Vermeil Sterling Silver

This exquisite, beautiful and rare French silver vermeil coffee and tea service was crafted by one of the most celebrated goldsmiths in Paris. Fa...

Direct from Paris: A stunning 182-piece antique sterling silver flatware set by two of France’s premier silversmiths “Puiforcat”, currently owned b...

An exceptional and extremely rare set of a combination of silver and vermeil (gilded silver) flatware designed and crafted in St Petersburg Russia by Andrei Stepanovich Bragin d...

An elegantly presented case of twelve silver-gilt, or vermeil, tea or coffee spoons, distinctively shaped with pointed bowl tips and elaborately shaped handle ends engraved with scro...

Exceptional vermeil tureen with its lobed tray. The circular terrine is decorated with a border of chiselled foliage.The grip lid is decorated with foliage patterns. The soup tureen ...

This elegant set of 12 sterling silver menu place card holders was made by Asprey of London. The pieces have circular bases surmounted with arched menu place card supports and featur...

This charming 19th century French 18-piece cased dessert silverware / flatware set, with its unique, slightly grotesque satyr mask motif and warm ve...

Direct from a private mansion in Paris, a magnificent a 296 piece, 19th century, sterling silver and gold plated sterling silver flatware set, in the much sought after "Rocaille" pat...

Pair nautical shaped italian silver-gilt salts. Pair silver & vermeil navette shaped salt cellars with "SL" engraved escutcheons on laurel incised rectangular socle bases with origin...

A Massive Silver Gilt Sideboard Dish By Robert Garrard II A splendid circular sideboard dish with a broad border, finely repoussé and chased in high relief with an intricate array o...

George V dressing-table service crafted of silver-gilt, comprising an oblong tray, a large jewel box with detachable velvet lining, two hair brushes, two clothes brushes, a comb and a hand mirror, all contained in a fitted red leather covered case. The border of each piece is chased with strapwork on a matted ground, engraved with an early 18th century style cartouche surrounding a vacant shield. The rich and delicate decoration is composed of naturalistic plants and animal motifs. The jewel box and tray are beautifully embellished with grotesque in Renaissance style, depicting mascaron, animals and foliated scrolls, in a fantastic architectural setting. Hallmarked "CRICHTON BROS LONDON & NEW YORK", along with several English silver marks as follow: - Maker's mark "LAC" (for silversmith Lionel Alfred Crichton...

