Carved Busts

Stunning classical style display column with a wonderful and warm patina. This marvelous piece of early 20th century workmanship is another fine example of the quality that was made in those days. All handcrafted out of oak and beautifully patinated from top to bottom this antique stand is a real eyecatcher and over the many decades the patina has only made this antique more attractive. This highly stylish, strong and very stable stand will easily take one of your heavier sculptures as well. The combination of the circular, heavy stem with its classical carvings and cannelures and the square base and table top make this stylish antique an absolute joy to own and look at. Apart from a few minor imperfections, this antique display stand...

An elegant late 19th-century Italian marble bust of Psyche of Capua, inspired by classical Roman models. Finely carved with delicate features and flowing drapery, this piece embodie...

GRAND TOUR Italy, circa late 19th/early 20th Century Bust of Young Gaius Octavius Augustus Carved Carrara marble, unsigned 17 1/4" H x 8 3/4" W x 5 5/8" D A good Grand Tour bust ...

Top quality carved bust, signed by Cristoforo Vicari (Swiss-Italian, 1946-1913). This remarkable antique alabaster sculpture depicts a serene young woman dressed in a Florentine cos...

Spectacular and very decorative piece. Large carved wooden reliquary bust of a Madonna. Beautiful traces of color. Small losses and without the relics. Silver/silvered central piece ...

This painted limestone relief is an exquisite example of New Kingdom relief carving from the apogee of Egyptian artistic production. Carved in raised relief - a labour-intensive tech...

A circa 19th century Vietnamese carved wooden and polychromed seated Buddha with original patina. Measurements: Height: 31" Width: 22" Depth: 17"

Antique Egyptian stone bust 19th century This sculpture was purchased at a wine-producing château in Bordeaux. Good condition with good patina due to age. Shipping: 14 / 12 / 15 c...

Antique (late 19th century) Italian bust of a female beauty, finely carved from alabaster stone, attributed to the Italian master, Adolfo Cipriani (active 1880-1930). 25 by 16 by 9 ...

CARVED ALABASTER BUST OF "VENUS OF MILO" Probably Italian, first half of the 20th century unsigned raised on an original shaped plinth 18" H x 10 1/4" W x 5 1/4" D Carved in a s...

Unique and antique bronze sculpture, bust of a Satyr (“Satan”) by Jef Lambeaux.. A striking and expressive life-size bronze bust by the celebrated Belgian sculptor Jef Lambeaux, dat...

Fine antique (19th century) continental bust of a lovely female in curls and dress adorned with bows at the shoulder. Apparently unsigned.

FILLI PUGI Italian, fl. 19th century Bust of the Capitoline Antinous after Antiquity Carved Carrara Marble signed verso “Filli Pugi Firenze” executed circa late 19th century Ite...

Here is a wonderful pair of carved horse busts/heads dating from the mid-century and measuring an impressive 16.5" high and 12" wide. Although the country of origin and wood species ...

Very fine and monumental pair of French 19th century patinated bronze figural torchere sculptures titled "La Nuit" (The Night) attributed to Albert Carrier-Belleuse (French, 1824-188...

Marble Busts of Roman on pedestal. Early 19th Century

Vintage Buddha head statuette for tabletop display, made from carved stone. Minor chipping, natural patina.

Masterfully carved & most impressive Italian Vanitas bust in solid marble from late 19th century. White Carrara marble skull combined with a Belgian Bla...

JEAN-ANTOINE HOUDON (after) French, 1741-1828 "Bust of Voltaire" Patinated bronze signed to reverse HOUDON Foundry cachet for Susse Freres and engraved "cire purdue" Cast circa la...

Masterfully carved Italian Vanitas / Memento Mori bust in solid marble from late 19th century. White Carrara marble skull combined with masterfully...

An impressive pair of hand-carved hardwood African busts, circa 1970s. The pair are made out of some type of exotic hardwood (zebra wood? very heavy a...

Museum quality sculpture of a serene possibly Saint Catherine of Siena. This exquisite Italian alabaster bust, carved circa 1890 and set upon a dark, polished marble base, emanates ...

