Symbol Art

This is a one of a kind original oil and acrylic neoclassical painting depicting the famous Creation of Adam by Southern California artist, Gina Palmerin. Its dimensions are 30x30. I...

Ex Libris Obratil is an original Contemporary Artwork realized in the Mid-20th Century. Original Ex Libris. Original B/W woodcut print on ivory-colored paper. Hand-signed in penci...

Artist Emmett Graham. Inspired by Dia De Los Muertos. It is said , people die three deaths. The first death is the body. The second is the burial. The third death occurs when no one...

Diseases of Skin is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 1843. The work belongs to the Atlante...

This painting continues Caitlin Flood-Molyneux’s ongoing exploration of the black dog, a symbol she returns to as a metaphor for struggle, heaviness and quiet resilience. Rooted in p...

Alan Latter (born 1961) Fashionable Buttons, a Trompe l'oeil Signed and dated ‘2021’ verso Oil on board 10½ x 7½ inches 11 x 7¾ inches Born in Islington in 1961, Alan Latter's work is influenced by Bloomsbury Group artists Vanessa Bell and Duncan Grant and Fauvists Henri Matisse and Jean Puy...

Ex Libris - W. Smeets is a Modern Artwork realized in early-20th century. Ex Libris. B/W woodcut on paper. The work is glued on ivory cardboard. Total dimensions: 20x 15 cm. Go...

The 1952 original poster by Claude Lepape for "Le Centenaire de la Médaille Militaire" is a commemorative piece that celebrates the 100th anniversary of ...

Composition is a beautiful original lithograph realized by Jose Ciuha (1924-2015) Hand-signed on the lower right. Good conditions. The artwork represents...

Letter Q - from the suite Letters of the Alphabet is a contemporary artwork realized by Erté (Romain de Tirtoff). Lithograph and Screen Print. The artwork is from the suite "Letter...

It is said that Marbling (his painting technique) originated in Japan in the 12th Century. Mikael has been able to reinvent the technique existing for more than hundreds of years li...

Carmine Bilardello’s Big Multi Ducks (2025) is a vibrant and meticulously crafted resin-based artwork that transforms the charm of childhood nostalgia into a sophisticated, contempor...

Lili Come The Chessboard Escape Artist Steel sculpture Car body paint 2025 90 x 30 x 30 9 kg Signed in steel 1,900 euros

We acquired a series of watercolour stained glass designs from Jane Gray's studio. To find more scroll down to "More from this Seller" and below it click on "See all from this seller...

Letter S is an Etching realized by Luigi Vanvitelli in 18th century. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (ori...

Mum’s Favourite [2022] original Acrylic on canvas board Image size: H:30 cm x W:26 cm Complete Size of Unframed Work: H:30 cm x W:26 cm x D:0.5cm Frame Size: H:39 cm x W:34 cm x D:3.5cm Sold Framed Please note that insitu images are purely an indication of how a piece may look. This contemporary still life features a characterful pot (Mum's favourite!) on a patchwork tablecloth. The rich textures and the colour palette of spice tones are perfectly set off by a French style white wooden frame and will add vibrance and warmth to both traditional and modern homes. Kerry Louise...

Letter of the Alphabet B, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Good conditions with slight folding....

Letter of the Alphabet S, from the series "Antiquities of Herculaneum", is an etching on paper realized by Various Authors in the 18th century. Good conditions. The etching belong...

‘St Mark's Cathedral.' is a b/w photographic print on Cardboard. 2390 Venezia-Chiesa S.Marco - Formella Bizantina Rip. Int. C.Naya Venezia” is written at the bottom. The artwork re...

Letter of the Alphabet D, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Good conditions. The etching belon...

Etching realized by Amedeo Tedeschi Toschi in 1996 ca. Hand signed and numbered in pencil. Edition of 16. Excellent condition.

Letter R is an Etching realized by Luigi Vanvitelli artist of 18th century. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichit...

One Way (The Last Picture Show) - 2002, 48x47cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist I...

Christ is an original print realized by Jacques Beltrand in 1928. Cromolithograph. Good conditions except for being aged and some rips on the lower margin and a cutaway on the top l...

The proclaimers is an artwork realized by the English artist Martin Bradley in 1977. Watercolour on cardboard, hand-signed, dated on the lower right corner "Martin Bradley 1977 " an...

