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Amisco Bar Stool

Pair Post Modern Barstools, Vintage 1980s Amisco Black Bar Stools, Bar Height
By Les Industries Amisco
Located in Decatur, GA
Pair of vintage post modern barstools by Les Industries Amisco - Canada circa 1980s. Bar height
Category

Vintage 1980s Canadian Post-Modern Stools

Materials

Metal

Pair Post Modern Barstools, Vintage 1980s Amisco Black Bar Stools, Bar Height
Pair Post Modern Barstools, Vintage 1980s Amisco Black Bar Stools, Bar Height
$562 Sale Price / set
36% Off
H 43.5 in W 20 in D 20 in
Pair Post Modern Barstools, Vintage 1980s Amisco Black Bar Stools, Bar Height
By Les Industries Amisco
Located in Decatur, GA
Pair of vintage post modern barstools by Les Industries Amisco - Canada circa 1980s. Bar height
Category

Vintage 1980s Canadian Post-Modern Stools

Materials

Metal

Recent Sales

Pair of White Tubular Paperclip Bar Stools for Amisco
By Les Industries Amisco
Located in Astoria, NY
A pair of vintage highly modernistic metal bar stools, produced in Canada, circa 1960s to 1970s by
Category

Vintage 1970s Canadian Stools

Materials

Metal

Pair of Postmodern Black Tubular Bar Stools with Foam Backs for Amisco, 1980s
By Les Industries Amisco
Located in Miami, FL
Postmodern 1980s designed tubular bar chairs / stools with foam backs and Naugahyde cushions in all
Category

Vintage 1980s Canadian Post-Modern Stools

Materials

Steel

Set of Three Post Modern Bar or Counter Stools Z Form by Les Industries Amisco
By Les Industries Amisco
Located in Atlanta, GA
form stool. Amisco has been designing beautiful furniture since 1954. This set of three Z form stools
Category

Late 20th Century Canadian Post-Modern Stools

Materials

Steel

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By Mario Marenco
Located in Roma, IT
Coffee Table by Mario Marenco for Mobilgirgi, Italy 1970s. Cm 32,00 x 87,00 x 87,00. Walnut Wood. Good conditions!
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Coffee Table by Mario Marenco for Mobilgirgi, Italy 1970s
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Marc Held for Prisunic Molded Fiberglass Bed, c. 1966
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Marc Held for Prisunic Molded Fiberglass Bed, c. 1966
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Post Modern Counter Height Bar Stools on Casters, Black Metal + Velvet
By Memphis Group, Ettore Sottsass, Memphis Milano
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Post Modern Memphis Milano style counter height barstools on casters. Black lacquered metal frames saddle tone velvet upholstered seat and backrest. Appealing from any angle. These ...
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Post Modern Counter Height Bar Stools on Casters, Black Metal + Velvet
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Percival Lafer MP-75 Lounge Chairs w Rosewood Buckles, 1970 Brazil, Set of Four
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Located in Saint-Ouen, IDF
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Pair of Constant Night Stands in Poplar Burl wood by Master for Lemon
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Set of Four Mid Century Post Modern Tokyo Style Counter or Bar Stools in White
Located in Philadelphia, PA
A sleek modern set of four counter stools circa 1990's. These feature white enameled steel tubular frames with white naugahyde seats.
Category

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Pair of Steel and Leather Mid-century Modern Italian Bar Stools by Marzio Cecchi
By Marzio Cecchi
Located in Barcelona, ES
Marzio cecchi (1940-1990) Pair of bar stools Manufactured by Most Studio Produced for Ringo bar in Firenze Italy, 1970s Steel, leather Measurements 51 cm x 48 cm x 94 H cm 20 in x ...
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Space Age Fiberglass Bed by Astarte, 1970s
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Located in Saint-Ouen (PARIS), FR
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2 parts sofa in stainless steel by Studio Glustin
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Chic Mirror-Polished or Powder-Coated Aluminum Room Divider or Screen
By Bestcase, Sight Unseen
Located in Brooklyn, NY
The Song screen by Charles Constantine of Bestcase is a more striking, modern take on the Eames’s iconic 1946 FSW screen. Made from mirror-polished aluminum, it also subverts the ide...
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Guido Faleschini for Mariani Set of Queen Bed Nightstands and Stools in Leather
By i4 Mariani, Guido Faleschini
Located in Waalwijk, NL
Guido Faleschini for Mariani, ‘Pace Collection’ set of queen bed, two nightstands and two stools, leather, chrome-plated brass, enameled steel, Italy, circa 1975 This eccentric set...
Category

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A Close Look at Post-modern Furniture

Postmodern design was a short-lived movement that manifested itself chiefly in Italy and the United States in the early 1980s. The characteristics of vintage postmodern furniture and other postmodern objects and decor for the home included loud-patterned, usually plastic surfaces; strange proportions, vibrant colors and weird angles; and a vague-at-best relationship between form and function.

