Pier Art

A painting of boats docked in a harbor. Loose brushstrokes in the lower lefthand corner indicate ripples in shallow water, shades of green and teal. The water becomes a deeper richer...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

ABOUT THIS ARTIST: Photographer Anne Menke occupies the unique realm where high fashion meets bohemian travel and a free spirit. Her editorial work exudes a sense of glamour often amidst a backdrop of far flung, exotic locales. Menke has photographed couture on the mountains of Peru and beauty contests on the plains of Mongolia. Her eye for the authentic-- somehow she's an insider wherever she goes-- has informed her campaigns for clients including Tommy Hilfiger, Nine West...

Holidaymakers waterskiing from the pier of the Carlton Hotel, Cannes, 1958. Cannes Watersports at the Carlton 1958 C print Estate stamped and hand numbered edition of 150 with cert...

An original landscape painting by contemporary artist John L. Harris. Signed to the lower right. Presented in a contemporary wooden frame with a crisp white mount. On board.

Original Oil painting by Ukrainian artist Evgeny Chernyakovsky ""Yacht at the pier" 60.0 X 80.0 CM / 23.6 X 31.4 IN HIGH QUALITY oil on canvas Signed on the front and back D...

"Saint-Malo Sailboats" is a plein air painting created in Northwestern France. A pair of sailboats rest along the harbor's wharf, their masts intersect the warm atmostphere, and thei...

Relaxing Point Study 1, France - no. 21136 Lonely bench on the deserted stone beach in northern France. Archival pigment ink print, edition of 7. Signed...

The beauty of the Golden City, where nature and civilization co-exist in ease, is something to be witnessed. Cradled by the prolific San Francisco Bay, with the Pacific Ocean but a s...

Wood Pier Panorama, Austria - no. 11727 Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Hahnemuehl...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

This work is an initial exploration of the iconic Venice canal, conceived as a preliminary study with the intention of developing it into a larger format in the future. In this study...

'Pittenweem Harbor' is by contemporary Scottish artist Robert Stirling, signed in lower left. Pittenweem is a fishing village on the east coast of Scotland in Fife, between St Andrews and Elie, an area known for local crafts and pottery. 'Pittenweem Harbor' presents well and is in excellent condition. The frame complements the dark blue greens of the boat hulls and reflections in the water. Covered in glass for protection, the frame is new. The total measurement is 21" high by 25.5" wide including the frame. This is a well priced...

Author: Francesc Torneró Gómez (Barcelona, 1934) Title: Port of Cambrils Date: ca. 1970s Medium: Oil on canvas Dimensions: 54 × 65 cm Signature: Signed lower left: Torneró Framing: U...

Original Oil painting by Ukrainian artist Evgeny Chernyakovsky "Croatia" 70.0 X 90.0 CM / 27.5 X 35.4IN HIGH QUALITY oil on canvas Signed on the front and back Dated 2024 Goo...

Title: Harbour Boats Quayside Reflections Dieppe Watercolour Artist: Pierre Neveu (French b.1929) Medium: Watercolour on card, unframed Size (H x W): 8.75 x 6 inches Inscribed lower ...

I painted this view of the Venice canal on a foggy gray morning, playing with the chromaticism of the scene to alter the colors and create a special luminosity. I used soft tones to ...

In this oil painting, I explore the interplay of light and reflection, capturing the serene ambiance of a marina bathed in the warm glow of sunset. The textured strokes convey a sens...

This beautify color photography was taken in Israel near Caesarea. It was not filtered, manipulated or color corrected, but a straight shot. It come...

Alexandre Manuel Dorsoduro, Venice, 2017 20x20 in (50x50cm) - Edition of 10 Archival Pigment Print Image size 20x20inches (50x50cm) Framed size: 28x28inches (70x70cm) Mounted and fr...

James Whistler (1834-1903), Old Putney Bridge, 1879, etching and drypoint, signed in pencil with a large, elaborate shaded butterfly, lower right and inscribed imp (also signed with the butterfly in the plate), printed in dark-brown/black ink on laid paper, watermark ProPatria, an impression in Glasgow’s seventh (final) state, published by The Fine Art Society, probably printed in 1881, 8x 11 3/4 inches, sheet 12 1/8 x 16 1/8 inches. Reference: Kennedy 178; Glasgow 185. Provenance: Kraushaar Gallery, New York A fine impression, with wide margins. The Fine Art Societys relationship with Whistler began with the new etchings of the Thames he made in 1879, following a visit from Ernest Brown who had joined the staff of the gallery. The plate is on a large scale and shows the change in the artists approach to the Thames since the etchings he had made in Wapping and the docks in the summer of 1859. The central motif is the old bridge, by this stage somewhat dilapidated. It was shortly to be demolished and replaced by the new bridge of Cornish granite...

