Meissen Clock Depicting The Four Seasons

Meissen Porcelain (Staatliche Porzellan-Manufaktur Meissen) is one of the preeminent porcelain factories in Europe and was the first to produce true porcelain outside of Asia. It was established in 1710 under the auspices of King Augustus II “the Strong” of Saxony-Poland (1670–1733), a keen collector of Asian ceramics, particularly Ming porcelain.

In pursuing his passion, which he termed his “maladie de porcelaine,” Augustus spent vast sums, amassing some 20,000 pieces of Japanese and Chinese ceramics. These, along with examples of early Meissen, comprise the Porzellansammlung, or porcelain collection, of the Zwinger Palace, in Dresden.

The king was determined, however, to free the European market from its dependence on Asian imports and to give European artisans the freedom to create their own porcelain designs. To this end, he charged the scientist Ehrenfried Walther von Tschirnhaus and aspiring alchemist Johann Friedrich Böttger with the task of using local materials to produce true, hard-paste porcelain (as opposed to the soft-paste variety European ceramists in the Netherlands, Germany, France, Italy and Spain had been producing since the late Renaissance). In 1709, the pair succeeded in doing just that, employing kaolin, or “china clay.” A year later, the Meissen factory was born.

In its first decades, Meissen mostly looked to Asian models, producing wares based on Japanese Kakiemon ceramics and pieces with Chinese-inflected decorations called chinoiserie. During the 1720s its painters drew inspiration from the works of Watteau, and the scenes of courtly life, fruits and flowers that adorned fashionable textiles and wallpaper. It was in this period that Meissen introduced its famous cobalt-blue crossed swords logo — derived from the arms of the Elector of Saxony as Arch-Marshal of the Holy Roman Empire — to distinguish its products from those of competing factories that were beginning to spring up around Europe.

By the 1730s, Meissen’s modelers and decorators had mastered the style of Asian ceramics, and Augustus encouraged them to develop a new, original aesthetic. The factory’s director, Count Heinrich von Brühl, used Johann Wilhelm Weinmann’s botanical drawings as the basis for a new line of wares with European-style surface decoration. The Blue Onion pattern (Zwiebelmuster), first produced in 1739, melded Asian and European influences, closely following patterns used in Chinese underglaze-blue porcelain, but replacing exotic flora and fruits with Western varieties (likely peaches and pomegranates, not onions) along with peonies and asters.

During the same period, head modeler Joachim Kändler (1706–75) began crafting delicate porcelain figures derived from the Italian commedia dell’arte. Often used as centerpieces on banquet tables and decorated to reflect the latest fashions in courtly dress for men and women, these figurines were popular in their day, and are still considered among Meissen’s most iconic creations. Kändler also created the Swan Service, which, with its complex low-relief surface design and minimal decoration is considered a masterpiece of Baroque ceramics.

The rise of Neoclassicism in the latter half of the 18th century forced Meissen to change artistic direction and begin producing monumental vases, clocks, chandeliers and candelabra. In the 20th century, Meissen added to its 18th-century repertoire decidedly modern designs, including ones in the Art Nouveau style. The 1920s saw the introduction of numerous animal figures, such as the popular sea otter (Fischotter), which graced an East German postage stamp in the 1960s. Starting in 1933, artistic freedom was limited at the factory under the Nazi regime, and after World War II, when the region became part of East Germany, it struggled to reconcile its elite past with the values of the Communist government. In 1969, however, new artistic director Karl Petermann reintroduced the early designs and fostered a new degree of artistic license. Meissen became one of the few companies to prosper in East Germany.

Owned by the State of Saxony since reunification, in 1990, Meissen continues to produce its classic designs together with new ones developed collaboratively with artists from all over the world. In addition, through its artCAMPUS program, the factory has invited distinguished ceramic artists, such as Chris Antemann and Arlene Shechet, to work in its studios in collaboration with its skilled modelers and painters. The resulting works of contemporary sculpture are inspired by Meissen’s rich and complex legacy.

Find a collection of authentic Meissen Porcelain on 1stDibs.

A sophisticated clock design, whether it’s a desk clock, mantel clock or large wall clock for your living room, is a decorative object to be admired in your home as much as it is a necessary functional element. This is part of the reason clocks make such superb collectibles. Given the versatility of these treasured fixtures — they’ve long been made in a range of shapes, sizes and styles — a clock can prove integral to your own particular interior decor.

Antique and vintage clocks can whisk us back to the 18th and 19th centuries. When most people think of antique clocks, they imagine an Art Deco Bakelite tabletop clock or wall clock, named for the revolutionary synthetic plastic, Bakelite, of which they’re made, or a stately antique grandfather clock. But the art of clock-making goes way back, transcending continents and encompassing an entire range of design styles and technologies. In short, there are many kinds of clocks depending on your needs.

A variety of wall clocks can be found on 1stDibs. A large antique hand-carved walnut wall clock is best suited to a big room and a flat background given what will likely be outwardly sculptural features, while Georgian grandfather clocks, or longcase clocks, will help welcome rainswept guests into your entryway or foyer. An interactive cuckoo clock, large or small, is guaranteed to bring outsize personality to your living room or dining room. For conversation pieces of a similar breed, mid-century modern enthusiasts go for the curious Ball clock, the first of more than 150 clock models conceived in the studio of legendary architect and designer George Nelson. 

Minimalist contemporary clocks and books pair nicely on a shelf, but an eye-catching vintage mantel clock can add balance to your home library while drawing attention to your art and design books and other decorative objects. Ormolu clocks dating from the Louis XVI period, designed in the neoclassical style, are often profusely ornate, featuring architectural flourishes and rich naturalistic details. Rococo-style mantel clocks of Meissen porcelain or porcelain originating from manufacturers in cities such as Limoges, France, during the 18th and 19th centuries, exude an air of imperial elegance on your shelves or side tables and can help give your desk a 19th-century upgrade.

On 1stDibs, find a range of extraordinary antique and vintage clocks today.