Florida - Art

Artist: Jack Graves III (American, 1988-) Title: "Princess" Series: Eclecticism *Signed by Graves lower left. It is also signed, titled, and dated on verso Year: 2024 Medium: Origi...

Artist: Jack Graves III (American, 1988-) Title: "It's Good Business!" Series: Statement *Signed by Graves lower right. It is also signed, dated, and titled on verso Year: 2023 Mediu...

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Four Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10" x 16.5" Image size (each): approx. 6.88" x 11.75" Reference: Upcott III, page 1330 Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

This beautiful original oil painting by Finn Wennervald captures the tranquil beauty of a flowering lakeside village nestled beneath majestic mountains. Painted with expressive palet...

Fisher Ross Sauna, ca. 1977. Print measures 8 x 10 inches. 2026 digital print from the original in the Fisher Ross Archive. From an edition of 15 on archival paper produced by th...

This original oil on canvas painting by listed artist Caroline Burnett beautifully captures one of Paris's most recognizable landmarks—the Arc de Triomphe—set along a bustling Parisi...

This beautiful antique oil painting by renowned Danish artist Henrik Gamst Jespersen (1853–1936) depicts a serene Scandinavian countryside during harvest season. Golden sheaves of grain rest across the fields while a winding country road leads the viewer's eye toward a tranquil lake and rolling hills beyond. The composition beautifully captures the quiet charm and expansive atmosphere of rural Denmark. Painted with delicate naturalistic brushwork and a harmonious palette of soft greens, warm earth tones, and luminous blue skies, the work exemplifies Jespersen's ability to convey both the grandeur and peacefulness of the Nordic landscape. The scene is further enhanced by its attractive hand-decorated frame, which complements the painting's period character. 📏 Measurements: Painting: 26" W x 19" H; Framed: 30" W x 23" H. ✍️ Signature: Signed lower right, Henrik Gamst Jespersen. 🩺 Condition: Good antique condition with age-appropriate surface wear and stable craquelure. One small professionally repaired patch to the canvas. Presented in an attractive hand-decorated frame. 📦 Shipping: Same-day safe packaging from Florida with tracking. About the Artist Henrik Gamst Jespersen (1853–1936) was a distinguished Danish landscape painter born in Undløse, Denmark, and later active in Frederiksberg, Copenhagen. He initially trained as a merchant before devoting himself entirely to painting. In 1878, Jespersen began studying under the celebrated Danish landscape painter Wilhelm Kyhn, one of the leading figures of the Danish Golden Age tradition, and later attended the Royal Danish Academy of Fine Arts in Copenhagen. He was also influenced by the lyrical landscapes of Janus la Cour...

"Turning into Stone 3 " . Original, unique painting. oil on canvas, 30x38in. Shipped stretched ready for display in the US, and shipped rolled in a tube to Europe and to the rest of...

"Nude in Venice" - original large art by Paula Craioveanu - Contemporary Expressionism Original, large, unique painting, oil on canvas, 55x40in / 140x102cm. Shipped rolled in a tube...

Artist: Josef Albers (German-American, 1888-1976) Title: "EK Ib" Portfolio: Homage to the Square: Edition Keller Ia-Ik *Monogram signed and dated by Albers in pencil lower right Year...

"In Chains" male nude, pencil and tempera on paper. Size is 27.5x19.5in / 70x50cm . Shipped rolled in a tube from Fort Lauderdale, Florida by priority express mail. This particular p...

“Color Synapse” by Serg Graff is a dynamic contemporary abstract painting bursting with movement, emotion, and vibrant chromatic energy. Executed in the artist’s signature expressive...

Up for sale is a large original oil painting on canvas by listed maritime artist Hewett R. Jackson (1914–2007). This striking nautical scene depicts a majestic tall sailing ship brea...

Luigi Corbellini (1901-1968) Vue d' Anvers (View of Antwerp), ca. 1950 Oil on canvas, 19.5 x 25 inches. Measuring 27.5 x 33 inches in original frame. Signed lower left. Titled i...

Beautiful maritime oil painting on canvas by George Anthony Waterstone (British, 1840–1925), depicting sailing vessels navigating rough harbor waters beneath a dramatic atmospheric s...

Portrait of a Young Woman, ca. 1850. Oil on antique English millboard, panel measures 20 x 24 inches. Excellent condition with surface stress cracking and paint shrinkage consisten...

Beautiful minimal Abstract Expressionist painting. Mixed media on paper glued down to illustration backing board. Paper sheet measures 10.25 x 14 inches. Cardboard panel measures 1...

A beautifully executed sporting scene depicting mounted fox hunters accompanied by a pack of hounds traveling through a countryside landscape. The composition captures the tradition ...