Sunny Sailboats In Blue Marina By Green Hills At Calm Harbor French Oil Painting Artist: Pierre Neveu (French b.1929) signed lower left Medium: oil on canvas, unframed Canvas: 39.5 x...

Title: Mediterranean Harbour with Boats French Modernist Watercolour by Pierre Neveu Artist: Pierre Neveu (French b.1929) Medium: Watercolour and felt pen on artist paper, unframed S...

Boats at the lake. Alla prima oil painting with few final touches when dry. Beautiful weather with a big shining sun. And I'm standing there taking it all in. The many spectacular si...

Ed. 3/7 Additional sizes available upon request. With his passion for formal technique and composition, internationally renowned photographer Nathan Coe’s works exude a deep rever...

The Old Port (Cassis?) Artist: Pierre Neveu (French b.1929) Signed Lower Left Medium: oil on canvas, unframed Canvas: 19.75 x 19.75 inches Signed verso Condition: Good and sound cond...

Rollesby Broad, a serene monochrome winter waterscape photograph from Richard Heeps Norfolk series. This artwork is a limited edition of 25 gloss photographic print from negative ac...

Rollesby Broad, a serene monochrome winter waterscape photograph from Richard Heeps Norfolk series. This artwork is a limited edition of 25 gloss photographic print from negative, d...

This artwork titled "Goletas Pesqueras On La Bahia De San Antonio, Chile" is a large oil painting on canvas by Culean artist Ernesto Romero Diaz. I...

Title: Château and Harbour at Pornic Brittany French Coastal Watercolour Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artist paper, unframed Size (H x W): 5.75 x 8.75 ...

Gabino Rey Santiago (1928-2006) - Oil on canvas - Port of Barcelona Oil measures 54x65 cm. Frameless.

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

Portofino Harbour, 1955 - Yachts and Watercraft Moored in Portofino Harbour 16 x 20" print. Limited Edition Estate Stamped Print. Digital C-Type print. Edition of 150. Printed Later...

Coastal Seaside (Criel) by Guy Pichon (French 1933-2007) oil on canvas, unframed signed canvas: 24 x 29 inches provenance: private collection, France The painting is in very good ...

