Symbol Art

Halka - Stanislaw Moniuszko is a vintage poster realized by Unknown Artist, in 1970s. Mixed colored offset print. The artwork represented a Teather Wielki poster. Good conditions...

Ex Libris Fereng is an original Modern Artwork realized in the 1950s. Original Ex Libris. Original B/W woodcut on ivory-colored paper. The work is glued on cardboard. Total...

This body of work explores the movement between inner and outer states — a continuous passage between internal and external dimensions. The figures do not settle in either space; the...

‘St Mark's Cathedral.' is a b/w photographic print on Cardboard. The artwork represents crucified Christ.The stamp of Foto Bohm Venezia on the rear.

Ex Libris Obratil is an original Contemporary Artwork realized in the Mid-20th Century. Original Ex Libris. Original B/W woodcut print on ivory-colored paper. Hand-signed in penci...

One Way (The Last Picture Show) - 2002, 48x47cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist I...

Faceless Wonder Woman Female POWER Oil Painting There are more super hero painting Comes ROLLED in a tube Needs framing NY Artist Y.M. Lo oil painting. ...

DEJAVU Trailer, captured on a sunny spring day, on one of Richard Heeps' many visits, capturing the trailer in the fen landscape as it changes with the seasons. Taken in 2018 is was ...

Rebecca Skinner’s “Linger” is a 18 x 12 inch metal print and is part of her “Transient” series. The peeling paint, texture and soft pink and beige color exudes strength in this color...

Limited edition of 50 pieces.

A small, intimate graphite and charcoal drawing capturing the magic of a sunlit summer morning. The tree branches and bicycle path sign evoke calm, joy, and quiet moments of bliss. I...

Etching and aquatint realized by Edolo Masci. Hand signed and numbered in pencil. Edition of 90. Excellent condition.

Artist: Ed Ruscha Title: Zoot Soot Medium: Die-Cut letterpress on handmade paper with colored threads Year: 2015 Paper Size: 10-3/4" x 13-3/4" Frame Size: 16-1/2" x 19-1/2" Edition: ...

Agent X Crux Immissa 2 (Cross, Flowers, Vibrant) Year: 2025 Archival Pigment Print with Archival Inks on 240 gsm Hahnemuehle Paper Size: 30 x 20 inches (76 x 50 cm) Edition of 100 CO...

ALISTAIR MACK (1955-) Scottish painter and print maker. He trained at Edinburgh College of Art after working as a lab technician for 12 years and his artistic work is often inspired ...

It is said that Marbling (his painting technique) originated in Japan in the 12th Century. Mikael has been able to reinvent the technique existing for more than hundreds of years li...

In 2000, Linda Stein began a series called Knights of Protection. Her Knights functioned both as defenders in battle and symbols of pacifism. In 2019, Stein re-conceived her Kni...

Etching and aquatint realized by Edolo Masci. Hand signed and numbered in pencil. Edition of 90. Excellent condition.

Katharina Fritsch Fischring und Stern / Fish Ring and Star 1983/1994 Painted fiberglass and lacquered brass Fish Ring: 3 1/4 inches (diameter); 8 cm Star: 3 3/4 inches (diameter); 10...

Mario Schifano Untitled , 1970 -1974 Signed on the reverse Screenprint on Canvas 115 x 115 cm 45 x 45 inches Mario Schifano was a pivotal Italian artist recognized for his oeuvre wi...

This piece titled "Designer Eyes" is original artwork made from paper, inkjet print, enamel, wire, chain, aluminum tube, and pastel by Drew Leshko. This piece measures 10"h x 0.75"w ...

Rita Simon (aka Atirnomis), American (1938 - ) - Rara Avis, Year: 1978, Medium: Screenprint, signed and numbered in pencil, Edition: AP 30, Image Size: 33.5 x 24 inches, Size: 3...

This piece titled "Loretta's Flowers" is original artwork made from paper, inkjet print, enamel, wire, chain, aluminum tube, and pastel by Drew Leshko. This piece measures 8"h x .75"...

This piece titled "Nails" is original artwork made from paper, inkjet print, enamel, wire, chain, aluminum tube, and pastel by Drew Leshko. This piece measures 10"h x .75"w x 8"h. ...

Crucifixion (36) John F. Leonard American (1921–1987) Date: 1964 Oil on Board, signed Size: 21.5 in. x 15 in. (54.61 cm x 38.1 cm)

Circular text-based portrait painting on wood panel with vivid pink background and cryptic multilingual inscription. Currency #165 by Natasha Lelenco presents a compact yet visually...

“Currency #200” is a circular portrait in acrylic on wood depicting a Latin female figure painted in cobalt and ultramarine tones against a luminous orange background. The inscriptio...

'Eldorado Auto Skooter, Coney Island New York' is a black and white archival inkjet print by Morgan Silk. It is available in this size of 18" x 18" in a limited edition of 10. The...

A radiant emblem of romance and luxury, Pop Out No. 5 exemplifies Burton Morris’ signature approach to contemporary pop art. At the center of the composition, a three-dimensional hea...

