Paper Art

From Jan Matejko’s Stańczyk, 1862 I’ve heard that in centuries past, the jester – or fool – was often one of the only people able to speak truth to power. Because of their inherent ...

Artist: Vahe Yeremyan Title: Lilies Pond Medium: Oil on Linen Year: 2026 Style: Contemporary Art Dimensions: 38" x 63.5" x 1" inch (96 x 159 x 3cm) Presentation: Unframed, Gallery Wr...

A reimagined iconography of the gemstone found in nature that becomes a vehicle to reflect upon consumerism and mass production. Diamond (Red) - Jeff Koons, Contemporary, 21st Cen...

“It took two years of tireless experimentation for me to develop the process of casting paper into bronze, another seven years to perfect, and it continues to evolve today.” - Kevin ...

Medium: screenprint (after the drawing). Printed in 1963 on a special semi-transparent paper in an edition of 450 for "Naissances" and published by Galerie Der Spiegel. Size: 11 3/4 ...

​Whether they are symbols, dreams or marks of the life of each of us. The artist's work often features heads, floating bodies, trees, dollar signs, cars, laurel branches, and symboli...

Includes a Certificate of Authenticity

Original black-and-white exhibition poster created for Lynn Chadwick’s show at Marlborough Gallery in Zurich. The image depicts a pair of shoes with their respective shoe trees, cust...

Joseph Glasco (American, 1925-1996) Reclining Male Figure (For Nick) 1971 India ink on paper Inscribed, signed and dated 10.25 x 14 inches 18.5 x 21 inches, framed Joseph Glasco was...

“It took two years of tireless experimentation for me to develop the process of casting paper into bronze, another seven years to perfect, and it continues to evolve today.” - Kevin Box Santa Fe-based artist, Kevin Box, pushes the boundaries of traditional metal casting...

Woodcut on cream laid paper, 7 1/4 x 2 1/2 inches (182 x 63 mm), narrow margins. Laid down to non-archival board with scattered soiling and some adhesive staining. Okumura Masanobu (Japanese 1686 – 13 March 1764) was a Japanese print designer, book publisher, and painter. He also illustrated novelettes and in his early years wrote some fiction. At first his work adhered to the Torii school, but later drifted beyond that. He is a figure in the formative era of ukiyo-e doing early works on actors and bijin-ga ("pictures of beautiful women"). While Masanobu's early life is largely undocumented, he is believed to have been born about 1686, possibly in Edo (modern Tokyo). Edo was a small fishing village when Tokugawa Ieyasu chose it as his administrative capital of the Tokugawa shogunate, and by the early 17th century the city had prospered and its population had grown to half a million. Masanobu appears to have been self-taught painter (though he did study poetry under Tachiba Fukaku); he is not known to have belonged to any artistic school. His early work shows the influence of the Torii school of ukiyo-e painting...

Orlinski (French, b.1966) is a sculptor whose works are designed around the concept of "Born Wild," in which the artists seeks to transform negative impulses into positive emotions. ...

Emilio Rama's captivating pop art-inspired paintings featuring origami animal figures are a distinctive and original contribution to the realm of contemporary art. With a vibrant int...

The humor in Jerry Meyer's pieces taps into and gives voice to these worries, which are never too far from our awareness. “We have an incredible ability not to be in the moment…Hop...

Painted Cast Bronze, Collaboration with Robert J. Lang, Edition 7 of 50 Kevin Box is an internationally-renowned sculptor working in cast bronze, steel, and other metals. His work p...

Green of Forest, Apples, Mint on Soft Grey. Can be presented horizontally or vertically. :: Painting :: Abstract Expressionism :: This piece comes with an official certificate of au...

Rooster is a bronze sculpture by contemporary artist Jacques Owczarek, dimensions are 44 × 28 × 22 cm (17.3 × 11 × 8.7 in). The sculpture is signed and numbered, it is part of a lim...

Belgian photographer Isabelle Menin creates portraits of flowers that are not only gorgeous in form and color, but also uniquely expressive. Fresh blossoms and withering blooms melt ...

Virginie Schroeder is an innovative artist based in Quebec, Canada. She puts in play lines, circles, and other geometric forms to create works with subjects that are not immediately ...

