Portrait Art

President Ronald Reagan Archival pigment print image size: 48 x 48 inches Signed and numbered edition of 10 William Coupon is an American pho...

Portrait of an Aristocratic Lady Holding Flowers in a Landscape Setting English School, 17th century, circle of Sir Peter Lely (1618-1680) inscribed 'C Wither of Hall Place' oil on ...

This simply superb French Old Master self portrait oil painting is attributed to portrait artist Alexis Grimou. Painted circa 1720 it is a bust length standing portrait of the artist...

Jim Kimberly and his wife (far left) and friends with his white sports car and white boats moored on Lake Worth. A Palm Beach socialite, Kimberly acts as Honorary Consul of Jordan. April 1968. (Slim Aarons / Getty Images) Slim Aarons Palm Beach Society...

Albin Mattenheimer. German ( b.1823 - d.1875 ). Self Portrait, Munich 1875. Oil On Canvas. Signed & Dated Lower Left. Image size 34.1 inches x 26.6 inches ( 86.5cm x 67.5cm ). Frame size 42.5 inches x 34.8 inches ( 108cm x 88.5cm ). Available for sale; this original oil painting is by the German artist Albin Mattenheimer and is dated 1875. The painting is presented and supplied in its original period frame (which is shown in these photographs). The frame has benefitted from cleaning, restoration and reinforcement, which was performed on our instruction, supervision and approval. The canvas and the painted surface have been professionally restored whilst in previous ownership, probably within the last 20 years. This includes a couple of repairs to perforations in the canvas which are of good material integrity. This antique painting is in good condition. It wants for nothing and is supplied ready to hang and display. The painting is signed and dated 1875 lower left. Albin Mattenheimer (1823–1875) was a German painter associated with the artistic traditions of Bavaria during the nineteenth century. Born in Bamberg in 1823, he belonged to the distinguished Mattenheimer family of artists, several generations of whom worked as painters, restorers, and teachers in southern Germany. The family had established a notable artistic reputation from the eighteenth century onwards, particularly through Andreas Theodor Mattenheimer and his descendants, who were active in Bamberg, Munich, and other Bavarian cultural centres. Mattenheimer studied at the Academy of Fine Arts in Munich, one of the most important artistic institutions in Germany during the nineteenth century. He subsequently worked in Munich and is generally regarded as a landscape painter. His surviving recorded works include views of Nuremberg and other Bavarian subjects, reflecting the enduring popularity of topographical and landscape painting in the period. He is often associated with the circle of painters known as the Chiemseemaler, artists inspired by the scenery of the Chiemsee region of Upper Bavaria. Like many German painters of his generation, Mattenheimer worked during a period when Romanticism was gradually giving way to a more naturalistic approach to landscape and genre painting. His works demonstrate an appreciation of atmosphere, place, and the character of the Bavarian countryside. Although comparatively little is known about his career today, Mattenheimer’s paintings occasionally appear on the art market and are represented in specialist reference works on nineteenth-century German art. His relative obscurity has meant that much of his oeuvre remains under-researched, and works by the artist are consequently of particular interest to collectors of German and Central European painting. Albin Mattenheimer died in 1875, leaving behind a small but intriguing body of work that forms part of the rich tradition of nineteenth-century Bavarian painting...

Matthew Eller - Sarahs Camera Photograph 11 x 17 with 1-inch border Signed by photographer Matthew A. Eller and the model Sarah Emily.

This is a restrained and elegant eighteenth-century British or Irish portrait, most likely dating from the mid-1700s, and it fits squarely within the polite, understated portrait tra...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Serigraph by Mexican painter Rafael Coronel. Edition of 100. Certificate of authenticity included.

The inspiration for Daniel Wimmer’s art consistently stems from the human body. He is particularly fascinated by the beautiful colors of the skin and is constantly searching for intr...

This sumptuous early 18th-century portrait by leading French artist Louis de Silvestre (1675-1760) depicts Baron Pierre de Gaultier, a nobleman and diplomat active during the final y...

