Pier Art

"Setauket Sailboats" is a realist oil on canvas painting by Doug Reina. This painting depicts two boats sitting at a dock in Setauket, Long Island. Light blue fills the canvas on bo...

Alfred Daniels 1924 - 2015 Crews Training at Hammersmith Mixed Media, signed & dated lower left Image size: 56 x 76 cm Original frame

Chekhov's Bay. 1976, canvas, oil, 90x100 cm Born 18 June 1925 in Saratov, Polyakov Vitaly Anatolyevich was a renowned master of socialist realism. Vitaly Anatolyevich graduated with...

Columbia River - Tooth Bridge - September 18, 1893 - is an original vintage black and white photo realized as part of a journey throughout the world per...

This artwork "Vue of Chiloa Bridge, Japan" c.1950 is an watercolor on paper by noted American artist Joseph Morgan Henninger, 1906-1996 It is signed at the lower left corner by the artist. The artwork size is 21 x 28.65 inches, framed is 28.5 x 35.85 inches. Framed in original wooden gold frame, with fabric liner. It is in very good condition. About the artist: Joseph Morgan Henninger (May 15, 1906 – March 7, 1999) was an American artist and illustrator. He was born in Elwood, Indiana and died In Pacific Palisades, California. Joseph Henninger...

The old fortress and port of Mandraki on the island of Rhodes in Greece is a tourist harbor where both very large cruise ships and small ships dock. People are eager to see local att...

Saint-Tropez Seafront 1971 by Slim Aarons Slim Aarons Limited Estate Edition The seafront in Saint-Tropez, on the French Riviera, September 1970 unframed c type print printed 202...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to orde...

View from the Bermudiana Hotel looking towards Paget, in the foreground the Royal Bermuda Yacht club, 1957. Gorgeous print measuring an large 30 x 30" inches / ca 76 x 76 cm’s Es...

'Pool By The Sea' 1969 Slim Aarons Limited Estate Edition Guests round the swimming pool at the Hotel du Cap Eden-Roc, Antibes, France, August 1969. (Photo by Slim Aarons) C Print ...

Black and White Fine Art Waterscape Photography. Concrete Pier in a bay on the stormy coast of Ireland. Archival pigment ink print, edition of 9. Signed, titled, dated and numbered b...

A quiet port on the Canary Islands in Spain where there are many yachts, with the evening gentle sun, which gilded white blocks and sails. Exhibition: 2017 The exhibition "Enchanted ...

A visceral and direct language emerges powerfully in Leila Erdman-Tabukashvili's poetics, capable of mixing brutality and gentleness, expressive power and narrative delicacy. His app...

A beach on the French Riviera or Cote d’Azur, where the wealthy come to sunbathe and yacht. Original Publication: Picture Post – 7850 – Five Girls On A ...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

The Royal Hamilton Amateur Dinghy Club' by Slim Aarons Members of the Royal Hamilton Amateur Dinghy Club prepare to go sailing in Bermuda, 1976 This photograph epitomises the trave...

This artwork titled "Goletas Pesqueras On La Bahia De San Antonio, Chile" is a large oil painting on canvas by Culean artist Ernesto Romero Diaz. I...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

Signed, numbered and dated on the front of the mount recto. Signed, dated, numbered and titled with artist's copyright stamp on the back of the mount. Number 5 of 45. Printed in 1992...

Original Summers Point Bridge to Ocean City, NJ oil/canvas 20 x 28 image size 26 x 34 framed (frame shows some age with marks, etc. on sides but shows well front on) An oil painting ...

"Docked in the Evening Light" is a realist oil on linen painting. It depicts the evening light reflecting on water that has several small boats floating. Blue boats are tied with rop...

