Dunbar 5309

At 1stDibs, there are many versions of the ideal dunbar 5309 for your home. Frequently made of wood, glass and brass, every dunbar 5309 was constructed with great care. Whether you’re looking for an older or newer dunbar 5309, there are earlier versions available from the 20th Century and newer variations made as recently as the 20th Century. Each dunbar 5309 bearing Mid-Century Modern hallmarks is very popular.

A dunbar 5309 can differ in price owing to various characteristics — the average selling price 1stDibs is $12,000, while the lowest priced sells for $8,255 and the highest can go for as much as $18,000.

As the longtime director of design for the Dunbar furniture company, Edward Wormley was, along with such peers as George Nelson at Herman Miller Inc., and Florence Knoll of Knoll Inc., one of the leading forces in bringing modern design into American homes in the mid-20th century. Not an axiomatic modernist, Wormley deeply appreciated traditional design, and consequently his vintage seating, storage cabinets, bar carts and other work has an understated warmth and a timeless quality that sets it apart from other furnishings of the era.

Wormley was born in rural Illinois and as a teenager took correspondence courses from the New York School of Interior Design. He later attended the Art Institute of Chicago but ran out of money for tuition before he could graduate. Marshall Field hired Wormley in 1930 to design a line of reproduction 18th-century English furniture; the following year he was hired by the Indiana-based Dunbar, where he quickly distinguished himself. It was a good match.

Dunbar was an unusual firm: it did not use automated production systems; its pieces were mostly hand-constructed. For his part, Wormley did not use metal as a major component of furniture; he liked craft elements such as caned seatbacks, tambour drawers, or the woven-wood cabinet fronts seen on his Model 5666 sideboard of 1956. He designed two lines for Dunbar each year — one traditional, one modern — until 1944, by which time the contemporary pieces had become the clear best sellers.

Many of Wormley’s signature pieces — chairs, sofas, tables and more — are modern interpretations of traditional forms. His 1946 Riemerschmid Chair — an example is in the collection of the Museum of Modern Art — recapitulates a late 19th-century German design. The long, slender finials of his Model 5580 dining chairs are based on those of Louis XVI chairs; his Listen-to-Me Chaise (1948) has a gentle Rococo curve; the “Precedent” line that Wormley designed for Drexel Furniture in 1947 is a simplified, pared-down take on muscular Georgian furniture. But he could invent new forms, as his Magazine table of 1953, with its bent wood pockets, and his tiered Magazine Tree (1947), both show. And Wormley kept his eye on design currents, creating a series of tables with tops that incorporate tiles and roundels by the great modern ceramicists Otto and Gertrud Natzler.

As the vintage items on 1stDibs demonstrate, Edward Wormley conceived of a subdued sort of modernism, designing furniture that fits into any decorating scheme and does not shout for attention.

As a practical focal point in your living area, antique and vintage coffee tables and cocktail tables are an invaluable addition to any interior.

Low tables that were initially used as tea tables or coffee tables have been around since at least the mid- to late-1800s. Early coffee tables surfaced in Victorian-era England, likely influenced by the use of tea tables in Japanese tea gardens. In the United States, furniture makers worked to introduce low, long tables into their offerings as the popularity of coffee and “coffee breaks” took hold during the late 19th century and early 20th century.

It didn’t take long for coffee tables and cocktail tables to become a design staple and for consumers to recognize their role in entertaining no matter what beverages were being served. Originally, these tables were as simple as they are practical — as high as your sofa and made primarily of wood. In recent years, however, metal, glass and plastics have become popular in coffee tables and cocktail tables, and design hasn’t been restricted to the conventional low profile, either.

Visionary craftspeople such as Paul Evans introduced bold, geometric designs that challenge the traditional idea of what a coffee table can be. The elongated rectangles and wide boxy forms of Evans’s desirable Cityscape coffee table, for example, will meet your needs but undoubtedly prove imposing in your living space.

If you’re shopping for an older coffee table to bring into your home — be it an antique Georgian-style coffee table made of mahogany or walnut with decorative inlays or a classic square mid-century modern piece comprised of rosewood designed by the likes of Ettore Sottsass — there are a few things you should keep in mind.

Both the table itself and what you put on it should align with the overall design of the room, not just by what you think looks fashionable in isolation. According to interior designer Tamara Eaton, the material of your vintage coffee table is something you need to consider. “With a glass coffee table, you also have to think about the surface underneath, like the rug or floor,” she says. “With wood and stone tables, you think about what’s on top.”

Find the perfect centerpiece for any room, no matter what your personal furniture style on 1stDibs — shop Art Deco coffee tables, travertine coffee tables and other antique and vintage coffee tables and cocktail tables today.