Masterfully carved and sculpted alabaster bust of a young girl with outstretched arms holding up a cup by Antonio Frilli. Smiling faced young girl, wearing lace and ruffled clothing,...

Make a statement on your mantel, enfilade or tabletop with this antique "Haute Epoque" carved santo figure. Created in Spain, circa 1680, the bust is set ...

A classic Italian Roman statue of the 'David' on a black marble base by sculptor G. Ruggeri, Italy, circa mid-20th century, Italy. White resin statue is on a black marble base with t...

A Large European Carved Limestone Celtic Votive Head of a Male Warrior Wearing a Typical Flowing Moustache Small Beard and Curling Locks of Hair Stiffened with Lime Wash the Slit Mouth Open as if in Command Circa 1st Century BC - 1st Century AD Size: 31cm high, 22cm wide, 25cm deep - 12¼ ins high, 8¾ ins wide, 9¾ ins deep / 42cm high - 16½ ins high (with base) From about 500 BC, first Greek and later Roman historians mention peoples living in a large area of non-mediterranean Europe as Celts. These classical chroniclers seem to have recognised these communities as having sufficient shared cultural traditions to justify their being given a common name, ‘Keltoi’ by the Greeks, and ‘Celtae’ or ‘Galli’ by the Romans. The earliest allusions to Celts by such Greek historians as Herodotus (485 - 425 BC) were followed by Polybius (200 - 118 BC) and Livy (59 BC - AD 17) who discuss the expansion of the Celts from their central European homelands during the 4th and 3rd centuries BC. They document the presence of Celts in Spain, France, Italy, Greece and Asia Minor, specifically central Turkey. They testify to the successful Roman resistance to the Celts in Italy, after the ignominy of the sacking of Rome by them in 387 BC, and describe the huge defeat suffered by the Celts at the battle of Telemon in northern Italy in 225 BC. The Celts in Greece who sacked the sacred site of Delphi in 279 BC were defeated by King Antigonos Gonatas of Macedon in 278 - 277 BC and in Turkey by Altalus of Pergamon in 240 BC. The Celts in Spain fell under the shadow of Rome from 2nd Century BC and the Celtic heartland known by the Romans as ‘Gaul’ was conquered by the Romans under Julius Caesar in the mid 1st Century BC. Britain was not referred to as Celtic by the ancient historians, but Caesar recognised the close similarities between Britain and Gaul especially in their political organisation. Tacitus (55 - 120 AD) and others chronicled the conquest of Britain between 43 and 84 AD some mentioning the fierce nature of the Celts who went into battle naked. Celtic art therefore belongs to an artistic tradition in the early history of Europe which is no less important than that of the classical world. Art was central to Celtic identity and was closely related to the objects which it decorated. The Celts were used to seeing art as an integral part of their everyday lives. Provenance: Ex Finch and Co...

Vintage fine bust depicts a beautiful young woman, hand carved in solid fruitwood. The woman is depicted with her eyes slightly downcast, as if she's looking at something at her fee...

A French Napoléon III period walnut carved putto sculpture from the mid 19th century, with grapes, flowers and the double flute. Created in France during the third quarter of the 19t...

A sensitively carved limestone monumental head of the Buddha, China, mid-20th century. The large carved limestone head displays a quiet sensuousness typical of the Northern Qi style, and follows Northern Qi stylistic conventions, with an oval shaped head covered in pinwheel shaped curls. His full lips...

Wonderfully detailed Art Nouveau style alabaster carved bust of a woman with a sheer dress wearing a head band by famous Italian artist Antonio Frilli. Signed “A. Frilli Firenze" ...

Antonio Tantardini (Italian, 1829-1879) An extraordinary Italian 19th century life size carved Carrara white marble sculpture of "A Young Child and a baby in a wicker crib...

18th century Italian carved giltwood head of an angel. Hand carved with a vivid expression and just amazing hair. A peg on the reverse for attachment to a larger relief or group scul...

Carved marble portrait bust depicting Franz Liszt (1811–1886), late 19th century. Classic Romantic era sculptural portrait of the Hungarian virtuoso pianist and composer, realized...

Magnificent hand-carved marble bust depicting an African gentleman in traditional attire and a detailed headdress. The work stands out for its use of two-tone marble, with a contrast...