Pierre TETAR VAN ELVEN Sint-Jans-Molenbeek, 1828 – Milan, 1908 Young Woman at a Well Oil on canvas 41 x 33 cm (47 x 41 cm with frame) Signed lower right " PT Van Elven" Very good con...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

"Micky" by John Young-Hunter (British 1874-1955) signed and dated 1920 oil on canvas, unframed canvas: 50 x 31 inches provenance: private collection, UK condition: very good and soun...

Portrait Of William Cavendish 1st Duke of Devonshire (1640-1707), 17th Century Circle Of Sir Godfrey Kneller (1646-1723) Large 17th Century portrait traditionally identified as Wil...

A charming late 19th century French oil on canvas portrait of a young man wearing a loose grey suit and patterned tie. The work is signed with initials and dated April 1892 lower lef...

This artwork captures the beauty, strength, and grace of women from the diverse cultures of Africa and celebrates the beauty of African women in all their forms. Shipping Procedure ...

From the 16th to 19th C the production of decorative arts continued to flourish with the introduction of both rococo and baroque elements signaling an increasingly open attitude to a...

Artist Comments
A woman wearing oversized heart-shaped sunglasses and a bold red-and-white top lifts her face toward the light. She radiates confidence and imagination, driftin...

“Art Shay’s photography shakes you up, sets you down gently, pats you on the head and then kicks you in the ass.” Roger Ebert “[Shay’s work] ranks with some of the greats of the 20...

Life is replete with distractions, obligation and there exists a unique sanctuary where I find solace and escape the cacophony of life. I am drawn to the power of music to provide r...

Portrait of a Woman Artist/ School: Suzanne Dinkés (French, 1895 - 1984) Medium: oil on board, unframed Size : 13 x 9.5 inches Provenance: private collection, France Condition: The p...

Lorentz Kleiser (1879-1962) #142, Portrait of Mila, ca. 1940. Oil on masonite panel, 14 x 18 inches. Measuring 18 x 22 inches in antique frame that show surface loss and overpain...

This artwork vividly captures two swimmers emerging from the sea, encapsulating the essence of a serene seaside moment. The painting's use of color is striking, with the bright blue ...

Portrait of a Pekingese Dog English artist, late 19th century Watercolour drawing on board, unframed drawing: 7.25 x 5 inches Provenance: Private collection, UK Condition: This paint...

A beautiful signed and dated 1943 French impressionist oil on panel self portrait by Charles Picart le Doux, who was friends with Picasso, Pissarro and many other Paris based artists...

Work on wood

"Liminal I" by Patsy McArthur Liminal I is a contemporary figurative oil painting that explores suspension, transition, and psychological space. Painted in oil on canvas, the work d...

Laura Greenwood (1897-1951) Portrait of a Young Woman, ca. 1925 Oil on canvas, measuring 16 x 20 inches Signed lower right. Condition: the piece will require some minor conserva...

Title: John Lennon Artist: John Van Hamersveld Medium: Color SERIGRAPH Substrate: COVENTRY RAG 320 GSM Paper Size: 34.25″ x 44” Image Size: 30” x 40” Signed and Numbered Edition Printers Proof Year: 2007 John Van Hamersveld (born September 1, 1941) is an American graphic artist and illustrator who designed record jackets for pop and psychedelic bands from the 1960s onward. Among the 300 albums[3] are the covers of Magical Mystery...

This painting belongs to the circle of Govert Flinck, one of Rembrandt’s most distinguished pupils and a key figure of the Dutch Golden Age. The work reflects the influence of the Re...

The Cotswolds Stone Wall Builder by John Edwards (England, 1940 - 2020) signed oil on canvas, framed framed: 29 x 23.5 inches canvas : 23 x 18 inches Provenance: private collection, ...

Portrait of Katharine Houghton is a black and white photograph realized in 1968. Good conditions.

David Ogburn, American (1942 - ) - Sade Adu, Medium: Gelatin Silver Print, Size: 10 x 8 in. (25.4 x 20.32 cm)

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist May...

