John Bowman

Babylon, Large City at Night Painting by John Bowman

1989

A unique painting and woodburning by self-taught American artist Paula Towne (1948-2019). Towne embraced the beauty of Northern New York where she lived and worked for over 50 years....

This acrylic painting on a wooden door panel was created by American artist John Bowman. The ordered and chaotic patterns found in Bowman’s urban landscapes are reminiscent of Byzantine mosaics, Islamic tile...

Artist: Jerry Schurr, American (1940 - ) Title: Mt. Baker Year: 1984 Medium: Acrylic on Canvas, signed and dated l.l. Size: 41 in. x 78 in. (104.14 cm x 1...

Artist: Jerry Schurr, American (1940 - ) Title: Great Valley Year: 1987 Medium: Acrylic on Canvas, signed and dated l.r. Size: 43 in. x 88 in. (109.22 cm ...

Artist: Jon Carsman, American (1944 - 1987) Title: Giverny Gardens Year: 1984 Medium: Acrylic on Canvas, signed verso Size: 72 in. x 96 in. (182.88 cm x 243.84 cm)

Artist: Géza Mészöly, Hungarian (1844 - 1887) Title: Gypsy Camp Medium: Oil on Panel, signed verso Size: 7.25 in. x 11.75 in. (18.42 cm x 29.85 cm) Frame Size: 14 x 18.5 inches

This is a very soft semi abstract landscape painting of a wooded scene. The artist uses the woods as a vehicle to allow color itself to sing in this soft glory. The piece is layere...

Born and raised in Houston, KRISTIN MOORE began attending art classes at the Glassell School at a young age. She moved to Austin in 2009 to obtain her BA in Art from St. Edward’s University. Soon after graduating, Moore moved to Los Angeles to pursue her MFA at Otis College of Art + Design. Moore’s first solo exhibition, Rear Window, was unveiled during the culmination of her participation in the MFA program in 2016. Upon moving back to Texas, Moore continued to explore contemporary landscapes through painting. The juxtaposed architecture of LA, the smoggy atmosphere, and unique characteristics of the city became source material for her work. Upon moving back to Texas in 2016, Moore viewed Austin through the same lens; the architecture is quickly changing, a new atmosphere is emerging, and the skyline is directly reflecting those elements. Oscillating between these two bustling cities of Austin & LA, lies the open space and peaceful landscape of Marfa. Texas. Often a favorite pit stop during the long road trips back and forth from Texas to California, Marfa holds space as a source of continued inspiration for Moore. Her Texas roots and California influence have culminated into her current body of work. Often inspired by Ed Ruscha’s work Every Building on the Sunset Strip and A Few Palm Trees, Moore sources the images that influence her paintings from her many car rides, walks, and hikes up to overlooks. A homage to Hollywood, Moore also finds visual influence for her work in the world of film; particularly from visionaries such as Stanley Kubrick, Ridley Scott, and Alfred Hitchcock. Her work has been featured in group exhibitions such as Turbulent Landscapes at Modified Arts in Phoenix, AZ, Excavations; Shindig at Mantle Art...

Acrylic & ink on wooden panel

Acrylic on wooden panel

Acrylic & oil on wooden panel

Acrylic & oil on wooden panel