Artist: Andy Warhol. Title: Mick Jagger F&S II.144 Framed Announcement card. Medium: Lithograph Hand Signed Size: Image size: 6" x 4", Framed: 10" x 8 Year: 1975 Edition: Limite...

This striking original oil on canvas depicts a magnificent tall sailing ship navigating rolling ocean waves beneath a dramatic sky filled with soft light and towering clouds. The art...

Diosa. Original bronze multiple. Esculpture Modernist Julien Caussé (also given as Cadet-Julien Caussé, Cadet Julien Caussé and Julien Cadet Caussé) (1869–1914) was a prolific French...

A pair of mid-century Impressionist beach landscapes depicting Rio de Janeiro , ca. 1960. Oil on canvas, each measures 12 x 16 inches; 15 x 19 inches framed. Signed indistinctly lo...

Impressive large-scale oil on canvas depicting a majestic sailing ship navigating powerful ocean waves beneath a dramatic sky filled with towering clouds. The composition is expansiv...

Beautiful vintage oil on canvas depicting a classic sailing ship navigating rolling ocean waves under a bright sky filled with soft clouds. The composition captures both movement and...

Nestor Fruge (1916-2012). Bayou Landscape, ca. 1970. Watercolor on paper, 13 x 19.25 inches. Framed measurement: 18 x 24.25 inches. Excellent condition. Signed lower left. B...

Sold out in all formats Available - 30x40 inches - framed, located in NYC

Pablo Picasso (1881-1973) - Tête d'homme barbu Felt-tip pen from 1971. Dimensions of work: 16.5 x 16.5 cm. Hand signed. This work is accompanied by a certificate from the Comité ...

Romana Milutin Fabris (b.1941) Dubrovnik Cityscape with Nude Women, ca. 1970. Gouache on illustration board, 23 x 32.5 inches; 25 x 34.5 inches framed. Signed lower right. Foil frame label on verso from 1960's with 5 digit telephone number, dating this piece to ca. 1970. Romana Milutin Fabris, born in 1941 in Dubrovnik, is one such artist: unwavering, devoted, and endlessly inspired. Her artistic education began at the School of Applied Arts in Split and Zagreb, and continued at the Academy of Applied Arts in Belgrade, where she laid the foundations of her distinctive visual language. A pivotal moment in her formation came with an international scholarship from the Austrian government, which enabled her to study in Salzburg under the great master Oskar Kokoschka-a painter of profound expressionist vision, whose spirit echoes in Romana’s work without ever being immitated. From the outset, she forged her own path-intimate but consistent, deeply personal and unmistakably her own. In 1964, she opened her first solo exhibition at the Sponza Palace in Dubrovnik, marking the beginning of a presence on the art scene that has now spanned more than six decades. Dubrovnik occupies a special place in her work. It is not merely the city of her birth, but the city of her soul-an eternal source of inspiration. Its stone walls, austere Mediterranean light, and the lush branches of bougainvillea reappear time and again on her canvases. Through these motifs, we sense belonging, but also poetic distance-for Romana does not paint the landscape as an external scene, but as an inner experience. Her colours speak in silence, her forms exude tranquillity, and the figures in her portraits radiate a depth that reaches beyond the visible. Each painting is a page from the diary of a strong and sensitive spirit, a woman who has preserved a childlike wonder, a profound reverence for beauty, and a lifelong belief in the power of artistic expression. Romana Milutin Fabris reminds us that art is not a fleeting moment, but a lasting presence. / 1965 / FIRST SOLO EXHIBITION, SPONZA PALACE ATRIUM, DUBROVNIK · ATELIER FOR INTERIOR DESIGN MASLINA - WORK COMPLETED UNDER THE FAMOUS PAINTER MILOVAN STANIĆ...

Hunt Slonem, American, included in 250+ museum collections Unique oil and diamond dust on canvas painting, signed and dated verso Inspired by nature and his 60 pet birds, Hunt Slon...

Jean-Baptiste Baujault (1828-1899). Portrait of a Bearded Man, ca. 1880's Cast bronze on bronze base. Measures 12.75 x 5.25 x 4.5 inches. Created by the Ferdinand Barbedienne foun...

"Blessed" Part of "Nude in Interior" series. Original work on colored paper, with pencil and blue ultramarine tempera on red colored paper, inspired by Matisse. Size is 7.5x19.5in...

In "Wild Blooming Lavender" Ducet reconsiders impressionist landscape paintings through a contemporary and gestual lens. Natural elements are translated into simplified forms and ene...

Ceramic parrots atop wood perches, each is handmade Our objective is to distill the stereotypical perceptions and associations within our culture into visually compelling objects, s...

