Tree Art

"Architecture of Winter" A surreal, black and white array of trees in an otherworldly winter landscape Surreal image of an unending, beautiful array of trees in winter Yellowstone ...

Hand printed by artist. Edition 9/40 Printed 2007 Excellent condition

In “Kingdom (Midcentury Modern), 2026,” Brooks Anderson captures the quiet grandeur of desert modernism through luminous color, architectural clarity, and a masterful sense of light....

Deb Komitor's (US based) "Autumn Fully Present" is an oil painting that depicts a dense thicket with recently fallen orange and yellow leaves carpeting the forest floor Bio/artist s...

RISAKU SUZUKI (*1963, Japan) Water Mirror 17, WM-717 2017 Chromogenic print Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5; Ed. no. 1/5 Framed ‘Water Mirror’is a condensation of ...

Countryside Landscape, Impressionist, Signed Oil Painting by Pamela Cawley, British 20th century Signed on the lower right hand corner oil painting on canvas, unframed canvas: 26 x ...

Artist: Vahram Meliqsetyan Title: Fall Medium: Oil on Canvas Year: 2024 Style: Impressionism Dimensions: 23.5" x 16.5" x 0.8" inch (60 x 42 x 2cm) Presentation: Unframed, Gallery Wra...

'Indian Canyons' - oil on canvas is 48 x 36 inches, meticulously painted by Brooks Anderson. Canvas edges are painted dark in artist's signature style. Lovely to behold from every an...

The artist painted this captivating naturalistic painting near his home. The study depicts a serene winter landscape, bathed in the soft glow of twilight. The foreground showcases a ...

Title: French Watercolor of "Château de Cheverny" with Lush Grounds and Towering Trees by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper...

There is a lot of snow on the boulevard in winter. He wraps the trees like a duvet. Frosty air creates sfumato by plunging and blurring objects in space. Converging colors and tones ...

