Men Art

Title: Gentleman in Interior (After Fernando Botero) Artist: Sanz (Spanish painter, active late 20th – early 21st century) Year: circa 2000 Medium: Oil on canvas Dimensions (unfr...

This contemporary figurative floor sculpture is created from papier mâché. For decades Paul Duval has reimagined the human form in charming sculptures beautifully handcrafted from p...

Rare neoclassical white marble sculpture depicting an ephebe in the gesture of silence, also known as the gesture of Harpocrates, Rome, second half of the 18th century. Harpocrate...

In my world, colors aren't always reliable. I often struggle to tell where a deep blue ends and a purple begins, or where a red turns into wine, and deep yellows turn into oranges. I...

Offset Lithograph from a portfolio of five Andy Warhol prints published by te Neues, but now out of print. Professionally framed in white wood and ready to hang, this postcard offers...

Celebrated for the "sfumato" effect that Goltzius achieved through engraving alone, the incredibly fine lines in this work create the illusion of soft, glowing light and atmospheric ...

Size: 120×97 cm (overall size with stretching 130×107 cm) Year: 2026 Materials: acrylic on canvas Shipping: rolled In this work, I explore the phenomenon of inner light — that unch...

Undoubtedly, Icarus has become a symbol of the longing for freedom, the desire to feel one’s wings – but also of danger and risk. This work is dedicated to teenagers, no longer child...

An important 16th-century Italian painting. A tempera-on-panel artwork of remarkable pictorial quality, featuring monumental original carved and gilded woodwork. The altarpiece depic...

Portrait of a Distinguished Gentleman French, circa 1800's oil on canvas, unframed canvas: 38 x 30 inches Provenance: private collection, France Condition: very good condition For m...

This finely executed oil on canvas depicts a classic English fox hunting scene, featuring a distinguished rider dressed in a traditional red hunting coat, mounted on a white horse an...

This impressive Victorian French Orientalist oil painting is attributed to an artist from the French School. It was painted in 1882 and is indistinctly signed. The composition is of...

Dancer III is a bronze sculpture by contemporary artist Yann Guillon, dimensions are 100 × 50 × 20 cm (39.4 × 19.7 × 7.9 in). The sculpture is signed and numbered, it is part of a l...

Having stood for generations, this old house has witnessed countless stories of human life. Within its walls echoed laughter and tears, the joy of new beginnings, the birth of childr...

Original Andy Warhol vintage poster with Michael Jackson for Time Magazine March 1984. This vintage poster created by Andy Warhol was the image used for the cover of Time Magazine ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Portrait of a Jack Russell Terrier by John Emms (1843-1912) signed lower left oil painting on board, framed painting: 7.5 x 6.25 inches framed: 8.5 x 7.25 inches condition: overall v...

Provenance: The Raeburn Gallery, as by Maerten de Vos; Bukowskis, Stockholm, 15–18 April 1970, lot 133, as in the manner of Anthony van Dyck; Private collection, Sweden Essay: This ...

The Young Rider by Doris Zinkeisen (British 1897-1991) signed lower front right corner oil painting on canvas, framed in original period frame canvas: 20 x 24 inches framed: 25.5 x 2...

The painting “My Best” - where chickens appear as women - symbolizes the relationship between a man and a woman. A man leading a chicken on a leash symbolizes his attitude towards hi...

A warm and intimate genre scene depicting a young woman seated beside a hearth, absorbed in her knitting. She is dressed in traditional Dutch costume - a white lace cap, striped bodi...

The Metal Worker by John Edwards (1940 - 2020) signed oil on canvas, framed framed: 29 x 23.5 inches canvas : 23 x 18 inches Provenance: private collection, UK Condition: very good c...

French school, circa 1840, Portrait of a Gentleman, monogrammed D.L. on the lower right oil on wood panel 28.8 x 24,8 In a beautiful antique frame : 48 x 43.5 cm This gentleman’s...

A fine large signed and dated 1882 portrait of a gentleman with a cigar, by French artist Ernest Constant Simon. Superb quality depiction of the gentleman wearing a dark suit, crisp...