African Tanzania Contemporary carved wood Makonde fearsome demon head in stylized elongated form features incised hair, long narrow nose, flaring nostrils plus an openwork snarling m...

Large late 18th Century French hand carved ships figurehead. A rare survivor, this figurehead would most likely have come from a Southern Frenc...

Capture the elegance of the early 20th century with this striking Sicilian Art Nouveau wood sculpture depicting the bust of a young woman. Carved from rich, dark-toned walnut wood, t...

Art Nouveau Carved Wood Portrait of a Russian Maiden with Kokoshnik Headdress, Attributed to Russian School, Circa Late 19th to Early 20th Century Presenting an exquisite carved woo...

A striking late 18th-early 19th century bust of the Roman Emperor Titus Domitian. The head is made from hand carved white Carrara marble, the tunic and t...

An antique statuary by L. Hollot French Sculpturor ( 1836 – 1897 ) representing a standing noble man with umbrella, in good condition. Created of Zamak with a very detailed craftsmenship and details. The sculpture is positioned onto a hand carved limestone pedestal...

Rare pair Of 18th century Venetian Rococo period polychromed antique carved wood sculptures in the form of nubian heads. Each with substantial traces of original polychrome, portray...

Masterfully carved Italian Vanitas bust in solid marble from late 19th century. White Carrara marble skull combined with a red Rosso Imperiale marble Ro...

Sculpture, sculpted sandstone bust in the taste of ancient Egypt, XXth century. Bust, carved sandstone sculpture in the taste of ancient Egypt, 20th century. H: 58cm, W: 30cm, D: 40...

A lively and enchanting depiction, this exquisitely rendered flat-backed Herm bust depicts the Roman Bacchus (Dionysus to the Greeks). The youthful god of wine is shown with promine...

Introducing a mesmerizing alabaster bust by renowned sculptor Georges Morin (1874-1950). This exquisite piece, dating from the end of 19th century, showcases a young woman in a del...

Pietro Bazzanti - Barzanti (Italian, 1825-1895) "After the Bath" - a very Fine and large carved white Carrara marble figure of a semi-nude young maiden standing by the sea-shore. The smiling and posing young beauty, with bare breasts and back, her right arm juxtaposed over her head, while holding a blanket over her waist with her left hand and standing barefoot by a rocky seawall and wavy shoreline. Signed 'P. Barzanti/Florence' (on reverse) and raised on a cylindrical swiveling carved verde antico solid marble pedestal. circa: Florence, 1880-1890. Pietro Bazzanti or Barzanti (Italian, 1825-1895) was a 19th Century Italian sculptor born in Florence. Together with his brother, Niccolò Bazzanti (Firenze, 1802-1869) who was also a sculptor, they both worked the sprawling Florentine studio 'Pietro Bazzanti e Figlio' a hugely successful sculpture studio, operated within the family at their gallery on Lungarno Corsini until the mid-twentieth century. The studio was a place where many talented professors and apprentice sculptors specialized in sculpting marble...

Psyche of Capua. White marble bust of Venus, after antique. Italy, late 19th century. Inscribed, 'Chiurazzi.' Measures: 21 in. (53.3 cm) height.

Sculpture Bust Roman in solid hand carved marble lightly red tinted and grey tinted. Exceptional piece. Available now on stock.

An elegant, classically inspired sculptural bust carved from two-tone marble, highlighting the refined contrast between the polished black marble of the face and the veined beige mar...

A monumental deconstructed ceramic male torso, signed by artist, 20th century. In tones of burnt pêche, apricot, and sienna, this stunning sculpture epitomizes cubism in three dimens...