Signed, verso, 'Tom Kraa' and dated 1987 on stretcher; bearing original gallery label verso with artist name, date and title, 'Funny Money'. Previously with: DW Gallery, Dallas, Texas An exceptional trompe-l'œil still life showing illuminated party lights, United States currency and a crossword puzzle against the backdrop of a sheet of pegboard. This little known artist exhibited with the prestigious DW Gallery in Dallas in the year before it closed. Along with several other women, Linda Samuels (formerly Linda Surls) started the DW Gallery (DWG) as a small women's co-op at McKinney and Hall streets in 1975. In the first few years, the gallery was staffed by member artists, each of whom worked three days a month and paid a $33 monthly fee toward overhead costs. Throughout its 13-year history, the gallery developed a reputation for recognizing raw talent and eventually became one of the nation's most respected showcases for contemporary regional artists. DWG was the first to exhibit several "new" artists who are nationally recognized today, including Lee N. Smith, David Bates, and Clyde Connell. The gallery was also successful at promoting up-and-coming Dallas artists such as David McManaway, John Hernandez, and Sam Gummelt. In 1978, the gallery was incorporated after receiving backing from founding member Lou Alpert (formerly Frederickson). By 1980, when director Linda Samuels moved to California, the gallery had expanded twice. In 1981, Diana Block succeeded Samuels as DWG director. Under Block, the gallery continued its successful theme exhibits, including a popular Book/Art exhibition. In 1983, DWG expanded to a new space on Main Street in Deep Ellum and opened a bookstore in a renovated warehouse. In 1986, when the gallery again needed to expand, it moved to new space on Canton and Oakland Streets rented from John Tatum, Dallas developer and major stockholder in DWG. After a dispute over the lease, the gallery closed in September 1988. By this time, its operating budget had increased from $24,000 to $100,000 since 1981, with investors contributing less than 25 percent of the annual budget. The closing exhibition, The Last Show, was guest-curated by founding member Linda Samuel. It featured recent works by each of the 28 artists associated with the gallery over the past year. The gallery received postcard tributes from more than 80 artists who had exhibited there through the years, including Bob Wade, Peter Julian, Gilda Pervin, James Surls, Benito Huerta, Dan Rizzie, Danny Williams, Bill Komodore, and Frank Tolbert.

Original Oil Painting by Kevin Palme. Through ephemeral constructions of ice cubes and origami paper boxes, Kevin Palme (b. 1976, Morristown, NJ) seeks to convey the transitory natu...

This beautiful painting by Nacho Reina is a formidable example of the interplay between form and color forms as the central axis of his work, where he starts from architectural shape...

With Balance the artist starts exploring more deeply the boundaries of the photographic media by mixing it with different techniques on a very traditional subject (classic sculptures...

Set of 10 Landscapes by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Pastel on unframed paper Size: 10.5 inches (height) ...

'Dawn Lake (Blue Ridge Mountains)' Original Artwork. Unframed ______________ The dawn is painting transient layered reflections in the water, shifting the softened space between whe...

​Whether they are symbols, dreams or marks of the life of each of us. The artist's work often features heads, floating bodies, trees, dollar signs, cars, laurel branches, and symboli...

John Schieffer graduated in 1995 from Paier College of Art in Hamden, Connecticut with a Bachelor of Fine Arts degree. The salutatorian entered the world of illustration at Mercer Ma...

Silkscreen on 2-Ply Museum Board 38 x 30 inches Edition of 20 2014 Carole Feuerman is one of the world’s foremost hyperrealist sculptors. Her resin, bronze and marble sculptures of swimmers and bathers evoke notions of tranquility and serenity. Feuerman’s life-like works are nearly indistinguishable from the subjects that inspire them. Her newest silkscreen edition is a testament to the same sense of realism. Soft and subtle blends of color support the tactile qualities of her bathing caps...

Artist: Vahe Yeremyan Title: Blooming Blue Medium: Oil on Linen Year: 2025 Style: Impressionism Dimensions: 30" x 29.5" x 1" inch (76 x 75 x 3cm) Presentation: Unframed, Gallery Wrap...

Studio Giftig (Dutch artists) Ups and Downs 80 x 80 cm ( framing options available) (Shiped in a wooden box) Acryl and spray paint on canvas Studio Giftig consisting of the Netherla...

Willie Nelson, Coliseum State Fairgrounds, Indianapolis, IN 1976 Signed limited edition photographic print by Blaise Hayward from his series “Tickets Please” These editioned digita...