Leonard Freed's photographic career is punctuated by epic documentary photo essays with many works from New York City. Wall Street is one of the photographer's iconic 1950s images. ...

Frances Norma Loring (October 14, 1887– February 5, 1968) Track Runner, ca. 1920's. Carved wood with small nail embellishments representing treads on left foot. Original wood st...

Christ Healing the Sick French School, 19th century oil on canvas, unframed canvas: 15 x 20.5 inches Provenance: private collection, Europe Condition: some craquelure throughout, mo...

Matiz managed to create intimate portraits, in which Frida seemed happy to surrender to her lens. The result was dynamic portraits of Khalo, a wonderful example of both the photograp...

Cubist-inspired portrait. Oil on board by Marius Oddo. Stamped to the reverse of the frame. This striking artwork features a cubist-inspired portrait that melds abstract geometry wi...

Bronze Figure of Crouching Venus, or The Naked Aphrodite, 19th Century Italian School Bronze raised on a marble base 21 in. h. x 10 in. w. x 7 in. d., overall 18 in. h. x 8.5 in. w....

Portrait of a Groom, Horse & Dog in an English Landscape by Francis Sartorius (English, 1734-1804) signed and dated 1762 oil painting on canvas, antique gilt frame canvas: 25 x 3...

Photogravure realized in 2013 by Phaidon Press after a 1971 photograph by Andy Warhol. Paper: Medium weight, clay coat - satin/matte finish. Certificate of authenticity by White Kn...

At Night at Maxims Artist: Pierre Neveu (French b.1929) Medium: oil on canvas, unframed Canvas: 45 x 57.5 inches Titled verso Condition: Good and sound condition with slight small pa...

Artist: Hayk Gasparyan Work: Original oil Painting, One of a Kind Medium: Oil on Cardboard, Year: 2025 Style: Abstract, Figurative Title: Party Size: 13.5" x 17.5" x 0.1'' inch (35x4...

Raphaël Nannini (Italian, 1852-1925) Napoleon Bust, Late 19th Century Bronze on marble base Signed on back 17 x 11 x 8 inches Raphael Nannini was born in Florence. He exhibited at t...

America Martin "Untitled Musicians" Mixed Media on Paper 19.75 x 26.25 in (50.16 x 66.68 cm) America Martin is an internationally represented Colombian-American fine artist based in...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Fal...

Louis Charles Moeller 1855-1930 Darby and Joan: Old Heads, Young Hearts oil/canvas signed LL as listed in auction listing (hard to see) 18.25 x 24.25 image unframed, 23.25 x 29.25 fr...

This strong Dutch Old Master portrait oil painting is attributed to a follower of Anthony Van Dyck. Van Dyck painted the original portrait in 1618 as he noted top right Anno 1618. He...

ARTIST: Salvador Dali TITLE: Trilogy of Love The Eternity of Love (The Tower) MEDIUM: Lithograph SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: III/C MEASUREMENTS: Paper...

Wonderful Art Nouveau "Ebrezza" bronze sculpture of a woman lying on a bed of roses. It bears at the base the signature Barbella and the wording “Rome Palm Sunday 31 III 1912” Brand...

6072 Victorian famaily beach outing signed Period frame Image size 13.5x27.5"

Pablo Ruiz Picasso (Malaga, Spain, October 25, 1881 - Mougins, France, April 8, 1973). Mère et fil (Évocation d’Horta d’Ebre). Ink and watercolor on paper. ca. 1904. 24 x 25 cm (...

Figurative Surrealism Original Painting Artist: Ashot Yan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2018 Style: Figurative Surrealism, ...

This atmospheric antique oil painting by V. Campiniz depicts a quiet canal lined with historic European architecture, where three figures in period attire gather beside a railing ove...

Edition Details: Year: 2008 Class: Art Print Status: Official Technique: Offset Lithograph Paper: Thick manila Size: 24 X 36 Given away at Obama campaign events to show support for ...