A finely executed 19th-century portrait depicting a woman dressed in traditional regional attire. Presented against a dark background that emphasizes her calm expression and dignifie...

RARE museum-quality example of a 19th‑century Russian plein‑air oil study on canvas, executed with swift, confident brushstrokes by the skilled hand of a masterful artist. The tall f...

This painting is part of our exhibition Charles Goeller: A Wistful Loneliness. Oil on canvas, 30 x 25 inches, Signed lower right, Signed verso on stret...

On offer is an exceptional facsimile reissue of a 1844 silhouette lithograph of John Quincy Adams, the sixth President of the United States. The original was created in 1844 for the ...

George Platt Lynes Photograph #9 of dancer Francisco Moncion 1949. George Platt Lynes rare original vintage 1949 gelatin silver photograph of dancer Francisco Moncion. Stamped on verso - GEORGE PLATT LYNES. Photo is 7 3/4 x 9 1/2 inches, glossy finish in excellent condition. This photograph is #9 from a collection of 12 different poses in this series taken in Platt Lynes's NYC studio in 1949 (as per the NY Public Library archives). The cloud backdrop is recognizable in other Platt Lynes photographs. Moncion was a personal friend of Platt Lynes and this photograph is from Moncion's personal photographic collection. George Platt Lynes (1907–1955), was a gregarious American portrait, dance, fashion, and male nude photographer whose career spanned the late 1920s through the early 1950s. From age eighteen, Lynes entered the cosmopolitan world of the American expatriate community in Paris when he became acquainted with the salon of Gertrude Stein and Alice B. Toklas. He began photographing authors like Stein, Jean Cocteau, André Gide, and Colette and soon established himself as one of the premier fashion photographers in the Condé Nast stable, documenting the ballet companies of George Balanchine/Lincoln Kirstein, and pursuing a private obsession with seductive images of young male nudes rarely published in his lifetime. Platt Lynes photographs are in the collections of every major art museum and university archive including the Metropolitan Museum of Art, Museum of Modern Art, Yale Art Museum, and the Smithsonian. Francisco Moncion (July 6, 1918 – April 1, 1995) was a charter member of the New York City Ballet. Over the course of his forty year career, choreographers George Balanchine, and Jerome Robbins in the New York City Ballet created 22 major roles for Moncion including the Dark Angel in Orpheus, Death in La Valse, Prince Ivan in Firebird, and the Boy in Afternoon of a Faun. He was also a choreographer and a talented painter who exhibited alongside Miro, Picasso and Carrado Cagli. Moncion was a popular model for many famed mid-century (late 1930s, 1940s - 1950s) figure photographers including Platt Lynes, Carl van Vechten, Maurice Seymour...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Under the Boardwalk c. 1976 Vintage gelatin silver print 11 x 14 inches Arlene Gottfried was a New York City street photographer celebrated for her intimate and vibrant portrayals...

