Portrait Art

"The arrows in the back of the figure symbolizes the amount of times the individual has fallen in love" -Artist Statement Carlos Antonio Rancaño...

Whispering Winds Di Li Feng, Chinese (1958) Date: 1985 Oil on Canvas, signed verso Size: 47 x 69 in. (119.38 x 175.26 cm)

Oil on canvas, 24 x 20 inches (610 x 509 mm), unframed. Signed in oil on the lower right recto, and signed, titled and dated in pencil on the verso. In very good condition with some ...

Signed on reverse Born in Turkmenistan, in the sunny city of Ashkhabad. From his youth was into artistic activities, currently the earlier works are kept in the family archives. In ...

Portrait of Philip Andreevich Malavin.1899.Paper, lithography, 32x23 cm, restored: professionally reinforced edges. Leon Bakst. (1866-1924)

Georgia O'Keeffe on Her Roof, New Mexico, 1967 Signed in ink on recto Gelatin Silver Print Image - 12"x18", Paper - 16"x20", Matted - 20"x24"

"What makes a person unhappy or happy is his thoughts, not external circumstances. By controlling his thoughts, a person controls his happiness Every thought we have has consequences...

David van der Linden 'When I live my dream'' 60 x 70 cm (Framed 70x80 cm, frame is included in price) Oil on wood panel David van der Linden is a...

Italian girl and text

Art Edition (No. 1–100) with the signed print Yves Saint Laurent, 1981 and the book Eighties in a clamshell box, also signed by David Bailey. Inkjet print on Hahnemuhle pearl paper, ...

Attributed to Armand Point (1860–1932) Portrait of a Man Pencil on paper, 15.3 x 11 cm Monogram upper right: interlaced "AP" Provenance: Private collection This expressive portra...

It's hot; we're sitting in a cafe, drinking Coke with ice. My husband says, "Right now, somewhere in the field, amidst the expanse, inhaling the scent of heated grass..." I respond, ...

China girl - Signed limited edition archival pigment print - Edition of 8 This image was captured on film in 1999. The negative was scanned creating a digital file which was t...

Hunter Thompson and Anita Bejmuk at home, Aspen, Colorado, 7 July 2002 Photographed by Jonathan Becker Medium: Archival Pigment Print Dimensions: 44...

Positive photographic print with white lead highlights and charcoal trim of a painting depicting the prayer of Mary, both made by Angelo Dall'Oca Bianca. The photograph has the arti...

A compelling and iconic image of Jean-Michel Basquiat in his studio, this striking poster captures the raw energy and creative intensity of one of the most influential artists of the...

Pez Kunoichi Screen Print 78 x 61.7 cm Limited Edition out of 150 Includes COA

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

Jerry Garcia of The Grateful Dead by iconic photographer, Baron Wolman, Taken for the Rolling Stone magazine cover shoot 1969. Last 16x20 inch available. 16x20” hand printed silver...

Unknown Artist (probably American, nineteenth century) Tavern Scene Oil on canvas, 15 x 12 inches Framed: 21 x 18 inches (approx.)

But I Love You! (Till Death do us Part) - 2008 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. A...

Frida at the Barbizon Plaza Hotel by Lucienne Bloch is a black and white portrait of Mexican painter Frida Kahlo sitting in a chair under her self portrait hanging on the wall. Im...

"Frida - I " is a painting by Maestro Stanislav Belovski. About the painting: Style and Technic: POP ART, Contemporary, Acrylic on canvas The painting is unframed. “The impression...

Medium: Oil on Canvas Signature: Signed Lower Right

English actor Michael Caine, throwing a punch, August 1965. (Keystone Features/Hulton Archive/Getty Images). As an authorized Getty Images Gallery partner, we offer premium quality...

Exhibited: Birmingham Royal Society of Artists, 1879 “Autumn Exhibition of the Birmingham Royal Society of Artists.” The London Times, 25 August 1879. T...

"Senses," is an original oil painting by Karen Offutt. It is unframed, but ready-to-hang.

