and presented in a traditional ...

Hans Thoma (1839 Bernau - 1924 Karlsruhe), Adam and Eve, 1897. Algraph on strong wove paper, published by Breitkopf und Härtel in Leipzig as ‘Zeitgenössisches Kunstblatt Nr. 113’, 44...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

Signed in pencil below the image. Signed and dated in the plate. The number '327' inscribed in pencil in lower margin. Mortimer Menpes was an artist and engraver, author, printmake...

This exquisite lithograph by Marc Chagall (1887–1985), titled Bouquet à l’Oiseau (Bouquet with Bird), from the album The Lithographs of Chagall, Volume I, originates from the 1960 ed...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Josue M...

Artist: Alexander Litvinov Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Classic Figurative Year: 2001 Title: Based on Wagner's Operas Si...

Boris Lovet-Lorski, Untitled (Nude Dancer in Modernist Stage-setting), lithograph, edition 250, 1929. Signed and numbered 20 in pencil. Number 20 of Volume ...

A unique original silver gelatin black and white photograph by Press Agency, Paris in 1925. International Decorative Arts Exhibition in Paris, 1925, French newspaper pavilion. L'Intr...

This exquisite lithograph after Pablo Picasso (1881–1973), titled 4.5.64. IV, from the folio Le Gout du Bonheur, trois carnets d`atelier (The Taste of Happiness, Three Studio Sketchb...

MAXIMILLIAN KURZWEIL (Austrian 1867-1916) DER POLSTER / THE CUSHION, 1903. Color woodcut printed on laid japon paper, affixed as usual to a support sheet from its upper sheet edge...

Original oil painting by Eric Zener. Eric Zener’s photorealistic paintings and resins are focused on four motifs: landscapes, figures in bed or on tightropes, and bodies in water. ...

Henry Rollins of Black Flag at Mi Casita, shot in January, 14 1983. Edition Details: Archival pigment print on 100% cotton fine art paper, signed and numbered in the margins by the ...

Portrait Of A Lady In A Lace Cap & Ruff, 17th Century 1640 Dutch School 17th Century Dutch School portrait of a young lady wearing a lace cap and ruff, oil on panel. Excellent qual...

Title: French Impressionist Watercolor of Coastal Village with Boats at Low Tide By Maurice Mazeilie (French 1924-2021) Medium: Watercolor on paper, unframed Size: 4.5 x 7 inches (He...

Sebbene atteggiato in una delle pose convenzionali adottate in Accademia per l’esercitazione della copia dal nudo, il modello anziano qui ritratto è indagato con tale sensibilità ana...

Illustrated for the 1949 Four Seasons Calendar, published by Brown and Bigelow. A young girl holds a freshly-picked bouquet of flowers as she strolls alongside a boy who carries he...

Evening lights. Paper, screen printing, 18x18 cm Evening lights is an intriguing artwork created through the screen printing technique, capturing the essence of illuminated lights d...

A sensitively carved, solid alabaster, antique sculpture of famed Italian poet and philospher, Dante Aligheri (1265-1321). The figure in a rich, flowing robe, holding a book and wear...

Limited edition linocut on paper. Hand signed and numbered lower front Angel Botello. From the edition of 60. Frame size approx 29.75 x 26.5 inches (frame molding may have some m...

Title: Marseille Watercolor of Calanques with Fishermen & Limestone Cliffs by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper Size: 15.25...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Accompanied by a Certificate of Authenticity. (Issues b...

BRUCE OF LOS ANGELES - Classic mid 1950s gelatin silver photograph of popular physique model KEN ITTNER by celebrated 20th Century photographer BRUCE BELLAS also known as Bruce of Lo...

This artwork titled "Ram's Head, Full Face" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by renown British artist Graham Vi...

Subir y Balar is a black and White aquatint, drypoint and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-1886 . 6th Edition.Ver...

This exquisite heliogravure after Man Ray (1890–1976), titled Preeminence of Matter Over Thought, originates from the 1980 folio Man Ray, Electa Editrice Portfolios. Published by Gru...

Pink Step Pathway Harold Storey ( 1888 - 1965) signed and dated 1925 verso oil on board, unframed board : 14 x 10 inches Provenance: private collection Condition: some scuffs and pa...

Mythological Figures in Classical Sunset Landscape French School, 17th century oil on canvas, framed framed: 20 x 23.5 painting: 13.5 x 17 inches provenance: private collection, Engl...

Art Deco 1925 1980 Silkscreen Paper size 33½" × 21"inches Signed in pencil and marked 234/300 Michael Knigin was born in 1942 in Brooklyn, NY. He attended and graduated from Tyler S...

