Night Art

Mountains and nature have long been places of peace and refuge. During this pandemic, due to lockdown and quarantine, they have been denied to us. There are few emotions about places...

Sunrise Over Lone Pine, limited edition photograph, signed, archival ink "The Eastern Sierra Nevada has always been a major inspiration for me - and a reason why I started photographing the landscapes of the Desert Southwest. Owens Valley, the Alabama Hills and specifically the town of Lone Pine was one of the first areas I spent time exploring when I first arrived in California (30+ years ago). The sight and majesty of Lone Pine Peak and Mount Whitney...

Linda Connor: Lick Observatory These celestial images are made from glass plate negatives that belong to the archive of the Lick Observatory in San Francisco. These images were mad...

Artist Statement For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both i...

As night falls over the Makgadikgadi Pans, giant trees stand starkly against the horizon. Leafless branches reach for the light. On the opposite side of the sky, Earth’s shadow is ri...

In American Motel Signs Steve Fitch crisscrossed the United States documenting the colorful dynamic, advertisements inviting weary traveler to ...

Artist Statement 'Stardust' “Our little planet floats like a mote of dust in the morning sky,” writes Carl Sagan. “All that you see, all that we can see, exploded out of a star bill...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Mountains and nature have long been places of peace and refuge. During this pandemic, due to lockdown and quarantine, they have been denied to us. There are few emotions about places...

I make the images by first creating drawings on clear mylar. These drawings are then laid on top of light sensitive paper in the darkroom and then the paper is exposed to light. For ...

From the Vanishing Vernacular series. Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and ...

As night falls over the Makgadikgadi Pans, giant trees stand starkly against the horizon. Leafless branches reach for the light. On the opposite side of the sky, Earth’s shadow is ri...

Artist Comments
Artist Siyuan Ma illustrates the Mingtang in the ancient city of Datong, Shanxi Province–a national key cultural protected site. "It is one of the four grea...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

For those of us who live in the West, mountains are more than just landmarks; they dene a sense of home. We have memories associated with our mountains; those we grew up surrounded by; remembering the rst time we saw one, and the people we visited them with. This gave us all a larger sense of where we locate home. During our recent pandemic, home shrunk to the walls that surrounded us. Real experiences became mediated through computers and the Internet – but something felt lost: a living connection with things bigger than ourselves. But we kept our memories – waiting to be triggered by a photograph or reminder of the mountains that could bring back that sense of the sublime. Mountains and nature have long been places of peace and refuge. There are few emotions about places for which adequate single words exist. At the beginning of the eighteenth century, the word sublime arose to describe the feelings that the natural world can evoke in us. At home, on my kitchen table, I have been trying to capture something of that sublime in bits of plastic. Using geographical data from the Internet, I used my 3D printer to make the memories of those mountains tangible. With a small fog machine, I create atmospheres and clouds. Sunlight through a window illuminates some, while others were lit with a variety of sources including ber optic lights used for microscopy. For me, these images evoke the place I call home; and remind me that it is our memories that make a place special. At Home in the West was created as a companion to Yosemite: Seeking Sublime, which premiered at photo-eye Gallery in November 2020. In December of that year, work from that series was invited to the Art of Staying at Home; Artists in the Time of Corona exhibition at the Bibliotheca Alexandrina in Egypt, where I was the only U.S. artist from eight countries included. Additional works from that series will soon be exhibited at the Krakow Triennial in Poland and at the Earth Photo...

My art may be difficult to categorize, and I’m not entirely sure I understand where it comes from myself, but most pieces seem to represent the intersection of my life experiences, a...

As night falls over the Makgadikgadi Pans, giant trees stand starkly against the horizon. Leafless branches reach for the light. On the opposite side of the sky, Earth’s shadow is ri...

"I make the images by first creating drawings on clear mylar. These drawings are then laid on top of light sensitive paper in the darkroom and then the paper is exposed to light. For images with layered landscapes, multiple drawings are placed on the paper which is then exposed at intervals and a drawing removed at the end of each interval. The stars are created by exposing the paper to light through a mask with small holes poked into it. The darkroom aspect of the process creates a photogram negative, which I then scan and invert into a positive image digitally. The final images are pigment prints on archival rag paper." -- Vanessa Marsh Vanessa Marsh was born in Seattle, Washington, and currently works in Oakland, California. Marsh first became interested in Photography when her mother gave her a Nikon E series camera in 9th grade. She earned her MFA in 2004 from California College of the Arts. Marsh has exhibited widely including the Contemporary Jewish Museum in San Francisco, Dolby Chadwick Gallery...