The single letter "E", from the alphabet, illustrated by elephants. All letters are available, and the full set of 27 etchings in folio box is available for $3200. Animals, real and ...

Etching and aquatint realized by Edolo Masci. Hand signed and numbered in pencil. Edition of 90. Excellent condition.

This contemporary painting, "Be Mine", by artist Matthew LaChapelle is a 6x6 oil painting on canvas board featuring a charming, textured heart featuring soft pink tones and hand-pain...

Olympic Connections, Olympic Games Beijing 2008 is an original lithography print realized by Pier Augusto Breccia. This artwork is from the portfolio The Unique Collection for the Olympic Fine Arts 2008 presented during the Olympic Games and produced in 260 copies as the only official artistic product of the 2008 Beijing Olympics. Each artwork of this portfolio is recognizable by the official stamp of the Olympic Organising Committee. Hand-signed on the lower right, Numbered on the lower left, edition of 6/260 prints. Excellent conditions. Per Augusto Breccia was born in Trento (Italy), on April 12, 1943, the son of Elsa Faini of Trento and Angelo Breccia of Porano (Orvieto). Since 1948 he has lived in Rome, where he has pursued the full curriculum of studies. The father was a surgeon; his mother, a hospital operating room chief nurse. From a surgical point of view, “the operating theatre was his nursery”. In his adolescence, his surgical “predestination” was in a certain way in contrast to his particular inclination toward the humanistic world. During his 14th and 15th years, fascinated by Dante, he studied with passion, by himself, the Divine Comedy, learning to appreciate the artistic, universal contents beyond the allegoric representations. At 16, upon entering classic high school, he discovered the glamour of the ancient Greek world. On his own initiative, he translated in blank endecasyllabics (published by Signorelli Ed.) Sofocle’s “Antigone” and the “Tied Prometheus” by Aeschilus. He also translated the Plato...

DEJAVU Trailer, captured on a sunny spring day, on one of Richard Heeps' many visits, capturing the trailer in the fen landscape as it changes with the seasons. Taken in 2018 is was ...

Limited edition of 50 pieces.

Rita Simon (aka Atirnomis), American (1938 - ) - Rara Avis, Year: 1978, Medium: Screenprint, signed and numbered in pencil, Edition: AP 30, Image Size: 33.5 x 24 inches, Size: 3...

Halka - Stanislaw Moniuszko is a vintage poster realized by Unknown Artist, in 1970s. Mixed colored offset print. The artwork represented a Teather Wielki poster. Good conditions...

Venetian medieval art is an original photograph taken in Venice, realized by an Anonymous photographer. With the description on the rear. Very Good conditions.

The Inn is an original artwork realized by an artist of the 18th century. The print is quite worn at the edges and includes a passepartout. Image Dimensions: 12 x 29.9 cm The wri...

This sculpture is part of our exhibition America Coast to Coast: Artists of the 1940s. Two Figures, 1949, ebony wood, 24 x 7 x 5 inches, unsigned, but comes from Thomas' daughters and includes a copy of a 1949 photo of this work listing the artist's name, title of work and date Robert Chester Thomas was a California sculptor. A native of Wichita, Kansas, Thomas moved with his family to Southern California as a child. During World War II, he joined the army and served for a time in the European theater. When he returned to California, he studied sculpture with David Green in Pasadena in 1946 and 1947, before taking advantage of the GI Bill in 1948 to study with Ossip Zadkine in Paris. He first exhibited at Galerie St. Placide as part of an exhibition of American artists working in late 1940s Paris...

This contemporary painting, "Love You", by artist Matthew LaChapelle is a 6x6 oil painting on canvas board featuring a charming, textured heart featuring soft pink tones and hand-pai...

Claude Verois French, 20th Century Place de la Concord, Paris Oil on board 16 by 20 in, w/ frame 20 by 24 in Signed lower left, circa 1950 Inventory Number: 01701

Surrealistic image of a snake balancing a reflective sphere. Signed and numbered from the edition of 55. This is an older print, and one of Sietins larger images. The illusions and ...

1938 original advertising poster for RAI Amsterdam stands as a testament to both the artistic prowess of its creator and the significance ...