Aaron Bohrod Objets D'Arctic, 1987 Signed lower right Oil on gesso board 14 x 11 inches Aaron Bohrod's work has not been limited to one style or medium. Initially recognized as a regionalist painter of American scenes, particularly of his native Chicago, Bohrod later devoted himself to detailed still-life paintings rendered in the trompe l'oeil style. He also worked for several years in ceramics and wrote a book on pottery. Born in 1907, Bohrod began his studies at Chicago's Crane Junior College in 1925, and two years later enrolled in the Art Institute of Chicago. But it was at the Art Students League in New York City, from 1930 to 1932, that he studied under the man believed to be his most significant early influence, John Sloan. Sloan's romantic realism is reflected in the many depictions of Chicago life...

Original work by Israeli artist Igor Litkin, depicting two bold, perpendicular lines set against a plane surface. The composition features an upper horizontal line subtly detached fr...

A series of paintings, academicism is dead. I take dry and boring academic drawings and transform them into vibrant contemporary art. By buying Ukrainian art from Ukrainian artist...

August 13, 2020 2020 Signed and numbered on label, verso Archival pigment print 40 x 52 inches, image (Edition of 3 + 2 APs) $5000.00 26 x 34 inches, image (Edition of 6 + 2 APs)...

Xtreme (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid photograph. Artist inventory Number 909. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

Star Link (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 1194. Signature label and Ce...

Expanses of Time (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 1193. Signature label...

Title: French Mid 20th Century Exhibition Poster Study for WWII Normandy Landings by Anne Marie Migette Perard (French 1902-1977) Medium: Watercolor and ink on unframed paper Size: 19.75 inches (height) x 25.5 inches (width) Condition: As is normal with unframed works on paper there are some minor old creases or paper edge curls/ tears - all of which should be covered over or smoothed out once framed; generally very good and sound. Provenance: as with all the works we have by this artist, it has come from the artists estate in France. Description: This rare and historically resonant piece by Anne Marie Migette Perard is a hand-painted exhibition poster study commemorating the Débarquement—the D-Day landings of World War II. Titled Exposition sur le Débarquement, this draft appears to have been created for a local or regional tourism office (Pavillon du Tourisme) for an event running from 24 May to 3 July. Rendered in expressive watercolor and ink, the piece features bold text, explosive orange and yellow bursts symbolizing the intensity of battle, and the Cross of Lorraine—a widely recognized emblem of Free France and French resistance during the war. The backdrop suggests the beaches of Normandy, blending into a sky of smoke and movement. This work is likely an original design proposal or exhibition concept piece, making it a unique find for collectors of WWII memorabilia...

Secret Garden (Zuma Beach) - 1999 20x25cm, Edition of 10 plus 2 Artists Proofs. Archival C-Print, based on the Polaroid. Signature Label and Certificate. Artist Inventory #212. Not...

ICES - Four Framed Artworks, Photographs by Richard Heeps. Featured here Sherbet Yellow, Coral Pink , Viridian Green, Baby Blue. Get in touch to request other sizes or color combin...

Kathleen Keifer's original artworks represent one of the most significant expressions of New California Realism. Keifer brings a fresh perspective to her colorful scenes of everyday ...

An original wearable sculpture by Berrocal. Artist: Miguel Berrocal, Spanish (1933 - 2006) Title: Torso Verona Year: 1980 Medium: Bronze Sculpture, signature and numbering inscrib...

"Jimmy Jawn's" is an original archival pigment on wood panel artwork by Kid Hazo measuring 24"h x 24"w. kid hazo (pronounced has•ohh) is a Philadelphia-based street artist out to ca...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

Home, Sweet 29 (Oxana's 30th Birthday) - 2010 58x56cm, Edition 1/5. Analog C-Print, hand-printed by the artist, based on the Polaroid, mounted on Aluminum with matte UV-Protecti...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

Wrong Way (29 Palms, CA) - 1999 44x59cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist Inventor...

Battlefield (29 Palms, CA) - 1999 44x59cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist Invent...

SOS (Bombay Beach, CA) - 2022 20x20cm. Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist Inv. #PL2022-...

Shell (Stranger than Paradise) - 1999 50x49cm, Edition of 10 plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist, based on the Polaroid. Certificate and Signature ...

No Parking (Stranger than Paradise) - 1999 59x56cm, Edition 2/10. Analog C-Print, hand-printed by the artist, based on the Polaroid. Certificate and Signature label. Artist In...

Five Miles Per Hour, Rhyolite, Nevada, photograph from Richard Heeps 'Dream in Color' Series. This photograph taken at dusk captures the sunset in the valley. The area was once a go...

WAR BOUTIQUE (Scottish, b. 1965) Metropolitan Peace — Armband Sold Out Made from Recycled Police Body Armour Straps Offering A sold-out Metropolitan Peace armband by War Boutique —...

WAR BOUTIQUE (Scottish, b. 1965) Metropolitan Peace — Jacquard Woven Patch Sold Out Edition Jacquard Woven Textile Offering A sold-out Metropolitan Peace patch by War Boutique — th...

Hand printed Platinum Photograph. Tom Millea was well known for his printing. He loved Death Valley and even made a portfolio of it. This is a loose print.

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...