Andy Warhol Nicola (Nicky) Weymouth, ca. 1976 Acetate positive, acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. Accompanied by a Letter of Provenance from the representative of Chromacomp Unique Frame included: Elegantly framed in a museum quality white wood frame with UV plexiglass: Measurements: Frame: 18 x 15.5 x 1.5 inches Acetate: 11 x 8 inches This is the original, unique photographic acetate positive taken by Andy Warhol as the basis for his portrait of Nicky Weymouth, that came from Andy Warhol's studio, The Factory to his printer. It was acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. It is accompanied by a Letter of Provenance from the representative of Chromacomp. This is one of the images used by Andy Warhol to create his iconic portrait of the socialite Nicola Samuel Weymouth, also called Nicky Weymouth, Nicky Waymouth, Nicky Lane Weymouth or Nicky Samuel. Weymouth (nee Samuel) was a British socialite, who went on to briefly marry the jewelry designer Kenneth Lane, whom she met through Warhol. This acetate positive is unique, and was sent to Chromacomp because Warhol was considering making a silkscreen out of this portrait. As Bob Colacello, former Editor in Chief of Interview magazine (and right hand man to Andy Warhol), explained, "many hands were involved in the rather mechanical silkscreening process... but only Andy in all the years I knew him, worked on the acetates." An acetate is a photographic negative or positive transferred to a transparency, allowing an image to be magnified and projected onto a screen. As only Andy worked on the acetates, it was the last original step prior to the screenprinting of an image, and the most important element in Warhol's creative process for silkscreening. Warhol realized the value of his unique original acetates like this one, and is known to have traded the acetates for valuable services. This acetate was brought by Warhol to Eunice and Jackson Lowell, owners of Chromacomp, a fine art printing studio in NYC, and was acquired directly from the Lowell's private collection. During the 1970s and 80s, Chromacomp was the premier atelier for fine art limited edition silkscreen prints; indeed, Chromacomp was the largest studio producing fine art prints in the world for artists such as Andy Warhol, Leroy Neiman, Erte, Robert Natkin, Larry Zox, David Hockney and many more. All of the plates were done by hand and in some cases photographically. Famed printer Alexander Heinrici worked for Eunice & Jackson Lowell at Chromacomp and brought Andy Warhol in as an account. Shortly after, Warhol or his workers brought in several boxes of photographs, paper and/or acetates and asked Jackson Lowell to use his equipment to enlarge certain images or portions of images. Warhol made comments and or changes and asked the Lowells to print some editions; others were printed elsewhere. Chromacomp Inc. ended up printing Warhol's Mick Jagger Suite and the Ladies & Gentlemen Suite, as well as other works, based on the box of photographic acetates that Warhol brought to them. The Lowell's allowed the printer to be named as Alexander Heinrici rather than Chromacomp, since Heinrici was the one who brought the account in. Other images were never printed by Chromacomp- they were simply being considered by Warhol. Warhol left the remaining acetates with Eunice and Jackson Lowell. After the Lowells closed the shop, the photographs were packed away where they remained for nearly a quarter of a century. This work is exactly as it was delivered from the factory. Unevenly cut by Warhol himself. This work is accompanied by a signed letter of provenance from the representative of Chromacomp, Andy Warhol's printer for many of his works in the 1970s. About Andy Warhol: Isn’t life a series of images that change as they repeat themselves? —Andy Warhol Andy Warhol’s (1928–1987) art encapsulates the 1960s through the 1980s in New York. By imitating the familiar aesthetics of mass media, advertising, and celebrity culture, Warhol blurred the boundaries between his work and the world that inspired it, producing images that have become as pervasive as their sources. Warhol grew up in a working-class suburb of Pittsburgh. His parents were Slovak immigrants, and he was the only member of his family to attend college. He entered the Carnegie Institute of Technology (now Carnegie Mellon University) in 1945, where he majored in pictorial design. After graduation, he moved to New York with fellow student Philip Pearlstein and found steady work as a commercial illustrator at several magazines, including Vogue, Harper’s Bazaar, and the New Yorker. Throughout the 1950s Warhol enjoyed a successful career as a commercial artist, winning several commendations from the Art Directors Club and the American Institute of Graphic Arts. He had his first solo exhibition at the Hugo Gallery in 1952, showing drawings based on the writings of Truman Capote; three years later his work was included in a group show at the Museum of Modern Art for the first time. The year 1960 marked a turning point in Warhol’s prolific career. He painted his first works based on comics and advertisements, enlarging and transferring the source images onto canvas using a projector. In 1961 Warhol showed these hand-painted works, including Little King (1961) and Saturday’s Popeye (1961), in a window display at the department store Bonwit Teller; in 1962 he painted his famous Campbell’s Soup Cans, thirty-two separate canvases, each depicting a canned soup of a different flavor. Soon after, Warhol began to borrow not only the subject matter of printed media, but the technology as well. Incorporating the silkscreen technique, he created grids of stamps, Coca-Cola bottles, shipping and handling labels, dollar bills, coffee labels...

