Portrait Art

Etching on cream wove paper, 4 3/4 x 3 3/4 inches (120 x 95 mm), wide margins. Scattered light surface soiling, unevenly trimmed wide margins, all consistent with age. Likely printed...

Milton Greene Marlene Dietrich Original vintage photograph on photographic paper, taken from the original negative Photo taken in NY in 1952, Printed in 1979 as dated on the verso Ha...

Fresson color photograph Edition HC 2 of 2 17 5/8 x 14 inches (sheet) 20 x 22 1/2 (framed) Signed recto Framed with a beveled-face mat with a window opening. Frame has 1-inch depth,...

John Tarantola's original nude portrait "Holding Back the Moon" (ca. 2018) is a beautiful surrealist oil on panel painting that depicts an athletic nude young male figure, with his a...

This beautiful pencil drawing depicts a portrait of a young, sweet girl with short hair and a direct, intense gaze, portrayed in half-length, sitting at a table or desk. Although it...

Muy interesante miniatura pintada sobre hueso o similar representando a una Virgen. De finales del siglo XIX. Gran calidad. La Virgen tiene una mirada muy mística. La pintura va co...

Louis Valtat 1869-1952 French Portrait of Pierre Renoir Signed "L. Valtat" (lower right) Oil on canvas This vibrant painting by Louis Valtat depicts the famed Renoir's eldest son...

Mathias Alten (German/American, 1871-1938) Signed: M. Alten (Upper, Left) " Old Woman of Sagunto ", 1922 Oil on Canvas 42" x 32" Housed in a 3" Newcomb Macklin Frame Overall S...

ARTIST: Joanna Rusinek (1979) Polish contemporary painter. Diploma at the Academy of Fine Arts in Gdańsk in 2007 at the Graphics Studio under the supervision of prof. Jadwiga Okras...

Anonymous - Old man - Oil on board Oil size 34x25 cm. Frameless

Henry Rollins of Black Flag at Mi Casita, shot in January, 14 1983. Edition Details: Archival pigment print on 100% cotton fine art paper, signed and numbered in the margins by the ...

Frame: 27 X 21 Image: 23.5 X 17.5 Barry Leighton-Jones was born in London, England in 1932 and is a direct descendant of the Victorian artist and President of the Royal Academy, Lor...

A striking formal portrait of the artist's son, dressed in a crisp white shirt and bright red tie, rendered against a contrasting background of teal blue. The composition employs a t...

This fine 19th century oil depicts a man reading with his hands clasped together as if in prayer. The blue robes suggest a connection to the church choir. ...

The Dutch pastoral "The last flowers". In this painting, I captured the tender innocence of a quiet moment in nature. The soft interplay of light and shadow embraces the girl’s gentl...

Eniyan is what we call a human in my dialect, which means (created to make choices) The choices we make in life determine who we become and what we achieve We should always make go...

Paper Size: 27.5 x 55 inches ( 69.85 x 139.7 cm ) Image Size: 27.5 x 55 inches ( 69.85 x 139.7 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age Supplement...

Original 1980 figurative oil and acrylic painting by Spanish realist José Luis Fuentetaja, depicting an intimate hippie-era scene with powerful psychological presence and masterful a...

Artist: Slonem, Hunt Title: Abraham Lincoln Date: 2021 Medium: Oil on wood Unframed Dimensions: 20" x 16" Framed Dimensions: 23" x 19" Signature: Signed Edition: Unique Hunt...

A superb c.1840 English School half-length portrait of a lady in an ermine stole and lace cap. The lady's face is flushed with colour as she gazes her chestnut eyes to the left. Tigh...

American modern portrait of a young woman with a bow in her hair by Allen Tucker. Tucker was born in Brooklyn, New York in 1866 and graduated from the School of Mines at Columbia Uni...

Ohio-born painter William J. Forsyth (1854-1935) spent most of his life in Indianapolis and initially trained at the Indiana School of Art. But by 1882 Forsyth wanted to hone his drawing and rendering skills abroad. He enrolled at the Royal Academy in Munich, Germany. Fellow Hoosier students in Munich included artists T. C. Steele and J. Ottis Adams, which helped the new arrival’s transition. Forsyth painted figures like this one while in Munich. One intriguing indication that this piece may have been done during the artist’s Academy period is that a very similar portrait of a remarkably similar sitter was described at auction as "German School, 1891" with the inscription "G. Büttner/Munich '91." However, while there Forsyth shifted his interest to landscapes under the influence of American artist J. Frank Currier...

