Antique Satyr

The composition depicts a boy and girl satyr, dynamically posed and rich in movement, reflecting early Art Deco experimentation with mythological themes.

A rare and impressive antique French silver-plated bronze bust depicting a smiling Satyr (Faun), mounted on its original dark grey marble plinth.

This satyr cup is a pen wipe, from back in the days when people used a fountain or a crown pen and ink and you needed your pen brushed.

Henry Picou (1824–1895) “satyr with Nymph and winged putto”, Awakening of Venus?

Jean-Baptiste Germain, (French 1841-1910) A Finely Bas Relief Bronze Tondo of Bacchus with Young Satyr, Signed Germain and dated 1868 Measures 17.5" in width and 17.5" in height.

Louis XVI style clock with Bacchante and musical satyrs. The body of the clock features two young satyrs in gilded bronze each holding twin horns; they lean back against the shaped w...

A toilet in which a satyr gored with vine leaves and a pair of putti intent on mirroring each other also take part.

Large, rare and affecting, this sensual bronze by Jean-Marie Camus depicts a nude satyr figure seducing a nude female figure laying prostrate before him, beguiled by the music from h...

Facing him seated on a rock, a satyr, one of the wild woodland spirits who formed the god's eternal retinue.

Ignacio Gallo (Spanish/French, 1850-1935) was a Spanish sculptor, who was active as a sculptor and engraver in Madrid and Paris in the interwar period. His works show animal scenes, ...

Late 19th Century Jugendstil bronze sculpture of a dancing Satyr/Faun signed by G. Roth, Germany By: G. Roth Material: bronze, copper, tin, metal Technique: cast, molded, patinated,...

Bronze bust depicting a satyr, characterized by a marked theatrical and grotesque expressiveness.

Foliage design to reverse dish over twist gilt bronze lower column, over gilt bronze mythological satyr faun head base termination, two branch arms with bobeches holding four prism d...

"Pas de Deux," Superb Satyr and nude women pairing inspired by Ballets Russes.

A Pair of Patinated Bronze Vases with Nymph and Satyr Bas-Reliefs by Roman Bronze Works, New York City, circa 1900.

In Greek Mythology Satyrs are known for being a class of lustful, drunken woodland gods.

Condition: A strong, early impression demonstrating rich plate tone and excellent tonal contrast between the satyr's deeply shaded muscles and the crisp white areas of the bedding.

The chandelier has casted satyr faces and a stunning floral motif!

Titled Courtoisie exagérée, this piece offers a sharp, satirical twist on the classical Rococo "Satyrs and Nymphs" motif pioneered by 18th-century French masters.

The dynamic figure depicts Pan, the mischievous god of nature and the wild, portrayed as a youthful dancing satyr in exuberant motion, playing his characteristic flute.

Largely widespread in Boeotia, a region especially famous for the cult of Dionysos (in which this form probably originated), this drinking vessel is a major attribute of the god of w...

At the base of the axis, a muscular, bearded satyr lies flat on his back, using his upraised arms to support a massive wooden pole vertically in the air

The elongated frame crowned with a carved floral shell above an allegorical mask of a satyr and centered with an oil on panel painting depicting an outdoor romantic scene of two maid...

A fine and Large French Art Deco patinated and gilt bronze seven-light figural wall sconce, the impressive heavy harp-shaped frame with the light-arms in the form of lilies, crowned ...

The satyr, or faun in Roman tradition, belongs to the Dionysian procession: an instinctive, wild, and vital creature, he embodies the primal impulses of nature, wine, and sensuality.

The urns are possibly from Handyside Foundry, decorated with foliate frieze to the body and satyrs mask lobed loop decorated handles. Inverted egg and dart rim.

To each side are impressive and richly chased Ormolu satyrs with grape clusters joined by detailed swaging foliate and grape garlands.

The composition depicts a nude female figure in motion beneath the sweeping branches of a stylized willow tree, accompanied by a spotted gazelle while a satyr-like figure emerges fro...

Typical attributes: Depicted as an older, bearded man (in contrast to younger satyrs), with horse or donkey ears, often also a ponytail, drunkenness: staggering posture, leaning on ...

The bowl is supported by three fire-gilt satyr masks, connected by chains to a sunflower-shaped ceiling canopy.

Each side is accented with a fine satyr mask while above is a richly chased beautiful maiden's face with acanthus leaves and an acorn finial.

