Tree Art

Ben Norris’ vibrant landscapes teem with creeping vines, tropical flowers, and encroaching vegetation. His watercolors and paintings of tranquil gardens and lush rainforests transpor...

Acrylic on canvas Juliette Lamarca is a French artist born in 1982 who lives and works in Clamart, near Paris, France. After higher studies in applied arts, for ten years she create...

Title: Wander In The Forest Medium: Oil on canvas Size: 30 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unstretched Year: 2010.3 Artist: Mingjun Wang...

Untitled VI, series Color formats is a unique painting by contemporary artist Lumi Mizutani. The painting is made with Japanese pigments and gold leaf on Japanese paper mounted on pa...

Acrylic on wooden panel Lee Yu Min is a Korean artist born in 1987 who lives and works in Daejeon, South Korea. She is specialized in Korean painting, completing her doctoral studi...

La obra va firmada por el autor en la parte inferior Enla parte trasera, va nuevamente firmada, fechada del año 1988 y titulada El estado de la obra es bueno La obra se presenta e...

This vintage silver gelatin photograph, printed in the late 1920s on Kodak Vitava Athena paper, is signed in pencil beneath the image with a typeset title centered in the lower margi...

Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788) Title: "Quivisia; Portesia" (Octandreie, Monogynie, Plate 302) Portfolio: Histoire Naturelle Year: 1749-1789 Medium: Original Hand-Colored Engraving on laid paper Limited edition: Unknown Printer: Imprimerie Nationale, Paris, France Publisher: Georges-Louis Leclerc, Comte de Buffon, Paris, France Framing: Not framed, but beautifully double matted with hand decorated archival French matting...

L'Ile des Oiseaux by Paulémile Pissarro (1884-1972) Watercolour and charcoal on paper 23 x 31 cm (9 x 12 ¹/₄ inches) Signed lower right, Paulémile Pissarro Provenance Private collec...

"Reconsidering Sisyphus (fallen obelisk)" by John Van Alstine Granite, galvanized and powder-coated steel The sculpture of John Van Alstine beautifully, and powerfully, balances the...

"Yellow Trees" is an original oil painting on wood by Wisconsin artist Robert Richter, signed on the verso. The frame was created and hand-carved by the artist, making it an integral...

George Frederick Morse Hubbard Park, Crescent City, Florida, 1906 Oil on canvas 17 x 12 inches A landscape and marine painter from Portland, Maine, George Morse was a founding membe...

Plein air oil painting of the San Francisco Bay from Skyline Blvd in Oakland, California. I am not sure the exact date but I think it was around 1995. :: Painting :: Impressionist ::...

"Thinking Man" by Denny Haskew Figurative Bronze (After Egon Schiele) 13x11x7" ed/15 "Thinking Man puzzeled over this being a flock of clouds are in my head. people are everywhere, ...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Les Bords de l’Orne au Soleil Couchant by Paulémile Pissarro (1884-1972) Oil on canvas 54 x 65 cm (21 ¹/₄ x 25 ⁵/₈ inch...

Clifton Hampden Bridge, early 20th Century by EVELYN FOTHERGILL ROBINSON (1872-1939) Large Early 20th Century view of Clifton Hampden Bridge in summer seen through a glade of trees...

The language featured on this work of art reads "highest moment of impulse... high collateral glory." John Milton

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 25 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

Ed. 1/5, unframed print with framing options available. "I was having a picnic somewhere remote in France near a small creek why a family drove up nearby and came right next to us t...

In The Forest is an original modern artwork realized by the painter Rolandi, in the 1980s. Mixed colored screen print. Hand signed on the lower right margin. Artist's proof (as re...

La Chasse au Cerf, Normandie, France, September 1975 Photographed by Jonathan Becker Contemporary 44" x 44.5" Archival Pigment Print Edition Nº 1 of 9 Certificate of Origin Signed a...

A Summer’s Trail 60x54: “There are so many beautiful examples of nature in this world. A bright but gentle representation of a seasoned trail with the glow of intense sunlig...

Signed, titled and dated in ink on accompanying photographer's label Archival pigment print Image: 16" x 20", Paper: 17" x 21", Matted: 24" x 30" Edition of 10

This beautiful original artwork entitled "Bowie Life" was realized by the Italian artist EMPHI in 2018. Oil paint on canvas. Hand-signed on the lower right. Certificate of authent...

Original acrylic painting of a surreal dream-like setting. Varnished, with sides of canvas painted neutral tone and wired. No framing necessary. :: Painting :: Surrealism :: Thi...

This atmospheric winter scene by Swedish artist Birger Borgman captures the stillness and quiet beauty of a snow-covered landscape at dusk. Soft lavender and blue shadows stretch acr...