C.M. European 1946 Nestlé Gouache on paper Image size: 38 x 24 inches £300

Surrealist acrylic painting on cut paper and wood panel featuring classical statue fragments and a resting cat in a saturated pink and crimson landscape. This original work by Gozo C...

Abstract original painting Media: Acrylic on stretched canvas. (Ready to hanging) Size: 36x24” (92x61cm) canvas stretchers 36x24"x1.5” Title: CitySurface-O1010 Support: Stre...

Operazione 7000 Eichen is an original receipt realized in 1985  by Joseph Beuys in occasion of his solo exhibition held at the Marino Gallery (in Mignanelli Square, Rome)  In good c...

This beautiful painting by Nacho Reina is a formidable example of the interplay between form and color forms as the central axis of his work, where he starts from architectural shape...

He has participated in over sixty group Art Shows and biennales since 1968 including Rochester Memorial museum 1974, Low Art Centre, Syracuse 1975, Soursouk Museum, Beirut, 1984-2008...

Artist Comments
A fox caught in mid-leap burst to life in dashes of red, gold, and violet. Built with layered washes and spontaneous shapes, the painting suggests the animal's ...

Lithograph on wove paper Edition of 500 Signed 'Carmen Herrera' and numbered on a gallery label affixed to the back of the print Excellent, with minor residual framing marks visible ...

Demos poster by Italian Street Artist Blu. Limited edition of 1000. Blu signature printed on bottom right of poster in black. Demos is a Greek origin word meaning the people. This go...

Silkscreen on 2-Ply Museum Board 38 x 30 inches Edition of 10 2014 Carole Feuerman is one of the world’s foremost hyperrealist sculptors. Her resin, bronze and marble sculptures of swimmers and bathers evoke notions of tranquility and serenity. Feuerman’s life-like works are nearly indistinguishable from the subjects that inspire them. Her newest silkscreen edition is a testament to the same sense of realism. Soft and subtle blends of color support the tactile qualities of her bathing caps...

Thane Gorek's (US based) "Ember Moon" is an original, handmade oil painting that depicts a white Aspen trees engulfed in bright green and yellow leaves wit...

Paper Size: 12.25 x 34 inches ( 31.115 x 86.36 cm ) Image Size: 12.25 x 34 inches ( 31.115 x 86.36 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age...

La Métacrise was created as a prelude to the Metamonument project, which is a constellation of physical and virtual works to be presented in January 2026. Building on previous exhibi...

Original watercolor on archival colored paper of “Seaoats” by the long time Sarasota artist, Julee Docking. Signed “Julee” lower right. Titled verso “Seaoats” along with stamped as ...

In creating this piece, I aimed to capture a burst of raw, dynamic energy. Utilizing precision and spontaneity, I combined acrylics, oils, enamel, and ink to form an expressive dance...

