Antique Neapolitan

An exceptionally charming and luminous example of Neapolitan coastal painting, presented in an elegant antique black and gilt frame.

This serene Neapolitan School scene depicts the island of Ischia rising majestically in the background, its slopes rendered in soft peach and blue tones beneath a hazy sky.

A 19th century Neapolitan Grand Tour bronze of a Satyr with a wine skin, also known as the 'Drunken Satyr'.

This work depicts Saint Sebastian and is stylistically linked to the model established by the Italian painter Guido Reni—a composition widely disseminated in various versions (such a...

Still life with fishes and oysters is an original oil on canvas realized in the 17th Century by Neapolitan School Master. Impressive in size as well as for its vivid representation o...

Crafted during the height of the Neapolitan Baroque period, the figure is defined by an incredibly serene countenance, brought to life by exceptionally rare inset glass eyes that cap...

The upper part is surmounted by refined floral motifs—another typical design from the decorative repertoire of this period—and the inner frame in which the mirror is set, flared and ...

The decoration is executed in the characteristic style of late 18th-century Neapolitan and Cerreto majolica, combining modelled details with simple, lively painted ornament.

Still Life with Flowers and Fruit, oil on canvas, circle of Aniello Ascione, Neapolitan school, second half of the 17th century.

A charming and high quality Italian 19th century Alabaster statue of a Neapolitan fisherman, signed G. Trentanove. This wonderfully executed statue of a young fisherman from Naples i...

The characteristics of these works allow us to easily place them within the typical body of work by Francesco Lavagna (Naples, 1684 –1724), one of the best-known figures in early 18t...

Our beautiful painting is a variation on the famous “Judgment of Paris” painted by the Neapolitan artist Luca Giordano (Naples, 1634 –1705) around 1682, during his stay in Florence, ...

A perfect fusion of art, devotion, and luxury, they demonstrate the artistic level and mastery achieved by Neapolitan woodcarvers and the significance of their role within the cultur...

An underglaze blue crowned 'N' mark appears on the unglazed footrim, reflecting the Neapolitan porcelain tradition revitalised by Italian manufactories around the turn of the twentie...

The piece is hand-carved from Neapolitan volcanic tuff, commonly referred to as lava stone from Mount Vesuvius, which was widely gathered and worked by artisans around the Bay of Nap...

As specified in the expertise, the still life was created around 1730, following a taste that, from the ways of Gaspar Peter Verbruggen, evolves towards forms typical not only of the...

The carving is expressive yet refined — likely Southern Italian, possibly Neapolitan, where such theatrical forms were favored in ecclesiastical and aristocratic interiors.

The bronze was produced by the Neapolitan foundry of Giorgio Sommer, known for its accurate reductions of classical antiquities for the Grand Tour market.

Costa who was one of the earliest great painters of the Neapolitan coast capturing both its natural beauty and culture.

The attribution to Hendrick (or Hendrick de) van Somer, known in Italy as Enrico Fiammingo, is based precisely on this pictorial language, which combines a strong naturalism derived ...

The bust is generally understood as being the work of the Neapolitan sculptor Vincenzo Gemito (1852–1929), although the model's authorship and original date of conception have not be...

The expressive handling and subject matter are reminiscent of 19th-century European genre painting and costumbrismo, particularly the lively character studies associated with Neapoli...

To the base underside, each piece displays an underglaze blue crowned 'N' mark associated with the Neapolitan Capodimonte decorative tradition, made in Italy during the late nineteen...

Nativity scenes have a long tradition in Italian art and devotional culture, particularly following the development of the elaborate Neapolitan presepe tradition. Such displays broug...

The canvases, which show clear affinities with the Neapolitan still-life tradition that developed between the late 17th and early 18th centuries, are traditionally attributed to Elen...

Observing the composition of the canvas, with its sparkling palette, the theatrical gestures that animate the characters, the narrative brilliance and pleasant pictorial quality, we ...

In his compositions, foodstuffs of the period appear and, in particular, in the series conserved in Spain, most of the dishes that were served on the tables of the Neapolitans in tho...

A Charming French late 19th century Majolica figural jardinière (planter) modeled as a young Neapolitan vintner boy balancing a weaved basket over his head, standing on the back of a...

An elegant mid-19th century Neapolitan chest of drawers, crafted in richly figured walnut and adorned with fine veneer work and intricate inlay.

A fine example of late 19th-century Neapolitan bronze casting, inspired by the celebrated ancient model from Pompeii.

signed lower left, Camillo de Vito titled lower center, Veduta del Molo di Napoli sight: 17 by 26 inches frame: 27 ½ by 37 inches Camillo de Vito - A master painter, he specialize ...