"Portret of girl" is an interior painting. Original acrylic painting on linen 50x70 cm

Her Favourite Pet Portrait of a Victorian Young Girl comforted by her pet Spaniel Dog English, mid 19th century, circa 1850 oil on canvas, framed framed: 33 x 28 inches canvas: 30.5 ...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...

This piece is a original photograph from the original negative, shot by Ted Allan in 1936. It depicts French actor, Charles Boyer, who appeared in more ...

Portrait photographer, Jerry Siegel's most recent body of work titled "REVEAL" is about transformation. "We live in a world of costumes - presenting ourselves how we want others to p...

Medium: Oil on Board Signature: Unsigned Calendar Illustration

A limited edition of prints is available: Paper size: 52 × 40 cm Image size: 42 × 30 cm Edition: 20 copies Paper: Epson Enhanced Matte Paper (190 g/m²) Details: Each print is hand-n...

A monk gazes at a glass of wine, his bible discarded on the table beside him. Monogrammed to the lower left. Inscribed with the artist's name and a German address to the reverse. Wel...

David Bailey Dr Dre, 2001 Archival Inkjet on paper Image: 50.8 x 63.58 cm Sheet: 58.4 x 71.2 cm Edition of 10

Urbancat Magnifico: Kitty Metropolis Muse by Hiro Ando presents a monumental Neo-Pop interpretation of the iconic urban feline, infused with playful energy and contemporary cultural ...

Giacomo Cavedone (Sassuolo 1577 – Bologne 1660) Head of an Old Man, probably Saint Joseph Black chalk with white heightening on brown prepared paper 381 × 273 mm (15 × 10¾ in) Unsi...

Roommates (29 Palms, CA) - 1999 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Certificate and signature label. Artist inventory ...

Artist: Jose Luis Cuevas, Mexican (1934 - ) Title: Coloso Year: 1988 Medium: Lithograph on Arches, signed and numbered in pencil Edition: 300 (Roman Numerals) Paper Size: 35 x 27 i...

Introducing "Polvo de Estrellas" by renowned Chilean artist Inti. This exquisite art print is a true masterpiece, limited to only 100 editions. Created with an 18-color lithograph, this print was produced at a historic print...

Audrey - Signed limited edition archival pigment print , Edition 2 of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free a...

7" x 4" Unframed Woodcut Hand Signed by Gerhard Marks

Demarcus McGaughey (b.1975) a Texas native and New York-based mixed media artist, passionately captures the beauty, strength, and vibrancy of people of color. Inspired by Barkley Hen...

The painting is being offered with a work and authenticity certificate

This reproduction of La Cama, originally painted by Fernando Botero in 1963, captures the essence of Botero's unique style. In this painting, Botero presents an oversized bed with hi...

Signed, titled and dated in pencil on verso. Gelatin Silver Print 16 x 20 inches

Ryan Morse's "Looking Back" is an original, handmade oil painting that depicts the back of a nude female figure as she looks over her shoulder to the viewer and her long brown hair c...

Attributed to Jeanne Élisabeth CHAUDET (Paris, 1761 – Paris, 1832) Cupid holding his arrow Oil on oval canvas Not signed 33 x 26.5 cm Élisabeth Chaudet, born Gabiou in Paris on Ja...

David Bailey Mick Jagger Goats Head Soup Album Art Version, 1973 Archival Inkjet on paper Signed by the artist, on verso Image: 101 x 148 cm Sheet: 111 x 158 cm Edition of 10 + 2 AP

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857) Nobleman, Cambridge (1815) Aquatint with original hand colouring 30 x 25 cm Published by Rudolph Ackermann (1764 - 1834). An engraving of a nobleman studying at Cambridge, from Ackermann's 'A History of the University of Cambridge, Its Colleges, Halls and Public Buildings'. Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections. John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings. Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father. He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden. Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...

A delightful early 19th-century miniature watercolour depicting a cheeky young girl. The artist renders the figure in impressive detail and uses soft tones to evoke warmth. Signed, t...