This work is part of our exhibition Marina Stern Luminary, the first retrospective of the artist since 2007. Marina Stern was a multifaceted New York-based artist whose works ranged from Expressionism and Pop Art to the Neo Immaculate paintings and pastels for which she is best known. A native of Venice, Stern and her family fled in 1939 to escape Italy’s repressive racial laws. After living in England for several years, the family arrived in the United States in 1941. A bright and capable student, Stern graduated from New York’s Julia Richman High School at age 15 and soon enrolled in the Pratt Institute to pursue an interdisciplinary education in the arts. Despite majoring in advertising design, Stern favored her fine art courses. She graduated from Pratt in 1946 at age 18 and began working for advertising agencies. After a brief marriage which ended in divorce, Stern married her second husband, who encouraged the artist to study at the Art Students League of New York, under the renowned Japanese American modernist, Yasuo Kuniyoshi. In Fall 1953, Stern gave birth to her first child, Michael, as she continued to study at the Arts Students League. Later in the Spring of 1957, Stern gave birth to her daughter Nina, as she continued to balance motherhood with her fine art practice and commercial art and design work. Stern’s first significant exhibitions were in 1962 at the Waverly Gallery and the Osgood Gallery, both in New York, followed by inclusion of her work in the Bertha Schaefer Traveling Collage Show from 1963 to 1964. Stern made a splash in the avant-garde art world in 1964 when Time magazine reviewed a show at Amel Gallery which featured three of her audio-visual paintings. Time’s critic noted that Stern created the “cleverest noisemakers” in the exhibition. Time dubbed this work “Talkie Pop,” a label which Stern rejected. Following this recognition, Stern was selected for inclusion in The New American Realism at the Worcester Art Museum—a major showcase of leading artists, including Andy Warhol, Robert Indiana, Roy Lichtenstein, and Jasper Johns. After the Worcester exhibition, Stern began to shift away from her “talking” Pop paintings to mysterious, interior scenes with orange, blue or black walls with windows or doors rising above black and white floors, often depopulated, but sometimes with figures. One of these works, Seven Minus Twenty-One Equals Seven, entered the permanent collection of New York’s Museum of Modern Art in 1966. By 1969, Stern began to incorporate industrial images into these scenes, and in the early 1970s, Stern created her first Neo-Immaculate works of rural, and urban landscapes, which she described as her most satisfying work. Stern often depicted locations that she held close -- New York, New Jersey, Iowa (where her son attended college), Sharon, Connecticut (where her family spent weekends and vacations) and her native Venice, Italy. Stern’s success as a Neo Immaculate painter led to consistent New York gallery representation for over two decades, first with Lee Ault & Co and James Yu Gallery, and then Forum Gallery, where she had six solo shows. Stern completed a Neo-Immaculate mural commission for the Port Authority of New York, George Washington Bridge #1 and #2, followed by another commission from the NY Cityarts Public Art Program in 1976 for a mural on Mulberry Street. Stern also enjoyed solo exhibitions in Boston (Eleanor Rigelhaupt Gallery), Connecticut (Silo Gallery, the Hotchkiss School, J. Rosenthal Fine Arts Gallery, Tremaine Gallery, and Staib Gallery), Chicago (Michael Rosenfeld Gallery), and Santa Fe (Santa Fe East Gallery). Her work was included in group shows at over a dozen public institutions, including The National Academy of Design, The Staten Island Museum, Worcester Art Museum, the Oklahoma Art Center, and the Arkansas Art Center. The Southern Alleghenies Museum of Art hosted a retrospective of four decades of Stern’s work from January 19 to April 22, 2007, entitled Perception and the Cultural Environment: The Paintings of Marina...

Artist Comments
A mythical horse stands poised, its head turned to the side. Its electric blue mane and warm-toned body create a vivid contrast. A red apple hanging on its tail...

Artist Comments
A lively pig steps forward in a mosaic of rosy watercolor planes, blending geometric shapes with playful splashes of color. In this piece, artist Timothy Banks ...

This exquisite lithograph after Henri Matisse (1869–1954), titled Paula, originates from the 1952 folio Derriere le Miroir, No. 46–47, published by Maeght Editeur, Paris, under the d...

Born March 15, 1943 in Szekelyudvarhely, Transylvania, Hungary (now Romania), Marton Varo studied sculpture at Ion Andreescu Institute of Arts in Cluj, Romania from 1960 to 1966. In...

"Ghetto?" is a limited edition print by Jordan Plain printed on archival paper. This piece measures 21"h x 21"w framed and is shipped in the pictured white frame. Edition of 5. Jor...

Though these pale mint green botanical monotypes resemble woodcuts or linocuts they are actually cyanotypes, a form of kind of photography dating back to the 1800s, but the artist al...

This exquisite lithograph after Henri Matisse (1869–1954), titled La Perruche et la Sirene (The Parakeet and the Mermaid), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35...

​Whether they are symbols, dreams or marks of the life of each of us. The artist's work often features heads, floating bodies, trees, dollar signs, cars, laurel branches, and symboli...

​Whether they are symbols, dreams or marks of the life of each of us. The artist's work often features heads, floating bodies, trees, dollar signs, cars, laurel branches, and symboli...

Artist: Yvaral, Jean-Pierre Vasarely (1934-2002) Title: Le Legende (Marilyn Monroe) Year: 1990 Medium: Silkscreen on wove paper Edition: 12/100, plus proofs Size: 31 x 23.5 inches C...

Lithograph on grand vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, La Liberté des Mers, 1959. Published by Maeght Édite...

Medium: original lithograph. Printed in 1968 for the art revue Derriere le Miroir (issue number 170) and published in Paris by the Maeght atelier. Sheet size: 15 x 10 1/2 inches (378...

Publisher GKM. Unframed. Edition of 150 ex. Free shipment worldwide. Reality or fantasy? What is the difference between fantasy and fact, between night and day, between torment and...