Pair Empire Gilt Bronze and Crystal Compotes Each base is cast with three satyrs supporting a laurel ring and a double lattice with Russian cut glass bowl. 19th c.

Silenus, precariously balanced on a satyr's shoulders, is supported by an old man. Two bacchantes, a female satyr, and two putti make up the god's entire Bacchic retinue—a rather dec...

The ovoid form marble urns flanked by foliate scroll handles with satyr mask terminals, on circular leaf tipped and beaded foot, on square plinths, now mounted as table lamps. circa:...

A wonderful, geometric, cushion moulded chest of drawers carved in oak, with original elm drawer linings, back boards and stile legs, original locks, pulls and satyr escutcheons.

Half-naked bodies and mythological figures, including satyrs and nymphs, intertwine in a whirlwind of movement, music, and pleasure.

A very fine French Empire style 19th century giltwood and gesso carved figural mirror frame, flanked with a pair of sitting winged sphinxes, with carved scrolls, garlands and crowned...

The group, of remarkable compositional skill, depicts the Triumph of Bacchus and Ariadne: the couple, crowned with vine leaves, sit on a chariot with a perforated wheel featuring pal...

The top crest features a prominent, crowned central female mask surrounded by celestial wings, while the bottom center displays a fierce, horned faun or satyr mask serving as the vis...

After discovering the double-reed flute (aulos) invented by the goddess Athena, the satyr Marsyas became so skilled at playing it that he dared to challenge the god Apollo with his l...

Elaborate ormolu mounts include finely cast satyr masks with spiraling ram’s horns, acanthus collars, and a shaped octagonal base.

Crafted from cast iron, the stand showcases a central grotesque or satyr-like face adorned with foliate motifs, flanked by decorative elements.

The arched top pediment is prominently adorned with a molded grotesque mask (Pan or a satyr - half man half ram) flanked by neoclassical scrollwork and topped with decorative finials.

Flanked by flowered baskets on conforming pierced capitols with shells, terminating in bold scrolling, floral and foliate corner pieces, centred with the mask of a satyr.  Two small...

The jasper stone depicts a typical roman image of a satyr. The 22 Carat gold ring is original and has an intricate pattern of granulation.

To one side sits a delightful gilded figure of a faun or satyr, traditionally associated with the pastoral world of classical mythology.

This engraving depicts a classical Greek scene of satyrs and maenads, often associated with Dionysian rituals or Euripides’s play "Bacchae".

Typical attributes: Depicted as an older, bearded man (in contrast to younger satyrs), with horse or donkey ears, often also a ponytail, drunkenness: staggering posture, leaning on s...

There is a Dancing Faun, a Seated Hermes or Mercury Resting, a Satyr with wine sack and a Danaide or Vestal Virgin holding a water bowl.

The traditional Carracci attribution is not without significance: the pose, the concentrated anatomy, and the seated, almost satyric type all belong to the visual inheritance of the ...

The intaglios present a captivating repertoire of classical subjects: a goat and tree, a male bust, a young faun playing the double flute, a Gryllos, a warrior, a satyr, an Eros with...

Common subjects include theatrical masks, satyrs, maenads, Silenus, Pan, erotes, animals, mythological creatures and Dionysiac attributes, as well as vegetal and ornamental motifs.

A decorative relief face inspired by Bacchus or a satyr. Featuring cornucopia elements. Then, centrally on the front and back, a medallion of Medusa.

The figure, more accurately a satyr than a faun, is shown absorbed in ecstatic dance, his head bowed rhythmically as he clashes metal cymbala in his hands.

Dionysiac scenes were particularly appropriate to the function of the vessel and frequently depict Dionysus accompanied by satyrs and maenads. Mythological narratives, warriors, athl...

The Greek key frieze is mounted with a pair of horned satyrs adorned with acanthus leaves and grape vines.

An exceptional 19th-century patinated bronze figure of the "Dancing Faun" (or Satyr), after the celebrated Hellenistic original discovered in 1830 at the House of the Faun in Pompeii.

At the center of the composition is the young Dionysus, crowned with ivy and armed with the traditional thyrsus, leading a whirling procession of Maenads, Satyrs, and Fauns immersed ...

The opposite side terminates in a projecting satyr mask spout with curled hair, ram's horns, and a flowing beard.

It represents an idealised vision of natural and primitive life, far from the ideals of dissolute living often associated with the figures of satyrs and fauns, embodying here a domes...