Greek silversmith Sotirios Voulgaris arrived in Rome in 1881 and set up his own shop there in 1884, calling it Bulgari, an Italianization of his last name (in the brand's logo, it's styled BVLGARI, using the classical Latin alphabet in a nod to ancient Roman culture). In 1905, he opened the company’s flagship boutique on Rome’s Via dei Condotti. Since then, Bulgari has looked to Rome as a source of reference for its fanciful and decidedly romantic designs for necklaces, bracelets, earrings and other accessories.

Although the iconic jewelry house found success with its silverwork and Art Deco designs, popular through the 1920s, Bulgari’s signature style — bold, often using yellow gold embellished with big colorful gemstones — began to emerge when Sotirios’s sons inherited the business, in 1932.

The brand truly hit its stride in the dolce vita era of the 1950s and ’60s, when the founder’s grandsons Paolo, Gianni and Nicola Bulgari decisively departed from demure traditional styles to develop the house’s exuberant multi-gem looks, attracting celebrity collectors like Elizabeth Taylor.

In the 1940s, Bulgari debuted perhaps its most famous design, the Serpenti bracelet watch. The piece’s snakelike coils were made possible by the tubogas jewelry technique, which links a flexible series of thin horizontal bands. Both the sleek, modern tubogas construction and the sinuous snake motif continue to be synonymous with the Bulgari brand.

On 1stDibs, the collection of vintage Bulgari jewelry includes rings, pendant necklaces, watches and other accessories.

A Close Look at Modern Furniture

The late 19th and early 20th centuries saw sweeping social change and major scientific advances — both of which contributed to a new aesthetic: modernism. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface [and] avoidance of ornament.”

Early practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.

Followers of both groups produced sleek, spare designs — many of which became icons of daily life in the 20th century. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chair — crafted with his romantic partner, designer Lilly Reich — and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections.

It’s difficult to overstate the influence that modernism continues to wield over designers and architects — and equally difficult to overstate how revolutionary it was when it first appeared a century ago. But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor. Don’t overlook them.

Finding the Right Desk-accessories for You

Whether you’ve carved out a space for a nifty home office or you prefer the morning commute, why not dress up your desk with antique and vintage desk accessories? To best tiptoe the line between desk efficiency and desk enjoyment, we suggest adding a touch of the past to your modern-day space.

Desks are a funny thing. Their basic premise has remained the same for quite literally centuries: a flat surface, oftentimes a drawer, and potentially a shelf or two. However, the contents that lay upon the desk? Well, the evolution has been drastic to say the least.

Thank the Victorians for the initial popularity of the paperweight. The Industrial Revolution offered the novel concept of leisure-time to Europeans, giving them more time to take part in the then crucial activity of letter writing. Decorative glass paperweight designs were all the rage, and during the mid-19th-century some of the most popular makers included the French companies of Baccarat, St. Louis and Clichy.

As paper was exceedingly expensive in the early to mid-19th-century, every effort was made to utilize a full sheet of it. Paper knives, which gave way to the modern letter opener, were helpful for cutting paper down to an appropriate size.

Books — those bound volumes of paper, you may recall — used to be common occurrences on desks of yore and where there were books there needed to be bookends. As a luxury item, bookend designs have run the gamut from incorporating ultra-luxurious materials (think marble and Murano glass) to being whimsical desk accompaniments (animal figurines were highly popular choices).

Though the inkwell’s extinction was ushered in by the advent of the ballpoint pen (itself quasi-obsolete at this point), there is still significant charm to be had from placing one of these bauble-like objets in a central spot on one’s desk. You may be surprised to discover the mood-boosting powers an antique — and purposefully empty — inkwell can provide.

The clamor for desk clocks arose as the Industrial Revolution transitioned labor from outdoors to indoors, and allowed for the mass-production of clock parts in factories. Naturally, elaborate designs soon followed and clocks could be found made by artisans and luxury houses like Cartier.

Find antique and vintage desk accessories today on 1stDibs.