Thank you for your interest in my work. This painting was created using professional quality oil paints on a 100% cotton canvas board. It is singed on the front and back and comes wi...

Tree and Kussharo Lake, Akan-Mashu Park, Hokkaido, Japan by Michael Kenna is a 8 x 8 inch* silver gelatin print, available in an edition of 25. *Please note: the measurements of this...

Hagop Hagopian's landscape artwork from the 1970s, executed in oil on canvas, exemplifies his typical composition. The painting is signed in the lower r...

Where the Forest is Darkest is an acrylic painting on canvas by artist René Gonzalez representing two foxes crossing paths in the heart of a dark and haunting forest. Dimensions are...

French Vintage Exhibition Poster for Yves Brayer (1971). Newly framed, the poster announces Brayer's exhibition of his watercolours of La Brière. La Brière is an atmospheric marshlan...

Kevin Weckbach's (US based) "Quiet Woods" is an original, hand made oil painting that depicts a grassy hill of overgrown foliage, where white Aspens spread...

Signed and numbered on label, verso 11 x 17 inches // (Edition of 25 + 5 APs) 22 x 34 inches // (Edition of 20 + 4 APs) This work is offered by CLAMP in New York City.

Karl Hartman’s Homesteaders (2024) captures a vivid moment in the forest where two Pileated Woodpeckers industriously carve a home into an old pine. Painted in oil on aluminum, the w...

New York Graphic Society Printed in USA, plate signed. Good condition 13.5 x 16 in.

Luis Ricardo Falero 1851-1896 Spanish The Tempest Signed and dated "Falero / 1889" (lower right) Oil on canvas Luis Ricardo Falero, the renowned Spanish painter celebrated for hi...

RINKO KAWAUCHI (*1972, Japan) Untitled, from the series 'Illuminance' 2009 C–type print Sheet 101.6 x 101.6 cm (40 x 40 in.) Edition of 3; Ed. no. 3/3 (last available edition) print...

Signed in ink on recto; Signed, titled and dated in pencil on verso Gelatin silver print Image: 10 3/4" x 14 7/8", Paper 12 x 16 inches, Matted 16" x 20"

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. Photographer Ludwig Favre's affinity for shooting California is deeply tied to nostalgi...

Moonlight is a Contemporary Artwork realized in the 21st Century by Roberto Cuccaro. Original Oil Painting on Canvas. Hand-signed on the lower left ...

Araquém Alcântara Jaguarete #11, Brazil, 2018 70 x 105 cm 27.5 x 41 inches Edition of 10 100 x 150cm 40 x 60 inches Edition of 10 120 x 180 cm 47 x 71 inches Edition of 10 Archiv...

Kim Dorland (b. 1974) is among the most accomplished and collected Canadian artists of his generation. He is celebrated for his inimitable painting style, with its thick impasto and ...

In the forest in winter, when the cold sets in and snow falls, everything turns into fairy-tale lace. The snow always falls on the branches differently as you enter the forest. Somet...

Landscape is an original drawing in china ink realized by Eugen Drăguțescu. Hand-signed Good conditions with some stains. The artwork represents a landscape in a well-balanced com...

Refuge - American Vintage Photograph is an original black and white photograph realized in the U.S in the mid-20th Century in a series on American life in the 20th Century. With the...

"Bandelier #1" is an original pastel drawing signed by the artist Peggy Leonard in the lower left. It depicts a colorful array of light and shadow in a grassy wooded area. 12 1/2" x 9" art 25 1/2" x 21 1/2" frame Peggy Leonard received her BFA in painting and drawing and an associate’s degree in nursing from Miami University in Oxford, Ohio. She is both a registered nurse, and accomplished artist, residing in Milwaukee, WI. From the artist: “These paintings are my prayers,” muses Leonard, reflecting on her driving need to express herself through her art. “We are made of the stuff that requires us to respond with our hearts and hands. Often, it requires terrible sacrifice and suffering, something not everyone can understand. But it is done with reverence of life, not irreverence.” Leonard’s pastels and oil paintings capture her reverence of life and reflect her own life’s journey, including earlier forays into the wilderness. Her venture into art began in early childhood, as childless neighbors nurtured her natural ability to draw; concurrently, Leonard’s parents instilled a respect for academic excellence and the higher order of nurturing others. As a young nurse, Leonard “heard and saw poignant messages to travel while one was young and free…while one had one’s health.” Consequently, she took to the open road and public lands, camping across America for months at a time. During these years, her “celebration of the natural splendor of this country” helped shape her sense of artistic expression. She was moved by such sights as the sunset on St. Mary’s Lake...

Summer day on a trail with pines. Inspired by a bird sanctuary in Southern Florida. Soft greens against against a blue sky. Peaceful and serene. Comes framed with a dark walnut (a...

