Sky Art

God has no faces. It has colours and forms. And God is love. Colourful love. Series of bright artworks DEEP INSIDE are ready. Feel him in every artwork. DEEP INSIDE - it’s a s...

ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California. His pictures of California's iconic architecture and beaches carry the same romantic feel of a...

John McNulty, Irish/American (1949 - ) - Horizon II, Year: 1984, Medium: Etching with Aquatint, signed and titled in pencil, Edition: 200, Size: 19 in. x 22 in. (48.26 cm x 55.88...

CESC FARRÉ I SENDRÓS Spanish, 1972 - CONCENTRACIÓN signed “Farré i Sendrós” (lower left) signed again, titled & dated “CESC FARRÉ I SENDRÓS / Cesc Farré / CONCENTRACIÓN / 2005” (on t...

"Balance" Minimal and surreal black and white capture of the world's largest iceberg, A23a Unique and inspiring capture taken in the Weddell Sea of the world's most enormous iceber...

Peters has gone on to capture and document man’s wider imprint on nature. Whether it’s the graphic symmetry of urban architecture or the abstract choreography of the forms and hues o...

John McNulty, Irish/American (1949 - ) - Horizon I, Year: 1984, Medium: Etching with Aquatint, signed and titled in pencil, Edition: 200, Size: 19 x 22 in. (48.26 x 55.88 cm)

Fishermen at dawn on Lake Inle in Burma in total harmony with their surroundings. – Cawston won the BJP Nikon Endframe Award in 2009. His prize was funding for a dream project and he...

This painting by Anders Wahlgren, a Swedish painter, depicts a serene coastal landscape at sunset, likely set in the Bohuslän region of Sweden. The image is bathed in the warm, glowing hues of the setting sun, reflecting off the calm waters. A lone seagull perches on a rock in the bottom right corner, adding a subtle touch of life to the tranquil scene. Anders Nils Henrik Wahlgren, born on February 15, 1861, in Lund, Sweden, was not only a skilled artist but also a forest science researcher. His artistic journey began early in his life, studying under the guidance of academic drawing master Axel Hjalmar Lindqvist in Lund. Later, during his time at the Forest Institute, he received artistic training from Anders Kallenberg. His travels for forestry studies led him to take a significant break in 1891, where he studied art in Brittany and Paris, particularly within a circle of Swedish painters and at a Scandinavian art school led by Richard Hall...

Gaia Diptych #078 by Jaume Llorens 18cm x 24cm Black-and-White print on Premio Kozo 180gsm White Paper by Awagami Factory Edition of 10 + 2 Artist's Proofs Crane Kalman Brighton ga...

David Lee, Chinese (1944 - ) - Rainbow, Year: circa 1985, Medium: Lithograph, signed and numbered in pencil, Edition: AP, Size: 21 x 29 in. (53.34 x 73.66 cm), Description: Da...

Artist: John Maxon (American, born 1947) Title: Dust Time Year: 1993 Medium: Color lithograph Edition: Numbered 146/210 Paper: Arches Image size: 26.5 x 39.75 inches Paper size: 31.5 x 44 inches Signature: Hand signed in pencil by the artist Condition: Excellent, has never been framed About the artist. Coming from a very western tradition in Wyoming, John Maxon developed an expansive view of nature . Moving eventually to the San Francisco Bay area, John's delight in the effects of light and color led him to the decision to become an artist at the young age of 15. His natural ability was encouraged, and at 16 he began figurative art classes with Howard Brodie, the artist well known for his WWII correspondence, drawings and the Watergate trial drawings. Education San Francisco Art Institute B.A., Painting, San Jose State University M.F.A., Painting, University of California, Davis Stanford University, Palo Alto, California Cabrillo College, Aptos, California Selected Solo Exhibitions 2018 Gallery Panza Verde – Antigua Guatemala, Guatemala 2015 Desert Art Collection - Palm Desert California 2015 Galeria Antigua – Antigua, Guatemala 2014 Galeria Panza Verde – Antigua, Guatemala 2008 Linda Durnell Gallery – Los Gatos, California 2006 Linda Durnell Gallery – Los Gatos, California 2005 Robert Allen Fine Art Gallery – Sausalito, California 2004 Ellis West Gallery – Durango, Colorado 2002 Ellis West Gallery – Durango, Colorado 2001 Robert Allen Fine Art Gallery – Sausalito, California 1997 Stanford University Faculty Club – Stanford, California Selected Group Exhibitions 2018 Chemers Art Gallery – Los Angeles, California 2009, 2010, 2016, 2017 & 2018 Robert Allen Fine Art – Sausalito, California 2017 Christopher Hill Gallery - St Helena, California 2013 / 19 Gallery North - Carmel, California 2015 Desert Art Collection - Palm Desert, California 2014 Paul Scott Gallery - Bend, Oregon 2014 Christopher Hill Gallery Healdsberg, California 2013 Firehouse Art Center - Pleasanton, Ca. 2013 2011 - 2013 Robert Allen Fine Art – Sausalito, California 2010 - 2012 Susan Street Gallery – Solano Beach, California 2010 (Awarded 1st place) and 2012 “Contemporary Landscape Painters of California” – Awarded 1st Place 2011 - 2012 Salisbury Fine Art – Avila Beach, California 2010 Bryant Street Gallery – Palo Alto, California 2009 Museum Art and History – Santa Cruz, California 2008 Cabrillo College – Aptos, California 2006 Christopher Hill Gallery – St. Helena, California 2005 Fort Lewis College – Durango, Colorado 2001 St. Supery Winery & Fine Art Gallery, Napa California 2001 Napa Valley Wine Auction – St. Helena, California 1997 West Coast Painting and Sculpture – Ocean Side, California 1997 Wolk Gallery – St. Helena, California Selected Museum Collections Interior Museum, Department of the Interior, Washington D. C. Santa Cruz County Art Museum – Santa Cruz, California University of California – Berkeley, California University of California – Davis, California Napa Valley Art...