Signed upper left, 'G. Rochegrosse' for George Rochegrosse (French, 1859-1938) and dated 1881. Framed dimensions: 15.5 H x 1.5 D x 13.5 W inches A finely-painted figural oil showin...

The myth of Theseus and the Minotaur carries a profound philosophical narrative. It represents the struggle against the monster within – the battle with one's own dark side. Wanderin...

Mark Morrison (1895-1964) Head of Woman , ca. 1950 Carved stone 7.75" wide, 9" deep, height is 20 7/8" Signed at base. Provenance: Estate of Mrs. Mark Morrison. Born: Kingf...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Eli...

This superb British Old Master portrait oil painting is attributed to circle of Thomas Lawrence and is surely by a very experienced hand. Painted circa 1820 the composition is a half...

The Garden View French School, early 20th century signed with initials lower corner watercolour painting on artist paper, framed Glass covering framed: 13 x 10.5 inches board: 10 x 8...

After Jean-Antoine Houdon (French, 1741-1828) Bust of Diana Bronze Signed on side, Susse Frères foundry stamp on base 28.5 x 16.25 inches Jean-Antoine Houdon's bust of Diana is an 1...

Waylande Gregory (1905-1971). Nude Reclining, ca. 1950's. Painted composite cast from original sculpted in 1930's. Casting sanctioned and approved by the artist during his lifetime in partnership with MPI, Museum Pieces Incorporated. Very few examples were produced and even fewer survive. Waylande Gregory was considered a major American sculptor during the 1930's, although he worked in ceramics, rather than in the more traditional bronze or marble. Exhibiting his ceramic works at such significant American venues for sculpture as the Whitney Museum of American Art in New York City and at the venerable Pennsylvania Academy of the Fine Arts in Philadelphia, he also showed his ceramic sculptures at leading New York City galleries. Gregory was the first modern ceramist to create large scale ceramic sculptures, some measuring more than 70 inches in height. Similar to the technique developed by the ancient Etruscans, he fired his monumental ceramic sculptures only once. Gregory was born in 1905 in Baxter Springs, Kansas and was something of a prodigy. Growing up on a ranch near a Cherokee reservation, Gregory first became interested in ceramics as a child during a native American burial that he had witnessed. He was also musically inclined. In fact, his mother had been a concert pianist and had given her son lessons. At eleven, he was enrolled as a student at the Kansas State Teacher's College, where he studied carpentry and crafts, including ceramics. Gregory's early development as a sculptor was shaped by the encouragement and instruction of Lorado Taft, who was considered both a major American sculptor as well as a leading American sculpture instructor. In fact, Taft's earlier students included such significant sculptors as Bessie Potter Vonnoh and Janet Scudder. But, Taft and his students had primarily worked in bronze or stone, not in clay; and, Gregory's earliest sculptural works were also not in ceramics. In 1924, Gregory moved to Chicago where he caught the attention of Taft. Gregory was invited by Taft to study with him privately for 18 months and to live and work with him at his famed "Midway Studios." The elegant studio was a complex of 13 rooms that overlooked a courtyard. Taft may have been responsible for getting the young man interested in creating large scale sculpture. However, by the 1920's, Taft's brand of academic sculpture was no longer considered progressive. Instead, Gregory was attracted to the latest trends appearing in the United States and Europe. In 1928 he visited Europe with Taft and other students. "Kid Gregory," as he was called, was soon hired by Guy Cowan, the founder of the Cowan Pottery in Cleveland, Ohio, to become the company's only full time employee. From 1928 to 1932, Gregory served as the chief designer and sculptor at the Cowan Pottery. Just as Gregory learned about the process of creating sculpture from Taft, he literally learned about ceramics from Cowan. Cowan was one of the first graduates of Alfred, the New York School of Clayworking and Ceramics. Alfred had one of the first programs in production pottery. Cowan may have known about pottery production, but he had limited sculptural skills, as he was lacking training in sculpture. The focus of the Cowan Pottery would be on limited edition, table top or mantle sculptures. Two of the most successful of these were Gregory's Nautch Dancer, and his Burlesque