Corinthian Capitals

Above are the three fluted columns with richly detailed Corinthian capitals, and with the remnants of the architectural carved crown above.

Yet its architectural borders, adorned with stylized Corinthian capitals, introduce a distinctly European grace.

This neoclassical chimneypiece is adorned with double columns with Corinthian capitals at the jambs; the overmantel is enriched with a laurel wreath around the mirror and an exterior...

A very fine and impressively large pair of Neoclassical Revival period sterling silver candlesticks, showing tapering columns issuing from cavetto shaped bases decorated with embosse...

Each lamp is formed as a tall, faceted glass column, beautifully cut in a diamond pattern to catch and refract the light Bought from a dealer on Marche Biron at Paris antiques market...

The pedestals are of classical form with finely figured Alabastro Foiorito columns and gilt-bronze Corinthian capitals and laurel leaf plinth bases. Each acanthus leaf to the capita...

Barley twist columns with Corinthian capitals and decorative moulding to the top and bottom of the case ion all four sides of the case.

The table is supported by three gracefully tapered columns, each crowned with gilt Corinthian capitals and terminating in ornate gilt bases, exuding a classical grandeur.

This exquisite pair of 1880's European-inspired columns showcases a masterful blend of British, Greek, and Indian design elements. The Corinthian capitals are adorned with acanthus l...

Each with square rouge griotte marble top and column. The Corinthian capitals finely cast in rich gilt-bronze.

Victorian striking carriage clock, Hampton & Sons, Pall Mall Victorian carriage clock in a fine variegated green onyx case standing on a raised, stepped base and resting on gilded...

The fluted columns are surmounted by ormolu Corinthian capitals supporting shelf with egg and dart detail.

The Corinthian capitals of these columns are based on the celebrated model designed by Pierre Gouthière circa 1775-1780, and now in the permanent Collection du Mobilier National Fran...

Four reeded Ormolu columns sit above with circular bottom laurel bands and decorative Corinthian capitals. The two leveled top shelf is decorated in the same manner with the same ele...

The partially pierced cornice and a secondary tiered; a shaped cornice over two closed panel doors flanked by mahogany columns with gilt bronze Corinthian capitals. The upper cupboar...

The enameled dial with Roman numerals is signed, set within a pediment-like architectural structure supported by two fluted columns with Corinthian capitals. The pendulum, shaped li...

The front corners are adorned with hardwood full balusters with Corinthian capitals., mounted on tall pine obelisks.

Wonderful and intricately carved Giltwood reserves accent the entirety of each of the side columns and lead to exceptional Corinthian capitals. The arched top of each mirror is accen...

Above each foot and flanking the front frieze are Walnut plinths and mottled Giltwood bands that support columns which lead up to stunning Corinthian capitals. At the center of each ...

Above, richly detailed Corinthian capitals are cast in gilt bronze with acanthus leaves, palmettes, and stylized botanical ornament inspired by ancient Greek and Roman precedents.

As becoming of Emperior Napoléon they are replete with heroic iconography drawn from the classical Roman world including Corinthian capitals to the columns, trumpet shaped branches a...

Pilasters are dual barley twists with Corinthian capitals, carved with acanthus. The ornate, brass candlesticks feature cherubs heads and scrolling foliage.

Reeded pillars with Corinthian capitals, inlay to the base and resting on bracket feet.

This tall pair of Italian 19th century Louis XVI style hand carved walnut architectural columns with Corinthian capitals and stone base boasts a fluted and slender body crowned with ...

The side supports are decorated with large vegetal motifs and Corinthian capitals, also in molded plaster. The upper crest is sculpted in oak, with Renaissance-style urns and vessels.

The two-part case features greco-roman neoclassical style columns in the front having bronze mounts and intricate corinthian capitals. The top part of the bookcase is fronted by thre...

The canted sides are separated from the façade by delicate fluted semi-columns with corinthian capitals. With its sinuous Rococo lines and great proportions, this Dutch vitrine cabin...

The two door two drawer buffet is raised by elegant stout circular fluted feet with fine foliate fitted mottled sabots below impressive and most decorative Sarrancolin marble columns...

A highly unusual panelled fire surround featuring four full height barleycorn twist columns topped with Corinthian capitals, with each column ascending in an opposing direction.

This elegant garden structure features a hexagonal plan supported by six fluted marble columns, each crowned with intricately carved Corinthian capitals. The frieze above the columns...

This set features square green marble columns adorned with gilt bronze mounts and Corinthian capitals. Each is topped by a square marble surface.