Signed, titled and numbered by the artist. Medium: etching and aquatint Image size: 12 x 9 inches Year: 2018 Fall colors on Chuckanut Drive, south of Bellingham, WA. Born in Ber...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21300 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Late 19th Century French Barbizon School oil on wood panel of poplar trees in a landscape by Richard. The painting is signed bottom left. The painting is on a quality chamfered panel. A very charming, almost impressionist, rendition of a line of iconic French trees in a landscape. Before them an earth drive has been ploughed up by the wheels of passing carts and horses. Richard has created a wonderful perspective that draws us in to the painting and he has created a contrast between the strong greens of the trees and fields against the whites and blues of the sky. The painting is reminiscent of the works of Monet from the 1890s. to whom the poplar trees were a continuing inspiration. The Barbizon school of painters was part of an art movement towards Realism in art, which arose in the context of the dominant Romantic Movement of the time. The Barbizon school was active roughly from 1830 through 1870. It takes its name from the village of Barbizon, France, on the edge of the Forest of Fontainebleau, where many of the artists gathered. Most of their works were landscape paintings, but several of them also painted landscapes with farmworkers, and genre scenes of village life. Some of the most prominent features of this school are its tonal qualities, colour, loose brushwork, and softness of form. The leaders of the Barbizon school were: Théodore Rousseau, Charles-François Daubigny, Jules Dupré, Constant Troyon, Charles Jacque, and Narcisse Virgilio Díaz. Jean-François Millet lived in Barbizon from 1849, but his interest in figures with a landscape backdrop sets him rather apart from the others. Jean-Baptiste-Camille Corot was the earliest on the scene, first painting in the forest in 1829, but his work has a poetic and literary quality which sets him somewhat apart. Other artists associated with the school, often pupils of the main group, include: Henri Harpignies, Albert Charpin, François-Louis Français and Émile van Marcke. In 1824 the Salon de Paris exhibited works of John Constable, an English painter. His rural scenes influenced some of the younger artists of the time, moving them to abandon formalism and to draw inspiration directly from nature. Natural scenes became the subjects of their paintings rather than mere backdrops to dramatic events. During the Revolutions of 1848 artists gathered at Barbizon to follow Constable's ideas, making nature the subject of their paintings. The French landscape became a major theme of the Barbizon painters. Millet extended the idea from landscape to figures — peasant figures, scenes of peasant life, and work in the fields. In The Gleaners (1857), for example, Millet portrays three peasant women working at the harvest. Gleaners are poor people who are permitted to gather the remains after the owners of the field complete the main harvest. The owners (portrayed as wealthy) and their laborers are seen in the back of the painting. Millet shifted the focus and the subject matter from the rich and prominent to those at the bottom of the social ladders. To emphasize their anonymity and marginalized position, he hid their faces. The women's bowed bodies represent their everyday hard work. In the spring of 1829, Jean-Baptiste-Camille Corot came to Barbizon to paint in the Forest of Fontainebleau, he had first painted in the forest at Chailly in 1822. He returned to Barbizon in the autumn of 1830 and in the summer of 1831, where he made drawings and oil studies, from which he made a painting intended for the Salon of 1830; "View of the Forest of Fontainebleau'" (now in the National Gallery in Washington) and, for the salon of 1831, another "View of the Forest of Fontainebleau"'. While there he met the members of the Barbizon school: Théodore Rousseau, Paul Huet, Constant Troyon, Jean-François Millet, and the young Charles-François Daubigny. During the late 1860s, the Barbizon painters attracted the attention of a younger generation of French artists studying in Paris. Several of those artists visited Fontainebleau Forest to paint the landscape, including Claude Monet, Pierre-Auguste Renoir, Alfred Sisley and Frédéric Bazille. In the 1870s those artists, among others, developed the art movement called Impressionism and practiced 'plein air' painting. In contrast, the main members of the school made drawings and sketches on the spot, but painted back in their studios. The Post-Impressionist painter Vincent Van Gogh studied and copied several of the Barbizon painters as well, including 21 copies of paintings by Millet. He copied Millet more than any other artist. He also did three paintings in Daubigny's Garden. The Barbizon painters also had a profound impact on landscape painting in the United States. This included the development of the American Barbizon school by William Morris Hunt. Several artists who were also in, or contemporary to, the Hudson River School studied Barbizon paintings for their loose brushwork and emotional impact. A notable example is George Inness, who sought to emulate the works of Rousseau. Paintings from the Barbizon school also influenced landscape painting in California. The artist Percy Gray...

Group of three mid century tole palm tree sculptures crafted in metal in a chic stylized modern form with painted leaves and faux bamboo trunks set in classic square bases with faux ...

*22x30" editions and 24x36" editions are platinum prints. Editions with a width of 60" or greater are archival pigment prints* Baobabs are one of Africa’s natural wonders: they can live more than 2,500 years, and their massive, water-storing trunks can grow to more than one hundred feet in circumference. They also serve as a renewable source of food, fiber, and fuel, as well as a focus of spiritual life. But now, suddenly, the largest baobabs are dying off , literally collapsing under their own weight. Scientists believe these ancient giants are being dehydrated by drought and higher temperatures, likely the result of climate change. Photographer Beth Moon, already responsible for some of the most indelible images of Africa’s oldest and largest baobabs, has undertaken a new photographic pilgrimage to bear witness to this environmental catastrophe and document the baobabs that still survive. In this oversize volume, she presents breathtaking new duotone tree portraits of the baobabs of Madagascar, Senegal, and South Africa. She also recounts her eventful journey to visit these fantastic trees in a moving diaristic text studded with color travel photos.

This large, dramatic black-and-white photograph by one of the most important photographers of the 20th-century, Brett Weston, is perhaps the artist's most iconic image. This relative...

Medium:  Screenprint Year: 2025 ImageSize:  6.6 × 11.75 A woodland landscape with filtered light through trees and a quiet reflective atmosphere. Stephen Lawlor (born 1958 in Dubli...