Austin’s minimal and atmospheric landscapes are portraits of the sun while it traverses the sky on a specific day at a specific time.

Edition of 15 Christopher Colville is an American artist working to push the boundaries of the photographic medium in both experimental and traditional forms. His images are created...

Maggie Taylor creates evocative single-scene narratives in her whimsical and elaborate photomontages. Working intuitively, Taylor combines 19th Century photographs, found objects, an...

Blondie On The Roof Blondie on the roof of the Gramercy Park hotel New York 1978 Photo by Martyn Goddard Printed 2024. Signed limited edition photograph; edition of 25 in this siz...

Austin’s minimal and atmospheric landscapes are portraits of the sun while it traverses the sky on a specific day at a specific time.

Sometimes there is a hazy, almost tropical light that falls over the Bay Area. The moisture in the air falls on the landscape and makes it appear as a series of two-dimensional plane...

View of Urban Japan is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Utagawa Hiroshige in the 19t...

As night falls over the Makgadikgadi Pans, giant trees stand starkly against the horizon. Leafless branches reach for the light. On the opposite side of the sky, Earth’s shadow is ri...

As night falls over the Makgadikgadi Pans, giant trees stand starkly against the horizon. Leafless branches reach for the light. On the opposite side of the sky, Earth’s shadow is ri...

Austin’s minimal and atmospheric landscapes are portraits of the sun while it traverses the sky on a specific day at a specific time. "My new work reveals the sun’s surface in vivid...

As night falls over the Makgadikgadi Pans, giant trees stand starkly against the horizon. Leafless branches reach for the light. On the opposite side of the sky, Earth’s shadow is ri...

As night falls over the Makgadikgadi Pans, giant trees stand starkly against the horizon. Leafless branches reach for the light. On the opposite side of the sky, Earth’s shadow is ri...

As night falls over the Makgadikgadi Pans, giant trees stand starkly against the horizon. Leafless branches reach for the light. On the opposite side of the sky, Earth’s shadow is ri...

“The hovering installations featured in this ongoing series of photographs are inspired by self-organizing, "emergent" systems in nature such as termite mounds, swarming locusts, sch...

Michael Kenna is master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential among ...

Edition 1/7 and 2AP Hand printed Archival Pigment Print Available in larger sizes, please inquire Ships from Switzerland or Italy (EU) Born in Switzerland, Shari Yantra Marcacci is ...

Circumstance Europe Archival pigment print on fine art paper, signed, titled, dated and numbered by the artist on verso These stirring, unapologetic photographs bring forward the le...

Circumstance Europe Archival pigment print on fine art paper, signed, titled, dated and numbered by the artist on verso These stirring, unapologetic photographs bring forward the le...

American Myth Archival pigment print on fine art paper, signed, titled, dated and numbered by the artist on verso "BJ and Richeille Formento and Formento come out of a hybrid lineag...

Babylon John Bowman, American (1953) Date: 1989 Acrylic on Wooden Door Panel, signed and dated verso Size: 36 x 84 in. (91.44 x 213.36 cm)

Richard Florsheim created this color lithograph entitled “Constellations” in 1973 in an edition of 60 pieces. This impression is signed and inscribed “29/60.” It is in good condition...

"No One Has Ever Loved Like This" ❤️65х150сm/oil on canvas/ 2026 This painting was born from a real-life observation. For the past four years, the same pair of birds has returned to...