In this canvas, I've unleashed a swirling symphony of sunset colors, blending vivid reds and gentle purples with the dynamic blues of the sea. Through expressionism fused with a touc...

Bill HENSON (*1955, Australia) Untitled #1 - CL SH655 N16B, 2009/2010 Archival pigment print Sheet 127 x 180 cm (50 x 70 7/8 in.) Edition of 5, plus 2 AP'...

Group of 2 Childhood’s Sails II is a bronze sculpture with a stainless steel rod by French contemporary artist Marine de Soos, dimensions are 79 × 32 × 28 cm (31.1 × 12.6 × 11 in). ...

'Washington Monument Aglow' is a black and white photographic print on Hahnemuhle paper in a limited edition of 10 by Michael Ormerod. Featured in the 2024 posthumous solo exhibiti...

'Washington Monument Aglow' is a black and white photographic print on Hahnemuhle paper in a limited edition of 10 by Michael Ormerod. Featured in the 2024 posthumous solo exhibiti...

"Eastern Plains of Colorado" by Sparky LeBold (US and Portugal based) is a beautiful handmade oil painting that depicts a view of the hills of Colorado, with the famed sunset sky cas...

Silo (The Last Picture Show) - 1999 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and signature label. Artist inven...

On a perfect summer day when you are feeling that all too familiar call of the sea, you grab your favorite old beach towel, canvas tote, sunscreen and cell, throw on a top and head t...

Helen Mount's «Breathe Slowly/10» paints a soothing, almost monotonous landscape scene where the gentle tones of the sky blend with the calm, cool hues of the earth. This work of art...

"Clouds, from all sides now, 2025" Cohn delves into the enigmatic qualities of clouds—how they symbolize both the fleeting and the eternal. Cloud illusions are a sensory journey that challenges our perceptions and stirs our imagination. Exploring themes of impermanence and mystery, Cohn challenges the viewer to reimagine the familiar and question the boundaries between reality and representation. Her inspirations are blending the imaginary essence of Rene Magritte’s clouds...

Judd Mercer's (US based) "057 - Plein Air-Windy Peak, CO" is a gouache painting depicting a mountainscape. Artist bio/statement Judd Mercer is a contemporary landscape painter and ...

Numbered: 138/275 Color lithograph after the 1964 oil on canvas by René Magritte, printed signature of Magritte and numbered from the edition of 275. The lithograph features the dry...

Landscape view from rural county road outside of town, from a series of impressions captured in Marfa, Texas, longtime residence of minimalist artist Donald Judd Marfa ( Texas ) by ...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Renaissance project in 2016. Renaissance further develops themes explored by RIOUX in his earlier series Turquoise Default. It is not merely a progression however, but also a contrast. This new series poses questions about hope, which is perhaps now more relevant than ever. “Renaissance invokes in us a sense of uncertainty and a self-awareness of our limits, of an infinity made apparent by the horizon line, the vanishing point, the moment in any spatial or temporal projection beyond which we can no longer see, but from which, nonetheless, we know the universe carries on. At the same time it poses a choice to us: do we accept the openness of abstraction or do we insist on imposing a (false) certainty of representation in what we see in these images. Hope is a faith made possible by uncertainty and the unknown, by an understanding that history and the future are creative acts, works of art in which we all participate.” Neal Rockwell There are 18 pieces in the RENAISSANCE collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...

Max Epstein, Canadian (1932 - 2002) - Misty, Year: 1977, Medium: Screenprint, signed and numbered in pencil, Edition: 70, Image Size: 17 x 18 inches, Size: 18.5 in. x 19 in. (46...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: Pelican Finn...

Thomas Fransioli, born in 1906 in Seattle, Washington, trained as an architect at the University of Pennsylvania. He worked as an architect before his service in World War II. Largel...

The Very End of the Night by Abi Polinsky. REP by Tuleste Factory Print on Hahnemüle Photo Rag paper, mounted on foam board. 2022 W 86" x H 58" — Framed. Signed limited edition o...

Artist Statement For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both i...

Artist: Mishurovski V.V. Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Impressionism Year: 2008 Title: Sea shore Azure Size: 19.5" x 39" ...

Peters has gone on to capture and document man’s wider imprint on nature. Whether it’s the graphic symmetry of urban architecture or the abstract choreography of the forms and hues o...

