Pier Art

Watercolor on paper, 1976 Painted in South Bristol, Maine Signed by the artist lower left Condition: Excellent

Serene landscape by notable billboard artist Art Pastusak (American, b. 1950). A small dock just out over glassy water, rendered in dark grey-green and bright cyan, where the sky is reflected. The shore is rendered in tones of yellow, tan, and green, with some water lapping up towards the viewer. Signed and dated "Art Pastusak 18" in the lower left corner. Titled "Solitude" on verso. No frame. Board size: 11"H x 14"W Art Pastusak (American, b. 1950) is an artist and billboard painter originally from Portland, OR. Pastusak began outdoor painting in 1977, focusing on billboards. He learned from Mario Rueda, Bernardo Sepulveda, and Tim Solliday. Pastusak has been commissioned by major brands like Apple, Nike, Red Bull, Subaru, and Spotify. In 1992, Pastusak stopped painting billboards to focus on larger scale public murals, mostly in Oregon and Los Angeles. He now focuses on smaller fine art...

An atmospheric scene depicting a quiet harbour after dark. Moonlight reflects from the water casting a cool glow over the stationery boats that are captured in sharp, geometric lines...

À Bordeaux is an artwork realized by Maxime Lalanne in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the publisher ...

An Oil painting of boats in a marina. Above, the suns rays pierce through the clouds. American realist painter Carl Bretzke is particularly adept at nocturne scenes which ooze in d...

Signed and edition photograph by Paul Fusco titled "Untitled from the RFK Funeral Train". Shot in 1968 and printed in 2008 - 2021 on fujiflex paper....

A beach on the French Riviera or Cote d’Azur, where the wealthy come to sunbathe and yacht. Original Publication: Picture Post – 7850 – Five Girls On A ...

Boats in the harbour of Porto Ercole (Port'Ercole), Tuscany, August 1967. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and ...

"Island Life" is an idyllic oil painting of Harbor Lane on Shelter Island, NY. Persson's impasto technique of the paint with her palette knife showcases the lush local greenery to s...

An oil painting on canvas by British artist Paul Rafferty. Painted en plein air, in Sag Harbor, NY, the artist captures a sunlit harbor filled with boats at rest in morning. Signed...

Contemporary British artist, 21st century oil on board, unframed size: 14 x 22 inches This came from a private collection of artworks by the artist, a few of which are signed 'Andrew...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

Tsuruoka Kakunen Crossing the Bridge in the Rain, circa 1930s Signed Kakunen with artist's square seal, and oval Tsuruoka family seal on verso Watercolor on paper 19 3/4 x 6 1/2 inc...

French Landscape by Bernard Labbe (French mid 20th century) original watercolour with biro on artist paper, unframed stamped verso size: 8.25 x 11.75 inches condition: very good and ...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print, edition of 7. Signed, titled, dated and numbered b...

The beauty of the Golden City, where nature and civilization co-exist in ease, is something to be witnessed. Cradled by the prolific San Francisco Bay, with the Pacific Ocean but a s...

Utagawa Hiroshige (Ando Hiroshige) Fireworks at Ryogoku Bridge, circa 1840 - 1842 From the series "Famous Places in Edo (Edo meisho)" Original woodblock print Oban size Published ...

I painted this view of the Venice canal on a foggy gray morning, playing with the chromaticism of the scene to alter the colors and create a special luminosity. I used soft tones to ...

Now the lighthouse remains surrounded by buildings. But this vintage building is still working for tourist purposes. :: Painting :: Impressionist :: T...

Edition of 45 Signed, titled, negative date, print date and numbered by Michael Kenna Sepia toned gelatin silver print Michael Kenna's black and white photographs are powerful and a...

A painting of boats docked in a harbor. Loose brushstrokes in the lower lefthand corner indicate ripples in shallow water, shades of green and teal. The water becomes a deeper richer...

This work is an initial exploration of the iconic Venice canal, conceived as a preliminary study with the intention of developing it into a larger format in the future. In this study...