Portrait of a Woman Artist/ School: Suzanne Dinkés (French, 1895 - 1984) Medium: signed oil on board, unframed dated 1950 Size : 16 x 13 inches Provenance: private collection, France...

Xie Kitchin as Dane is an original vintage photograph realized in 1873 by Lewis Carroll (Daresbury, January 27, 1832 - Guildford, January 14, 1898). Original albumen print on postcard; dimensions: 14 x 10 cm. N° 2132 "The Dane manuscript" was written by the author in pencil on the back. Provenance: Jeffrey Stern Bookseller York UK. Certificate of Athenticity: provided by the Original Gallery. Framed in a coeval frame. Mint conditions. Lewis Carroll (Daresbury, January 27, 1832 - Guildford, January 14, 1898) in 1873. This work depicts the figure of Xie (Alexandra) Kitchin as "Dane", a standing children with an elegant dress and headgear. Charles Lutwidge Dodgson (27 January 1832 – 14 January 1898), better known by his pen name Lewis Carroll, was an English writer of children's fiction, notably Alice's Adventures in Wonderland and its sequel Through the Looking-Glass. He was noted for his facility with word play, logic, and fantasy. The poems "Jabberwocky" and The Hunting of the Snark are classified in the genre of literary nonsense. He was also a mathematician, photographer, inventor, and Anglican deacon. Carroll came from a family of high-church Anglicans, and developed a long relationship with Christ Church, Oxford, where he lived for most of his life as a scholar and teacher. Alice Liddell, daughter of the Dean of Christ Church, Henry Liddell, is widely identified as the original for Alice in Wonderland, though Carroll always denied this. Scholars are divided about whether his relationship with children included an erotic component. In 1982, a memorial stone...

Yovani Bauta (Cuba, 1957) 'Untitled 1 (retrato)', 2003 engraving on paper Guarro Biblos 250g. 16.2 x 13 in. (41 x 33 cm.) Edition of 15 ID: BAU-315 Unframed

This candle light oil painting signed “Emil Lindgren, Leksand 1930” depicts a young Dalecarlia (dalkulla, a woman from Dalarna) standing in an interior, dressed in the folk costume o...

Annie Leibovitz ( 1949- ) photo : 24 x19 cm . Ella Fitzgerald devant un cabriolet Mercedes . 1988 Original Vintage work . Framed : 42 X 42 cm