Portrait of Masaniello: A contemporary portrait of the famous Neapolitan revolutionary, currently held at the Certosa di San Martino.

Nazzareno Cipriani (Rome, 1843 - 1925) The Italian artist studied in Rome and worked at the studio of the Neapolitan painter Achille Vertunni, alongside the painters Pietro Barucci ...

The image reflects both elegance and authority, emphasizing the grandeur of Neapolitan noble attire. The German verses beneath the figure read: “Also gehen die Frawen zu Neapolis / ...

After graduating, his talent recognised and highly regarded by Carlo Siviero, director of the Neapolitan Academy—earned him an appointment as an assistant in the painting department.

Gouache on paper by Neapolitan School, mid-19th century. Not signed, very good condition.

Regional variants like Tuscan or Neapolitan workshops also utilized mecca—a golden varnish applied over silver leaf to simulate true gold.

This 19th-century Italian alabaster sculpture depicts a young fisherman, also known as a Neapolitan Fisherboy. While several Italian workshops produced similar figures, it is often a...

Our canvas replicates (albeit with variations: the flying angels are missing, the colours and the shape of the clouds are different, etc.) a similar, larger composition painted by Gi...

A Neapolitan Capodimonte porcelain in the Baroque style depicting a french salon scene, a woman seated in an armchair playing the lute and a male admirer trying to impress her, marke...

The scene is characterised by a strong sense of movement and energy, and a marked compositional theatricality inherited from the painter’s Neapolitan training, rendered through the u...

Length: 40 cm (15 ³/₄ inches) Total weight: 50.54 grams Twelve Roman chalcedony intaglios: 6 × 9 mm to 9 × 12 mm Intaglio period: Roman Imperial, 2nd-3rd century AD Mounting: Naples...

Impressive Neapolitan Grand Tour Bust of a Faun or Satyr. Pleasing verdigris surface.

While the V&A diorama was once superficially attributed to the famous wax modeler Gaetano Giulio Zumbo, it is now cataloged as the work of the Neapolitan nun and artist Caterina ...

Nazzareno Cipriani (Rome, 1843 - 1925) The Italian artist studied in Rome and worked at the studio of the Neapolitan painter Achille Vertunni, alongside the painters Pietro Barucci ...

The first use of the Neapolitan "N" covered with a 5-pointed crown (tiara) dates back to 1771.

Sommer Napoli, this finely cast patinated bronze belongs to the celebrated tradition of Neapolitan Grand Tour sculpture. Produced in the workshop of Giorgio Sommer (1834–1914), one o...

The painting reflects the rich tradition of 19th- and early 20th-century Neapolitan marine painting, celebrated for its picturesque depictions of coastal life and iconic views of the...

The palette of glowing reds, soft creams, and dark greens, together with the fluid, confident brushwork, place the painting firmly within the Neapolitan School. Stylistically, the w...

Set on a diagonal cut, our painting connects to the Neapolitan climate split between Giordano and Francesco Solimena (also in its connections with the contemporary Roman scene of a M...

- M.R.Nappi, The Neapolitan Philip by Roberto Longhi. Scipione Compagni or Cornelio Brusco, in Perspective, 47, 1986, pp. 24-37.

In 1855, he settled in the vicinity of Naples, and the Roman frescoes of Pompeii led him to gradually abandon Orientalism in favor of romantic Neapolitan scenes, and then a new genre...

The first engraving, “Habit of a Lady of Quality of Naples,” depicts an aristocratic Neapolitan lady richly dressed in flowing lavender robes adorned with gold trim, elaborate chains...

A student of Pierre-Narcisse Guérin, he followed his master to Italy in 1822 when the latter took over the direction of the French Academy at the Villa Medici; He spent most of his t...

Signed lower left (see photo), the painting is attributable to Filippo Palizzi (1818-1899), one of the leading exponents of 19th-century Neapolitan painting (the painting is not curr...

This object was traditionally used to hold liquids or essences in pharmacies, and it lends a touch of class and antique charm to any space. 17th-century Neapolitan manufacture. Dime...

This etching is part of Balli di Sfessania, Jacques Callot’s celebrated series depicting grotesque dancers inspired by the Neapolitan commedia dell’arte tradition. The figures Capita...

19th century Neapolitan Grand Tour bronze of a Satyr with wine skin, also known as the 'Drunken Satyr'.

A beautiful and rare polychrome terracotta sculpture depicting a figure from the Neapolitan nativity scene. The figure, standing on a natural rock base, wears a long black coat with ...

The theatrical character of the male figure, with his fruit-laden hat and expressive face, may reference the figure of Pulcinella or related Commedia dell'Arte archetypes, while the ...