Untitled #3 1994 Signed, dated, and numbered in ink, recto; Also titled in pencil, verso Gelatin silver print (Edition of 5) 8 x 5.25 inches (20.3 x 13.3 cm), image 10 x 8 inches ...

In Majesty is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 87 × 33 × 22 cm (34.3 × 13 × 8.7 in). The sculpture is signed and numbered, it is part ...

'Dancing in the Wind' is an original opal serpentine sculpture by the Zimbabwean artist Wellington Karuru. The artist presents an elegant and curvilinear figure of a woman, her hair seeming to billow upward and behind her. The sculpture is on one hand a celebration of the stone material, and on the other it calls back to art historical precedent: her body is brought to a high polish, reflecting the softness of skin, while her hair is left rough-hewn to create the effect of the untamed wind. At the same time, the woman's body is highly stylized and emphasizes her hips and belly, recalling Paleolithic "Venus" sculptures like the lauded Venus of Willendorf and thusly ideas of maternity and womanhood. opal stone (serpentine) not signed 23" high x 8" widest point x 4" smallest point, sculpture 4"x4"x4", sculpture bottom 1 x 6 x 6 inches, base Overall excellent condition with no signs of wear Sculpture comes with base. Born on August 17, 1976, Wellington Karuru is the first born to a family of five children and has two brothers and two sisters. As the first born child in a Zimbabwean family, many responsibilities were shouldered upon Wellington. Both his brothers, Gilbert and Esau, are also talented sculptors. He completed his primary and secondary education in Mashonaland West Province and was involved in almost every sporting activity at the school. After he graduated, he was employed at National Foods LTD where he worked as a machine operator for a period of four years and was later promoted to work as a sales clerk. In his free time he assisted some well known artists in sculpting, was able to learn much from them and soon thereafter started to develop his own talent and unique style. Inspired by such well known sculptors such as Gardener Sango and Garison Muchinjili, Wellington started sculpting small pieces for himself and soon found a buyer for his favorite piece titled ‘A Cry For Help’. From that day forward, he has never looked back. He eventually went to work with Garison Machinjili whose influence is clearly shown in his work. Some of his pieces have been chosen already for international exhibitions and galleries. Well established and internationally renowned artists like Joe Mutasa...

Meeting, paper/etching, 11.5x12.5 cm

Created in 1964, this red earthenware clay big rectangular plaque printed with engobe pad is #15 from the edition of 50. This work is stamped with the 'MADOURA PLEIN FEU’ and ‘EMPREINTE ORIGINALE DE PICASSO’ stamps on the reverse. Pablo Picasso Grande Tête De Femme Au Chapeau Orné (Woman’s Big Head with Decked Hat), 1964 A.R. 518 is a remarkable and beautiful work. It represents Picasso’s most important relationships at the time, namely his artistic partnership with the Ramiés and his romance with Jacqueline Roque. It is also notably one of two ceramic works Picasso has ever made of this scale. Picasso takes immense care in depicting this portrait of his greatest muse Jacqueline; its wonderful texture and delicate variations in line weight are testaments to the artist’s innate creative skill. Composed of a simple linear carved design in an earth tone clay plaque...

"How the West Was Won" Texas, USA 2020 Available Sizes (Framed Size) Large: 71” x 91” Edition of 12 Standard: 52” x 65” Edition of 12 This work is sourced directly from the artist. Framed Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper Hand-signed in lower right by artist. This photo comes with a with Certificate of Authenticity About David Yarrow David Yarrow was born in Glasgow, Scotland in 1966. He took up photography at an early age and as a 20-year-old found himself working as a photographer for The London Times on the pitch at the World Cup Final in Mexico City. On that day, David took the famous picture of Diego Maradona holding the World Cup and, as a result, was subsequently asked to cover the Olympics and numerous other sporting events. Many years later David established himself as a fine art photographer by documenting the natural world from new perspectives and the last nine years have been career-defining. David’s evocative and immersive photography of life on earth is most distinctive and has earned him an ever-growing following amongst art collectors. His large monochrome images made in Los Angeles are on display in leading galleries and museums across Europe and North America. He is now recognised as one of the best-selling fine art...