A field in Leicestershire England, near to abbey Mount st Bernard, painted on linen (canvasboard) in an impressionist style. :: Painting :: Impressionist :: This piece comes with an...

This listing is for a framed and mounted print. Additional unframed sizes are available. Beth Lilly is inspired by the work of Thomas Cole, JMW Turner and Paul Gauguin. Based in A...

2018 marks the centenary anniversary of Ferdinand Hodler’s death. In that 100 years time, the art world’s esteem of this important artist has proved fickle. It has shifted from extolling his artistic merits during his lifetime to showing something of a feigned disdain- more reflective of the world political order than a true change of heart for Hodler’s work. After years of Hodler being all but a footnote in the annals of art history and generally ignored, finally, the pendulum has righted itself once again. Recent retrospective exhibitions in Europe and the United States have indicated not only a joyful rediscovery of Hodler’s art but a firm conviction that his work and world view hold particular relevance today. DAS WERK FERDINAND HODLERS is not only a collection of printed work reflecting the best of all of his painted work created up to 1914 just before the outbreak of World War I, the portfolio itself is an encapsulation of Hodler’s ethos, Parallelisme. Hodler developed his philosophy of Parallelisme as a unifying approach to art which strips away detail in search of harmony. By means of abstraction, symmetry and repetition, Hodler sought ways to depict Nature’s essence and her fundamental, universal order. He believed these universal laws governing the natural, observable world extend to the spiritual realm. Symbolist in nature with Romantic undertones, his works are equally portraits of these universal concepts and feelings governing all life as they are a visual portrait in the formal sense. Whether his subject is a solitary tree, a moment in battle, mortal fear, despair, the awe inspired by a vast mountain range, a tender moment or even the collective conviction in a belief, Hodler unveils this guiding principle of Parallelisme. Several aspects of Hodler’s portfolio reinforce his tenets of Parallelisme. The Table of Contents clearly preferences a harmonious design over detail. The two columns, consisting of twenty lines each, list the images by order of appearance using their German titles. The abbreviated titles are somewhat cryptic in that they obscure the identities of the sitters. Like the image Hodler presents, they are distillations of the sitter without any extraneous details. This shortening was also done in an effort to maintain a harmonious symmetry of the Table of Contents, themselves, and keep titles to a one-line limit. The twenty-fourth title: “Bildnis des Schweizerischen Gesandten C.” was so long, even with abbreviation, that it required two lines; so, for the sake of maintaining symmetry, the fortieth title: “Bauernmadchen” was omitted from the list. This explains why the images are not numbered. Hodler’s reasoning is not purely esoteric. Symmetry and pattern reach beyond mere formal design principles. Finding sameness and imposing it over disorder goes to the root of Hodler’s identity and his art. A Swiss native, Hodler was bi-lingual and spoke German and French. Each printed image, even number forty, have titles in both of Hodler’s languages. Certainly, there was a market for Hodler’s work among francophones and this inclusion may have been a polite gesture to that end; however, this is the only place in the portfolio which includes French. With German titles at the lower left of each image, Hodler’s name at bottom center and corresponding French titles at the lower right of each image, there is a harmony and symmetry woven into all aspects of the portfolio. This holds true for the page design, as it applies to each printed image and as it describes the Swiss artist himself. Seen in this light, Hodler’s portfolio of printed work is the epitome of Hodler’s Parallelisme. DAS WERK FERDINAND HODLERS is also one of the most significant documents to best tell the story of how Hodler, from Switzerland, became caught between political cross-hairs and how the changing tides of nations directly impacted the artist during his lifetime as well as the accessibility of his art for generations to come. The Munich-based publisher of the portfolio, R. Piper & Co., Verlag, plays a crucial role in this story. Publishing on a wide range of subjects from philosophy and world religion to music, literature and the visual arts; the publisher’s breadth of inquiry within any one genre was equal in scope. Their marketing strategy to publish multiple works on Hodler offers great insight as to what a hot commodity Hodler was at that time. R.Piper & Co.’s Almanach, which they published in 1914 in commemoration of their first ten years in business, clearly illustrates the rapid succession- strategically calculated for achieving the deepest and broadest impact - in which they released three works on Hodler to hit the market by the close of 1914. DAS WERK FERDINAND HODLERS was their premier publication. It preceded C.A. Loosli’s Die Zeichnungen Ferdinand Hodlers, a print portfolio after 50 drawings by Hodler which was released in Autumn of 1914 at the mid-level price-point of 75-150 Marks; and a third less expensive collection of prints after original works by Hodler, which had not been included in either of the first two portfolios, was released at the end of that year entitled Ferdinand Hodler by Dr. Ewald Bender. The title and timing of DAS WERK FERDINAND HODLERS' debut leaves little doubt as to the connection it has with another avant-garde portfolio of art prints, Das Werk Gustav Klimts, released in 5 installments from 1908 -1914 by Galerie Miethke in Vienna. Hodler, himself, was involved in Klimt’s ground-breaking project. As the owner of Klimt’s 1901 painting, “Judith with the Head of Holifernes” which appears as the ninth collotype print in the second installment of Das Werk Gustav Klimts, Hodler was obliged to grant access of the painting to the art printers in Vienna for them to create the collotype sometime before 1908. Hodler had been previously invited in 1904 to take part in what would be the last exhibition of the Vienna Secession before Klimt and others associated with Galerie Miethke broke away. In an interview that same year, Hodler indicated that he respected and was impressed by Klimt. Hodler’s esteem for Klimt went beyond the art itself; he emulated Klimt’s method aimed at increasing his market reach and appeal to a wider audience by creating a print portfolio of his painted work. By 1914, Hodler and his publisher had the benefit of hindsight to learn from Klimt’s Das Werk publication. Responding to the sluggish sales of Klimt’s expensive endeavor, Hodler’s publisher devised the same diversified 1-2-3 strategy for selling Hodler’s Das Werk portfolio as they did with regards to all three works on Hodler they published that year. For their premium tier of DAS WERKS FERDINAND HODLERS, R. Piper & Co. issued an exclusive Museum quality edition of 15 examples on which Hodler signed each page. At a cost of 600 Marks, this was generally on par with Klimt’s asking price of 600 Kronen for his Das Werk portfolio. A middle-tiered Preferred edition of 30, costing somewhat less and with Hodler’s signature only on the Title Page, was also available. The General edition, targeting the largest audience with its much more affordable price of 150 Marks, is distinguishable by its smaller size. Rather than use the subscription format Miethke had chosen for Klimt’s portfolios which proved to have had its challenges, R. Piper & Co. employed a different strategy. In addition to instantly gratifying the buyer with all 40 of the prints comprising DAS WERK FERDINAND HODLERS and the choice among three price points, they advertised in German journals a fourth possibility of ordering single prints from them directly. These printed images are easily discernible from the three complete folio editions. The paper size of the single purchased images is of the larger format like the Museum and Preferred editions, measuring 65 h x 50 w cm; however, the paper itself is the same copper print paper used in the General edition and then mounted on poster board. The publishing house positioned itself to be a direct retailer of Hodler’s art. They astutely recognized the potential for profitability and the importance, therefore, of having proprietary control over his graphic works. R. Piper & Co. owned the exclusive printing rights to Hodler’s best work found in their three publications dating from 1914. That same year, a competing publication out of Weimar entitled Ferdinand Hodler: Ein Deutungsversuch von Hans...