The Game Keeper by John Edwards (English, 1940 - 2020) signed oil on canvas, framed framed: 29 x 23.5 inches canvas : 23 x 18 inches Provenance: private collection, England Condition...

Medium: offset lithograph (after the painting). Printed on Arjomari wove paper by Mourlot Frères and published in 1965 for Marcelle Oury's "Lettre à mon peintre". Image size: 8 x 6 1...

John Singer Sargent 1856-1925 American Stamped by artist's estate (en verso) Oil on canvas John Singer Sargent, widely regarded as one of history's most distinguished portraitists...

This atmospheric 18th century portrait oil painting is attributed to a Scottish artist. Painted circa 1790, The painting is a half length portrait of a seated gentleman. He is wearing a blue bonnet, the badge of a Scottish country gentleman and smoking a clay pipe. The way the light catches his hand and face and gleams on his buttons is lovely. The frame is super in that it echoes the button on his jacket. This is an excellent example of an 18th century Scottish portrait...

Virgin with Child, studio of Giovanni Pietro Rizzoli, known as Giampietrino (active Milan 1495-1550) Not signed Oil on poplar panel, h. 63 cm (24.8 in), w. 49 cm (19.29 in) Important...

"Flourishing," a masterpiece by Adegbola Deborah, is a visual testament to the profound philosophy that life's highest calling is not merely survival, but the active pursuit of thriv...

Boy & His Dog, 19th Century by Jules BRETON (1827-1906) sales to $1,500,000 Large 19th Century French country portrait of a Boy and his Dog, oil on canvas by Jules Breton. Large 19th century portrait...

Blondie Blue by BATIK signed limited edition POP ART print Paper Size OVERSIZE 24 x 20" inches / 51 x 41 cm Signed & numbered by artist on front Archival Pigment print Limited to ...

RARE museum-quality example of a 19th‑century Russian plein‑air oil study on canvas, executed with swift, confident brushstrokes by the skilled hand of a masterful artist. The tall f...

Oil on canvas Matteo Nannini is an Italian artist born in 1979 in Bologna who lives and works in Cento, Ferrara, Italy. He studied at the Academy of F...

Maurice Milliere (1871-1946) An artist in his studio, signed lower right oil on canvas 46 x 27 cm framed : 52 x 33 cm It is particularly interesting to find Maurice Millière working in a genre very different from that for which he is best known: depictions of young Parisian women. This unique portrait shows Millière in a more original and intriguing light. It captures a painter in his studio, creating a scene with various details: canvases on the floor to the right, a stretcher frame on trestles and even shoes that must have been quite striking at the time. The painter appears to be taking a break to smoke and pose for Millière. There is a real sense of complicity between the two artists. At the same time, however, everything in this painting is carefully chosen and composed, such as the admirable red background against which the model stands out. Combining elements of both a portrait and a studio scene, the painter's intention was to create a unique piece that pays homage to the bond between the two artists. Maurice Georges Louis Millière was born in Le Havre in 187. He came from a working-class family in Le Havre; his father was a salesman for a merchant. Millière began by studying painting at the École des Beaux-Arts in Le Havre. He moved to Paris in 1889 and enrolled at the École des Arts Décoratifs, also attending certain workshops at the École des Beaux-Arts. His first notable graphic works were posters and sheet music for companies such as Le Boulch and Le Divan Japonais (1899). From 1917 onwards, he published large numbers of depictions of scantily clad women: first in Fantasio (1917), then in Bagatelles, La Vie parisienne, Le Frou-frou, Le Sourire, Le Gai-Paris, etc. At the end of 1920, he joined the République de Montmartre, a charitable association. Contemporary with those of Louis Icart, his “little women” were to enjoy great success outside France: during the 1920s, American periodicals reprinted his creations, as well as those of Suzanne Meunier and Georges Léonnec...

She need not move (Sidewinder) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #3298 Not mounted. St...

