Suede Contemporary Art

One of a kind, cut steel wall sculpture. Dated August 19, 1997. A super fun piece that would look great in almost any space. If you're looking for a piece of art, different from the ...

Rendered in compelling impasto, this expansive cityscape painting summons the grandeur of the skyline in rich earth tones tempered by washes of green—a modernist meditation on urban ...

I love this painting! This is a large scale mid-century signed modern oil on canvas painting. It is signed “Monti”. The strong coloration includes black, blue, green and red.

Blossom: A piece of 3D sculptural wall art designed and made from two layers of grey leather, woven together by Louise Heighes. Measurements are 50 x 30 inches or 127 x 77 cm. ...

Woven; Wall piece; Artwork; Mid-Century Modern; Tapestries; Contemporary Art; Craftsman This Hand-woven wall piece is a true conversation piece. The depth is created by layering d...

Postmodern "City Living ?" Art Pottery figural wall sculpture signed "THS 79" featuring an abstract face being devoured by ribbons and string. F...

Nicolas Makelberge (b.1976) is a Swedish artist renowned for his evocative artworks, reminiscent to the forces at play in the sky and the sea - his constant sources of inspiration. ...

This multiple is sold together with the accompanying book 'Enrico Castellani Pittore' by Vincenzo Agnetti. Published by Achille Mauri, Milan, accompanying publication of the book 'E...

Selection of large-scale abstract paintings, artist unknown, probably American, circa 1960s. They have been framed in clean lined white lacquered gallery frames under UV resistant gl...

Chrysanthemum: A piece of 3D sculptural wall art designed and made from two layers of cream leather, woven together by Louise Heighes. Measurements are 25.5 x 25.5 inches or 65 x 65...

Feather A piece of 3D sculptural wall art designed and made from two layers of olive leather, woven together by Louise Heighes. Measurements are 45 x 29 inches or 114 x 74 cm. ...

Media consists of fiber, paint, shellac on a linen canvas. Beautiful wood frame. Frank Faulkner by Philip Herrera, 2006: Born in Sumter, South Carolina in 1946, Frank Faulkner received his B.F.A. from the University of North Carolina in 1968, Phi Beta Kappa, and his M.F.A. from the same institution in 1972. Faulkner’s work quickly won him numerous grants and awards, including an individual artist grant from the National Endowment for the Arts in 1974. He was selected for the Whitney Biennial in 1975, which prompted him to settle in New York. There, he came to the attention of Dorothy Miller, Curator Emeritus of the Museum of Modern Art with a legendary eye for new talent. Since then, Faulkner has continued to garner acclaim and awards. He has been featured in dozens of one-person exhibitions (not to mention group exhibitions) in this country, as well as in Japan, Switzerland, and Germany. Faulkner’s work is owned by leading museums (the Smith College museum in Northampton, Massachusetts, for example, the National Museum of American Art and the Hirshhorn in Washington, D.C.) and by renowned collectors such as Nelson Rockefeller, Baron Leon Lambert, Phillip Hanes and Abba Eban. What a viewer first notices is the sheer elegance of the pieces, no matter what materials Faulkner uses—metal, wood and fabric as well as canvas and paper. Obvious, too, is the artist’s originality. Faulkner belongs to no school. His work is patterned but is far too intellectual to qualify as so-called “pattern art,” which mainly strives to be merely pretty. Rather, he paints in his own highly organized way, filling the surface without being excessive or boring. Faulkner sets up a system, say, of dots or dashes, then subtly changes the visual rhythms in order to add life and surprise—what he calls “the gymnastics of seeing.” He works and reworks the surfaces of his canvases, often laying down one thin layer of slightly reflective gold, silver or bronze paint upon another until the final work seems to glow with inner light. John Ashbery, a leading critic and poet, has likened Faulkner’s art to minimalist music, which achieves both simplicity and beauty from its obsessive repetitions. The critic Carter Ratcliff describes it more simply as “brilliant artifice.” Faulkner’s current work, a series of paintings on paper, continues and deepens this exploration of the relationship between wrought surface and changing light. Another striking aspect of the work is the influence of the decorative arts. Faulkner has made some paintings on wood that stand independently and fold open like screens. Other pieces resemble large tapestries, and yet others take their inspiration from Art Nouveau inlays...