Percival Gaskell, 'Sunset - Ardgour", aquatint, edition not stated, c. 1920. A superb, atmospheric impression, in brown/black ink, on cream wove paper; the full sheet with margins (2 to 3 inches), in excellent condition. Signed, titled, and numbered '2' in pencil. Matted to museum standards, unframed. Ardgour is a district of Lochaber on Ardnamurchan peninsula on the western shore of Loch Linnhe...

A striking image of lone Lion set against a dramatic colorful sunset of the animal's domain. Signed, dated, numbered lower right, recto 3/15, unframed, other sizes available, printed...

This image of the Mediterranean sea showcases and captures a moment in time of the beauty of water, sky, nature and its elements in beautiful light. Image can be paired with others ...

"Certains lieux laissés à l’abandon suscitent parfois un certain intérêt dans notre imaginaire. Notamment pour ce qu’ils peuvent charrier de mystères. Ils nous intriguent, excitent notre curiosité. Comme s’ils avaient encore quelque chose à nous dire d’eux. À nous dire de nous. Chargés d’un passé aujourd’hui devenu leur présent, de singulières atmosphères règnent en de tels endroits et nous enjoignent parfois à y pénétrer avec prudence, s’offrant ainsi à quelque visiteur opportun." Basile Ducournau Tirage numérique sur papier Etching Hahnemühle 350g, format 40x60cm, édition sur /10. Possibilité de venir récupérer le tirage directement à la galerie. Le prix...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2024 Style: Impressionism, Title: Pacific Bay Size: 29.5" x 44" x 1'...

Acrylic on canvas Elena Borstein currently lives and works in New York City and the Adirondack Mountains. Born in Hartford, Connecticut, She received her B.S. Degree from Skidmore C...

Scarborough, North Beach By Malcom Ludvigsen [2023] Scarborough, North Beach, is an original painting by Malcom Ludvigsen. It’s a proper plein-air oil painting, painted on the spot ...

A seagull flies in the sky of the bay of San Fransisco. Edition of 25 signed and numbered by the artist JJK is a pseudonym for one of the world's most successful photo artists. In ...

My interest is to convey elements of the classical arcadian landscape paintings of the 17th and 18th century, inviting the viewer to reflect again at the sublime landscape of the pas...

Part of Richard Heeps 'Dream in Colour' Series, this is the classic American open road photograph, which is a metaphor throughout Richard's work. The early morning sunlight and the r...

Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seascape ...

"Painting from my memories and emotions, I view the outside world from an inward perspective. I gather inspiration from walking and wandering, but am not motivated to paint only "wha...

From Debranne Cingari's "Words in the Sky" series, this piece celebrates the playfulness that has long been a signature element of her oeuvre. Cingari combines beautiful landscapes, ...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Cloud project in 2022. Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above. Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations. Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse. With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide. There are 18 pieces in the Cloud collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...

Fine art photography 2020. I took this photograph in Pokhara, Nepal. The artwork/photo is sold unframed (only the art print), limited edition of 20 copies. Please contact the gallery...

Hand colored screen print of a colorful New Jersey sunset made in 1977 by Bill Sullivan Signed, bottom left 43 x 31 inches in natural wood frame This 1970's hand colored landscape print...

C-print face mounted to non-glare plexiglass

Digitally manufactured photograph on Moab Entrada Natural Plate. Image is 8 x 10 inches on 10 by 13 paper A beautiful maritime nocturne Ted Kincaid is one of the most recognized and respected artists from North Texas. He is exhibited and collected nationally and has received considerable critical attention for his photographically based work. He has been reviewed in ARTFORUM, ARTPAPER and ART ON PAPER and is included in the permanent collections of the Dallas Museum of Art, the Museum of Fine Arts in Houston, the Museum of Fine Arts in San Antonio, the Neiman Marcus Collection, American Airlines, the Belo Corporation, the Microsoft Corporation, Pfizer, Inc, Reader’s Digest Corporate Collection, the City of Seattle, Washington, the U.S. State Department and the Human Rights Campaign Headquarters in Washington, DC. His work is instantly recognizable to many Texans, both from his gallery exhibitions, museum and corporate collections, as well as a number of commissions, including designing the covers for a special double issue of Neiman Marcus’ The Book, a large 22 foot...

My interest is to reinterpret elements of the classical arcadian landscape paintings of the 17th and 18th century, inviting the viewer to r...

My interest is to convey elements of the classical arcadian landscape paintings of the 17th and 18th century, inviting the viewer to reflect again at the sublime landscape of the pas...

The painting "Ros" embodies the tranquility and immensity of Ukrainian water bodies. The painting depicts a wide river that gently reflects the shades of the sunset, creating a profo...

Helen Mount's Breathe Slowly/14 captures the essence of a bright, sunny day, where the lines of the polar sky and the plains merge into a vibrant palette of light and color. The sky ...

Helen Mount's «Breathe Slowly/5» embodies the essence of tranquility and majesty of nature, encouraging us to deeply realize the moment. The painting depicts tranquil fields under a ...