Dear clients, Thank you so much for your interest to the art of Maestro Alina Khrapchynska. The artist Maestro Khrapchynska has escaped the war in ...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 20. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. In her new exhibition Churilla draws from her years spent as a swimmer, lifeguard, and athlete to capture the forgotten freedom and exuberance of days of youth spent on the water. Viva la Vida is a mix of timeless portraits and candid photographs "I’ve always been drawn to the water- now my art, my sense of athleticism, freedom and oasis have merged in a way", says Churilla. Her nod to iconic photographers from the past, such as Edward Weston, and Herbert List, is apparent in her portrait work. In another Christian & Nathan Fletcher is in the midst of a surf crusade off the coast of Islamorada, Florida. Christian pioneered a new revolution in surfing style with his aerial techniques. The artist’s genuine connection to her subjects allows the viewer to forget the presence of a camera and to be drawn into the personal narrative. The invitational image Longboard Afternoon, taken at Ditch Plains, Montauk, focuses on the portrayal of the atmosphere rather than the individual subjects. With a 70’s feel the viewer is intrigued by the layers of life, activity and parallel moments shared by silhouettes of surfers carrying longboards at hazy days end. One such image, Gustavo, depicts a male figure seated poolside with head bowed. The pose and the wet sheen to his hair and skin give the subject a classic, sculptural look. All the photographs exhibited in are in various sizes are printed on heavy weight cotton paper with the traditional glossy baryta surface in rich tones of black and white. Her artist mother, Barbara Churilla, involved her in creating art, sculpture, painting and photography from an early age. She was raised in Princeton, New Jersey. She graduated from School of Visual Arts in NYC with a BFA in Photography. Lynda began her photo assisting career with legendary photographer Bruce Weber. Over a period of almost a decade she traveled the world with Weber learning not only knowledge of photography, but also life. Eventually becoming his trusted first assistant before embarking on her own photography adventure. Churilla’s work has been celebrated in American Photo, where she was heralded as one of the young visionaries of 21st century. She has photographed numerous celebrities, such as Cameron Diaz, Jewel, Olivier Martinez, Coldplay, Pet Shop Boys, Josh Brolin, and others. Her corporate clients include: Ralph Lauren, L’Oreal, and Microsoft, Nike, Estee Lauder, Coca-Cola, Macy’s and Sony. Her photographs have graced the pages of publications such as Rolling Stone, GQ, Men’s Health and Interview Magazine. Lynda Churilla resides in New York City with her husband John. men, male, swimming, water, black and white, fashion, sports, Long Island, Hamptons, New York, figurative, ocean, sea, boat, acrobatics, synchronized swimming

Lithograph in colors on paper.. Hand signed Bennett / Benedetto (Tony Bennett's family name) and numbered. Image size 23.75 x 33.5 inches. Sheet size approx. 29 x 38 inches. Frame ...

Image dimensions: 60cm x 60cm Framed dimensions: 75cm x 75cm This original Cornish seascape painting beautifully depicts the coastal town of St Ives. Mike Bernard pays homage to the St Ives group...

Unframed this piece measures 12"H x 12"W Introducing "Water's Edge," a captivating small square oil painting by talented American artist Stephanie Amato...

In this sunset harbor scene, everything is enveloped in calm. The last rays of the sun bathe a fishing building, while the moored boats play with light a...

Slim Aarons Freeport Yachts 1969 (printed later) Chromogenic Lambda print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Yachts in...