Blue and Green Landscape by Akos Biro (Hungarian 1911-2002) pastel painting on artist paper, unframed painting: 9 x 12 inches provenance: the artists estate, France condit...

ABOUT THIS ARTIST: Madeleine Gross is a Toronto-based artist who customizes her photographs with paint in a way designed to abstract landscapes but without completely abstracting rea...

Sandy Beach - Impasto California Landscape with Water Inlet by California artist Kathleen Murray (American, b. 1958.) This small oil painting depicts an atmospheric and intimate lan...

René Charles Edmond His (1877-1960) Lanscape by the Pond Oil on canvas signed low left Old frame gilded with leaves Size canvas : 51 X 65 cm Size frame : 67 X 81 cm René Charles ...

The calm serenity of a frozen forest at night. An image of silence. – Cawston’s landscapes are filled with delicate harmonious tones. They resonate feeling and leave the viewer rapt, lost in the detail as if listening to the echoes of a half-remembered symphony. Poetical visions of paths and glades, ancient woods reflected in flood waters, nature revealed in its almost mythological beauty. Cawston’s images from the UK, Europe and America, convey a deeply-felt reverence for the natural world. – A larger format bespoke edition is also available on request. This custom edition of 3 pieces is produced to a client’s specifications. Typically this is for pieces greater than 250cm wide. Please contact us for further details. 200cm wide. Edition of 12 Presentation: Photographic print with acrylic face mount Signed by the Artist Certificate of Authenticity from the gallery Location: Mammoth Lakes...

The painting showcases a serene natural scene, depicting a stream flowing through a tranquil woodland setting. The artist has captured the essence of nature by portraying the calmnes...

Clemens Freitag German, 1882/83-1969 Winter Landscape With Deer Oil on canvas 35 by 50 in. W/frame 45 by 60 in. Signed lower right Landscape and...

original oil on canvas panel 8 x 10 in / approx. 20 cm x 25 cm The painting was created using professional quality oil paints on a 100% cotton canvas panel. It is singed on the ...

In this impressionistic oil painting, I've embraced the quiet solitude of winter. Through textured brushstrokes, I capture the stillness of snow-l...