A Monumental and Rare 19th Century French Ormolu Mounted Multi-Marble Bust of Alexander The Great, After The Model by Francois Girardon. Drawing inspiration from the renowned "Bust of Alexander the Great (356-323 BC)" housed in the esteemed Palace of Versailles, this monumental work of art showcases exceptional craftsmanship and meticulous attention to detail, serving as a testament to the creator's artistic prowess. Central to this magnificent sculpture is the resplendent red marble face, neck, and hair of Alexander the Great. Capturing the youthful essence of the conqueror, the sculptor depicts him as a young man with a clean-shaven countenance, his moderately long curls delicately cascading from beneath a remarkably unadorned helmet, save for a magnificent plume. The red marble harmoniously accentuates the life-like features of Alexander, imparting an air of regal elegance to the composition. Adding to the allure of this remarkable sculpture is an ormolu robe cascading over Alexander's shoulders, exuding an aura of nobility and power. Of particular note, the breastplate bears an embossed ormolu mask of a deity in profile, surrounded by elegantly sweeping acanthus leaves, paying homage to the influential forces that shaped the life of this great conqueror. Once again, the sublime combination of precious metal and marble amplifies the robe's magnificence, further accentuated by the presence of an ormolu body chain swaying gracefully from Alexander's left shoulder to his right hip. The selection of marbles for the cuirass and plinth serves as an additional testament to the artist's commitment to crafting a visually striking and harmonious composition. The grey marble cuirass complements the overall color scheme of the bust while providing a subtle contrast to the red marble features. At the neck, a pleated ormolu linen undergarment discreetly peeks out, showcasing the artist's meticulous attention to intricate details and enhancing the sculpture's depth. The original Alexander The Great Bust...

Medusa's gaze meets timeless elegance in this massive and beautiful statement piece of art. This Female Sculpture is an intricately Carved Stone masterpiece a large Bust of a Woman, Signed by Artist Charles Cutler. Charles Gordon Cutler...

Carved and painted wooden phrenology head Store display advertising model. Phrenology bust by unknown wood carver, circa 1870. Perfect to decorate a Do...

An Incredible and Large Gilt and Patinated Bronze Group of Gloria Victis, a Winged Figure of Victory with a Fallen Warrior. This incredible bronze piece was cast after a model by Maarius-Jean-Antonin Mercié, This model is signed 'F. BARBEDIENNE FONDEUR PARIS' demonstrating that it was cast by Ferdinand Barbedienne's foundry, the best bronzier of the 19th century. The base is further signed 'A. Mercie' and stamped 'Réduction Mécanique' with an inscription of '659'. The figure is mounted on a Belgian noir marble base with various stepped edges. Gloria Victis is one the most well-known and important bronze casts of the 19th Century. The quality of this particular model is absolutely incredible and all the marking indicate that this particular piece is one of the finest produced by the Foundry. A student of Jouffroy and de Falguière at the Ecole des Beaux-Arts, Marius-Jean-Antonin Mercié (1845-1916) won the Grand Prix de Rome at 23 years old with his work Thésée vainqueur du Minotaure. In 1872, he sent the plaster model of his work David vainqueur to the Salon, for which he won the first class medal. At the same time, he received La croix de la Légion d'honneur at the Villa Medici. His return to Paris, in 1874, issued in a long and brilliant career with numerous commissions, notably the monuments for Louis-Philippe and Queen Marie-Amélie for the Royal Chapel at Dreux (1886). By the age of 30 Mercié was already very well-known and his Gloria Victis received resounding success when it was exhibited at the Salon, in 1874 (in plaster) and in 1875 (in bronze). This work exalted the heroism and the patriotic sentiments aroused by the disasters of 1870. His predilection for patriotic subjects is shown in many of his works such as Quand même...

A very fine and large Italian 19th-20th century Carrara marble group "Allegory to Music" depicting five Bacchic putti musicians playing various instruments. The finely carved Palatia...

This late 19th Century bust was executed by French painter and sculptor Louis-Robert Carrier-Belleuse (1848–1913), son and pupil of renowned sculptor Albert-Ernest Carrier-Belleuse. ...

Torso of Buddha Kingdom of Ayutthaya (1350-1767), 17th century. Carved sandstone, height (including base) 64 cm. Provenance: The Sassoon...

1940s Carved Wood Bust of African Man

A pair of Italian alabaster busts of Amorini By Galleria Lapini, Florence, Late 19th Century One inscribed to the reverse C. Lapini, Firenze...

Beautiful marble bust of a young child. This statue is hand cut from Carrara marble. This statue dates from circa 1930, from the modernist Art Deco period. The beautiful, smooth fa...