Symbol Art

Committed by Denny Haskew Figurative Bronze on Sandstone Base Limited Edition of 35 20h 8.5w 7d inches #15 pictured "I give to you all that I am. My faith in Spirit is unchanging. E...

FAUSTO RAMOS "NUDE WITH DRAPE" WOOD, SIGNED CUBA, DATED 1972 56.5 INCHES Acquired from the artist

In American Motel Signs Steve Fitch crisscrossed the United States documenting the colorful dynamic, advertisements inviting weary traveler to park their car and pack it in for the n...

Counting Sheep, limited edition photograph, archival photograph, signed Holding Arabesque is an inward reflection that investigates our relationship with food and nostalgia and how...

F is for Frog, 2019

Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and evolving features of the western roadsi...

Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and evolving features of the western roadsi...

Letter T is an Etching hand watercolored realized by Luigi Vanvitelli in 18th century. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “...

This striking original exhibition poster from 1990 features “Verre et Journal” (Glass and Newspaper) by Juan Gris (1887-1927), a master of Synthetic Cubism. Celebrated for his intell...

Artist: Roger Hebbelinck (Belgian, born 1912) Title: Somme, Coucher De Soleil Year: Circa 1965 Medium: Color Etching Edition: Numbered 109/300 i...

In American Motel Signs Steve Fitch crisscrossed the United States documenting the colorful dynamic, advertisements inviting weary traveler to park their car and pack it in for the n...

Allan D'Arcangelo, American (1930 - 1998) - Morning Star (Texaco), Year: 1980, Medium: Screenprint, signed, numbered and dated in pencil, Edition: 4/250, Image Size: 8.5 x 41 inc...

Eternal Moment Bronze Sculpture With Two Nude Figures Man and woman embracing, indoor or outdoor large bronze sculpture signed V. Salmones edition 6/10, 1979. Included in the Victor Salmones book published in 1991 "A Sense of Human". This large sculpture 76" almost two meters tall 196cm. Victor Salmones (1937-1989) was the most widely known sculptor living and working in Mexico during his lifetime. His sculptures won him universal acclaim and are held in the collections of museums, corporations, cities, universities and private collectors in some 30 countries. During his career, he was highly sought after and increasingly involved in the execution of commissions for major public works around the world. Salmones developed his love and talent for creating sculptures by working with clay in high school. He attended the Instituto de Bellas Artes where he was an apprentice to the Bauhaus master, Hoffman. He was trained to use the exacting, age-old lost wax method of casting and worked principally in bronze. His work explores styles that are both abstract and figurative and the grace and spirit inherent in his work endow his bronzes with a transcendent vitality. The international acceptance of Salmones sculpture...

A common thread connecting the separate but related groups of paintings and constructions is my obsession with the spatial and temporal disjunctions that we are experiencing in our r...

Letter N is an Etching hand watercolored realized by Luigi Vanvitelli in 18th century. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “...

Letter S is an Etching hand watercolored realized by Luigi Vanvitelli in 18th century. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “...

Italian maestro Lucio Fontana, a trailblazer in spatialism and the mastermind behind "Concetto spaziale," pushed artistic boundaries with his innovative use of plexiglass. One such groundbreaking exhibition unfolded at Galleria il Quadro Biella. Fontana, renowned for his Spatialist theories that advocated for a fusion of art and technology, harnessed the transparent allure of plexiglass to redefine the boundaries of artistic expression. The exhibition at Galleria il Quadro Biella became a testament to Fontana's avant-garde spirit and his relentless pursuit of transcending traditional artistic mediums. With plexiglass as his canvas, Fontana delved into a realm where space and art converged. The material's transparency allowed for a unique interplay of light and form, creating an immersive experience for the viewer. Each piece, a testament to Fontana's mastery, unfolded a narrative that extended beyond the physical confines of the gallery. Silvio Zamorani...

Silkscreen, 1989 Edition : 74/100 Publisher : Pesti Mühely, Budapest 70.00 cm. x 57.00 cm. 27.56 in. x 22.44 in. (paper) 56.50 cm. x 45.00 cm. 22.24 in. x 17.72 in. (image) Handsig...

Lithograph in colors on wove paper Watermark Maeght Signed and numbered in pencil lower right and left: Calder Titled and dated in pencil on the verso, possibly in ...

This exclusive softcover book, published by Maeght Editeur and printed by Arte, spans 43 pages and is a highly sought-after collector's item. The publication features an impressive a...

The title of the artwork, "You Will Find Silence in Your Depth," reflects the central idea of the series "Roots that Hold the Sky" — harmony and inner peace achieved through connecti...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

This artwork titled "Fish Become Birds" 1999 is an original colors stonecut on thin tissue paper by Canadian/ Inuit artist Kavavaow (Kavavau) Mannomee, b.1958. It is hand signed, titled, located, dated, described and numbered 4/50 in pencil by the artist. The subject size is 16 x 23.25 inches, sheet size is 24.5 x 29 inches. It is in excellent condition. About the artist: Qavavau born in Brandon, Manitoba in 1958 where his mother, Paunichea, was hospitalized for treatment of tuberculosis. He returned to Cape Dorset...