CANOPY OF LIGHT Size: 57.5 x 69 cm (including frame) Oil on canvas A charming mid-century landscape that captures a bright, leisurely day in a park, framed by two monumental trees t...

Unframed Dimensions: 40 x 30 inches Framed Dimensions: 48 1/2 x 38 1/2 inches American, b. 1952 Frank Corso was born in Syracuse New York. Taking a keen interest in art at a very e...

Vintage Spanish Impressionist Woodland Landscape Oil Painting with Figures, c. 1960 Artist: Joaquim Marsillach i Codony (1905–1986) Origin: Spain, ...

Beautiful mid-century pastoral landscape featuring verdant oak trees by an unknown artist, c. late-1940's. The lush green trees and meadow of this lovely summer scene unfold into the...

This original oil painting is an atmospheric landscape artwork titled Spring, created by the registered artist Elena Lukina in 2022.Designed with an innate sense of balance, this pai...

"Early Winter Snow" is a beautiful original acrylic painting on panel, the composition of which centers around a willow tree near a lake, with dense forest sprawling across the hill ...

Provence Landscape by Pamela Cawley, British 20th century oil painting on canvas, unframed canvas: 20 x 24 inches Stunning original Impressionist oil painting by the 20th century ...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21299 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Using the striking imagery that is abundant in the California landscape, queer artist Kory Alexander creates dreamy paintings that are flooded with vibrancy and movement. Kory consid...

This artwork vividly captures a serene landscape, dominated by lush, green trees standing against a vibrant sky. The brushstrokes are bold and fluid, merging various shades of green,...

Signed lower left in arrowhead: RA Blakelock.

"Before Lunch" is an original impressionist oil painting, created by American painter Raymond Bonilla, depicting a rolling green landscape, covered by a rich forest split by a windin...

Aerial Beach Walk with Palm Trees Original Impressionist PaintingArtwork Description:"Aerial Beach Walk with Palm Trees" is a captivating, 100% original impressionist artwork that ...

Barbados Bliss by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped C-Print. Edition of 150. Printed Later. Barbados Bliss is a Limited Edition Estate Stamped Digital C-Ty...

Size of sheet is ca. 29.5 x 21 cm (A4) Contemporary figurative giclee print by Polish artist Rafal Olbinski. Print is signed, numbered and has a stamp of an artist's atelier. It com...

Looking at Nikolay Dmitriev’s work, you can almost feel the physical warmth of the last sunbeams on your skin and smell the crisp, dry leaves on the ground. The way the bright orange...

Two Trees with Perspective III (TP) Etching and aquatint with hand-coloring, Trial Proof (TP) Signed and titled in pencil Framed This luminous etching and aquatint by David Smith-Ha...

This loose albumen silver print is signed and numbered in the negative. Printed c. 1880s.

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

This artwork "California Landscape with Farm" 1943 is a watercolor on paper by noted California (German/American) artist Ernst Stolz, 1901-1989. It is signed and dated at the lower r...

The River Seine French School, circa 1981 signed lower corner and titled verso oil painting on board, framed framed: 13 x 20.5 inches board: 12 x 19.5 inches provenance: private coll...

