Antique Armor

An Italian bronze equestrian sculpture of Emanuele Filiberto, Duke of Savoia, by Baron Carlo Marochetti, the duke wearing full armour with the visor of his helmet up and drawing his ...

The detailed rendering of fabrics, armor, and weaponry exemplifies the meticulous craftsmanship of 19th-century lithographic printing.

His wide-brimmed feathered hat and polished armor accents highlight his role as a commanding presence within the ranks.

The precision and artistry in the detailing of textiles, armor, and equestrian elements reflect the mastery of 19th-century lithographic techniques.

Towering above the procession is a mounted figure clad in full armor, likely representing the effigy of Charles the Bold himself, a visual symbol of his defeat in the Burgundian Wars...

At the forefront, Swiss foot soldiers in red Renaissance-style doublets and short tunics march with long pikes, exuding discipline and confidence. Their light armor and striking plum...

The precise rendering of textiles, armor, and equestrian equipment showcases the craftsmanship of the period’s lithographic artistry.

Following him are two elegantly attired horsemen, possibly representing members of his personal escort or noble assistants. Their finely crafted armor, plumed hats, and ornate capari...

There are characters, some of whom wear armor and attributes related to war. The presence of a central character "Venus", dressed in a blue cloak and presenting an object (a shield),...

After Hector stripped Achilles of his armor, Thetis traveled to Mount Etna to request a legendary new set of divine weapons so her son could exact his revenge.

His attire, consisting of a plumed hat, a fur-trimmed red and gold coat, and decorative armor, indicates his high status. The dynamic posture of his horse, mid-gallop with its front ...

The subject is detailed and exhibits professional artistry depicting an historical battle scene with horses, soldiers and armour. It also is painted in 2-D with subtle background sce...

The scene is a stunning display of pageantry and martial discipline, with two commanders on horseback leading a distinguished formation of mounted soldiers. Their armor gleams under ...

The mounted figure is adorned in a resplendent red-and-black striped tabard, matching his powerful black horse, which is also draped in a richly embroidered caparison. His steel-plat...

The artwork showcases a noble horseman in full ceremonial armor, adorned with a striking red and black striped tabard and an elaborate plumed helmet.

The soldier is adorned in his armor and helmet seated upon his strutting horse.

Cabinet doors are intricately carved in lower relief scenes featuring armor, animals, foliate scrolls and figures. The two panels along the right are reclaimed and most likely date ...

One figure has an elaborately chased armor with a flowing drape on his back and palmettes on his helmet.

The map is dedicated to the Duke of Burgundy and is further adorned with a title cartouche featuring angels and a soldier in a suit of armor. An alternate title in Latin appears abov...

An aquatic crustacean resembling a horseshoe crab or trilobite, with its armored body and appendages. The plate provides a snapshot of the naturalist's dedication to documenting bio...

Reference: Novak 119 Note: This is the same building depicted by Whistler in his etching "The Balcony Amsterdam", 1899 (K. 405iii) Provenance: Herman Armour Webster (1878-1970) ...

- featuring a dynamic design depicting a soldier in armour riding forward into battle on a horse at speed with his cape flowing in the wind and his bow and arrows at his side, holdin...

His attire, featuring red and white elements, mirrors the Austrian colors he carries. His polished armor and the precision of his ceremonial stance suggest his role as a guardian of ...

The banner bearer is clad in gleaming armor, complemented by an elaborate feathered hat and a gold sash around his waist.

Kaheiji receives the warrior Samagoro with his son at night, both in full armour. Signed: Yoshitaki sha and Yoshitaki sha.

Figure molded wearing heavy armor, standing in a dynamic pose with left arm raised in a threatening gesture, standing atop a bull, circa 618 AD to 906 AD From a NYC collection.

Above are striking foliate and open wing designs with maidens in armor centering beautiful family crests and a cabochon border above, with a finely chased central fut.

Intricately detailed, the Samurai is depicted in full regalia and holding a fan in his right hand, his right foot in an ornate stirrup over richly textured saddle and horse armor. Th...

Pair of male portraits "gothic revival" Male portrait "Man with hat" oil on canvas 154 x 85 cm in pendant with male portrait "Man with sword and armor" oil on canvas cm 146 x 85 ...

This print originates from 'A critical inquiry into antient armour as it existed in Europe (..)' by Sir Samuel Rush Meyrick.