Plein Air painting of commercial fishing boats at Viking Village in Barnegat Light. :: Painting :: Realism :: This piece comes with an official certific...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. In her new exhibition Churilla draws from her years spent as a swimmer, lifeguard, and athlete to capture the forgotten freedom and exuberance of days of youth spent on the water. Viva la Vida is a mix of timeless portraits and candid photographs "I’ve always been drawn to the water- now my art, my sense of athleticism, freedom and oasis have merged in a way", says Churilla. Her nod to iconic photographers from the past, such as Edward Weston, and Herbert List, is apparent in her portrait work. In another Christian & Nathan Fletcher is in the midst of a surf crusade off the coast of Islamorada, Florida. Christian pioneered a new revolution in surfing style with his aerial techniques. The artist’s genuine connection to her subjects allows the viewer to forget the presence of a camera and to be drawn into the personal narrative. The invitational image Longboard Afternoon, taken at Ditch Plains, Montauk, focuses on the portrayal of the atmosphere rather than the individual subjects. With a 70’s feel the viewer is intrigued by the layers of life, activity and parallel moments shared by silhouettes of surfers carrying longboards at hazy days end. One such image, Gustavo, depicts a male figure seated poolside with head bowed. The pose and the wet sheen to his hair and skin give the subject a classic, sculptural look. All the photographs exhibited in are in various sizes are printed on heavy weight cotton paper with the traditional glossy baryta surface in rich tones of black and white. Her artist mother, Barbara Churilla, involved her in creating art, sculpture, painting and photography from an early age. She was raised in Princeton, New Jersey. She graduated from School of Visual Arts in NYC with a BFA in Photography. Lynda began her photo assisting career with legendary photographer Bruce Weber. Over a period of almost a decade she traveled the world with Weber learning not only knowledge of photography, but also life. Eventually becoming his trusted first assistant before embarking on her own photography adventure. Churilla’s work has been celebrated in American Photo, where she was heralded as one of the young visionaries of 21st century. She has photographed numerous celebrities, such as Cameron Diaz, Jewel, Olivier Martinez, Coldplay, Pet Shop Boys...

The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall. In "Dream Deck," Anne Valverde presents a twilight meditation where the art of photography meets the tangible touch of installation. Valverde personally selects and places neon text, a radiant declaration of 'dreams,' onto a tranquil lakeside pier. This glowing script becomes the focal point, blurring the line between the environment and the message it carries. With an artist’s eye for the profound symbiosis between word and world, Valverde chooses the placement and font of the neon text to complement the natural serenity of the dusk-lit waters. The radiant blue of the evening sky mingles with the reflective surface of the lake, creating a seamless blend of color and calm, while the neon installation offers a striking visual contrast — a bridge between the viewer’s reality and the infinite potential of the dream world. The artistry of "Dream Deck" lies in its invitation to pause and ponder, prompted by the glowing invitation to dream, suspended just above the water’s surface. Valverde’s photograph is a carefully orchestrated composition that speaks to the dreamer within, suggesting that within the stillness of nature’s embrace, there is space to dream out loud. This piece is more than a snapshot of a place; it is a deliberate performance of light and typography, a narrative captured in a single, still moment that encourages the viewer to engage with the fluid boundaries of dreams. Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography. Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words. Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world. Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...

This attractive oil painting depicts an estuary location near the coastal village of Walberswick. A single figure can be seen resting at the end of the wooden jetty, taking in the im...

Boats at the lake. Alla prima oil painting with few final touches when dry. Beautiful weather with a big shining sun. And I'm standing there taking it all in. The many spectacular si...

Date: circa 1957 Medium: Gouache on Board Dimensions: 25.50" x 17.75" Signature: Signed Left Original illustration for a poster for the Grace Line Travel c...