Treesong (Contemporary, Realist Charcoal Landscape Drawing by Sue Bryan) 18 x 24 x 2 inches Charcoal and acrylic on Primed Arches Paper Mounted on Wood Panel Excellent condition, Ready to hang as is This contemporary charcoal landscape drawing on arches paper was completed in 2021 by Sue Bryan. Born in Ireland, the artist uses landscapes from her childhood as inspiration for her current work primarily consisting of beautifully detailed charcoal drawings of trees and wooded landscapes. The artist captures exquisite detail and luminous light with the mere use of black and white charcoal and carbon pencil. The artist creates this tree through a blend of light and shadow that demonstrates the artist's masterful technique. Dark leaves and winding branches in black charcoal contrast elegantly against a light filled sky. There is sturdy wire installed on the back for easy hanging. Artist Statement: "My work is drawing based. As a native of Ireland, the landscape there has certainly shaped and influenced my own history. Many of my drawings are of places that have a deep personal association for me; an endeavor perhaps to stay connected to my roots. My aim is not only to convey a sense of place and belonging, but also an attempt to capture the ineffable, to evoke a feeling or a memory, to invite the viewer to look beyond and beneath what they see. My process is one of building up tones and textures using a combination of charcoal, carbon and graphite, all of which yield a wonderful range of blacks and grays that vary in density and transparency as much as in tonality. Much of drawing’s appeal to me lies in its very constraint, in its simplification, in the reduction of nature’s macrocosm to the coal-black char of organic matter. For me, the act of drawing is an end in itself." About the work: A native of Ireland, Sue Bryan explores the memories of youth rooted in her homeland's landscape. Employing charcoal on both paper and panel, these moody and misty studies reminds us that the water-locked terrain is not always sunny and green. Exquisite detail found in each tree branch or mass of tall grasses lining the horizon dominates the foreground. Light emulates from the background attempting to penetrate the density of opaque cloud cover. Bryan's small scale drawings convey an intimate and highly personal sense of place and belonging. SELECTED EXHIBITIONS 2019 'A Quiet Respite", Carrie Haddad Gallery, Hudson, NY 2018 'DRAWN',5th Annual International Exhibition of Contemporary Drawing, Manifest Gallery, OH 2018 'On Paper - An Exhibition of Drawings', Florence Academy of Art, NJ 2018 'MONOCHROME', Bo.Lee Gallery, London 2017 'Arboreal', Manifest Gallery, OH 2017 'Hudson Valley Landscapes', Carrie Haddad Gallery, Hudson, NY 2017 'Affordable Art Fair, Battersea, London, October 2017 'A Long Way from Home', Bo.Lee Gallery, London 2017 187th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland 2017 'Palette', Abend Gallery, Denver, CO 2017 'Summer Exhibit', Carrie Haddad Gallery, Hudson, New York 2017 'Exquisite Abandon : Contemporary Miniature Works', Laguna College of Art & Design 2017 8th Annual Drawing Discourse, University of North Carolina Ashville 2017 'Small is Beautiful', Le Salon Vert, Geneva Switzerland 2016 'Smart Dust', Group Show, Sla307, 307 West 30th Street, New York, NY 2016 'Inside Outside', Carrie Haddad Gallery, Hudson, NY 2016 7th Annual Drawing Discourse, S Tucker Cooke Gallery, University of North Carolina Asheville 2016 186th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland 2016 DRAWN, 3rd Annual International Exhibition of Contemporary Drawing, Manifest Gallery, OH 2016 'Summer Group Invitational', George Billis Gallery, NYC 2015 'Radical Inventions', Carrie Haddad Gallery, Hudson, NY 2015 'Strange Paradise', First Street Gallery's National Juried Exhibition, Juror Steven Harvey 2015 185th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland 2015 'DRAWN' 2nd Annual International Exhibition of Contemporary Drawing, Manifest Gallery 2015 7th Annual Juried Exhibition, Prince Street Gallery, NYC, Juror Robert Berlind 2015 Bradley International Print & Drawing Exhibition, Heuser Art Center, IL, Juror Beth Grabowski 2015 'Interactive Lines' Small Group Invitational, Cabarrus Arts Council, Condor, NC 2014 ‘Regarding the Sublime’, Small Group Invitational, North Park University, IL 2014 27th Northern National Art Competition, Nicolet College Art Gallery 2014 184th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland 2014 'DRAWN’ 1st Annual International Exhibition of Contemporary Drawing, Manifest Gallery 2014 POP-UP : On and Off the Wall, Series 2, Invited Artist, First Street Gallery, NYC 2014 5th Drawing Discourse, University of North Carolina, Asheville, Juror Tim Lowly 2013 VISTA [landscape in contemporary art], National Juried Show, Manifest Gallery 2013 Marks, A National Juried Drawing Exhibition, Madelon Powers Art Gallery, East Stroudsburg University, PA 2013 American Art Today : Figures, The Bascom, A Center for Visual Art, Juror Jonathan Stuhlman 2013 First Street Gallery's National Juried Exhibition, Juror Donald Kuspit 2013 4th Annual Drawing Discourse, S Tucker Cooke Gallery, University of North Carolina, Asheville, Juror Susan Hauptman 2012 Fort Wayne Museum of Art Contemporary Realism Biennial, Fort Wayne Museum of Art, Juror Frank Bernarducci 2012 25th Northern National Art Competition, Nicolet College Art Gallery, Juror Sarah McKenzie 2011 Salmagundi Annual Non-Member Open Exhibition, Salmagundi Club, NYC 2011 33rd Bradley International Print & Drawing Exhibition, Juror Robert E Marx

