Copper Etching Plate

Rembrandt Millennium Edition story. In 1993, Rembrandt's copper etching plates were sold to museums

Rembrandt Millenial Edition story. In 1993, Rembrandt's copper etching plates were sold to museums

Tributary Copper plate etching printed with black Gamblin ink on 300gsm somerset satin paper 29.5 x

of 50 – printed by the artist on Somerset 300gsm Cotton paper Copper-plate etching Image size W 19.8

inscribes the details of a $100,000 bill onto the surface of a copper etching plate. The text is inverted as

the artist on Somerset 300gsm Cotton paper Copper-plate etching Image size W 30 cm x H 20 cm Sheet

Deep in the forest, amidst the mists of dawn, a red deer stag appears… Guy Allen’s etchings

Deep in the forest, amidst the mists of dawn, a red deer stag appears… Guy Allen’s etchings

. Signed by the artist Edition of 75 Certificate of Authenticity Etching on 300gsm Somerset paper Plate

the original drawing, which the engraving is based upon, and the copper etching plate used to make the

– printed by the artist on Somerset 300gsm Cotton paper Copper-plate etching Image size: W 20 cm x H 15 cm

Corn-flag Copper coloured, Gladiolus securiger Plate 383 1797 Hand-colored etching Ed. 1st ed. 9

crayon, signed by Edgar Chahine, and a signed copper etching plate for one of the illustrations. Superb

as monoprints on his handmade paper. He was best known for multi-plate color hand pulled etchings of

monoprints on his handmade paper. He was best known for multi-plate color hand pulled etchings of rugs and

monoprints on his handmade paper. He was best known for multi-plate color hand pulled etchings of rugs and

soft ground etching technique. Employing multiple copper etching plates, these images were printed on

soft ground etching technique. Employing multiple copper etching plates, these images were printed on

Original, giant Aquatint and Etching on copper plate printed in 3 color on Fabriano Rosaspina paper

ORIGINAL COPPER ETCHING PLATE. Artist: Edgar Chahine; Authors: Edmond and Jules de Goncourt Rouen

traditional hard and soft ground etching technique. Employing multiple copper etching plates, these images

technique. Employing multiple copper etching plates, these images were printed on fine rag hand made paper

ground etching technique. Employing multiple copper etching plates, these images were printed on fine rag

copper plate etchings made by Rembrandt in the late 1800's ; it is by Amand that many of Rembrandt’s

copper plate on Fabriano Rosaspina paper. Hand-signed and dated on the lower right. Numbered on the

copper plate etchings. In this piece, Gonzales depicts a crowd enjoying the tranquility of the forest

In this copper plate etching, Cahan captures the religious ardor and penitent sentiment shared by

voluptas spernere, posse pati." Original etching from coeval copper plate from the SOLITUDO SIVE VITAE

. Edition of 102 copies (16/102), etching on copper. Signed on plate. This is one artwork collected in the

surface or matrix can vary from a copper etching plate, zinc, or glass to acrylic. The image is then

communication, and became a full-time artist in 1981. Sievert created limited-edition etchings from copper

: Portfolio of 8 Copper Plate Color Etchings with Blind Embossing on Arches, each signed in pencil, Edition

: Portfolio of Copper-plate Color Etchings with Blind Embossing on Arches, signed in pencil, Edition: 150

. Traditional copper plate etching with aquatint. I have tried to portray the atmosphere of a secret wood, and

thimble with etchings. Materials: Copper-plated aluminium.

technique. Employing multiple copper etching plates, these images were printed on fine rag paper, some with

portraiture technique and skill. In the early 1890s, Reich began working on copper plates, etching a series of

on copper plates supplied by Crommelynck in the morning and Crommelynck would return with proofs in

26 in. x 19.5 in. / 65.5 × 50 cm. Plate 5.5 x 3.5 in. / 14 x 9.2 cm. Etching from one copper plate

. These are original copper plate etchings presented in limited editions. They play on ideas of

Copper-plate etching Image size W 20 cm x H 15 cm Sheet size W 30 cm x H 29 cm Sold unframed Please note

plates. Etching was a medium that he took great delight in and experimented with for the rest of his life

was unable to source lithographic stones there so instead turned his hand to copper plates. Etching

original copper plate etchings presented in limited editions. They play on ideas of mathematics

original print from a copper plate etching by Robert Smith Forrest. It depicts one of the two longer panels

Very nice original hand colored copper plate etching (aquatint) by the Hungarian born artist

the complex and difficult technical process of making prints from etching on copper plates. Scott

the complex and difficult technical process of making prints from etching on copper plates. Scott

the complex and difficult technical process of making prints from etching on copper plates. Scott

the complex and difficult technical process of making prints from etching on copper plates. Scott

embraced the complex and difficult technical process of making prints from etching on copper plates. Scott

. Immediately, he embraced the complex and difficult technical process of making prints from etching on copper

embraced the complex and difficult technical process of making prints from etching on copper plates. Scott

the complex and difficult technical process of making prints from etching on copper plates. Scott

Very nice original hand colored copper plate etching (aquatint) by the Hungarian born artist

Soft-ground etching from three copper plates printed in sepia, with hand colouring in watercolour

Copper plate etching with drypoint on cream laid paper with a partial heraldic watermark, 11 x 8