Artist: Jack Graves III (American, 1988-) Title: "Montpelier Station (Virginia)" Series: Eclecticism *Signed by Graves lower right. It is also signed, titled, and dated on verso Year...

Mr. Brainwash (after) Obama Superman, 2009 Offset Lithograph Poster Plate signed on lower right front 36 × 24 inches Unframed This Mr. Brainwash poster ...

This signed and numbered serigraph by Judith Murray was created for the benefit of the Lincoln Center Mostly Mozart Festival in 1991. Renowned for her contributions to abstract art, ...

Joe Suzuki is represented by Krause Gallery in NYC this sculpture is a unique 1/1 I consider my work to be artifacts of my own particular culture, which is not the generalized Japa...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

This is a first-edition serigraph poster designed by Allan D’Arcangelo for the 1968 Lincoln Center Festival in New York, one of the cultural highlights of the city's annual art calen...

Shan Fannin's "Farmer's Friend - Dodge Truck" is an original, handmade acrylic painting that depicts the chrome grill of a vintage orange Dodge Truck.

Alfredo Sosabravo (Cuba, 1930) 'Viejo pescador', 2001 silkscreen on canvas 28.8 x 37.1 in. (73 x 94 cm.) Edition of 75 ID: SOS1289-005-075 Unframed ______________________________________ Manuel Alfredo Sosabravo  Born: 1930, Sagua la Grande, Matanzas, Cuba.  Studies: Between 1955-1957 he studied at the Elementary School of Applied Plastic Arts attached to the Academy of Fine Arts San Alejandro, in Havana, Cuba.  Experience: Member of the Association of Cuban Recorders and teaches several drawing and engraving courses at the National School of Art Instructors. In 1965 he entered the Graphic Experimental Workshop of Havana. In 1993 he teaches a mural ceramic course at the Faculty of Fine Arts of the University of Tenerife in the Canary Islands, working in turn at the Giuseppe Mazzotti Museum House 1903 in Albissola Mare, Italy.  Exhibitions: It is included in the 1959 annual Salon, Palace of Fine Arts, Havana. He made the first personal exhibition of importance in 1967 with oil-collages and ceramics in the Havana gallery. In 1973 he placed on the mezzanine floor of the Habana Libre Hotel a mural composed of 555 pieces of ceramics started since 1971. In 1997 he presented Sosabravo, The Guardian of the Small, in the Art Gallery, Madrid, Spain. In 2001 he exhibited graphic and painting works in El Comune de Orvieto Italia, in the Sala Conca de la Laguna, Tenerife and at the Feria de la Estampa in Madrid. In Cuba, he built the 10 m2 mural called Carnaval de la Habana for the Residencial América real estate. In 2002, Galería Cernuda Arte, Coral Gables, Florida, shows his works at the Art Miami Fair. In the United Kingdom he exhibited Murano glass oil paintings and sculptures. The Biennale di Ceramica nell'Arte Contemporary of Albissola Mare, Savona, invited him to participate with works that he would carry out in the San Giorgio da Poggi workshop. In 2003 his work was part of the Important Cuban Artworks...

'Arcade II, 1981' a highly collectable original watercolor by internationally acclaimed American Realist James Torlakson. The art is 8 x 11 inches and 15.5 x 18.5 inches framed and r...

Highball on the Redball Manifest is a limited edition serigraph by Robert Indiana, signed and numbered out of 30 in pencil, with the designation "A.P." (Artist Proof). This print is ...

Edition of 150, signed and numbered by the artist. The Paris Review publishes writings and poetry by aspiring writers young and old. The publications are paid for partly by the sale...

Artist: Slonem, Hunt Title: Pale Path Date: 2026 Medium: Oil on wood Unframed Dimensions: 12" x 10" Framed Dimensions: 15.75" x 13.75" Signature: Signed by Artist on Verso Edi...

Christ is an original print realized by Jacques Beltrand in 1928. Cromolithograph. Good conditions except for being aged and some rips on the lower margin and a cutaway on the top l...

Number 50 'My Half Century Marker' from Frohsin's 'Number's series 2010-2014. Created in layers of mixed media: acrylic, gouache, pencils, ink on archival museum board, and then prof...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

Unique work combining acrylic, collage and varnish on a paint palette Hand-signed Perfect condition Dated and titled at the back Theme : Ballon seller

Volodymyr Mykytenko - national traditions 2 (2012) national traditions 2 - our traditions always unite us, this work is a symbol of prosperity, good harvest and peace Additional in...