This beautiful grouping of nude figures wandering into the abyss are seen from behind in various states of undress. Master painter Bruno Surdo creates compelling and mysterious narratives in his classically inspired artworks. Bruno Surdo The Abyss oil on canvas 24h x 48w in 60.96h x 121.92w cm Bruno A. Surdo b. Chicago, 1963 EXHIBITIONS 2018 Liberation, Gallery Victor Armendariz, Chicago, IL Blood Sport, Gallery Victor Armendariz, Chicago, IL Art on Paper 2018, Gallery Victor Armendariz, Pier 36, New York, NY SOFA Chicago 2018, Gallery Victor Armendariz, Navy Pier, Chicago, IL 2017 POP!ARAZZI, Gallery Victor Armendariz, Chicago, IL Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2015 SOFA Chicago 2015, Ann Nathan Gallery, Navy Pier, Chicago, IL Bruno Surdo: Allegories, Ann Nathan Gallery, Chicago, IL 2014 Bruno Surdo: Respond, Ann Nathan Gallery, Chicago, IL Modern Metaphors, Rockford Art Museum, Rockford, IL 2013 Bruno Surdo: Revelations, Ann Nathan Gallery, Chicago, IL Vice + Virtue, Northern Illinois University Museum of Art 2012 Contemporary Realism Biennial, Fort Wayne Museum of Art, Fort Wayne, IN 2011 Bruno Surdo, University of St. Francis School of Creative Arts, Fort Wayne, IN Uncensored, Ann Nathan Gallery, Chicago, IL 2010 Art Chicago 2010, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2009 Art Chicago 2009, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Bruno Surdo, Art Institute of Indianapolis, Indianapolis, IN 2006 Context/Content: Making Meaning with the Figure, University of Arkansas, Conway, AR Creative Imaginings, Mobile Museum of Art, Mobile, AL Bruno Surdo: Cycles, Ann Nathan Gallery, Chicago, IL 2005 Art Chicago 2005, Ann Nathan Gallery, Chicago, IL 2004 Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Group Show, Arcadia Gallery, New York, NY Drawings VII, Koplin Del Rio Gallery, West Hollywood, CA Armory Show, New York Armory, New York, NY 2003 Paintings & Drawings, College of Lake County, Grayslake, IL The Art Show, New York, NY Bruno Surdo: New Work, Ann Nathan Gallery, Chicago, IL Art Chicago 2003, Ann Nathan Gallery, Chicago, IL 2003-10 International Show of Contemporary Artists, Chicago Art Open, Chicago, IL 2002 Bruno Surdo: Perception of Appearance, Frye Museum, Seattle, WA Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Bruno Surdo: Transcendence, Ann Nathan Gallery, Chicago, IL Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Tragedy, Memory, & Honor, Ann Nathan Gallery, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR 1998 Evanston and Vicinity Artists, Evanston Art Center, Evanston, IL 1996 Bruno Surdo: A Personal View, University of Wisconsin, Kenosha, WI 1995 Bruno Surdo: Recent Works, College of Lake County, IL AIDS in Our Society, Loyola University, Chicago, IL Bruno Surdo: Life, Struggle, and Hope, Chicago Cultural Center, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR Bruno Surdo: Dualities of Life, Ann Nathan Gallery, Chicago, IL 1999 Group Show, Ann Nathan Gallery, Chicago, IL 1998 Group Exhibition, Fine Arts Building Gallery, Chicago, IL 1995 Spiritual Inquiries, Struve Gallery, Chicago, IL 1994 Recent Works, The 14th Annual Juried Exhibition for Lake County Artists, Grayslake, IL Go Figure, Figurative Works on Paper, Chicago Printmakers Collaborative, Chicago, IL SELECTED COLLECTIONS The Re-Birth of Venus, Temporary Loan, Fort Wayne Museum of Art Arkansas Art Center, Little Rock, AR College of Lake County, Greyslake, IL Flashpoint Academy, Chicago IL John Robert Wiltgen Design Shoemaker Ruud Collection Julie & Thomas Danilek Michael Vozzella and Mike Silver Benjamin Fernandez Tom Braake Betsy Colburn Michael Diemand & Lor LaRose Michael Staab & Kathy Brock Bruce Leep Frank Tzurect Mary Foley Rosalyn Carlson Mimmy Turney Janet Long Halstead Billy Hunt Carol Galli Myles Kerrigan Honorable & Mrs. Edwin Berman Theodore Gage Northrop Art Museum Past Present & Future Company Dr. James & Peggy Kemmler Salvatore Monastero Nix & Virginia Lauridsen Joel Miller David & Marlene Zerkel Ann & Andy Abel Claudia Rush Marc Miller Leonard Goldberg Lawrence Pucci Howard Tullman Collection Susan & Manny Kramer James Rinnert Richar Interiors Michael & Nancy Colt Khalid Altijir Dr. Joe Grodman Beryl & Jack Gore Larry Wolf & Eric Naegle Chuck Wolandi Jack Schwab & David Sandelin Thomas Kaczmarek Marti Dinerstein Craig & Michael Golden Mike & Jill Rose SELECTED PUBLICATIONS Bruno Surdo: The Method Artist Responds, by Lucia Mauro, June 26, 2014, anitathemovie blog An Exhibition of Exhibitionism: Bruno Surdo’s ‘Respond’, by Carrie McGath, July 1, 2014, The Chicagoist Website, Arts and Entertainment “Inspired Environs: A renowned designer decks out his Loop abode in art and texture” Modern Luxury, Men’s Book, Spring 2014 “Master Class” What’z Up Magazine, Fort Wayne, 2011 ”9/11 Painting will be on Display” Fort Wayne Journal Gazette, 2011 “Illuminated Images” Fort Wayne Reader, 2011 “Two Faces of Beauty” American Art Collector Magazine, Issue #3 and #59, 2006/2010 “Art and Calamity” Art Papers, 2009 “Versions of the Present, Techniques of the Past” American Artist Magazine, 2004 “Living Artists” Crow Book Publishing, Chicago, IL 2004 “The New Master” by Craig Keller, Chicago Social Magazine, 2004. “Tragedy, Memory, and Honor,” by William Hageman, Chicago Tribune, March 28, 2002 “Mural Depicts Tragedy of 9/11” Art Section...

