English Engravings

'Michel Grove, Seat of Thomas Walker Esq'. Michel Grove was a house in Sussex which Humphrey Repton was commissioned to landscape. Published by Rudolf Ackermann in his 'Repository...

'St Margarets (Entrance Front) Seat of the Earl of Cassillis'. St Margarets was a Regency house in Isleworth, Middlesex. Published by Rudolf Ackermann in his 'Repository of the A...

'Rockbear House, Seat of Thos Porter Esq'. Rockbear House was originally built c. 1760-70 and owned by Sir John Duntze, the wealthy Exeter woollen merchant and banker. About 1820 t...

Its elegant architectural composition makes it particularly suitable for libraries, studies, or classic English interiors. Technique: Copperplate engraving Maker: Benjamin Green, En...

This is an antique hospital engraving. An English, framed lithograph of medical interest, dating to the Victorian period and later, circa 1900.

'Derwent Water with Lowdore Waterfall' Aquatint by William Green, 1804 William Green of Ambleside was a Lake District draughtsman, soft ground etcher and aquatint engraver of land...

'Bassenthwaite Water, from the Western Side' Aquatint by William Green, 1804 William Green of Ambleside was a Lake District draughtsman, soft ground etcher and aquatint engraver o...

She later secretly married Charles Brandon, Duke of Suffolk, causing considerable scandal at the English court. This engraving is a ca. 1900 reprint after the *Galerie Française de ...

Meyer engravings of important American civic landmarks are considerably scarcer than many contemporary English and French steel engravings of the same period.

Seligmann's renditions were celebrated for enhancing Edwards's original work with his own stylistic touches, often adding a baroque flair to the already detailed English engravings. ...

'The Honourable Lady Stanhope' Anne Hussey (Delaval), Lady Stanhope (died 1811) was the wife of Sir William Stanhope of Whig Park. James Watson (c1739-1790) was born in Ireland. H...

'Hermes Oak, Windsor Park' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of...

'Henley-bridge, Oxon' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aqua...

'Chertsey Bridge, Surrey' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of ...

Meyer engravings of the American frontier are considerably scarcer than many contemporary English and French steel engravings of the period.

William Hogarth (English, 1697-1764 ). Engraving entitled, "The Bench.

This is a vintage Guy's Hospital desktop picture. An English, framed engraving print after Thomas Bowles, dating to the late 20th century, circa 1980.

Marks Place at Venice" and then again in French, made for the English/French market these engravings are hand-colored and published by J.

'View at Ifley, near Oxford' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series ...

While the specific engraver is not indicated, stylistically it is similar to the works engraved by artists such as Gerard Hoet or Bernard Picart for 18th-century English folio Bibles...

He later moved to Westminster, where he worked as an engraver for several London publishers and specialized in perspective views of English country estates. The engraving is glazed a...

Three English pewter tankards with various engravings and marks.

Brandard, Robert (after J. M. W. Turner) Beaugency c1845. Engraving on cream wove paper, 8 1/2 x 12 /12 inches (216 x 318 mm), the full sheet, full margins. In good condition with o...

Edward V is famously remembered as one of the “Princes in the Tower,” whose mysterious disappearance remains one of the great unresolved episodes of English history. This engraving c...

Allom, Thomas & John Saddler The Cathedral, Angoulême London: Fisher, Son & Co, 1845. Engraving on cream wove paper, 8 1/2 x 12 /12 inches (216 x 318 mm), the full sheet, full marg...

Technique: Copperplate engravings Maker: English School (after earlier royal portraits), London, circa 1790

This is 4 antique volumes of The Imperial Gallery of British Art. An English, illustrated folio of steel engravings, dating to the Victorian period, published by Cassell & Company in...

Published circa 1830, the plates capture the arching seed heads, slender stems, and dynamic silhouettes characteristic of the genus, rendered with the precision and subtlety expected...

His bird engravings are among the first English ornithological illustrations drawn directly from life, featuring accurate observation combined with elegant composition.

Turner, J. M. W. & J. T. Willmore (engr.) Vernon London: 1845. Fisher, Son & Co. Engraving on cream wove paper, 8 1/2 x 12 /12 inches (216 x 318 mm), the full sheet, full margins. ...

His works were among the earliest English ornithological publications to include detailed hand-colored engravings drawn directly from nature, admired for both their scientific accura...

His engravings, often accompanied by elaborate decorative borders, combined documentary accuracy with romantic artistry, appealing to both local pride and the fascination of foreign ...

Artist: William Augustus Osbaldiston (English, Active: Late 18th Century) Title: "Lincolnshire Sheep" (Plate 9) Portfolio: The British Sportsman, or, Nobleman, Gentleman, and Farmer'...