A cloak is pinned on both shoulders above his armor as he holds a spear in his right hand. Our mounted carved oak soldiers would make a wonderful decorative accessory for a mantel or...

The medieval knight with his armor and pole weapons ( spear and halberd) holds the central glass with his arms and the mirror stands up on his legs.

On the left, the Canton of Unterwalden is represented by a banner bearer in a striking red and white uniform, adorned with slashed sleeves, a plumed hat, and polished armor. The bann...

The blue tunic worn over his armor is embellished with a pattern of fleur-de-lis, a symbol often associated with royalty.

The back plate is richly decorated by a mount with flags behind a full armor, while at the top is a soldiers helmet, in front of additional flags.

The statue to the right depicts the handsome Hermes wearing his armor with wonderful scrolled foliate designs and his winged petasus with a shield on his left arm and holding a sword...

The vase's pattern is based upon Damascus steel, whereby near eastern blacksmiths welded iron and high carbon steel, folding the metal over and over again and drawing it out into arm...

The craft originated from gunsmiths and armor workers in the medieval town of Gleiwitz, Silesia (formerly Poland and now part of Germany and Poland) in the late 1700's.

In the lower left corner are the armour and red cloak of the condemned man, above which is a path leading to the sunlit city under a high sky.

Hermes is also draped in a flowing garment and wears his armor with a striking and hammered design. His shield is strapped to his arm, he holds an impressive dagger in the other hand...

19th Century Reproduction Chainmail Gauntlet on Custom Iron Mount — After a 16th Century Original An exceptional 19th-century reproduction of a 16th-century chainmail gauntlet, hand...

This print originates from 'A critical inquiry into antient armour as it existed in Europe (..)' by Sir Samuel Rush Meyrick.

This print originates from 'A critical inquiry into antient armour as it existed in Europe (..)' by Sir Samuel Rush Meyrick.

The detail of the soldier's armour and the height of the relief is a testament to its quality chasing work and creates a wonderful contrast and three-dimensional effect separated fro...

The surrounding individuals are shown in various states of dress and armor, carrying weapons such as bows, arrows, and shields, which suggests they are warriors preparing for conflict.

Early 20th century, Central Caucasus, wool fleece on woolen armor. The region of Ghendje is located in the middle of the Caucasus, the carpets traded in Ghendje come from the vast s...

The central roundel is painted with a heraldic device closely resembling the emblem associated with the family of Frederick Stibbert (1838–1906), the Anglo-Italian collector whose Fl...

Antoine-Louis Barye (French, 1796-1875) "Guerrier du Caucase" cast bronze sculpture depicting a Caucasian warrior in full armor rendered in fine detail riding on his horse.

This print originates from 'A critical inquiry into antient armour as it existed in Europe (..)' by Sir Samuel Rush Meyrick.

This print originates from 'A critical inquiry into antient armour as it existed in Europe (..)' by Sir Samuel Rush Meyrick.

The English Civil War was one of Crofts’s favourite subjects and he always tried to ensure that any uniforms, armour and weapons were accurately represented in order to bring authent...

He is dressed in period armor and in his left hand holds the leather leashes for a ferocious and superbly detailed lion, lioness and a panther.

In this portrait, his skill is evident in the fine textures of the fabric, the polished shine of the armor, and the muscular realism of the horse, all contributing to an image of unw...

At the center are impressive handsome bearded knights dressed in full armor and holding their lances. Above are striking wonderfully executed leaves and branches seemingly growing up...

This print originates from 'A critical inquiry into antient armour as it existed in Europe (..)' by Sir Samuel Rush Meyrick.

Zhenwu is portrayed dressed in ceremonial armor decorated with applied dragons cavorting about.

Through generations of storytelling, culminating in the 14th-century historical novel Romance of the Three Kingdoms, his deeds and moral qualities have been given immense emphasis, m...

The handsome soldier is wearing his detailed armour grasping the beautiful Sabine woman in his arms.

'Matsunaga Daizen Hisahide kneeling on a fur, about to commit seppuku', no. 29 'Shioren Sajima-no-kami Matsataka turning over a scroll of Buddhist scripture with his spear at Kotokuj...

These were the corner house of Schnur- and Kornblumen-Gasse and a man in armour on the corner of Fahr- and Tönges-Gasse. This narrows the field of candidates down to Donett: ‘Until 1...