This painting is Bruno Surdo’s contemporary reimagining of Saint Sebastian, one of the most enduring subjects in Western art. From Mantegna and Botticelli to Guido Reni and Caravaggio, Sebastian has long been depicted as the bound, arrow-pierced martyr whose physical suffering becomes an image of spiritual transcendence. Surdo clearly situates himself within this lineage: the contrapposto pose, uplifted gaze, and carefully modeled anatomy reflect his atelier training and deep engagement with Renaissance ideals of the heroic nude. The flesh is luminous and sculptural, recalling Michelangelo’s influence on the canon of the male body as both aesthetic and symbolic form. Yet Surdo decisively destabilizes the tradition. The arrows piercing the body are not lethal shafts but rubber suction-cup darts—objects associated with toys and staged play. This substitution transforms martyrdom into performance. The gravity of sacred suffering is undercut by irony, even absurdity. The saint is no longer impaled by instruments of death but by harmless projectiles, suggesting that contemporary suffering may be theatricalized, trivialized, or culturally mediated. At the same time, the figure’s expression remains sincere and emotionally vulnerable; the psychological intensity is real, even if the wounds are not. This tension between authentic emotion and artificial harm introduces a modern critique of spectacle—how pain can be aestheticized, simulated, or consumed. The graffiti-covered urban wall further collapses sacred history into contemporary space. Instead of a devotional landscape or heavenly backdrop, Surdo situates his Sebastian against a chaotic, tagged surface, merging classical beauty with raw urban immediacy. Saint Sebastian has long functioned not only as a symbol of faith but also as an emblem of sensualized male beauty and coded identity in art history. Surdo acknowledges that layered tradition while reframing it through irony and cultural commentary. By replacing deadly arrows with toy darts, he transforms martyrdom into a meditation on vulnerability in an age where suffering may be symbolic rather than fatal—performed, projected, or socially inflicted rather than divinely ordained. As in much of his work, Surdo grounds contemporary psychological tension in the authority of Renaissance form, using the language of history painting to question what sanctity, sacrifice, and spectacle mean today. Bruno Surdo Paradox of St. Sebastian oil on canvas 60h x 36w in 152.40h x 91.44w cm Bruno A. Surdo b. Chicago, 1963 EXHIBITIONS 2018 Liberation, Gallery Victor Armendariz, Chicago, IL Blood Sport, Gallery Victor Armendariz, Chicago, IL Art on Paper 2018, Gallery Victor Armendariz, Pier 36, New York, NY SOFA Chicago 2018, Gallery Victor Armendariz, Navy Pier, Chicago, IL 2017 POP!ARAZZI, Gallery Victor Armendariz, Chicago, IL Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2015 SOFA Chicago 2015, Ann Nathan Gallery, Navy Pier, Chicago, IL Bruno Surdo: Allegories, Ann Nathan Gallery, Chicago, IL 2014 Bruno Surdo: Respond, Ann Nathan Gallery, Chicago, IL Modern Metaphors, Rockford Art Museum, Rockford, IL 2013 Bruno Surdo: Revelations, Ann Nathan Gallery, Chicago, IL Vice + Virtue, Northern Illinois University Museum of Art 2012 Contemporary Realism Biennial, Fort Wayne Museum of Art, Fort Wayne, IN 2011 Bruno Surdo, University of St. Francis School of Creative Arts, Fort Wayne, IN Uncensored, Ann Nathan Gallery, Chicago, IL 2010 Art Chicago 2010, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2009 Art Chicago 2009, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Bruno Surdo, Art Institute of Indianapolis, Indianapolis, IN 2006 Context/Content: Making Meaning with the Figure, University of Arkansas, Conway, AR Creative Imaginings, Mobile Museum of Art, Mobile, AL Bruno Surdo: Cycles, Ann Nathan Gallery, Chicago, IL 2005 Art Chicago 2005, Ann Nathan Gallery, Chicago, IL 2004 Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Group Show, Arcadia Gallery, New York, NY Drawings VII, Koplin Del Rio Gallery, West Hollywood, CA Armory Show, New York Armory, New York, NY 2003 Paintings & Drawings, College of Lake County, Grayslake, IL The Art Show, New York, NY Bruno Surdo: New Work, Ann Nathan Gallery, Chicago, IL Art Chicago 2003, Ann Nathan Gallery, Chicago, IL 2003-10 International Show of Contemporary Artists, Chicago Art Open, Chicago, IL 2002 Bruno Surdo: Perception of Appearance, Frye Museum, Seattle, WA Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Bruno Surdo: Transcendence, Ann Nathan Gallery, Chicago, IL Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Tragedy, Memory, & Honor, Ann Nathan Gallery, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR 1998 Evanston and Vicinity Artists, Evanston Art Center, Evanston, IL 1996 Bruno Surdo: A Personal View, University of Wisconsin, Kenosha, WI 1995 Bruno Surdo: Recent Works, College of Lake County, IL AIDS in Our Society, Loyola University, Chicago, IL Bruno Surdo: Life, Struggle, and Hope, Chicago Cultural Center, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR Bruno Surdo: Dualities of Life, Ann Nathan Gallery, Chicago, IL 1999 Group Show, Ann Nathan Gallery, Chicago, IL 1998 Group Exhibition, Fine Arts Building Gallery, Chicago, IL 1995 Spiritual Inquiries, Struve Gallery, Chicago, IL 1994 Recent Works, The 14th Annual Juried Exhibition for Lake County Artists, Grayslake, IL Go Figure, Figurative Works on Paper, Chicago Printmakers Collaborative, Chicago, IL SELECTED COLLECTIONS The Re-Birth of Venus, Temporary Loan, Fort Wayne Museum of Art Arkansas Art Center, Little Rock, AR College of Lake County, Greyslake, IL Flashpoint Academy, Chicago IL John Robert Wiltgen Design Shoemaker Ruud Collection Julie & Thomas Danilek Michael Vozzella and Mike Silver Benjamin Fernandez Tom Braake Betsy Colburn Michael Diemand & Lor LaRose Michael Staab & Kathy Brock Bruce Leep Frank Tzurect Mary Foley Rosalyn Carlson Mimmy Turney Janet Long Halstead Billy Hunt Carol Galli Myles Kerrigan Honorable & Mrs. Edwin Berman Theodore Gage Northrop Art Museum Past Present & Future Company Dr. James & Peggy Kemmler Salvatore Monastero Nix & Virginia Lauridsen Joel Miller David & Marlene Zerkel Ann & Andy Abel Claudia Rush Marc Miller Leonard Goldberg Lawrence Pucci Howard Tullman Collection Susan & Manny Kramer James Rinnert Richar Interiors Michael & Nancy Colt Khalid Altijir Dr. Joe Grodman Beryl & Jack Gore Larry Wolf & Eric Naegle Chuck Wolandi Jack Schwab & David Sandelin Thomas Kaczmarek Marti Dinerstein Craig & Michael Golden...