It is infrequent, to say the least, that a diagnosis of tuberculosis proves fortuitous, but that was the event, in 1921, that set Paul Starrett Sample on the road to becoming a professional artist. (The best source for an overview of Sample’s life and oeuvre remains Paul Sample: Painter of the American Scene, exhib. cat., [Hanover, New Hampshire: Hood Museum of Art, 1988] with a detailed and definitive chronology by Sample scholar, Paula F. Glick, and an essay by Robert L. McGrath. It is the source for this essay unless otherwise indicated.) Sample, born in Louisville, Kentucky, in 1896 to a construction engineer and his wife, spent his childhood moving with his family to the various locations that his father’s work took them. By 1911, the family had landed in Glencoe, Illinois, settling long enough for Paul to graduate from New Trier High School in 1916. Sample enrolled at Dartmouth College, in Hanover, New Hampshire, where his interests were anything but academic. His enthusiasms included the football and basketball teams, boxing, pledging at a fraternity, and learning to play the saxophone. After the United States entered World War I, Sample, to his family’s dismay, signed on for the Naval Reserve, leading directly to a hiatus from Dartmouth. In 1918 and 1919, Sample served in the U.S. Merchant Marine where he earned a third mate’s license and seriously contemplated life as a sailor. Acceding to parental pressure, he returned to Dartmouth, graduating in 1921. Sample’s undergraduate life revolved around sports and a jazz band he formed with his brother, Donald, two years younger and also a Dartmouth student. In November 1933, Sample summarized his life in a letter he wrote introducing himself to Frederick Newlin Price, founder of Ferargil Galleries, who would become his New York art dealer. The artist characterized his undergraduate years as spent “wasting my time intensively.” He told Price that that “I took an art appreciation course and slept thru it every day” (Ferargil Galleries Records, circa 1900–63, Archives of American Art, Smithsonian Institution, available on line). In 1920, Donald Sample contracted tuberculosis. He went for treatment to the world-famous Trudeau Sanitorium at Saranac Lake, in New York State’s Adirondack Mountains for the prescribed regimen of rest, healthful food, and fresh air. Visiting his brother in 1921, Paul also contracted the disease. Tuberculosis is highly contagious, and had no certain cure before the development of streptomycin in 1946. Even for patients who appeared to have recovered, there was a significant rate of recurrence. Thus, in his letter to Price, Sample avoided the stigma conjured by naming the disease, but wrote “I had a relapse with a bad lung and spent the next four years hospitalized in Saranac Lake.” The stringent physical restrictions imposed by adherence to “the cure” required Sample to cultivate an alternate set of interests. He read voraciously and, at the suggestion of his physician, contacted the husband of a fellow patient for instruction in art. That artist, then living in Saranac, was Jonas Lie (1880–1940), a prominent Norwegian-American painter and an associate academician at the National Academy of Design. Lie had gained renown for his dramatic 1913 series of paintings documenting the construction of the Panama Canal (The Metropolitan Museum of Art, New York; United States Military Academy, West Point, New York). Primarily a landscape artist, Lie had a particular affinity for scenes with water. His paintings, impressionistic, atmospheric, and brushy, never strayed from a realistic rendering of his subject. Sample regarded Lie as a mentor and retained a lifelong reverence for his teacher. Sample’s early paintings very much reflect Lie’s influence. ` In 1925, “cured,” Sample left Saranac Lake for what proved to be a brief stay in New York City, where his veteran’s benefits financed a commercial art course. The family, however, had moved to California, in the futile hope that the climate would benefit Donald. Sample joined them and after Donald’s death, remained in California, taking classes at the Otis Art Institute in Los Angeles. In Sample’s account to Price, “I couldn’t stomach the practice of painting a lot of High Sierras and desert flowers which seemed to be the only kind of pictures that were sold here so I got a job teaching drawing and painting at the art school of the University of Southern California.” Initially hired as a part-time instructor, Sample progressed to full-time status and ultimately, by the mid-1930s, to the post of Chairman of the Fine Art Department. Sample, however, did not want to wind up as a professor. “Teaching is all right in small doses,” he wrote, “but I have a horror of drifting into being a college professor and nothing more.” At the same time as he taught, Sample began to exhibit his work in a variety of venues at first locally, then nationally. Though he confessed himself “a terrible salesman,” and though occupied with continued learning and teaching, Sample was nonetheless, ambitious. In 1927, he wrote in his diary, “I am eventually going to be a painter and a damned good one. And what is more, I am going to make money at it” (as quoted by Glick, p. 15). In 1928, Sample felt sufficiently solvent to marry his long-time love, Sylvia Howland, who had also been a patient at Saranac Lake. The Howland family were rooted New Englanders and in summertime the Samples regularly traveled East for family reunion vacations. While the 1930s brought serious hardship to many artists, for Paul Sample it was a decade of success. Buttressed by the financial safety net of his teacher’s salary, he painted realist depictions of the American scene. While his work addressed depression-era conditions with a sympathetic eye, Sample avoided the anger and tinge of bitterness that characterized much contemporary realist art. Beginning in 1930, Sample began to exhibit regularly in juried exhibitions at important national venues, garnering prizes along the way. In 1930, Inner Harbor won an honorable mention in the Annual Exhibition of the Art Institute of Chicago. That same year Sample was also represented in a show at the Albright-Knox Gallery in Buffalo and at the Biennial Exhibition of the Corcoran Gallery of Art, Washington, D.C. In 1931, Dairy Ranch won the second Hallgarten Prize at the Annual Exhibition of the National Academy of Design, in New York. Sample also made his first appearances at the Carnegie Institute, Pittsburgh, and The Pennsylvania Academy of the Fine Arts, Philadelphia. In 1936, Miner’s Resting won the Temple Gold Medal at the Pennsylvania Academy’s Annual Exhibition. Always interested in watercolor, in 1936, Sample began to send works on paper to exhibitions at the Whitney Museum, New York. While participating in juried exhibitions, Sample also cultivated commercial possibilities. His first New York art dealer was the prestigious Macbeth Gallery in New York, which included his work in a November 1931 exhibition. In 1934, Sample joined the Ferargil Galleries in New York, after Fred Price arranged the sale of Sample’s Church Supper to the Michele and Donald D’Amour Museum of Fine Arts in Springfield, Massachusetts. In 1937, The Metropolitan Museum of Art purchased Sample’s Janitor’s Holiday from the annual exhibition of the National Academy of Design, a notable honor. As prestigious as this exhibition schedule may have been, by far Sample’s most visible presence in the 1930s and 1940s was the result of his relationship with Henry Luce’s burgeoning publishing empire, Time, Inc. Sample’s first contribution to a Luce publication appears to have been another San Pedro...