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibson ...

Charming pair of neoclassic Italian tole or painted palm trees with stylized fronds and trunks set in mustard color planters with galleries and decorated with birds and trees. From ...

This expressive watercolor, titled "Scandinavian Landscape," captures the quiet, majestic beauty of the Finnish forest. The artist focuses on the intense textural contrast between th...

*22x30" editions and 24x36" editions are platinum prints. Editions with a width of 60" or greater are archival pigment prints* Baobabs are one of Africa’s natural wonders: they can ...

Title: Mediterranean Beachfront with Tree and Distant Shoreline Watercolor Pierre Neveu Artist: Pierre Neveu (French b.1929) Medium: Watercolour on paper, unframed Size (H x W): 10.7...

Artist's Statement "When I first began to paint landscapes in college, European and American landscape painters heavily influenced me. I loved the immediate qualities of the Barbizo...

Antique American winter landscape oil painting. Oil on canvas. Signed. Framed. Measuring: 28 by 39 inches overall, and 26 by 36 painting alone. Excellent condition, ready to hang an...

Paris: Cadart & Luquet, 1865 Etching and engraving on Chine-collé mounted to watermarked Aqua-Fortistes cream laid paper, 9 5/8 x 12 3/4 inches (243 x 322 mm), full margins with thr...

Crow is an artwork realized by the Contemporary Italian artist Leo Guida (1992 - 2017) in 1972. Black and white etching on paper. Hand Signed on the lower right margin, dated and ...

Dimensions with frame: 38 x 44,5 x 6,5 cm. Dated "26.08.1903" in the lower right corner. An atmospheric forest interior capturing a quiet woodland scene animated by dappled light fi...

This vintage silver gelatin print is signed in pencil on the front of the mount beneath the image. Likely printed in the 1970s. From the collection of Robert K. Byers, who was Brett...

Raymond Thibesart (French, 1874–1968), Arbres en fleurs – Baie de Villefranche, oil on canvas, signed lower right and titled on the reverse, painted circa 1940 — a Post-Impressionist...

The impressionist summer painting with the wildflowers and trees is a beautiful wall decor, the painting is full of different warm and cold colours, combinations shades of green are ...

Artist: Peter Tovpev Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Year: 2023 Style: Impressionism Title: Forest landscape Size: 27.5" x 21.5" ...

An oil on board view of the port of St Tropez in the South of France. The painting is initial signed bottom right as yet undeciphered. presented in a reeded wood frame with a cut car...

Contemporary etching print by Polish artist Elzbieta Bocianowska. The print depicts landscape with trees on a different grounds with the most trees being in the background. The artwo...

Ted Jeremenko, Yugoslavian/American (1938 - ) - Farmhouse 3. Year: circa 1985, Medium: Silkscreen, signed and numbered in pencil, Edition: 175, Image Size: 13 x 19 inches, Size: 19.5...

Lerici '25 is an original black and white Polaroid photograph captured on SX-70 film along the Ligurian coastline of Italy. The image is part of a limited edition of 20, hand-signed ...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 25033 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Bleeding Sky is an acrylic on canvas by artist Rene Gonzalez, depicting a group of foxes huddled beneath a tree, taking refuge from a celestial downpour of shooting stars. Dimensions...