May Mott Smith (1879 - 1952) A Martinique Native in French Guiana, circa 1925 Watercolor on paper 24 x 20 inches Signed lower right; titled on the reverse “Martinique Native” is an ...

In the summer of 2024, on the Eastern Shore of Maryland, a father and son reenacted a Civil War "stag dance" at the Kent Cultural Alliance in Chestertown. These all-male dances, wher...

Max Klinger, 'Erinnerung' (Remembrance), original etching with aquatint, 1896. A fine, richly inked impression on off-white, wove paper, with full margins (1 3/4 to 3 1/8 inches), in...

Barbados Bliss by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped C-Print. Edition of 150. Printed Later. Barbados Bliss is a Limited Edition Estate Stamped Digital C-Ty...

Karen Offutt's (US based) "Zaeli" is an original, handmade oil painting that depicts a female bathed in light with oversized white and pink blooms surrounding her. The painting is fr...

Charcoal and watercolour on paper 67cm × 49cm (72cm × 49cm framed) An émigré from Argentina in the early 1950s who settled in Paris with her partner Yvonne Bilis-Régnier, exhibited ...

Presumed Portrait of the Wife of the Danish Zoologist Morten Thrane Brünnich, ca. 1780 Oil on canvas. Dimensions with frame: 59 × 49 cm Without frame: 48 × 38 cm A small late 18th-...

Portrait of Franklin Atwood Park, VP of Singer Mfg. Co. Stately portrait of Franklin Atwood Park by Arthur Trevethin Nowell (British, 1862-1940). Park is sitting for a classical portrait, wearing a suit with a blue bowtie against a dark background. Of particular note are his glasses and moustache, both rendered with expert detail. Park was the VP and Chairman of the Board for Singer Manufacturing Company and Manager of the Singer Division in Scotland when the portrait was commissioned. We show a digital image of a photographic portrait of Franklin. Signed and dated "A T Nowell. 1922" Includes paper with biographical information on the sitter. Frame size: 37.5"H x 32.5"W Canvas size: 30"H x 25"W Arthur Nowell (British, 1862-1940) was born at Garndiffath, near Pontypool, and was the youngest of six children born to the Rev. John Nowell and his wife Mary...

Poster. Measures 39.5 x 30.5 inches and is Unframed. Good/Fair Condition (i.e. white borders have been cropped).

The Roman general Mark Antony dies in the arms of his lover Cleopatra in this finely detailed engraving by Johann Georg Wille (1715-1808) after a 1763 painting by Pompeo Batoni (1708...

Vintage Photo. The Italian actress and singer Loretta Goggi during "Canale 3". Lightly damaged.