Tree Art

Joseph Rerolle (French, 1829 – 1901) A girl at a woodland stream, Leman Oil on paper laid down on board Signed ‘J. Rerolle’ (lower left) 13.7/8 x 16.3/4 in. (35.3 x 42.5 cm.)

Artist: Eduard Matevosyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Panel Year: 2025 Style: Impressionism, Title: Summer Grove, Size: 37.5" x 25.5...

Ahzad Bogosian The Glow of Autumn, 2023 acrylic on canvas 24h x 24w in 60.96h x 60.96w cm AZB147 Ahzad Bogosian SOLO EXHIBITIONS 2025 Ahzad Bogosian, Gallery VICTOR, Chicago, IL 2...

The elegant and fine Olive tree's unique piece forged in wrought iron is not replicable. It was created by an Italian blacksmith, one of the most significant contemporary artists wor...

Original Woodblock Print signed by the Artist and has an edition number. 11/22

Painted en plein air in Seefeld, this small-scale landscape captures the quiet atmosphere of the Alpine countryside. The calm lake, luminous greenery, and distant snow-covered mounta...

“People sometimes ask me how I start a painting. Starting a painting is easy. I just put down two strokes of color. The interaction between these two marks is the beginning of the di...

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

Over a hundred years ago, my grandfather registered as a homesteader with the Department of the Interior Land Office in Buffalo, Wyoming. Building a cabin on a remote 640 acre plat,...

Ai Weiwei “Forest (1977)”, 2024 Limited edition offset lithograph print Edition of 200 Hand-signed by the artist Published by Damocle Edizioni, Venice, 2024 Each edition comes with...

INSTANT TREE OLIVES (2024) is a sculpture by Czech artist Ondřej Oliva. In this sculpture, the artist works on an important subject in his production, to which he attributes an impor...

Patty deGrandpre’s “Looking for a Signal” is a 14 x 22 inch predominately blue, white, and orange mixed media unique inkjet print diptych. Digital “negatives” of an orange leafless tree and a blue lilac satellite dish...

Anna Harley Midsummer Night Limited Edition Silkscreen Print Edition of 25 Sheet Size: H 38cm x W 56cm x D 0.1cm Sold Unframed Please note that insitu imag...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Olympiade Danseres Olympian Dancer Bronze Figurative Woman Sculpture Nude Body Jits Bakker was a versatile Dutch artist: sculptor, painter, watercolorist, drawer, glass artist, silv...

Photorealistic Oil Painting on Canvas, Framed, Early Spring, Dogwood Tree Jeffrey Vaughn, from Alton, Illinois, received his Bachelor of Fine Arts degree in 1978 from Washington Uni...

Line of Trees features 13 trees standing in a row against a white background. Most of the trees are smaller, with dense branches, creating a silhouette against the snowy landscape. O...

Lone Cottonwood by Lu Haskew Oil 6x10" image size Landscape painting - spring colors with trees against a mountain backdrop This painting is unframed, canvas on gator board, the pri...

Hand printed by artist. Edition 7/40 (A total of 40 prints from this negative). Excellent Condition. Check out my other listings

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Lithograph hand watercolored. Plate from "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration of notable p...

Aspen Grove in the Rocky Mountains depicts on of Colorado's most popular landscapes in the style of Realist painting. The artist use the natural beauty of Colorado as scenes for his Realist paintings. The artist brings us deep into the painting Forest Bathing. Almost an escape from the world. The artist is a regional landscape painter working in oils and pastels whose subject matter varies from the mountains and desert of west Texas to the wetlands along the Texas coast...