Klaus Leidorf Bio Klaus Leidorf was born on June 5th 1956 in Bonn (Germany. After a few years working as research assistant at the University of Marburg and employee at the Bavari...

"Octopus Nets, Muan-gun, Jeollanam-do, South Korea" is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print is matted ...

large format photograph of iconic Icelandic hot springs by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Myvatn Nature Baths (2016) 61.25” x 81” / 156 cm x 206 cm signed, titled and dated verso edition of 6 + 2AP original archival photography print with diasec (acrylic glass) face mount in contemporary white gallery frame Each limited edition original photograph is printed in Italy under artist supervision in strictly limited edition (6 + 2AP) , signed/titled/dated upon final inspection and expertly framed at renowned European art framing facility About the artist: Massimo Vitali was born in Como, Italy, in 1944. He studied photography at the London College of Printing, in the 1970s initially working as a photojournalist, but at the beginning of the 80s a growing mistrust in the belief, that photography had an absolute capacity to reproduce the subtleties of reality, led to a change in his career path. He worked in cinematography for film and television before beginning a fine art practice in 1995. Over the next two decades, Vitali’s large scale works would become recognizable for his highly detailed sociopolitical observations of the natural habitat of humankind at leisure. His iconic series of beach panoramas, captured from a distance with an elevated large format camera platform, began in the light of drastic political changes in Italy. Drawing inspiration from Renaissance and Old Flemish masters, in which the central space is fully exploited and the urban or natural landscape becomes the background, Vitali’s photographs grasp the viewer by capturing highly detailed observances of humanity’s coastal habitats in the bright light of summer. Vitali’s work has been collected in six monographs: Beach and Disco, Natural Habitats, Landscapes With Figures, Swimming Pools, Short Stories and the just published Entering A New World. Additionally, his work is represented in the world’s major museums, including the Centro de Arte Reina Sofia in Madrid, the Guggenheim Museum in New York, the Museum of Contemporary Art in Denver, the Fond National Art Contemporaine in Paris, the Centre Pompidou in Paris, the Musée National d’Art Moderne in Paris, the Fondation Cartier in Paris and the Museo Luigi Pecci in Prato. Massimo Vitali lives and works in Lucca (Italy) and in Berlin (Germany). __________________________ SOLO EXHIBITIONS 2021 'PienoVuoto' Forte di Belvedere, Florence 2021 'No Country For Old Men...

This work is an initial exploration of the iconic Venice canal, conceived as a preliminary study with the intention of developing it into a larger format in the future. In this study...