ORIGINS OF POSTMODERN FURNITURE DESIGN

  • Emerges during the 1960s; popularity explodes during the ’80s
  • A reaction to prevailing conventions of modernism by mainly American architects
  • Architect Robert Venturi critiques modern architecture in his Complexity and Contradiction in Architecture (1966)
  • Theorist Charles Jencks, who championed architecture filled with allusions and cultural references, writes The Language of Post-Modern Architecture (1977)
  • Italian design collective the Memphis Group, also known as Memphis Milano, meets for the first time (1980) 
  • Memphis collective debuts more than 50 objects and furnishings at Salone del Milano (1981)
  • Interest in style declines, minimalism gains steam

CHARACTERISTICS OF POSTMODERN FURNITURE DESIGN

  • Dizzying graphic patterns and an emphasis on loud, off-the-wall colors
  • Use of plastic and laminates, glass, metal and marble; lacquered and painted wood 
  • Unconventional proportions and abundant ornamentation
  • Playful nods to Art Deco and Pop art

POSTMODERN FURNITURE DESIGNERS TO KNOW

VINTAGE POSTMODERN FURNITURE ON 1STDIBS

Critics derided postmodern design as a grandstanding bid for attention and nothing of consequence. Decades later, the fact that postmodernism still has the power to provoke thoughts, along with other reactions, proves they were not entirely correct.

Postmodern design began as an architectural critique. Starting in the 1960s, a small cadre of mainly American architects began to argue that modernism, once high-minded and even noble in its goals, had become stale, stagnant and blandly corporate. Later, in Milan, a cohort of creators led by Ettore Sottsass and Alessandro Mendinia onetime mentor to Sottsass and a key figure in the Italian Radical movement — brought the discussion to bear on design.

Sottsass, an industrial designer, philosopher and provocateur, gathered a core group of young designers into a collective in 1980 they called Memphis. Members of the Memphis Group,  which would come to include Martine Bedin, Michael Graves, Marco Zanini, Shiro Kuramata, Michele de Lucchi and Matteo Thun, saw design as a means of communication, and they wanted it to shout. That it did: The first Memphis collection appeared in 1981 in Milan and broke all the modernist taboos, embracing irony, kitsch, wild ornamentation and bad taste.

Memphis works remain icons of postmodernism: the Sottsass Casablanca bookcase, with its leopard-print plastic veneer; de Lucchi’s First chair, which has been described as having the look of an electronics component; Martine Bedin’s Super lamp: a pull-toy puppy on a power-cord leash. Even though it preceded the Memphis Group’s formal launch, Sottsass’s iconic Ultrafragola mirror — in its conspicuously curved plastic shell with radical pops of pink neon — proves striking in any space and embodies many of the collective’s postmodern ideals. 

After the initial Memphis show caused an uproar, the postmodern movement within furniture and interior design quickly took off in America. (Memphis fell out of fashion when the Reagan era gave way to cool 1990’s minimalism.) The architect Robert Venturi had by then already begun a series of plywood chairs for Knoll Inc., with beefy, exaggerated silhouettes of traditional styles such as Queen Anne and Chippendale. In 1982, the new firm Swid Powell enlisted a group of top American architects, including Frank Gehry, Richard Meier, Stanley Tigerman and Venturi to create postmodern tableware in silver, ceramic and glass.

On 1stDibs, the vintage postmodern furniture collection includes chairs, coffee tables, sofas, decorative objects, table lamps and more.

Finding the Right Stools for You

Stools are versatile and a necessary addition to any living room, kitchen area or elsewhere in your home. A sofa or reliable lounge chair might nab all the credit, comfort-wise, but don’t discount the roles that good antique, new and vintage stools can play.

“Stools are jewels and statements in a space, and they can also be investment pieces,” says New York City designer Amy Lau, who adds that these seats provide an excellent choice for setting an interior’s general tone. 

Stools, which are among the oldest forms of wooden furnishings, may also serve as decorative pieces, even if we’re talking about a stool that is far less sculptural than the gracefully curving molded plywood shells that make up Sōri Yanagi’s provocative Butterfly stool

Fawn Galli, a New York interior designer, uses her stools in the same way you would use a throw pillow. “I normally buy several styles and move them around the home where needed,” she says.

Stools are smaller pieces of seating as compared to armchairs or dining chairs and can add depth as well as functionality to a space that you’ve set aside for entertaining. For a splash of color, consider the Stool 60, a pioneering work of bentwood by Finnish architect and furniture maker Alvar Aalto. It’s manufactured by Artek and comes in a variety of colored seats and finishes.

Barstools that date back to the 1970s are now more ubiquitous in kitchens. Vintage barstools have seen renewed interest, be they a meld of chrome and leather or transparent plastic, such as the Lucite and stainless-steel counter stool variety from Indiana-born furniture designer Charles Hollis Jones, who is renowned for his acrylic works. A cluster of barstools — perhaps a set of four brushed-aluminum counter stools by Emeco or Tubby Tube stools by Faye Toogood — can encourage merriment in the kitchen. If you’ve got the room for family and friends to congregate and enjoy cocktails where the cooking is done, consider matching your stools with a tall table.

Whether you need counter stools, drafting stools or another kind, explore an extensive range of antique, new and vintage stools on 1stDibs.