It is infrequent, to say the least, that a diagnosis of tuberculosis proves fortuitous, but that was the event, in 1921, that set Paul Starrett Sample on the road to becoming a professional artist. (The best source for an overview of Sample’s life and oeuvre remains Paul Sample: Painter of the American Scene, exhib. cat., [Hanover, New Hampshire: Hood Museum of Art, 1988] with a detailed and definitive chronology by Sample scholar, Paula F. Glick, and an essay by Robert L. McGrath. It is the source for this essay unless otherwise indicated.) Sample, born in Louisville, Kentucky, in 1896 to a construction engineer and his wife, spent his childhood moving with his family to the various locations that his father’s work took them. By 1911, the family had landed in Glencoe, Illinois, settling long enough for Paul to graduate from New Trier High School in 1916. Sample enrolled at Dartmouth College, in Hanover, New Hampshire, where his interests were anything but academic. His enthusiasms included the football and basketball teams, boxing, pledging at a fraternity, and learning to play the saxophone. After the United States entered World War I, Sample, to his family’s dismay, signed on for the Naval Reserve, leading directly to a hiatus from Dartmouth. In 1918 and 1919, Sample served in the U.S. Merchant Marine where he earned a third mate’s license and seriously contemplated life as a sailor. Acceding to parental pressure, he returned to Dartmouth, graduating in 1921. Sample’s undergraduate life revolved around sports and a jazz band he formed with his brother, Donald, two years younger and also a Dartmouth student. In November 1933, Sample summarized his life in a letter he wrote introducing himself to Frederick Newlin Price, founder of Ferargil Galleries, who would become his New York art dealer. The artist characterized his undergraduate years as spent “wasting my time intensively.” He told Price that that “I took an art appreciation course and slept thru it every day” (Ferargil Galleries Records, circa 1900–63, Archives of American Art, Smithsonian Institution, available on line). In 1920, Donald Sample contracted tuberculosis. He went for treatment to the world-famous Trudeau Sanitorium at Saranac Lake, in New York State’s Adirondack Mountains for the prescribed regimen of rest, healthful food, and fresh air. Visiting his brother in 1921, Paul also contracted the disease. Tuberculosis is highly contagious, and had no certain cure before the development of streptomycin in 1946. Even for patients who appeared to have recovered, there was a significant rate of recurrence. Thus, in his letter to Price, Sample avoided the stigma conjured by naming the disease, but wrote “I had a relapse with a bad lung and spent the next four years hospitalized in Saranac Lake.” The stringent physical restrictions imposed by adherence to “the cure” required Sample to cultivate an alternate set of interests. He read voraciously and, at the suggestion of his physician, contacted the husband of a fellow patient for instruction in art. That artist, then living in Saranac, was Jonas Lie (1880–1940), a prominent Norwegian-American painter and an associate academician at the National Academy of Design. Lie had gained renown for his dramatic 1913 series of paintings documenting the construction of the Panama Canal (The Metropolitan Museum of Art, New York; United States Military Academy, West Point, New York). Primarily a landscape artist, Lie had a particular affinity for scenes with water. His paintings, impressionistic, atmospheric, and brushy, never strayed from a realistic rendering of his subject. Sample regarded Lie as a mentor and retained a lifelong reverence for his teacher. Sample’s early paintings very much reflect Lie’s influence. ` In 1925, “cured,” Sample left Saranac Lake for what proved to be a brief stay in New York City, where his veteran’s benefits financed a commercial art course. The family, however, had moved to California, in the futile hope that the climate would benefit Donald. Sample joined them and after Donald’s death, remained in California, taking classes at the Otis Art Institute in Los Angeles. In Sample’s account to Price, “I couldn’t stomach the practice of painting a lot of High Sierras and desert flowers which seemed to be the only kind of pictures that were sold here so I got a job teaching drawing and painting at the art school of the University of Southern California.” Initially hired as a part-time instructor, Sample progressed to full-time status and ultimately, by the mid-1930s, to the post of Chairman of the Fine Art Department. Sample, however, did not want to wind up as a professor. “Teaching is all right in small doses,” he wrote, “but I have a horror of drifting into being a college professor and nothing more.” At the same time as he taught, Sample began to exhibit his work in a variety of venues at first locally, then nationally. Though he confessed himself “a terrible salesman,” and though occupied with continued learning and teaching, Sample was nonetheless, ambitious. In 1927, he wrote in his diary, “I am eventually going to be a painter and a damned good one. And what is more, I am going to make money at it” (as quoted by Glick, p. 15). In 1928, Sample felt sufficiently solvent to marry his long-time love, Sylvia Howland, who had also been a patient at Saranac Lake. The Howland family were rooted New Englanders and in summertime the Samples regularly traveled East for family reunion vacations. While the 1930s brought serious hardship to many artists, for Paul Sample it was a decade of success. Buttressed by the financial safety net of his teacher’s salary, he painted realist depictions of the American scene. While his work addressed depression-era conditions with a sympathetic eye, Sample avoided the anger and tinge of bitterness that characterized much contemporary realist art. Beginning in 1930, Sample began to exhibit regularly in juried exhibitions at important national venues, garnering prizes along the way. In 1930, Inner Harbor won an honorable mention in the Annual Exhibition of the Art Institute of Chicago. That same year Sample was also represented in a show at the Albright-Knox Gallery in Buffalo and at the Biennial Exhibition of the Corcoran Gallery of Art, Washington, D.C. In 1931, Dairy Ranch won the second Hallgarten Prize at the Annual Exhibition of the National Academy of Design, in New York. Sample also made his first appearances at the Carnegie Institute, Pittsburgh, and The Pennsylvania Academy of the Fine Arts, Philadelphia. In 1936, Miner’s Resting won the Temple Gold Medal at the Pennsylvania Academy’s Annual Exhibition. Always interested in watercolor, in 1936, Sample began to send works on paper to exhibitions at the Whitney Museum, New York. While participating in juried exhibitions, Sample also cultivated commercial possibilities. His first New York art dealer was the prestigious Macbeth Gallery in New York, which included his work in a November 1931 exhibition. In 1934, Sample joined the Ferargil Galleries in New York, after Fred Price arranged the sale of Sample’s Church Supper to the Michele and Donald D’Amour Museum of Fine Arts in Springfield, Massachusetts. In 1937, The Metropolitan Museum of Art purchased Sample’s Janitor’s Holiday from the annual exhibition of the National Academy of Design, a notable honor. As prestigious as this exhibition schedule may have been, by far Sample’s most visible presence in the 1930s and 1940s was the result of his relationship with Henry Luce’s burgeoning publishing empire, Time, Inc. Sample’s first contribution to a Luce publication appears to have been another San Pedro...