Fabienne Delord-Descourvières is a French painter who lives & works in Yermenonville in Eure-et-Loir, France.

An inlet of San Diego Bay with lights reflected in it on a full moon night. Beach in the foreground, water mid-ground, land and lights and horizon in back ground. Night sky and full ...

Medium: original etching. Signed both in the plate and in pencil. Catalogue reference Schneiderman 202. Executed in 1881, and printed on laid paper with full margins. Plate size: 7 x...

Eric Ward (British, 20th Century) Mousehole Regatta, Cornwall Oil on canvas Signed lower right Eric Ward was a gifted British landscape and marine painter whose colourful interpretations of Britain’s coastal villages captured the charm and vitality of seaside life during the twentieth century. Working in a fresh Impressionist manner, Ward became particularly known for his evocative harbour scenes, where brilliant coastal light, shimmering reflections and the movement of sailing craft combined to create compositions of enduring decorative appeal. His paintings celebrate the unique character of Britain’s maritime heritage, especially the picturesque fishing communities of Cornwall. This delightful painting depicts the picturesque harbour of Mousehole, one of Cornwall’s most celebrated fishing villages, during the excitement of the annual regatta. Sheltered by its historic granite harbour walls, the tranquil waters are alive with traditional sailing boats, their colourful sails reflected in the calm sea beneath an expansive summer sky. Small rowing boats drift quietly in the foreground, while visitors stroll along the quayside, enjoying the festivities against a backdrop of whitewashed cottages climbing the hillside beyond. Ward masterfully captures the distinctive atmosphere that has attracted artists to Mousehole for well over a century. His confident brushwork and luminous palette beautifully convey the clarity of the Cornish light, where brilliant blues, soft turquoise waters and warm earth tones combine in perfect harmony. The vibrant red and white sails punctuate the composition with striking accents of colour, while the broken reflections dancing across the harbour create an impression of gentle movement and sparkling sunshine. Throughout the twentieth century, Mousehole became one of Britain’s most important artistic destinations, drawing painters inspired by its intimate harbour, traditional fishing boats and unspoilt coastal scenery. Ward continues this distinguished tradition, producing a work that balances careful observation with an impressionistic freedom, allowing colour and atmosphere to take precedence over meticulous detail. The result is a painting that is both instantly recognisable as one of Cornwall’s most beloved harbours and timeless in its celebration of the English seaside. Beautifully composed and executed with a lively painterly touch, this oil on canvas perfectly encapsulates the relaxed spirit of a Cornish regatta. Rich in colour, light and maritime character, it is an excellent example of Eric Ward’s coastal paintings and would make a charming addition to any collection of British marine art, Cornish paintings...

Artist Comments
The boats sit ready for their next journey in the marina of San Sebastián, Spain. Calm waters and a sense of anticipation shape the coastal scene, evoking the ...

Attersee Austria, Original Contemporary Impressionist Seascape Painting, 2016 24" x 36" x 1.5" (HxWxD) Acrylic on Canvas Hand-signed by the artist. Somewhere between a landscape, waterscape, and still life, this work by artist Ingrid Dohm...

Speedboat Landing - Il Pellicano Hotel Porto Ercole Tuscany Italy Photograph by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'S...

Photographed entirely in the ethereal lakeside environs of the Adirondacks, Lynda Churilla's latest exhibition synthesizes the aesthetics of strength and softness. Central to this aesthetic theme is the portrayal of Churilla's husband and muse John, who she describes as a source of inspiration. Standing nude and silhouetted in the foreground, the powerful form of John's body is rendered stoic and subdued by multiple mist‐wreathed aquatic expanses and looming woodland scenes. Whether standing in a state of intent tranquility in the foreground of a forest, or captured mid‐action during diving or archery, John imparts a sense of security through his physique and determined mien. Also conveyed is an air of intrigue stemming from his body, which is often concealed by shadow or wreathed in haze. Examples of masterful composition, Churilla's black‐and‐white images fully demonstrate the pacifying effect of nature on the male figure. The invitational piece, Silence represents Churilla's overall vision for this exhibition, featuring John facing away from the camera while standing in the shallows in a mist covered lake. Staring into the distance with his body in graceful repose, he appears lost in and enveloped by his surroundings, eliciting the romantic feeling of limitlessness and a sense of peace. The style in which Churilla captures John is reminiscent of the figurative nudes produced by photographers like Jock Sturges or Sally Mann. This exhibition is composed of eleven large-format pieces which range from 30" x 40" to 60" x 40". Eight photographs centered on John are accompanied by three abstract landscape pieces that capture the Adirondacks in all its otherworldly beauty. In one of these, White Mist, one stumbles into a world of beautifully muted color tones­, in which a nearly impenetrable mist surrounds a lake. This photograph serves to highlight stillness of water, which Churilla herself regards as healing and thought inducing. Churilla first gained her appreciation of the Adirondacks while working as an assistant to the legendary photographer Bruce Weber in his 1990 series Bear Pond. Since studying as Weber's protégé for nearly a decade, Churilla's own work has been acclaimed by such publications as American Photo and Harper's Bazaar, in which she has been lauded as a promising female photographer. She has photographed numerous celebrities, such as Cameron Diaz, Jewel, Olivier Martinez, Coldplay, Pet Shop Boys...