It is infrequent, to say the least, that a diagnosis of tuberculosis proves fortuitous, but that was the event, in 1921, that set Paul Starrett Sample on the road to becoming a professional artist. (The best source for an overview of Sample’s life and oeuvre remains Paul Sample: Painter of the American Scene, exhib. cat., [Hanover, New Hampshire: Hood Museum of Art, 1988] with a detailed and definitive chronology by Sample scholar, Paula F. Glick, and an essay by Robert L. McGrath. It is the source for this essay unless otherwise indicated.) Sample, born in Louisville, Kentucky, in 1896 to a construction engineer and his wife, spent his childhood moving with his family to the various locations that his father’s work took them. By 1911, the family had landed in Glencoe, Illinois, settling long enough for Paul to graduate from New Trier High School in 1916. Sample enrolled at Dartmouth College, in Hanover, New Hampshire, where his interests were anything but academic. His enthusiasms included the football and basketball teams, boxing, pledging at a fraternity, and learning to play the saxophone. After the United States entered World War I, Sample, to his family’s dismay, signed on for the Naval Reserve, leading directly to a hiatus from Dartmouth. In 1918 and 1919, Sample served in the U.S. Merchant Marine where he earned a third mate’s license and seriously contemplated life as a sailor. Acceding to parental pressure, he returned to Dartmouth, graduating in 1921. Sample’s undergraduate life revolved around sports and a jazz band he formed with his brother, Donald, two years younger and also a Dartmouth student. In November 1933, Sample summarized his life in a letter he wrote introducing himself to Frederick Newlin Price, founder of Ferargil Galleries, who would become his New York art dealer. The artist characterized his undergraduate years as spent “wasting my time intensively.” He told Price that that “I took an art appreciation course and slept thru it every day” (Ferargil Galleries Records, circa 1900–63, Archives of American Art, Smithsonian Institution, available on line). In 1920, Donald Sample contracted tuberculosis. He went for treatment to the world-famous Trudeau Sanitorium at Saranac Lake, in New York State’s Adirondack Mountains for the prescribed regimen of rest, healthful food, and fresh air. Visiting his brother in 1921, Paul also contracted the disease. Tuberculosis is highly contagious, and had no certain cure before the development of streptomycin in 1946. Even for patients who appeared to have recovered, there was a significant rate of recurrence. Thus, in his letter to Price, Sample avoided the stigma conjured by naming the disease, but wrote “I had a relapse with a bad lung and spent the next four years hospitalized in Saranac Lake.” The stringent physical restrictions imposed by adherence to “the cure” required Sample to cultivate an alternate set of interests. He read voraciously and, at the suggestion of his physician, contacted the husband of a fellow patient for instruction in art. That artist, then living in Saranac, was Jonas Lie (1880–1940), a prominent Norwegian-American painter and an associate academician at the National Academy of Design. Lie had gained renown for his dramatic 1913 series of paintings documenting the construction of the Panama Canal (The Metropolitan Museum of Art, New York; United States Military Academy, West Point, New York). Primarily a landscape artist, Lie had a particular affinity for scenes with water. His paintings, impressionistic, atmospheric, and brushy, never strayed from a realistic rendering of his subject. Sample regarded Lie as a mentor and retained a lifelong reverence for his teacher. Sample’s early paintings very much reflect Lie’s influence. ` In 1925, “cured,” Sample left Saranac Lake for what proved to be a brief stay in New York City, where his veteran’s benefits financed a commercial art course. The family, however, had moved to California, in the futile hope that the climate would benefit Donald. Sample joined them and after Donald’s death, remained in California, taking classes at the Otis Art Institute in Los Angeles. In Sample’s account to Price, “I couldn’t stomach the practice of painting a lot of High Sierras and desert flowers which seemed to be the only kind of pictures that were sold here so I got a job teaching drawing and painting at the art school of the University of Southern California.” Initially hired as a part-time instructor, Sample progressed to full-time status and ultimately, by the mid-1930s, to the post of Chairman of the Fine Art Department. Sample, however, did not want to wind up as a professor. “Teaching is all right in small doses,” he wrote, “but I have a horror of drifting into being a college professor and nothing more.” At the same time as he taught, Sample began to exhibit his work in a variety of venues at first locally, then nationally. Though he confessed himself “a terrible salesman,” and though occupied with continued learning and teaching, Sample was nonetheless, ambitious. In 1927, he wrote in his diary, “I am eventually going to be a painter and a damned good one. And what is more, I am going to make money at it” (as quoted by Glick, p. 15). In 1928, Sample felt sufficiently solvent to marry his long-time love, Sylvia Howland, who had also been a patient at Saranac Lake. The Howland family were rooted New Englanders and in summertime the Samples regularly traveled East for family reunion vacations. While the 1930s brought serious hardship to many artists, for Paul Sample it was a decade of success. Buttressed by the financial safety net of his teacher’s salary, he painted realist depictions of the American scene. While his work addressed depression-era conditions with a sympathetic eye, Sample avoided the anger and tinge of bitterness that characterized much contemporary realist art. Beginning in 1930, Sample began to exhibit regularly in juried exhibitions at important national venues, garnering prizes along the way. In 1930, Inner Harbor won an honorable mention in the Annual Exhibition of the Art Institute of Chicago. That same year Sample was also represented in a show at the Albright-Knox Gallery in Buffalo and at the Biennial Exhibition of the Corcoran Gallery of Art, Washington, D.C. In 1931, Dairy Ranch won the second Hallgarten Prize at the Annual Exhibition of the National Academy of Design, in New York. Sample also made his first appearances at the Carnegie Institute, Pittsburgh, and The Pennsylvania Academy of the Fine Arts, Philadelphia. In 1936, Miner’s Resting won the Temple Gold Medal at the Pennsylvania Academy’s Annual Exhibition. Always interested in watercolor, in 1936, Sample began to send works on paper to exhibitions at the Whitney Museum, New York. While participating in juried exhibitions, Sample also cultivated commercial possibilities. His first New York art dealer was the prestigious Macbeth Gallery in New York, which included his work in a November 1931 exhibition. In 1934, Sample joined the Ferargil Galleries in New York, after Fred Price arranged the sale of Sample’s Church Supper to the Michele and Donald D’Amour Museum of Fine Arts in Springfield, Massachusetts. In 1937, The Metropolitan Museum of Art purchased Sample’s Janitor’s Holiday from the annual exhibition of the National Academy of Design, a notable honor. As prestigious as this exhibition schedule may have been, by far Sample’s most visible presence in the 1930s and 1940s was the result of his relationship with Henry Luce’s burgeoning publishing empire, Time, Inc. Sample’s first contribution to a Luce publication appears to have been another San Pedro...