London: Gebbie & Husson Co., 1879 Héliogravure and engraving on cream wove paper, 10 1/4 x 12 1/4 inches (258 x 310 mm), full margins. In good condition with some very minor margina...

London: Charles Hullmandel, c1839. Stipple point lithograph with hand coloring in watercolor on cream wove paper, 21 1/4 x 14 1/4 inches (540 x 362 mm), the full sheet. In fair cond...

London: c 1750. Steel engraving on cream wove paper, 5 3/8 x 6 3/8 inches (sheet) (142 x 162 mm), margins trimmed inside the platemark. Scattered handling wear, creasing and edge nic...

London: Robert Wilkinson, c1620 Engraving on thin Japon paper,16 1/8 x 11 3/4 iches (408 x 297 mm), narrow margins. In good condition with some age-related toning and edge wear, inc...

'Benj. West RA' Soft ground etching by William Daniell RA (1769-1837) after George Dance the Younger (1741-1825), 1809. Benjamin West PRA (1738 – 1820) was an Anglo-American paint...

A distinguished set of Victorian sterling silver flatware combining classic Old English design, unusual heraldic engraving and desirable Exeter hallmarks.

From the book containing a total of 22 engravings with accompanying text entitled The Punishments of China …with Explanations in English and French.

London: William Herbert & Robert Wilkinson, 1809 Engraving on buff wove paper, 12 1/4 x 8 1/4 inches (310 x 208 mm), full margins. In good condition with some scattered surface soil...

London: c1820. Etching with aquatint and engraving with hand coloring in watercolor, full margins. 12 1/2 x 16 inches (317 x 407 mm), the full sheet. In good condition with a small ...

London: R.H Laurie, 1823 Engraving on buff wove paper, 10 x 15 3/4 inches (252 x 398 mm), full margins. Age and light tone, as well as areas of light yellow discoloration from the e...

A fine prospect image of gardens at Lincoln's Inn, London. A Prospect of Lincoln's Inn; A Survey of the Cities of London and Westminster; The Fountain and Gardens in New Square, Lin...

London: Society of Antiqauries London, 1744. Engraving on buff wove paper with a large heraldic watermark with Strasbourg lily with a crown and shied and the letters LVG, 9 1/2 x 14 ...

Bird's eye view of the old buildings in West Cheap (Cheapside) as they appeared in 1585, from Londina Illustrata. London: Robert Wilkinson, 1814 Engraving on buff wove paper, 11 ...

Paris, Delpech. Lithograph with engraving on cream wove paper, 11 7/8 x 8 inches (299 x 203 mm), unevenly trimmed but full margins, the full sheet. In good condition with two paper ...

Paris, Delpech. Lithograph with engraving on cream wove paper, 11 7/8 x 8 inches (299 x 203 mm), unevenly trimmed but full margins, the full sheet. In good condition with two paper ...

London: Laurie & Whittle, 1799 Engraving on buff wove paper, 10 3/4 x 15 3/4 inches (271 x 338 mm), uneven narrow to wide margins. Soft vertical fold at the center sheet (as issued)...

London: Allen & West, 1797. Engraving with hand coloring in watercolor on cream wove paper, 8 1/8 x 10 5/8 inches (213 x 270 mm), wide margins. Scattered toning, mat tone, and dog-e...

Marked: 625, Anchor mark, English mark. Weight - 1.9 grams. Engraving "C. Colliver".

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 10 x 12 inches (254 x 306 mm), the full sheet. ...

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 10 x 12 inches (254 x 306 mm), the full sheet. ...

London: James Whittle & Richard Holmes Laurie, 1814. Engraving with hand coloring in watercolor on wove paper, 11 1/2 x 17 1/4 inches (290 x 437 mm). Condition issues include signif...

This is an antique Jamaica map. An English, framed Caribbean island engraving by Thomas Jefferys, dating to the 18th century and later, dated 1794.

A rare early 19th century view of the Great Fire of London over Ludgate, enhanced with hand coloring. London: Robert Wilkinson, 1811. Copperplate engraving with hand coloring in wa...

This is an antique Palantine of Chester county map. An English, framed atlas engraving of Cheshire by Emanuel Bowen, dating to the 18th century and later, circa 1770.

English School, 19th century The Sunday Before Confirmation; Parson: What did your godfathers & godmothers then for you?

This is an antique lithography map of Cambridgeshire. An English, framed atlas engraving of cartographic interest, dating to the mid 19th century and later.

This is an antique lithography map of Derbyshire. An English, framed atlas engraving of cartographic interest, dating to the mid 19th century and later.