William M. Hart (1823 - 1894) Interior of a Stable Oil on canvas 17 x 12 inches Provenance William Macbeth Gallery, New York Mrs. Mabel Brady Garvan Collection Christie's New York, Sporting Art, November 28, 1995, Lot 116 Ann Carter Stonesifer, Maryland Estate of above Brunk Auctions, Asheville, North Carolina, January 27 2018, Lot 777 Exhibited New York, The Metropolitan Museum of Art, Life in America, April 24 - October 29, 1939, no. 123, illustrated. New York, Macbeth Gallery, 1892: Sixtieth Anniversary Exhibition, April 1952, p. 5, no. 18. Literature Turner Reuter Jr, Animal and Sporting Artists in America, Middleburg, Virginia, 2008, p. 306. Gary Stiles, William Hart: Catalogue Raisonné and Artistic Biography, no. 1126, illustrated. It should be noted that the Francis Patrick Garvan and Mrs. Mabel Brady Garvan collection, of which this painting was a part of, was one of the foremost American Art collections and now makes up a large part of the Smithsonian American Art Museum and the Yale University Art Gallery collections. Born in 1823 in Paisley, Scotland, William Hart emigrated with his parents to the United States at the age of nine and settled in Albany, New York. It was here that Hart first began his artistic training when he was placed under the tutelage of Messrs, Eaton & Gilbert, the prestigious coach-makers from Troy, New York. During this time, Hart learned how to decorate coach panels, covering them with either landscapes or figurative compositions. At the age of seventeen, he was eagerly contemplating an artist’s profession. Consequently, he left the mechanical trade of coach-making and began expanding his artistic pursuits to more refined endeavors. Hart followed coach-making with decorating window shades and later developed an interest in portraiture. Around 1840, he established his first formal studio in his father’s woodshed in Troy. There, he created many likenesses of individuals, affording him a nominal income. Once, he remarked that he felt prouder over his first fee of five dollars for painting a head then for the larger sums he would command later in his career. Nevertheless, his wages from portraits during this early period proved insufficient. Thus, he expanded into landscape painting, allowing him to barter his works or sell them for modest prices. In 1842, Hart moved to Michigan in an attempt to further his success; portraiture remained his primary means of support. Unfortunately, his experiences in the West were disappointing. Hart spent three years living a rough existence until he finally returned to Albany in 1845. Upon his return, he fully devoted himself to the art of landscape painting. Despite his failing health, he worked diligently to perfect his skill until 1849 when he traveled abroad to his native land of Scotland. This trip was made possible through the generosity of his patron and advisor, Dr. Ormsby of Albany. For three years, he studied in the open-air, creating brilliant sketches of the Scottish Highlands and the surrounding British Isles. Returning to Albany once more in 1852, Hart enjoyed improved health and was reinvigorated with purpose. The following year, he moved to New York and opened a studio, promoting himself as a specialist in landscape painting. Hart became a regular contributor to the National Academy of Design. His works received a great deal of attention from artists and connoisseurs alike, all of whom praised him for his fresh, self-taught style. In 1855, he was designated as an associate of the National Academy of Design; three years later he was elected to Academician. In 1865, he was unanimously chosen to be the first president of the Brooklyn Academy of Design. It was during his tenure there that he delivered his famous lecture The Field and Easel, which emphasized the distinguishing principles of landscape art in America. Hart argued that landscape painters should express the “look of the place” being depicted.Critics during the 1870s noted his sensitive balance between capturing a strict “real” interpretation of nature and that of a more “ideal” sentimental tone. For instance, in 1869, Putnam Magazine noted that Hart brought back “exquisite studies” of the surrounding Tappan...

Unsigned

This piece is an original acrylic screen print on canvas created by Russell Young in 2007. Russell Young is a British Pop artist known for his large-scale silkscreen paintings of cu...

Portrait of Sir William Cowper [1639-1706] Circle of Michael Dahl. (unsigned)Oil painting on canvas 17th century oval, bust-length, with a long dark wig,...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Vintage photograph realized in 1970s. Excellent condition.

Kati Horna Untitled, 1960s Signed and stamped with artist's copyright ink stamp on reverse Silver gelatin print, printed later 8 x 10 inches Kati Horna (1912-2000) was born Katalin ...

Acrylic on canvas, signed and dated (lower right), 91cm x 62cm (112cm x 82cm framed). (Provenance: in the collection of the artist Michael Leonard (British 1933-2023) until his dea...