Ruth Neumann, Kowloon Victoria Harbor, Hong Kong 1957 Archival pigment print Estate stamped, signed and numbered by Andrea Derujinsky with certificate ...

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...

An oil painting of the South Ferry touching down in Sag Harbor at night. A pickup truck leads the line of cars exiting the ferry from Shelter Island. Headl...

A Colorful, Vibrant, Mid-Century Modern Great Lakes Harbor Scene by Noted Chicago Artist, Rudolph T. Pen. This charming watercolor, completed in the early 1950's, depicts a wonderfu...

Butko paints the natural, sprawling light of early, mid, and late day. In this composition–his largest of 2023—Butko takes on early summer's mid-day light in Northeastern U.S. The cl...

"Crossing" is a black and white fine art photograph of Michael Götze. It is an Edition 5 (3/5), Giclée Print, 80 x 150 cm, signed on back, comes with certificate. Other Formats (100 ...

This 1950 portrait photograph, captured by society photographer Slim Aarons, features model turned fashion editor turned society hostess, Florence Pritchett Smith, covers her sleevel...

World - Manipulated photography The artist Wei Xiang is an artist who usually travels to obtain sources of inspiration for his art pieces. In this series of photographs manipulated w...

The painting is painted with oil paints on canvas in the style of modern impressionism and is ready to hang on the wall. It is equipped with hooks, the sides are painted with dark pa...

Signed Adolfo Perez Frameless

Dear clients, Thank you so much for your interest to the art of Maestro Alina Khrapchynska. The artist Maestro Khrapchynska has escaped the war in ...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

'Seabound Symphony' by Natalia Aandewiel is a vibrant 30" x 48" oil painting on canvas that captures the tumultuous beauty of a maritime scene. The w...

This work depicts a serene landscape of the Tablas de Daimiel, (Ciudad Real, Spain) a unique and UNESCO protected wetland, known for being an important passage point for migratory bi...

Catalogue raisonné reference: Publisher: Tvorchestvo (2015) Language: English Russian ISBN-10: 5000280512 ISBN-13: 978-5000280515. Artwork description Original oil painting on canva...

This artwork vividly captures a serene lakeside scene, dominated by the rich interplay of colors and textures. The foreground features a small dock with boats securely moored, their ...

Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and sunsets Mediterranea...

ABOUT THIS ARTIST: Photographer Anne Menke occupies the unique realm where high fashion meets bohemian travel and a free spirit. Her editorial work exudes a sense of glamour often amidst a backdrop of far flung, exotic locales. Menke has photographed couture on the mountains of Peru and beauty contests on the plains of Mongolia. Her eye for the authentic-- somehow she's an insider wherever she goes-- has informed her campaigns for clients including Tommy Hilfiger, Nine West, Keds, Clarins, L’Oreal, Aveda, Banana Republic, Ralph Lauren, Macy’s, J. Crew, Nike, Wrangler and Hush Puppies . Menke was born in Germany and has lived and worked in London, Paris, and New York City. Currently, she splits her time between New York City and Sayulita, Mexico where she surfs and chartered a green school, The Costa Verde International school project. Mexico is also the perfect base for her frequent photography excursions. In 2001 Menke published a photography book "Our New York" in conjunction with Tommy Hilfiger. Her second book was published in 2012 titled “See the world beautiful” and is about her personal work from the last 15 years. Over last 2 years she had exhibitions in New York and Mexico. Anne Menke is part of our ongoing collaboration with Trunk Archive...