Backgammon By The Pool (1959) Limited Estate Stamped - Grande XL (Photo By Slim Aarons) Countess Peter Jean-Baptiste de Manio (left) and Mary-Beth Turner playing backgammon by a s...

This pastel drawing without it's frame and passe-partout is 29 x 20 cm, of course it will be shipped, with the 'Clarity museum glass', passe- partout and frame. Ksenya Istomina made...

Radha Pink (29 Palms, CA) Original Polaroid - Unique Piece 1/1. 10.7 x 8.7 cm. Artist inventory 616.00. Signed on back. Original Polaroids for Sale — The Heart of My Work For ...

Luca Artioli has always been fascinated by Roman Statues. As a child, he wandered through the Imperial Forum creating dialogues between them. For young Luca the statues were alive. T...

This piece titled "Everywhere and Nowhere" is an original painting by Sarah Detweiler and is made from oil paint on gallery wrap canvas with preserved moss edges. This piece measures...

Albert WATSON (*1942, Scotland) Sade 'Love Deluxe', 1992 Archival pigment print 142 x 107 cm (55 7/8 x 42 1/8 in.) Edition of 10, plus 2 AP Print only Drake purchased a series of Al...

Antiveduto Gramatica or Grammatica (Rome, Italy, 1571 – 1626) Title: Magdalene Praying with a Skull Medium:Oil on canvas Dimensions: without frame 58 x 43.2 cm - with frame 85 x 72 x...

DESCRIPTION: Perhaps the best Romney in private hands. If Vogue Magazine existed in the late 18th century, this image of Lady Caroline Price would be ...

This piece titled "The Lovers" is an original artwork made from oil on double vintage portrait paintings on wood by André Schulze. This piece...

➡️Nurse Portrait from WWI⬅️ ⏩It is signed M Chaumet Sousselier⏪ Jeanne Marie Louise Chaumet Sousselier, born on March 30, 1869 – Paris. Died on October 19, 1941 – Neuilly-sur-Seine...

Vincente Romero Thoughtfulness Original pastel on Ingres paper Hand signed by the artist Image: 25.6 x 19.7 inches Framed dimensions: 32 x 26 inches *T...

Stevie Nicks standing on a rooftop in Venice, CA. 1981

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) "I'm Alright, Just Here" is a captivating artwork that captures the viewer's attention with its tender depiction of a young girl. The artist skillfully brings the subject to life, with delicate brushstrokes and meticulous attention to detail. The girl's features are portrayed with remarkable precision, revealing a sense of innocence and vulnerability that tugs at the heartstrings. The expression on the girl's face speaks volumes—a delicate blend of calmness and introspection. Her eyes, a window to her soul, radiate a sense of quiet strength and resilience, hinting at a pearl of wisdom beyond her years. Simon's choice to depict the girl alone, with no external distractions, creates a sense of intimacy and invites viewers to connect with her inner world. "I'm Alright, Just Here" explores the themes of solitude, self-reflection, and the resilience of youth. The title itself offers insight into the subject's state of mind—an assurance that she is content and at peace in her presence. It serves as a gentle reminder of the importance of finding solace within oneself, even amidst the chaos and noise of the world. The young girl's presence in the artwork represents the universal experience of navigating the complexities of life. Her portrayal invites viewers to reflect on their journey, prompting questions about the inner strength we possess and the moments of introspection we all seek. She becomes a mirror, reminding us to find moments of stillness and self-care, where we can gather strength and nurture our well-being. The muted color palette employed by Simon contributes to the contemplative mood of the artwork. Soft, earthy tones evoke a sense of serenity and harmony, further enhancing the atmosphere of quiet introspection. The artist's careful attention to the interplay of light and shadow adds depth to the girl's expression, underscoring the layers of emotion and resilience that lie beneath the surface. Obeka Simon...

11 x 14" vintage silver gelatin photograph of Rudolf Nureyev and Erik Bruhn photographed during a break in dance class, January 20, 1962. Comes directly fro...

This exquisite lithograph by Andre Derain (1880–1954), titled Tete de Jeune Fille (Head of a Young Girl), from Verve, Revue Artistique et Litteraire, Vol. II, No. 5–6, originates fro...