Hand printed Platinum Photograph. Tom Millea was well known for his printing. He loved Death Valley and even made a portfolio of it. This is a loose print.

Title: French Mid 20th Century Exhibition Poster Study for WWII Normandy Landings by Anne Marie Migette Perard (French 1902-1977) Medium: Watercolor and ink on unframed paper Size: 19.75 inches (height) x 25.5 inches (width) Condition: As is normal with unframed works on paper there are some minor old creases or paper edge curls/ tears - all of which should be covered over or smoothed out once framed; generally very good and sound. Provenance: as with all the works we have by this artist, it has come from the artists estate in France. Description: This rare and historically resonant piece by Anne Marie Migette Perard is a hand-painted exhibition poster study commemorating the Débarquement—the D-Day landings of World War II. Titled Exposition sur le Débarquement, this draft appears to have been created for a local or regional tourism office (Pavillon du Tourisme) for an event running from 24 May to 3 July. Rendered in expressive watercolor and ink, the piece features bold text, explosive orange and yellow bursts symbolizing the intensity of battle, and the Cross of Lorraine—a widely recognized emblem of Free France and French resistance during the war. The backdrop suggests the beaches of Normandy, blending into a sky of smoke and movement. This work is likely an original design proposal or exhibition concept piece, making it a unique find for collectors of WWII memorabilia...

In 2000, Linda Stein began a series called Knights of Protection. Her Knights functioned both as defenders in battle and symbols of pacifism. In 2019, Stein re-conceived her Kni...

Ardor is a brand born from the vision of artist Raffaele and dedicated to his son. Originally from Naples, Raffaele moved to Miami at the age of 18 to study design. Immersing himself...

'Eldorado Auto Skooter, Coney Island New York' is a black and white archival inkjet print by Morgan Silk. It is available in this size of 18" x 18" in a limited edition of 10. The...

This piece titled "Loretta's Flowers" is original artwork made from paper, inkjet print, enamel, wire, chain, aluminum tube, and pastel by Drew Leshko. This piece measures 8"h x .75"...

This piece titled "Lucky Sal" is original artwork made from paper, inkjet print, enamel, wire, chain, aluminum tube, and pastel by Drew Leshko. This piece measures 9"h x .75"w x 7"h....

This piece titled "Nails" is original artwork made from paper, inkjet print, enamel, wire, chain, aluminum tube, and pastel by Drew Leshko. This piece measures 10"h x .75"w x 8"h. ...

Xtreme (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid photograph. Artist inventory Number 909. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

Om Swami - Bhalchandra Acrylic on Canvas Fiber Glass, H 22 x W 19 x D 10 inches, 2020 Born : 1974 Om Swami is a Mumbai based artist who has studied at the R...

This artwork boldly features a striking, textured green apple set against a two-toned background. The upper half of the canvas is dominated by a smooth, off-white section, creating a...

Star Link (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 1194. Signature label and Ce...

Expanses of Time (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 1193. Signature label...

Secret Garden (Zuma Beach) - 1999 20x25cm, Edition of 10 plus 2 Artists Proofs. Archival C-Print, based on the Polaroid. Signature Label and Certificate. Artist Inventory #212. Not...

The iconic Googie Roy's Motel sign on the famous Route 66 which is the backdrop to some of the best American road trips. Photograph by Richard Heeps as part of his Dream in Colour se...

Alexandre Schaller is a Swiss artist from Geneva, known for his contributions to the Pop Art movement. His artwork exemplifies his distinctive style, characterized by vibrant colors...

Como pueden apreciar, la obra va firmada en la parte inferior y fechada del año 1972 En la parte trasera, va nuevamente firmado Se presenta enmarcada la pintura (el marco presenta ...

This wood statue, used as a fetish, was created by an unknown Bacongo artist in Zaire. The Kongo people (also Bakongo) are a Bantu ethnic group primarily defined as the speakers of K...

ICES - Four Framed Artworks, Photographs by Richard Heeps. Featured here Sherbet Yellow, Coral Pink , Viridian Green, Baby Blue. Get in touch to request other sizes or color combin...

Archival pigment print Signed and numbered, verso 8 x 10.5 inches, image (Edition of 15 + 2 APs) 15 x 19.7 inches, image (Edition of 15 + 2 APs) 26 x 34 inches, image (Edition of ...