Landscape painting, evening road scene titled "Long Pond Road Again" by Edie Nadelhaft - oil on canvas, 12 x 16 inches Edie Nadelhaft's paintings focus on the visual nuances and psychological ambiguity of twilight. No people are pictured, but each composition preserves some residue of the human presence, depicting desolate stretches of rural highway, some capped by an apocalyptic canopy of clouds. Rendered in a manner best described as Perceptual Realism, Nadelhaft draws the viewer into the scene, showing just as much - or as little - sharp detail as a human eye can process in person. The point of view and style of painting takes into account the fleeting nature of impressions, especially those formed while driving in low light on unfamiliar roads. In some scenes, light is greatly diminished, but it is not quite dark enough to reap the full benefit of headlights. Buildings, trees and power lines appear and disappear in a murky, shimmering haze; nighttime is fluid, rife with intrigue and for some, even dread. But the dark can also provide a portal to the imagination, opening up new possibilities and potential. And for the artist, it brings an overwhelming sense of wonder and relief. The night - especially traveling at night - offers protection, a respite, like a spell that conjures a brief suspension of responsibility and time as one hurtles through space fully enveloped in the totality of that experience. Realism, landscape painting, landscape, night scape...

Wolff Buchholz Title: Manhattan - Flower Shop Medium: Photograph Year: 1990 Signed, dated and titled by hand Edition: 6 Size: 11.9 × 16.4 inches

Paper Size: 61.75 x 46.25 inches ( 156.845 x 117.475 cm ) Image Size: 61.75 x 46.25 inches ( 156.845 x 117.475 cm ) Framed: No Condition: B: Very Good Condition, with signs of han...

Artist Comments
A rare sight of snow covers the iconic Big Sur coastline on an evening of beauty and calm. Twinkling stars and the moon punctuate the sky, creating a display ...

Contemporary acrylic on canvas figurative painting by Polish artist Barbara Hubert. Painting is in dark colors, it's mostly blue/navy blue. There is a little bit of texture. The Moon...

In this stirring seascape, I embraced the raw energy of the ocean, capturing its power and grace with acrylics. Blending realism and impressionism, I sculpted light and shadow, infus...

Blondie On The Roof By Martyn Goddard Signed Limited Edition Blondie on the roof of the Gramercy Park hotel New York 1978 All prints are sig...

Archival pigment print Signed, titled, numbered, and dated, verso 22 x 17 inches, sheet (Edition of 15) 38 x 27 inches, sheet (Edition of 9) This photograph is offered by ClampArt...

Signed, numbered and dated on mount recto. Signed, dated, numbered and titled with artist's copyright stamp on mount verso. Edition of 25 in size

Abstract layered tinted painting, different shades of purple, pink, gold, copper 24" x 24" wood panel 1.5" profile Different shades of purple, pink, magenta, orange, coper and gol...

Hawthorn By Justin Pumfrey Archival pigment print Paper size: 20 x 16" / 51 x 41 cm edition of 25 unframed note other print sizes and framing options are available, please enqui...

Every Song By Justin Pumfrey Archival pigment print Paper size: 40x30" 101 x 76 cm edition of 10 unframed note other print sizes and framing options are available, please enquire ...

Artist Comments
Artist Sharon France shares a sweeping wide-open view of a modest farmstead under a sky full of stars. She captures the charm of ...

Artist: Bill Beckley, American (1946 - ) Title: Three Quarter Moon - Two Evening Stars Year: circa 1980 Medium: Lithograph, signed and numbered in pencil...

Oasis VII (Sidewinder) - 2005 38x37cm, Edition of 10, plus 2 Artist Proofs, Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist Inventory #30...

Cyanotype print, 16 x 12 in. Signed, dated, print type and numbered in pencil on print verso.

Eduardo Naranjo (Spain, 1944) 'El poeta llega… (Federico en Nueva York)', 2005 silkscreen on paper Image size: 23.8 x 19.9 in. (60.50 x 50.50 cm.) Surface size: 30.8 x 24.9 in. (78 x...

Pocket Blue blackbird's Egg 5 is an original oil painting by Dani Humberstone as part of her Pocket painting series featuring small scale realistic oil paintings, with a nod to baroq...

Archival pigment print Signed, titled, numbered, and dated, verso 22 x 17 inches, sheet (Edition of 15) 44 x 32 inches, sheet (Edition of 9) This photograph is offered by ClampArt...

Ocean View, Great Yarmouth seaside architecture photograph by Richard Heeps. The Wellington Pier is a beautiful nautical architecture sitting like a ship on the beach which at night ...