Calvin Klein Swid Powell

Known for his minimalist, comfortable womenswear as well as a range of sexually provocative ad campaigns that continue to generate conversation decades later, Calvin Klein initially experienced the garment industry as a child in his grandmother’s New York City tailoring business. He would one day establish a global fashion brand — the Bronx native led the designer jeans craze of the late 1970s, and vintage Calvin Klein skirts, jackets, day dresses and shirts, frequently created in soft fabrics and understated neutral hues, are still versatile components of everyday wear.

Klein was born in 1942. He joined his mother on trips to designer discount store Loehmann’s and visited his grandmother's seamstress shop, where he was able to witness the particulars of clothing design in his youth. As a teen, Klein started making fashion sketches and attended the High School of Art and Design and the Art Students League of New York. He graduated from the Fashion Institute of Technology in 1963.

Klein worked with coat manufacturer Dan Millstein after his studies had concluded. In 1968, he partnered with his childhood friend, Barry Schwartz, and opened a small coat and dress shop in the York Hotel in Manhattan. Schwartz ran the business side of things while Klein took the reins on creative direction. The designer’s work was soon stocked at Bonwit Teller — and appeared in large ads in the New York Times — and in 1969, a model sported a Calvin Klein coat on the cover of Vogue.

During the 1970s, Klein added sportswear, lingerie, blazers and a range of stylish accessories to his lines of apparel. He became the youngest-ever recipient of the Coty American Fashion Critics' Award in 1973, winning again in both of the subsequent two years. 

Klein’s debut of his now-revered blue jeans in 1976 was somewhat of a failure — they were too expensive, and buyers complained about the fit. Late one night at Studio 54, the designer heard about the benefits that a licensing deal with apparel manufacturer Puritan Fashions might bring him. Two years later, Klein inked that deal and sold 200,000 pairs of his jeans, which were produced by Puritan, in a week.

A large percentage of Puritan’s sales in 1978 owed to Klein’s blue jeans. This streak with denim carried on into the 1980s, when Klein would be competing with the likes of Jordache, Gloria Vanderbilt and other labels. Klein’s jeans were promoted in scandalous ads featuring Brooke Shields and others that were banned by television stations and challenged by politicians. The decade saw the debut of successful men's and women's underwear collections designed by Klein that were also the subjects of steamy marketing campaigns. Soon, Calvin Klein expanded to 12,000 American stores and retail locations in six other countries.

Though profits declined in the early 1990s, Klein saved the business with successful underwear, sportswear and fragrance lines. More controversial ad campaigns with up-and-coming models and celebrities like Kate Moss and Mark Wahlberg followed, also bringing fresh attention to the brand. In 2002, the Calvin Klein company was sold to Phillips Van Heusen Corp. Belgian designer Raf Simons was named chief creative officer at the brand in 2016.

On 1stDibs, find vintage Calvin Klein clothing, accessories and handbags.

The late 19th and early 20th centuries saw sweeping social change and major scientific advances — both of which contributed to a new aesthetic: modernism. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface [and] avoidance of ornament.”

Early practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.

Followers of both groups produced sleek, spare designs — many of which became icons of daily life in the 20th century. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chair — crafted with his romantic partner, designer Lilly Reich — and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections.

It’s difficult to overstate the influence that modernism continues to wield over designers and architects — and equally difficult to overstate how revolutionary it was when it first appeared a century ago. But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor. Don’t overlook them.

Your dining room table is a place where stories are shared and personalities shine — why not treat yourself and your guests to the finest antique and vintage glass, silver, ceramics and serveware for your meals?

Just like the people who sit around your table, your serveware has its own stories and will help you create new memories with your friends and loved ones. From ceramic pottery to glass vases, set your table with serving pieces that add even more personality, color and texture to your dining experience.

Invite serveware from around the world to join your table settings. For special occasions, dress up your plates with a striking Imari charger from 19th-century Japan or incorporate Richard Ginori’s Italian porcelain plates into your dining experience. Celebrate the English ritual of afternoon tea with a Japanese tea set and an antique Victorian kettle. No matter how big or small your dining area is, there is room for the stories of many cultures and varied histories, and there are plenty of ways to add pizzazz to your meals.

Add different textures and colors to your table with dinner plates and pitchers of ceramic and silver or a porcelain lidded tureen, a serving dish with side handles that is often used for soups. Although porcelain and ceramic are both made in a kiln, porcelain is made with more refined clay and is more durable than ceramic because it is denser. The latter is ideal for statement pieces — your tall mid-century modern ceramic vase is a guaranteed conversation starter. And while your earthenware or stoneware is maybe better suited to everyday lunches as opposed to the fine bone china you’ve reserved for a holiday meal, handcrafted studio pottery coffee mugs can still be a rich expression of your personal style.

“My motto is ‘Have fun with it,’” says author and celebrated hostess Stephanie Booth Shafran. “It’s yin and yang, high and low, Crate & Barrel with Christofle silver. I like to mix it up — sometimes in the dining room, sometimes on the kitchen banquette, sometimes in the loggia. It transports your guests and makes them feel more comfortable and relaxed.”

Introduce elegance at supper with silver, such as a platter from celebrated Massachusetts silversmith manufacturer Reed and Barton or a regal copper-finish flatware set designed by International Silver Company, another New England company that was incorporated in Meriden, Connecticut, in 1898. By then, Meriden had already earned the nickname “Silver City” for its position as a major hub of silver manufacturing.

At the bar, try a vintage wine cooler to keep bottles cool before serving or an Art Deco decanter and whiskey set for after-dinner drinks — there are many possibilities and no wrong answers for tableware, barware and serveware. Explore an expansive collection of antique and vintage glass, ceramics, silver and serveware today on 1stDibs.