Thomas Cardone was born in New York in 1964. He received a BFA from NYIT before making his way out to California to work for The Walt Disney Studios, where he was Head of the Backgro...

Traveling to Rovinj in Croatia is like getting in touch with Italian Venice. A very strong influence in architecture, and even one of the languages ​​spoken by the locals is Italian....

"The Boat Yard" by Maurice Crawshaw (British, born 1947) signed lower corner oil painting on canvas, unframed canvas measurements:14 x 18 inches provenance: private collection, Eng...

This black-and-white photograph showcases the distinctive skyline of San Francisco as seen from the waterfront, likely captured during the 1960s. The image captures a series of high-...

"Octopus Nets, Muan-gun, Jeollanam-do, South Korea" is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print is matted ...

Bridge Over Ballona - Sunset in the marina turns the Ballona Creek salmon pink, reflecting the soft hues of the evening sky as the sun dips into the Pacific Ocean. The rose-colored s...

Pentti Sammallahti is a benchmark figure in contemporary Finnish photography. His works depict nature eroded and broken down by civilization, but he does not put man and the environm...

"Fisherman's Wharf - San Francisco" Multi Layer Screen Print on Paper - Signed Rare and bold Screen Print (Silk Screen) of Fisherman's Wharf 1957 by Gordon Cope (American, 1906-1999). Several boats are docked at Fisherman's Wharf, with buildings directly behind them. In the distance, the hills of San Francisco can be seen meeting a pale blue sky. Of particular note is the skillful representation of the reflections of the boats in the water, and the clever use of grey paper as negative space. Numbered and titled in pencil in the lower left corner "22/100 Fisherman's Wharf - San Francisco" Hand signed and dated in pencil in the lower right corner "Gordon Cope 1957" Titled, signed, and dated "in plate" Presented in a silver colored frame with a double mat. Frame size: 22.5"H x 27"W Image size: 15"H x 20"W Gordon N. Cope (American, 1906-1999) was an educator and painter. Trained in Utah and France, he exhibited his landscape paintings and portraits in the United States and Europe, and he believed music was related to painting. Cope was born on May 14, 1906, in Salt Lake City. He was trained by Utahn artists LeConte Stewart and Lawrence Squires, and at the Académie Julian in Paris, France in 1928. He also studied singing at the Opéra-Comique. Cope taught art at Latter-day Saints University, and he served as the chair of its Department of Art in 1930–1931. He taught at the Mountain School of Art from 1932 to 1938, and he was the director of the Art Barn School in Salt Lake City in 1939–1941. Cope painted Utahn landscapes as well as a portrait of Henry H. Blood, who served as the seventh governor of Utah from 1933 to 1941. Cope exhibited his work in the United States and Europe. According to the Deseret News, Cope "felt that music and painting are closely interrelated, and that the study of one form may be used to complement the appreciation and understanding of the other." Cope died on June 10, 1999, in San Francisco, California. Gordon Nicholson Cope studied with well-known Utah artists A.B. Wright and LeConte Stewart, and became recognized as a major Utah artist of the Great Depression. Cope was born in Salt Lake City in 1906 and spent much of his life in Utah. Cope gained much of his artistic training from diverse environments and influences. Following his training with the previously mentioned artists, Cope spent the next year, 1924, working with Lawrence Squires in Arizona. To expand his knowledge and training, Cope traveled to Europe, where he studied the "old masters" such as Da Vinci, Michelangelo, and Raphael. From 1924 to 1928, Cope studied in England, France, Italy, Switzerland, Belgium, Holland, and worked for a year at the Acadamie Julian, where many early Utah artists...

Color fine art long exposure seascape - landscape photography. Archival pigment ink print as part of a limited edition of 5. All Gerald Berghammer prints are made to order in limited...

The picture was painted in the workshop after working in the open air from life on the island of Crete. Fishing boats in the small port of the Greek village of Malia, the smell of fr...

Stephen Mallon "Pool" 40"x60" photograph edition 2/5 unframed, please inquire about framing options. This vibrant photograph depicts a partially submerged subway car, with turquoise...