Edition 3/200 Gelatin silver print 14 x 11 in. Signed, dated and numbered in black ink on print margin. Harold Feinstein was born in Coney Island, New York, in 1931. He began photo...

Title: Brittany Watercolor of Beached Fishing Boats by the Harbour by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper Size: 12.25 x 16.25...

Edmond Ceria, Brittany (Bretagne), 1953 — Original SNCF Travel Poster, Linen-Backed. An original 1953 French National Railroads (SNCF) travel poster for Brittany by Edmond Ceria (...

Rapallo Italy by Toni Frissell The port of Rapallo in Italy 1954. 30 x 20" inches / 76 x 51 cm paper size Archival pigment print unframed (framing available see examples - plea...

Edition of 5

Stephen Mallon "Pool" 40"x60" photograph edition 2/5 unframed, please inquire about framing options. This vibrant photograph depicts a partially submerged subway car, with turquoise...

Edouard Boubat 1923-1999 Lella, Concarneau, 1948 Signed in ink on recto Gelatin silver print 16 x 12 inches

Rollesby Broad, a serene monochrome winter waterscape photograph from Richard Heeps Norfolk series. This artwork is a limited edition of 25 gloss photographic print from negative, d...

Sunset at the St.Clair Flats. Measures 8 x 10 inches and is Unframed. Also available: 5 x 7 inches.

Vintage 1970's Harbour Scene with Moored Boats & Figures by British Artist, William Stockman (1935-2021) Art measures 31 x 15 inches Frame measures 36 x 20 inches Professionally cleaned and re-framed in a high quality contemporary black moulding with a white insert 20th Century Vintage Original...

Leigh Ann Van Fossan's "The Docks" is an original, handmade oil painting that depicts sailboats docked as the atmospheric pastel sky reflects in the water below.

Speedboat Landing - Il Pellicano Hotel Porto Ercole Tuscany Italy Photograph by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'S...

Domingo Alvarez (Spain 1942) - Boats - oil on canvas Canvas size 33x41 cm. Unframed.

The old fortress and port of Mandraki on the island of Rhodes in Greece is a tourist harbor where both very large cruise ships and small ships dock. People are eager to see local att...

Original watercolor of a misty morning on the Gloucester docks by the well known American artist, John Cuthbert Hare. Signed by the artist lower right. Circa 1940. Condition is ex...

Southwold Pier, waterscape photograph from Richard Heeps' series, On-Sea. Symmetry of the architectural structure draws your eyes hypnotically to the horizon as the sun is setting on...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to orde...

Southwold Pier, waterscape photograph from Richard Heeps' series, On-Sea. Symmetry of the architectural structure draws your eyes hypnotically to the horizon as the sun is setting on...

Gordon Grant’s "Port of Gloucester" watercolor shows the working docks of Cape Ann at mid-century: weathered pilings, stacked fishing gear, and a dory at rest in the foreground. Two ...

Trabucchi (which is a triptych, consisting of three platemarks and three sheets) is an exceptional work in terms of its size, especially considering that it was printed in 1987 when ...

Craig y Don Pool, looking across the bay of Llandudno, Wales in the United Kingdom. Dreamy symmetry in shades of blue mesmerise your eyes in this photograph by Richard Heeps. This a...

Title: Original Watercolour Southwold Harbour Coastal Scene with Boats and Jetty By Tony Herbert (1927-2024) Signed: Bottom left Medium: Watercolor on artists paper Size: 11.25 x 15....

Li Xiao Biography Chinese, b. 1957 Li Xiao was born in 1957 in Shanghai, China. Xiao commenced showing interest in the fine arts at a very young age and has been consistently devel...

Title: French Brittany Harbour Scene Coastal Watercolour Seascape by Pierre Neveu Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artist's paper, unframed Size (H x W): 6...

Title: Harbour at La Trinité sur Mer Brittany French Coastal Watercolour Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artist paper, unframed Size (H x W): 5.75 x 8.5 i...