In Full Pursuit Hunting Hounds clearing a Fence by Jean Terry, British 20th century signed and dated 1998 oil on board, framed framed: 28.5 x 45 inches board: 23 x 42 inches provenan...

Castro’s labor-intensive, photo-collage works of drug kingpins, smugglers, hitmen, countrymen, street vendors, soldiers, paramilitaries, kidnappers, and pimps pose showing with pride...

David Roberts R.A. 1796 - 1864 Interior of the Great Temple of Aboo Simbel Subscription edition and First edition lithographs available Full plate: 139 Acid free mount With David ...

Original 1975 United Airlines Ski West Vintage Travel Poster – Mid-Century Modern Artwork. Archival linen-backed and in Grade A- condition, ready for Framing. The images displayed are of the exact vintage poster you will receive. Experience the golden era of travel with this rare original United Airlines "Ski West" vintage travel poster from 1975. Created during a time when air travel embodied elegance and adventure, this striking piece provides a vibrant glimpse into mid-century advertising and ski culture. Showcasing bold typography and colorful, eye-catching artwork, the “Ski West” poster embodies the thrill of powdery slopes and the promise of unforgettable ski vacations in the American West. Ideal for vintage art collectors, travel enthusiasts, or anyone looking for a chic retro touch in their decor, this piece authentically showcases 1970s graphic design. It blends bold colors with minimalistic yet striking visuals. Whether you collect United Airlines memorabilia...

Artist: Alberto Giacometti Title: 'Portrait d'homme' Year: 1961 Medium: Original Lithograph on vélin paper Dimensions: 15in. by 11in. Edition: From the rare limited edition Reference...

Attributed to Vally Wieselthier (Austrian-American, 1895-1945) Bust of Josephine Baker, c. 1930 Ceramic Stamped on base 11.5 x 5.5 x 5.5 inches Vally Wieselthier (1895 Vienna--1945 ...

Chromogenic print Signed, titled, dated, and numbered, verso 22.5 x 30 inches (Edition of 5 + 2 APs) 45 x 60 inches (Edition of 3 + 2 APs) This artwork is offered by ClampArt, loc...

A black and white figure study of a seated nude male, from 1951, by artist Harold Haydon. Artwork size: 19" x 12 1/2". Archivally matted to 24" x 20". Provenance: Estate of the ...

Edition 10 Also available in 40 x 50 cm / 16 x 20 inch, Edition 25 Black and white portrait of nude models Tony and Rosetta. From personality portraits and advertising campaigns t...

A man kneels beside his dogs beneath a grand gateway leading to a courtyard. Well presented in a vintage gilt-effect frame. Unsigned. On canvas on stretchers.

shipped in roll 33 Degrees is an ode to male sensuality and corporeality, liberated from conventional cultural clichés and stereotypes. The male figure is captured in a moment of ph...

Academic life drawing of male nude with charcoal and graphite by Mark Beard, "MB 018" graphite, Conte crayon and charcoal on Arches paper 30 x 19 inches unframed Signed, lower right ...

"Guys and Dolls" Broadway Musical Tony Awards Signed Nathan Lane & Faith Prince Al Hirschfeld (1903-2003) "Guys and Dolls" Lithograph on heavy pape...

An insipid notion (The astonished world) is a collection of unreal experiences caused by the feeling of late and inexperienced love, and the inability to fully know the experience of...