2018 marks the centenary anniversary of Ferdinand Hodler’s death. In that 100 years time, the art world’s esteem of this important artist has proved fickle. It has shifted from extolling his artistic merits during his lifetime to showing something of a feigned disdain- more reflective of the world political order than a true change of heart for Hodler’s work. After years of Hodler being all but a footnote in the annals of art history and generally ignored, finally, the pendulum has righted itself once again. Recent retrospective exhibitions in Europe and the United States have indicated not only a joyful rediscovery of Hodler’s art but a firm conviction that his work and world view hold particular relevance today. DAS WERK FERDINAND HODLERS is not only a collection of printed work reflecting the best of all of his painted work created up to 1914 just before the outbreak of World War I, the portfolio itself is an encapsulation of Hodler’s ethos, Parallelisme. Hodler developed his philosophy of Parallelisme as a unifying approach to art which strips away detail in search of harmony. By means of abstraction, symmetry and repetition, Hodler sought ways to depict Nature’s essence and her fundamental, universal order. He believed these universal laws governing the natural, observable world extend to the spiritual realm. Symbolist in nature with Romantic undertones, his works are equally portraits of these universal concepts and feelings governing all life as they are a visual portrait in the formal sense. Whether his subject is a solitary tree, a moment in battle, mortal fear, despair, the awe inspired by a vast mountain range, a tender moment or even the collective conviction in a belief, Hodler unveils this guiding principle of Parallelisme. Several aspects of Hodler’s portfolio reinforce his tenets of Parallelisme. The Table of Contents clearly preferences a harmonious design over detail. The two columns, consisting of twenty lines each, list the images by order of appearance using their German titles. The abbreviated titles are somewhat cryptic in that they obscure the identities of the sitters. Like the image Hodler presents, they are distillations of the sitter without any extraneous details. This shortening was also done in an effort to maintain a harmonious symmetry of the Table of Contents, themselves, and keep titles to a one-line limit. The twenty-fourth title: “Bildnis des Schweizerischen Gesandten C.” was so long, even with abbreviation, that it required two lines; so, for the sake of maintaining symmetry, the fortieth title: “Bauernmadchen” was omitted from the list. This explains why the images are not numbered. Hodler’s reasoning is not purely esoteric. Symmetry and pattern reach beyond mere formal design principles. Finding sameness and imposing it over disorder goes to the root of Hodler’s identity and his art. A Swiss native, Hodler was bi-lingual and spoke German and French. Each printed image, even number forty, have titles in both of Hodler’s languages. Certainly, there was a market for Hodler’s work among francophones and this inclusion may have been a polite gesture to that end; however, this is the only place in the portfolio which includes French. With German titles at the lower left of each image, Hodler’s name at bottom center and corresponding French titles at the lower right of each image, there is a harmony and symmetry woven into all aspects of the portfolio. This holds true for the page design, as it applies to each printed image and as it describes the Swiss artist himself. Seen in this light, Hodler’s portfolio of printed work is the epitome of Hodler’s Parallelisme. DAS WERK FERDINAND HODLERS is also one of the most significant documents to best tell the story of how Hodler, from Switzerland, became caught between political cross-hairs and how the changing tides of nations directly impacted the artist during his lifetime as well as the accessibility of his art for generations to come. The Munich-based publisher of the portfolio, R. Piper & Co., Verlag, plays a crucial role in this story. Publishing on a wide range of subjects from philosophy and world religion to music, literature and the visual arts; the publisher’s breadth of inquiry within any one genre was equal in scope. Their marketing strategy to publish multiple works on Hodler offers great insight as to what a hot commodity Hodler was at that time. R.Piper & Co.’s Almanach, which they published in 1914 in commemoration of their first ten years in business, clearly illustrates the rapid succession- strategically calculated for achieving the deepest and broadest impact - in which they released three works on Hodler to hit the market by the close of 1914. DAS WERK FERDINAND HODLERS was their premier publication. It preceded C.A. Loosli’s Die Zeichnungen Ferdinand Hodlers, a print portfolio after 50 drawings by Hodler which was released in Autumn of 1914 at the mid-level price-point of 75-150 Marks; and a third less expensive collection of prints after original works by Hodler, which had not been included in either of the first two portfolios, was released at the end of that year entitled Ferdinand Hodler by Dr. Ewald Bender. The title and timing of DAS WERK FERDINAND HODLERS' debut leaves little doubt as to the connection it has with another avant-garde portfolio of art prints, Das Werk Gustav Klimts, released in 5 installments from 1908 -1914 by Galerie Miethke in Vienna. Hodler, himself, was involved in Klimt’s ground-breaking project. As the owner of Klimt’s 1901 painting, “Judith with the Head of Holifernes” which appears as the ninth collotype print in the second installment of Das Werk Gustav Klimts, Hodler was obliged to grant access of the painting to the art printers in Vienna for them to create the collotype sometime before 1908. Hodler had been previously invited in 1904 to take part in what would be the last exhibition of the Vienna Secession before Klimt and others associated with Galerie Miethke broke away. In an interview that same year, Hodler indicated that he respected and was impressed by Klimt. Hodler’s esteem for Klimt went beyond the art itself; he emulated Klimt’s method aimed at increasing his market reach and appeal to a wider audience by creating a print portfolio of his painted work. By 1914, Hodler and his publisher had the benefit of hindsight to learn from Klimt’s Das Werk publication. Responding to the sluggish sales of Klimt’s expensive endeavor, Hodler’s publisher devised the same diversified 1-2-3 strategy for selling Hodler’s Das Werk portfolio as they did with regards to all three works on Hodler they published that year. For their premium tier of DAS WERKS FERDINAND HODLERS, R. Piper & Co. issued an exclusive Museum quality edition of 15 examples on which Hodler signed each page. At a cost of 600 Marks, this was generally on par with Klimt’s asking price of 600 Kronen for his Das Werk portfolio. A middle-tiered Preferred edition of 30, costing somewhat less and with Hodler’s signature only on the Title Page, was also available. The General edition, targeting the largest audience with its much more affordable price of 150 Marks, is distinguishable by its smaller size. Rather than use the subscription format Miethke had chosen for Klimt’s portfolios which proved to have had its challenges, R. Piper & Co. employed a different strategy. In addition to instantly gratifying the buyer with all 40 of the prints comprising DAS WERK FERDINAND HODLERS and the choice among three price points, they advertised in German journals a fourth possibility of ordering single prints from them directly. These printed images are easily discernible from the three complete folio editions. The paper size of the single purchased images is of the larger format like the Museum and Preferred editions, measuring 65 h x 50 w cm; however, the paper itself is the same copper print paper used in the General edition and then mounted on poster board. The publishing house positioned itself to be a direct retailer of Hodler’s art. They astutely recognized the potential for profitability and the importance, therefore, of having proprietary control over his graphic works. R. Piper & Co. owned the exclusive printing rights to Hodler’s best work found in their three publications dating from 1914. That same year, a competing publication out of Weimar entitled Ferdinand Hodler: Ein Deutungsversuch von Hans...