Artist: Omar Rayo, Colombian (1928 - ) Title: Untitled I Year: circa 1970 Medium: Intaglio Etching with Collage on handmade paper, signed in pencil Edition: 50, AP Paper Size: 30 x ...

Card Sz: 1 3/4"H x 2 3/4"W Art Sz: 20"H x 16"W Frame Sz: 25 5/8"H x 21 1/2"W

May 1968 marked a tumultuous period in French history when political activism and social change were at the forefront. During these transformative times, a powerful and provocative political poster emerged, sending a clear message about resistance and dissent. The poster, titled "Achtung! Pour Tous les Sales Boulots Téléphonez à Hitler...

Atanas MIHALTCHEV Turn Round, Turn Square Lithograph Signe din pencil Numbered / 50 ex Blind stamp of the artist in the bottom right corner On Johannot vellum 48 x 63 cm (c. 19 x 25...

Fabiana Preti's guiding elements are shape, point, line, plane, color, and texture, deployed through a repetitive gesture that unfolds across painting, embroidery, engraving, install...

A California-based Gen X Street Artist with uncommon discipline and work ethos in his practice, Ricky Sencion aka "Little Ricky" has been studying, developing, archiving, formulating...

Jose Bedia (Cuban, 1959) 'Mother of war', 2019 Woodcut and serigraph Limited edition of 30 Image size: 92 x 181 cm. (36.2 x 71.3 in.) Overall size: 118 x 199 cm. (46.5 x 78.3 in.) Su...

Jesus Christ Constantin Antonovici, Romanian (1911–2002) Date: circa 1950 Hand-Carved Wooden Sculpture Size: 20 x 16 x 2 in. (50.8 x 40.64 x 5.08 cm) Reference: Uricariu/Bulat pg. 45

Chino Bu (Cuba) 'Untitled (from Porfolio Grabados Cubanos)', 1978 silkscreen on paper Canson 320 g. 23.6 x 17.6 in. (59.8 x 44.6 cm.) Edition of 200 ID: BUC-303 Unframed

Mixed materials (wood & copper) Edition 4 of 75 Signed on the base, and numbered on the base and the accompanying insert card Mint. Small chip on the wooden box bottom back corner, o...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. American Glassware (2010-present) which is presented in a small, wall-mounted vitrine. American Glassware is composed of three glass objects: a “souvenir” Walden Pond ashtray made by me as a multiple; a real souvenir ashtray from the 1964-65 New York World’s Fair; and an authentic “Happy Face” drinking glass from the same era. They are all nestled in crumpled, vintage newspaper from 1967, and are presented together in a dilapidated cardboard box, as if they have been found in someone’s attic or basement. Once again, in a similar manner to the Glass House Ashtray, versions of his Walden Pond ashtray (Walden Pond Souvenir) have been injected into the collectable stream of tag sales and flea markets, creating a souvenir that never existed. The ashtray is screenprinted with an image of Thoreau’s cabin on Walden Pond as pictured on the title page of his book Walden, or Life in the Woods (1854). (The original illustration was created by Thoreau’s sister, Sophia.) Walden Pond Souvenir was originally produced for the 2010 exhibition Renovating Walden at the Tufts University Art Gallery in Medford, MA. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

The 1952 original poster by Claude Lepape for "Le Centenaire de la Médaille Militaire" is a commemorative piece that celebrates the 100th anniversary of ...

Artist: Man Ray (American born, 1890 - 1976) Title: ABSTRACT RAYOGRAPHY Date Of Negative: 1927 Type Of Print: Authentic Vintage Sheet Fed Photogravure/Heliogravure. Date Of Print: 19...

Artist Comments
Artist Mitchell Freifeld takes the viewer on a road trip around the northwest, taking random turns in any direction on the oldest roads—no plans or destinat...

42 x 31.5 inches CHARLES BIEDERMAN 1981 A beautiful museum piece made out of aluminum. In need of some repairs. The piece in the photo with the whi...

The circa 1970 original exhibition poster "Sens Interdit" by Jean-Pierre Raynaud for the Alexandre Iolas Gallery captures the bold and conceptual essence of Raynaud's work. Known for...

Luis Miguel Valdes (Cuba, 1949) 'La Paleta I', 2014 woodcut, watercolor on paper Velin Arches 300 g. 12.1 x 15.8 in. (30.5 x 40 cm.) ID: VAL-3G2014-331 Hand-signed by author ________...

The proposed print is a screenprint made on fine paper with collage inserts and a print run of 20 artist's proof copies, in excellent condition. On the screenprint there are in the ...

Antonio Diaz Cortes (Mexico, 1935) 'Kamazotz ', 2006 engraving on paper Velin Arches 300 g. 19.7 x 27.6 in. (50 x 70 cm.) Edition of 99 ID: DIA-101