'Venice No.5' Venice, Italy 2024 A photograph captured with a Polaroid camera. Printed on the finest archival paper, these limited edition photographs are designed to withstand th...

William-Adolphe Bouguereau 1825-1905 French La fille du pêcheur (The Fisherman’s Daughter) Signed and dated “W-Bouguereau-1882” (middle right) Oil on canvas William Bouguereau's...

Jerry Garcia sitting next to the "Dead End" sign at Woodstock Music Festival. Woodstock, NY. 1969 Photograph signed by the late photographer Jim Marsh...

Shepard Fairey The Tranquility of Solitude (Paul Weller) Screen print on 80# cream Speckletone paper Year: 2025 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 500 Signed by Shepard...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Eli...

The portrait depicts a girl of such perfect natural beauty that the work goes beyond the portrait of a specific person and represents an archetypal generalized image of femininity as...

This oil painting by Kris Knight is offered by CLAMP in New York City. Signed, titled, and dated, verso

‘Retrospection’ is a poignant and introspective piece that invites viewers to step into the world of memories, emotions, and past experiences. The title, aptly chosen, suggests a loo...

This striking black-and-white photograph captures Carmen in NY enveloped in a flowing, white gown, creating a graceful, sculptural form. Her head is elegantly tilted to the side, fra...

Pierre Mignard, known as Le Romain (Troyes 1612 - Paris 1695), attributed Portrait of 'Louise Renée de Penancoët de Keroualle, Duchess of Portsmouth and Aubigny (Brest 1649 - Paris 1734) as MADDALENA Oil on canvas 97 x 88 cm In an important gilded frame 132 x 122 cm. Provenance: Private collection, Naples The young and attractive noblewoman portrayed in this painting is Louis Renée de Penancoet de Keroualle, Duchess of Portsmouth and Aubigny (Brest 1649 - Paris 1734), known to have been King Charles II's favourite mistress for over fifteen years, from whose relationship Charles Lennox, 1st Duke of Richmond, was born, but above all to have gone down in history as one of Louis XIV's French informants at the English court. The duchess was a very influential figure at court, promoting French interests and often acting as an intermediary between the king, his ministers and French ambassadors. After the death of Charles II this influence quickly came to an end, forcing her to hastily leave London and renounce all her possessions to return to her homeland, between Aubigny-sur-Nère and Paris, where she died in 1734, always remaining in the sovereign's good graces. The peculiarity of the portrait, probably executed after her return to her homeland, is that the noblewoman takes the form of a charming Mary Magdalene, depicted here following her renunciation of earthly possessions, her rich robes and jewellery, in order to aspire to heavenly riches; We see her immortalised with her long hair loose on one breast, her intriguing but serene gaze directed at the observer, as she rests her crossed hands, as if in prayer, on the ampulla of perfumed ointments and the open book, both iconographic symbols. The custom of being portrayed in the guise of Magdalene was in vogue for powerful women of the great European courts as early as the 16th century, as it represented the most appropriate image to justify the union of female power and virtue. It must be said that court culture exalted only the positive characteristics of her personality, glossing over or downplaying all references to her sinful past and dissolute life. The work, whose style fits perfectly into 17th century French portraiture, suggests the pertinent attribution to the Baroque painter Pierre Mignard (Troyes, 1612 - Paris, 1695), whose works were highly praised and earned him a great reputation as a portrait painter for the demanding Parisian aristocracy at the time of Louis XIV, and who portrayed the Duchess de Kérouaille on numerous occasions. His first important artistic training took place in Simon Vouet's studio, and he then moved to Italy for over twenty years before returning to Paris, blending his own with the influence of Roman classicism. The elegant looseness of touch and sensual refinement typical of Mignard, combined with a very accurate chiaroscuro rendering, inherited from his artistic training in Rome (which he looked up to the examples of Ferdinad Voet), and the exceptional sweetness of the drawing, the floridity of the complexion and the almost enamelled surfaces, and finally, the peculiar pose of the figure portrayed (the beauty of the two intertwined hands...

Portrait Of King Charles I, 17th Century School of Anthony Van Dyck (1599-1641) Large 17th Century English School portrait of Charles I, King of England, Scotland and Ireland, oil ...