Original Oil Painting signed by the Artist on the lower left corner.

Lithograph hand watercolored. Plate from "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration of notable p...

Watercolor on paper, signed in the lower right. Listed measurements are for the full frame size 18.5" x 21.75". (1859–1937) Percival Leonard Rosseau was born in Louisiana. He led a peripatetic life as cattle driver, cowboy, and commodities broker before going abroad...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Solitude,' an etching by William Woollett (1735-1785) and William Ellis (1747-1810) after a painting by Richard Wilson (1714-1782). Wilson's original is now in the collection of the National Gallery of Art in Washington DC. Wilson was deeply inspired by the Arcadian landscapes he encountered whilst travelling in Italy. This influence is evident in this work, where two monks rest beside a shady pool. Their church appears almost to glow between the dark tree trunks in the distance, whilst a broken statue...

Iris by Jane DeDecker Cast bronze figure ©2010 ed/17 41x15x14" Classical female partial nude standing among iris. ABOUT THE ARTIST: 'Part of Jane's artistic genius is her ability...

Mood. Riga. 1979. Oil on cardboard, 69.5 x 48 cm Artwork published in Japanese catalog This depiction of trees shows artist Laimdots Murnieks as a master of nature representation. ...

Bord de Riviere Soleil Couchant by Paulémile Pissarro (1884-1972) Oil on canvas 46 x 55 cm (18 ¹/₈ x 21 ⁵/₈ inches) Signed lower left, Paulémile Pissarro Signed and titled on the rev...

Snowmass Picnic 1967 Chromogenic Lambda Print Estate edition of 150 1967: A stand-up fondue picnic for skiers at Snowmass-at-Aspen, Colorado which has more than fifty miles of trails and snowfields. The village was opened in 1967. The ski picnic was organized by Holiday magazine, with the helicopter being used to bring up hot food. The guest list included Howard Head (1914 - 1991) of the Head Ski...

Signature bottom left - Edvard Alexander (Alexis) Ankarcrona (1825 - 1901), was a Swedish painter and military (this is one of the last works of the artist!). This artwork perfectly ...

Winter Fresh by Lu Haskew Oil 8x10" image size Snowy Landscape Painting This painting is unframed, canvas on gator board, the price reflects that it is unframed. Shipping price inc...

Signed, titled and numbered by the artist. Medium: etching and aquatint Image size: 12 x 9 inches Year: 2018 Fall colors on Chuckanut Drive, south of Bellingham, WA. Born in Ber...