Title: La Ciotat Harbour Church Boats Watercolor French Modern Pierre Neveu Artist: Pierre Neveu (French b.1929) Medium: Watercolour on paper, unframed Signed lower left, Inscribed l...

This artwork titled "Goletas Pesqueras On La Bahia De San Antonio, Chile" is a large oil painting on canvas by Culean artist Ernesto Romero Diaz. I...

Original Silver Gelatin Photograph of Charenton‑le‑Pont, Paris, June 1926 A rare and atmospheric original silver gelatin black‑and‑white photograph capturing the River Seine at Chare...

Andre Bardet Original Painting Oil On Canvas “Water Scene”. In good condition measures 45x37

View Of Rome is a vintage black and white photograph realized in the early 20th Century. With the hand-note in pencil on the rear. Good conditions. A historical testimonial of the...

Author: Francesc Torneró Gómez (Barcelona, 1934) Title: Port of Cambrils Date: ca. 1970s Medium: Oil on canvas Dimensions: 54 × 65 cm Signature: Signed lower left: Torneró Framing: U...

Egg tempera on canvas, Shadow joint frame Frank Suplie is a German artist born in 1950 lives and works in Berlin, Germany. He is a member of the Painters Association of the North Ge...

Xavier Rodes was born in 1971 in Barcelona, Spain. He studied Art at EINA College, where he created a final project on the subject of “Industrial and Urban Landscape”. Today, he live...

Xavier Rodes was born in 1971 in Barcelona, Spain. He studied Art at EINA College, where he created a final project on the subject of “Industrial and Urban Landscape”. Today, he live...

Coastal Seaside (Criel) by Guy Pichon (French 1933-2007) oil on canvas, unframed signed canvas: 24 x 29 inches provenance: private collection, France The painting is in very good ...

Through my brushwork, I sought to capture the essence of this serene seascape, employing oil paints to blend fine art with a touch of impressionism and realism. The tranquil waters a...

THE COLOR OF WATER Lake Michigan blue sits at the pastel confluence of green, grey and cyan on the nearby shoreline. In truth, the color of the lake is as transitory as Chicago weath...

Ryan Reynolds creates contemporary paintings that explore the quiet poetry of the everyday world. Working from careful observation as well as memory, his compositions often depict fa...

Let Aeroflot take you to Sukhumi, the lush subtropical retreat nestled between the Caucasus Mountains and the warm waters of the Black Sea. Known for its peaceful shores, abundant gr...

This late-1970s photograph, taken by society photographer Slim Aarons, features an aerial view looking down on sunbathers and parasols on the beach at Positano, Italy. This is an es...

"Reflections" is an impressionist oil painting of Rolf Hellem's mother sitting on a dock looking down into the water. Hellem intentionally left the edges of the painting unfinished a...

AP 1 Signed, titled, numbered & dated in black ink on signature label affixed to mount verso. Photograph is digital c-print mounted on dibond with acrylic facemount, wall mount on ba...

Work on canvas Golden wooden frame with glass pane 61.5 x 79.5 x 3 cm

Title: Menton Harbor French Riviera Watercolor Gouache Pierre Neveu Artist: Pierre Neveu (French b.1929) Medium: Watercolour on thick paper, unframed Size (H x W): 22.5 x 30 inches S...