Artist: Jack Graves III (American, 1988-) Title: "Recess (Panther)" Series: Eclecticism *Signed by Graves lower right. It is also signed, titled, and dated on verso Year: 2026 Medium...

ARTIST: Salvador Dali TITLE: Changes in Great Masterpieces Persistence de la Memoire MEDIUM: Lithograph SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: E 144/150 MEASUREME...

Hunt Slonem, American, included in 250+ museum collections Unique oil on canvas painting, artist's antique frame, signed and dated verso Inspired by nature and his 60 pet birds, Hu...

Artist: Jack Graves III (American, 1988-) Title: "Broken Venus" Series: Icon *Signed by Graves lower right. It is also signed, dated, and titled on verso Year: 2026 Medium: Original ...

Large vintage oil painting on canvas depicting a traditional English fox hunting scene with riders on horseback accompanied by a pack of hunting hounds moving across an autumn countr...

A powerful and dramatic original oil painting depicting a majestic clipper ship cutting through rolling ocean waves under a glowing, atmospheric sky. The vessel leans confidently int...

This is an original textured acrylic painting on canvas by contemporary fantasy artist Serg Graff, titled “Magical Friends”. Medium: Acrylic on canvas Artist: Serg Graff (signed and...

Arboles. original oil canvas painting Josep María Vilá Cañellas (Vic, Osona, 1914 - Barcelona, 2001). Painter and draftsman. He was a disciple of Juan Colom, Ivo Pascual and Emilio B...

Up for sale is an antique British oil painting on canvas, signed “G. Wylle” in the lower area, depicting a picturesque riverside village scene with historic stone buildings, a tower ...

Pablo Picasso (1881-1973) - La Petite Corrida Lithograph from 1957. Dimensions of work: 31.5 x 24 cm. Plate signed. Publisher: Cahiers d’Art, Paris. Reference: Bloch 839; Mourlo...

These works explore our relationship with the incredible biodiversity of our planet Earth. Visual representations of flowing colours, smells, sounds and the feeling of our life sourc...

This finely executed oil on canvas depicts a classic English fox hunting scene, featuring a distinguished rider dressed in a traditional red hunting coat, mounted on a white horse an...

A vibrant vintage oil painting on canvas depicting a majestic sailing ship cutting through rolling ocean waves under a luminous sky. The composition centers on a fully rigged vessel ...

WILLIAM WEGMAN (b. 1943) 'La Fille du Régiment', 2007 SIGNED Vintage Oversized Artist's Photography Poster Commissioned for the Metropolitan Opera's 2007-2008 season, renowned arti...

Earl Hill (1927-1985). Gas Station Attendant, 1966. Oil on masonite panel, 10.5 x 13.5 inches, 15 x 18 inches framed. Signed and dated lower right. Inscribed...

Pablo Picasso (1881–1973), Femme se coiffant, (Woman Combing Her Hair) 1975. Lithograph on paper, signed in the plate. This elegant lithograph depicts a woman arranging her hair, a...

Abram Tromka (1895-1964) City at Night, ca. 1940. Oil on canvas, 16 x 20 inches; 20 x 24 inches in antique oak frame. Signed lower right. Frame is of the period, but probably not ...

Matiz managed to create intimate portraits, in which Frida seemed happy to surrender to her lens. The result was dynamic portraits of Khalo, a wonderful example of both the photograp...