A quiet street in Xi’an beneath soft sky. A young lad pedals his bicycle along the road, passing a red-painted building rich with traditional charm. Behind it rises an elegant pago...

Pine on the Backbone by Lu Haskew Oil 12x9" image size Landscape Painting This painting is unframed, canvas on gator board, the price reflects that it is unframed. Shipping price i...

Factor brings into a clear focus natural detail, which is all too often only vaguely sensed. Each universe created on canvas or paper is a juxtaposition of traditional Renaissance c...

Kevin Weckbach's (US based) "Quiet Woods" is an original, hand made oil painting that depicts a grassy hill of overgrown foliage, where white Aspens spread...

Archival Pigment Print Mounted and Framed Museum Standards Available sizes: 40 x 60 inches edition of 7 48 x 72 inches edition of 7 Certificate of Authenticity, Signed by the Artis...

By Texas artist A.D. Greer This Autumn landscape depicts a peaceful lake in the morning. A large tree with orange leaves towers in the foreground and hazy, blue and pink mountains gl...

'Giacomo Montegazza' Giacomo and Stefania Montegazza welcome guests arriving by boat at their villa, La Cassinella, on Lake Como, 1983. Paper Size 24x20 inches / 60 x 50 cm Es...

Moving image taken in the central valley, California. Hand printed photograph by artist. I have two !!

Boulders near the field. 1983, cardboard, oil, 68x94 cm

Daniel Mansur IN PARADISUM series 60 x 88.5 inches 150 x 225 cm Edition of 6 Also available in: 47 x 71 inches 120 x 180cm 60 x 88.5 inches 150 x 225 cm Edition of 6 copies ov...

Original Oil Painting signed by the Artist on the lower left corner.

Original painting signed by the Artist lower right.

Ziegler was born in London in 1903 and studied at the Central School of Arts and Crafts. He subsequently (from 1927 to 1930) studied at the Royal College of Art under William Rothens...

John Dolan’s photographs revel in the extraordinary that lies beneath everyday, fleeting occurrences. And in this eloquent collection of twenty images shot in ravishing color and bla...

Alternative sizes and media available: 16 x 16 16 x 20 16 x 24 20 x 20 20 x 30 28 x 28 28 x 35 30 x 45 40 x 40 40 x 50 40 x 60 Matte photo paper or canvas available on...

"I like to observe nature, animals, birds, landscapes. I depict my observations in paintings. Painting helps me to see, feel and understand the world, to be part of the world." -Jānis Ziņgītis...

Archival Pigment Print Mounted and Framed Museum Standards Available sizes: 40 x 60 inches edition of 7 48 x 72 inches edition of 7

"The Mastic Trees Embrace" is a stunning, elegant painting depicting lush green branches intertwining and embracing, surrounded by a rich golden background. Artist Anastasia Gklava i...

In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...

This is a large scale black and white photo of Marlon Brando as a young man at his family farm with his dog. In 1951 Life Magazine asked Art Shay to photograph Marlon Brando at his family home in Libertyville, IL. This is one of the photos from that shoot. In 2000, Art Shay published Album for an Age: Unconventional Words and Pictures from the Twentieth Century. This artwork is matted and framed. Art Shay Marlon Brando Kissing Dog...

This captivating artwork beautifully captures a serene riverside landscape, bathed in vibrant colors and dynamic brushwork. Dominating the foreground, a cluster of slender trees with...

In the heyday of summer. 1988, oil on canvas and cardboard, 50x63,5 cm Summer landscape with blooming meadow Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional educatio...

Original Bronze inscribed with the Artist's name and edition number. 11/18

Scarlet sunset. Bilateral. Paper, watercolor, 26.5x35 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In 1947, she began he...

Artist: Jack Graves III (American, 1988-) Title: "Anniversary" Series: Americana *Signed by Graves lower right. It is also signed, dated, and titled on verso Year: 2023 Medium: Original Acrylic Painting on Canvas Canvas size: 36" x 30" Condition: The stretched canvas was custom built by the artist himself. In mint condition Biography: Jack Graves III is an American artist, born in 1988 in Jacksonville, Florida. He grew up surrounded by inspiration having an art dealer as a father, John Graves Jr., who founded 'The Collector's Exchange' in St. Augustine, FL in 1978, (today Graves International Art...