Dancer. He based both sculptures on the dancing of Gilda Gray, a Ziegfield Follies girl. Gilda Gray was of Polish origin and came to the United States as a child. By 1922, she would become one of the most popular stars in the Follies. After losing her assets in the stock market crash of 1929, she accepted other bookings outside of New York, including Cleveland, which was where Gregory first saw her onstage. She allowed Gregory to make sketches of her performances from the wings of the theatre. She explained to Gregory, "I'm too restless to pose." Gray became noted for her nautch dance, an East Indian folk dance. A nautch is a tight, fitted dress that would curl at the bottom and act like a hoop. This sculpture does not focus on Gray's face at all, but is more of a portrait of her nautch dance. It is very curvilinear, really made of a series of arches that connect in a most feminine way. Gregory created his Burlesque Dancer at about the same time as Nautch Dancer. As with the Nautch Dancer, he focused on the movements of the body rather than on a facial portrait of Gray. Although Gregory never revealed the identity of his model for Burlesque Dancer, a clue to her identity is revealed in the sculpture's earlier title, Shimmy Dance. The dancer who was credited for creating the shimmy dance was also Gilda Gray. According to dance legend, Gray introduced the shimmy when she sang the Star Spangled Banner and forgot some of the lyrics, so, in her embarrassment, started shaking her shoulders and hips but she did not move her legs. Such movement seems to relate to the Burlesque Dancer sculpture, where repeated triangular forms extend from the upper torso and hips. This rapid movement suggests the influence of Italian Futurism, as well as the planar motion of Alexander Archipenko, a sculptor whom Gregory much admired. The Cowan Pottery was a victim of the great depression, and in 1932, Gregory changed careers as a sculptor in the ceramics industry to that of an instructor at the Cranbrook Academy in Bloomfield Hills, Michigan. Cranbrook was perhaps the most prestigious place to study modern design in America. Its faculty included the architect Eliel Saarinen and sculptor Carl Milles. Although Gregory was only at Cranbrook for one and one half years, he created some of his finest works there, including his Kansas Madonna. But, after arriving at Cranbrook, the Gregory's had to face emerging financial pressures. Although Gregory and his wife were provided with complimentary lodgings, all other income had to stem from the sale of artworks and tuition from students that he, himself, had to solicit. Gregory had many people assisting him with production methods at the Cowan Pottery, but now worked largely by himself. And although he still used molds, especially in creating porcelain works, many of his major new sculptures would be unique and sculpted by hand, as is true of Kansas Madonna. The scale of Gregory's works were getting notably larger at Cranbrook than at Cowan. Gregory left the surface of Kansas Madonna totally unglazed. Although some might object to using a religious title to depict a horse nursing its colt, it was considered one of Gregory's most successful works. In fact, it had a whole color page illustration in an article about ceramic sculpture titled, "The Art with the Inferiority Complex," Fortune Magazine, December, 1937. The article notes the sculpture was romantic and expressive and the sculpture was priced at $1,500.00; the most expensive sculpture...

Mark Sabin Man In The Forest - 1980 Print - 26'' x 34'' in Edition: signed in pencil and marked 234/250 Mark Sabin is a fantasy painter, blending elements in a juxtaposition that ...

Artist: Ernie Barnes Title: Destination Unknown Year: 1979 Print - Lithograph Size: 25" x 19 ½" inches Edition: Pencil signed and numbered 24/300 Unframed ‘Destination Unknow...

This work reimagines the myth of Perseus, slayer of Medusa Gorgon. Here, the hero sails across the ancient sea astride Pegasus – an intentional anachronism by the artist. According t...

From the Nudes portfolio, single sheet titled "Nude with Blue Hair; State 1" by Roy Lichtenstein published by Tyler Graphics. Not numbered and unsigned. Paper Size: 11 x 8.5 inches...

By George Condo 2024 22 colour silkscreen with spot colours on 600gsm Somerset Tub Sized Radiant White paper 80 x 81 cm Edition of 150

On offer is a portrait of a dapper young man holding a hat who is believed to be Philip Edward Tabb (1830–1901). This painting is a classic example of mid-19th-century American portr...