These plates present detailed studies of the Louvre’s architectural ornamentation, including Corinthian capitals, entablatures, cornices, pediments, and sculptural friezes.

Above each foot and flanking the front frieze are Walnut plinths and mottled Giltwood bands that support columns which lead up to stunning Corinthian capitals. At the center of the c...

Having 2 x Glazed doors flanked by fluted pilasters with Corinthian Capitals and the most wonderful carved panels either side The doors open to reveal 2 x shelves.

Origin: France Measures: Clock Height 32" Width 21" Depth 7.5" Candelabra Height 28" Width 15" Depth 9.5" Style: Empire Great Antique condition Material: Bronze and marble Clo...

One of the most beautiful Corinthian capitals is that from the Tholos of Epidaurus (400 BC); it illustrates the transition between the earlier Greek capital, as at Bassae, and the Ro...

He gives some tales about the invention of each of the Orders, but he does not give a hard and fast set of canonical rules for the execution of capitals. Two further, specifically R...

The top having a stepped cornice with a carved floral frieze, below is a single carved panel door with a landscape scene carved to the center, featuring a grazing game bird, the door...

This combination offers a natural counterpoint to the architecturally inspired support with gilded moldings, reminiscent of Corinthian capitals and 18th-century religious or decorati...

He gives some tales about the invention of each of the Orders, but he does not give a hard and fast set of canonical rules for the execution of capitals.   Two further, specifically ...

He gives some tales about the invention of each of the Orders, but he does not give a hard and fast set of canonical rules for the execution of capitals. Two further, specifically R...

Flanking the top mirror plate are two vertical columns of Giltwood palmettes on off-white backgrounds capped with Giltwood richly detailed Corinthian capitals. The entablature shows ...

Inspired by Renaissance and neoclassical ornamentation, its panels depict ornate urns and Corinthian capitals, rendered in a timeworn, fresco-style finish.

The sides of the mirror with ribbed pilasters topped with Corinthian capitals and the base of the columns terminating with reverse corbel brackets with floral motifs.

He gives some tales about the invention of each of the Orders, but he does not give a hard and fast set of canonical rules for the execution of capitals. Two further, specifically ...

Solid cherry solid columns with carved Corinthian capitals. Protruding plinth drawer ‚Karnies’ curve and butterfly cherry veneer.

He gives some tales about the invention of each of the Orders, but he does not give a hard and fast set of canonical rules for the execution of capitals.   Two further, specifically ...

He gives some tales about the invention of each of the Orders, but he does not give a hard and fast set of canonical rules for the execution of capitals. Two further, specifically R...

An exceptional pair of French Louis XVI Revival pedestal stands, dating to the late 19th century and crafted from richly figured rouge marble with finely cast gilt bronze ormolu moun...

The antique Corinthian pilaster capitals are made of hand-carved hardwood.

The craftsmanship is evident in the Corinthian capitals, which feature intricately cast acanthus leaves and delicate volutes.

Each candlestick is designed in the form of a classical column, surmounted by finely cast Corinthian capitals above fluted shafts, and raised on broad square bases richly ornamented ...

The case surmounted by an urn finial and flanked by reeded columns with Corinthian capitals, each inset with enamelled bands of scrolling foliage.

The legs showcase foliate bands at the base, fluted designs, and wonderfully decorative Corinthian capitals. The legs are joined by a scrolled Mahogany stretcher leading to a central...

He gives some tales about the invention of each of the Orders, but he does not give a hard and fast set of canonical rules for the execution of capitals. Two further, specifically ...

Motifs include foliates, wheat, tridents, rosettes, lotus blossoms and Corinthian capitals. What is immediately captivating, however, is the luxurious cut silk velvet upholstery tha...

62"H Antique 1890 Austrian 3 Weight Highly Carved Vienna Regulator Wall Clock Franz Boeck, Vienna, Austria, a large, Alt Deutsch style grand sonnerie striking Vienna regulator, tran...

Unlike the production of Corinthian capitals, with Corinthian capitals, stonemasons did not need to adhere to a specific model, thus enjoying complete freedom in designing the scheme...

Crafted from solid mahogany, the frame features a richly carved Neoclassical pediment adorned with ribbon-tied laurel swags, a classical urn finial, and finely detailed Corinthian ca...

He based the motif of the volutes of the Corinthian capitals of the pilasters decorated with fittings on a model from the Academy of Fine Arts in Vienna from 1762.