Mid-Century Modern wrought iron sculpture a person with oversize top, shorts, and carrying a hat, signed, artist's monogram and cipher, further mounted on a plaster base. 28" H. This a unique piece. It is interesting in that it speaks of a transition, leading into the later aluminum public pieces that kind of defined his work in the 70's. According to his estate this is most probably cast bronze. It might possibly be wrought iron.. William Dickey King was born in 1925 in Jacksonville, Florida and grew up in the Coconut Grove neighborhood of Miami. As a boy, William King made model airplanes and helped his father and older brother build furniture and boats. “I was 19, 20, my mother gave me a hundred bucks, says, ʻGet out of this state and don’t come back until you’re 65; there is nothing here for you,’ ” Bill King recalled in a video interview for the Smithsonian museum. He came to New York, where he attended the Cooper Union and began selling his early sculptures even before he graduated. He later studied with the sculptor Milton Hebald and traveled to Italy on a Fulbright grant. He was a contemporary, at the Cooper Union, of Alex Katz and Lois Dodd, his first wife, and remained close in many ways to their common aesthetic grounding, shared also with younger sculptors such as Red Grooms and Marisol Escobar. The hallmark of King’s early work was radical experiment keeping company with social connection and hedonism. The mix of big, important, innovative ideas and immediate, sensory, in-the-moment experience was a kind of visual jazz. For this was not just the time of Franz Kline’s big open defiant brushstrokes and Jackson Pollock’s all-over mists of intricately drooling line, but of Charlie Parker and Dizzy Gillespie. If we look at the works that King made in the early 1950s when he got back from his Fulbright to Italy we see free, experimental, open forms that take their cue from jazz as much as art in their fusion of virtuosity and cool.American sculptor King is most noted for his long-limbed figurative public art sculptures depicting people engaged in everyday activities such as reading or conversing. He created his busts and figures in a variety of materials, including clay, wood, metal, and textiles. Mr. King worked in clay, wood, bronze, vinyl, burlap and aluminum. He worked both big and small, from busts and toylike figures to large public art pieces depicting familiar human poses — a seated, cross-legged man reading; a Western couple (he in a cowboy hat, she in a long dress) holding hands; a tall man reaching down to tug along a recalcitrant little boy; a crowd of robotic-looking men walking in lock step. Mr. King’s work often reflected the times, taking on fashions and occasional politics. In the 1960s and 1970s, his work featuring African-American figures (including the activist Angela Davis, with hands cuffed behind her back) evoked his interest in civil rights. But for all its variation, what unified his work was a wry observer’s arched eyebrow, the pointed humor and witty rue of a fatalist. His figurative sculptures, often with long, spidery legs and an outlandishly skewed ratio of torso to appendages, use gestures and posture to suggest attitude and illustrate his own amusement with the unwieldiness of human physical equipment. His subjects included tennis players and gymnasts, dancers and musicians, and he managed to show appreciation of their physical gifts and comic delight at their contortions and costumery. His suit-wearing businessmen often appeared haughty or pompous; his other men could seem timid or perplexed or awkward. Oddly, or perhaps tellingly, he tended to depict women more reverentially, though in his portrayals of couples the fragility and tender comedy inherent in couplehood settled equally on both partners. His first solo exhibit took place in 1954 at the Alan Gallery in New York City. William Dicky King was elected to the American Academy of Arts and Letters in 2003, and in 2007 the International Sculpture Center honored him with the Lifetime Achievement in Contemporary Sculpture Award. Mr. King’s work is in the collections of the Metropolitan Museum of Art, Guggenheim Museum, Whitney Museum and the Museum of Modern Art in New York and the Hirshhorn Museum at the Smithsonian American Art Museum in Washington, among other places, and he had dozens of solo gallery shows in New York and elsewhere. Reviews of his exhibitions frequently began with the caveat that even though the work was funny, it was also serious, displaying superior technical skills, imaginative vision and the bolstering weight of a range of influences, from the ancient Etruscans to American folk art to 20th-century artists including Giacometti, Calder and Elie Nadelman. The New York Times critic Holland Cotter once described Mr. King’s sculpture as “comical-tragical-maniacal,” and “like Giacometti conceived by John Cheever.” From an article by David Cohen "In a career that ran in tandem with the hegemony of formal abstraction in sculpture, Bill King inevitably struggled with the prejudice that sculpture full of humanity and humor can’t be quite as serious as sculpture devoid of them. But the tide has clearly turned in ways that ought to work in King’s favor, with an increasing number of sculptors, fêted internationally, who are producing work that looks remarkably close in spirit, if not quite as regal in sheer mastery of form, as his own. When art historians of the future connect the dots of modern sculpture then artists like Franz West, Stephan Balkenhol, Huma Bhabha...

Enchanting 19th century English Sailors valentine handcrafted in exotic seashell lovingly arranged around an image of a schooner under a convex lens.

A charming vintage oil painting on canvas signed F. Berthy, depicting a serene spring countryside scene with a rustic cottage surrounded by blossoming trees and lush greenery. A smal...

Beautiful Ashcan School portrait of a woman in winter outerwear, 1909. Oil on canvas panel, measuring 17.75 x 18 inches; 21.75 x 22 inches framed. Original frame. Dated lower rig...

ARTIST: Salvador Dali TITLE: Escargot MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: I/XXV MEASUREMENTS: Paper: 14.48" x 11" Frame: 19" x 15" YEAR: 1970 ...

Untitled Abstract Expressionist painting, 1957 Oil on canvas measuring 18 x 30 inches. Signed with monogram and dated lower right. Two repair patches on back on painting. Artist...

By removing parts of the image, he explores the tension between what is present and what is omitted, focusing on the reasons behind these choices and their implications. The cutouts ...

Artist: Pablo Picasso (Spanish, 1881-1973) Title: "L'Écuyère (The Horsewoman)" *Unsigned edition, though signed by Picasso in the plate (printed signature) lower right Year: 1960 Med...

Gorgeous panoramic sunset landscape by unknown artist, ca. 1890. Oil on canvas measuring 20 x 34 inches. Depicted are the Catskill Mountains facing west from somewhere in Dutchess County NY...