Direct from France: Direct from a private chateau near Paris, a stunning 184pc. gold plated sterling silver (vermeil) flatware set by internationally known French silversmiths "Societe Parisienne d'Orfevrerie" complete with original 6-drawer storage cabinet and 16 magnificent serving pieces, superb condition - circa 1911 and no monograms. The annals of 19th century French silverware bear witness to numerous illustrious workshops, yet few achieved the remarkable synthesis of technical mastery, artistic innovation, and aristocratic prestige as the Société Parisienne d'Orfèvrerie. Founded by Odiot during the flourishing years of the Second Empire, this distinguished Parisian firm carved its legacy through exceptional creations in gold-plated 950 sterling silver, known as vermeil, particularly in the realm of flatware. While maintaining its distinct identity, the firm's close association with the legendary Odiot dynasty - through shared master craftsmen, parallel design philosophies, and overlapping aristocratic patronage - positioned it among the foremost creators of luxury tableware in nineteenth-century Europe. The Early Years: The emergence of Société Parisienne d'Orfèvrerie coincided with a period of remarkable innovation in French decorative arts during the mid-nineteenth century. Though lacking the multi-generational heritage of the Odiot dynasty, which traced its origins to 1690, SPO rapidly ascended to prominence by adopting and adapting the exacting standards that had made Odiot synonymous with excellence in European silverware. This connection manifested most significantly through the migration of skilled artisans between workshops, as numerous master silversmiths who had trained in Odiot's ateliers brought their expertise to SPO's benches. These craftsmen carried with them not only technical knowledge but also the aesthetic sensibilities that defined French high silverwork during this golden age. What set Société Parisienne d'Orfèvrerie apart was its particular specialization in vermeil, the art of gold-plating sterling silver. While Odiot certainly produced vermeil pieces among its vast output, SPO made this technique a defining characteristic of its production, particularly in flatware. The process demanded extraordinary precision, involving the plating of 950 sterling silver - an alloy of exceptional purity containing 95% fine silver - with a substantial layer of 24-karat gold. This marriage of precious metals created tableware that combined the structural integrity and luminous quality of silver with the sumptuous warmth of gold, resulting in pieces that glowed with rich, deep radiance. The technical challenges of this process were considerable, requiring perfect preparation of the silver surface and meticulous control of the gilding bath to ensure even, durable coverage that would withstand generations of use. Master Craftsman in Vermeil: The foundation of SPO's flatware excellence lay in its uncompromising approach to materials and technique. In an era when many manufacturers had begun adopting the 925-sterling standard for economic reasons, SPO remained steadfast in its use of 950 silver, a purer alloy that offered superior workability and a distinctive luminous quality. This higher silver content not only enhanced the metal's natural brilliance but also provided greater resistance to the stresses of daily use, ensuring that pieces maintained their structural integrity over decades of service. The gold plating process itself represented a triumph of French electrochemical innovation, with SPO's craftsmen perfecting a technique that deposited a substantially thicker and more durable layer of gold than conventional gilding methods. Each component in an SPO flatware service represented countless hours of skilled labor, beginning with the careful forging of blanks that would be transformed through a series of specialized processes. Master chasers employed repoussé techniques to create intricate decorative motifs on handles, working from the reverse side to produce low-relief designs of floral arrangements, mythological scenes, or geometric patterns. Engravers then refined these elements, adding delicate details that brought the designs to life with astonishing realism. The functional elements of each piece received equal attention, with blades and bowls carefully balanced for optimal weight distribution and ergonomic comfort. A single place setting might require weeks of work from multiple specialists, each contributing their expertise to create a harmonious whole. The most elaborate commissions incorporated personalized elements that transformed functional tableware into bespoke works of art. Aristocratic clients frequently requested custom monograms or family crests, often executed in exquisite detail with additional embellishments of enamel or precious stones. These personalized touches not only demonstrated the owner's status but also served as a testament to SPO's ability to accommodate the most discerning tastes. The firm's workshops maintained extensive pattern books containing hundreds of design variations, allowing for nearly infinite customization while maintaining the cohesive aesthetic that defined SPO's output. A Favorite of European Royalty: Like its esteemed counterpart Odiot, Société Parisienne d'Orfèvrerie enjoyed considerable favor among European royalty and aristocracy, particularly during the reign of Napoleon III. The Second Empire court's appetite for lavish tableware created ideal conditions for SPO's ascent, with the firm's vermeil flatware becoming a particular favorite for state banquets and diplomatic gifts. The inherent qualities of vermeil - its resistance to tarnishing in humid conditions and its opulent visual appeal - made it especially desirable among the international elite who frequented Paris during this period of unprecedented luxury. Among SPO's most illustrious commissions was a comprehensive twelve-place vermeil service created for Empress Eugénie, wife of Napoleon III. This magnificent ensemble exemplified the rococo revival style favored by the imperial court, with each piece featuring elaborate rocaille scrollwork intertwined with naturalistic vine motifs. The service's attention to detail extended to its specialized pieces, including fish servers with delicately pierced blades and sauce ladles with perfectly balanced handles. Another significant patron, Tsar Alexander II of Russia, commissioned a vermeil flatware service featuring Cyrillic monograms and subtle references to traditional Russian decorative arts, demonstrating SPO's ability to adapt its designs to diverse cultural preferences. The firm's clientele extended beyond imperial courts to include the rising financial and industrial elites of the period. American magnates touring Europe, British aristocrats refreshing their country estates, and the newly wealthy bourgeoisie of Paris all sought SPO's creations as tangible symbols of their refined taste and social standing. This broad appeal stemmed from SPO's unique position at the intersection of traditional craftsmanship and innovative production techniques, allowing it to meet the exacting standards of old-world aristocracy while satisfying the practical demands of modern entertaining. Awards and Accolades: The excellence of Société Parisienne d'Orfèvrerie's creations received formal recognition at the great international exhibitions that served as showcases for industrial and artistic achievement throughout the nineteenth century. The 1855 Paris Exposition Universelle marked a watershed moment for the firm, where its exhibition of vermeil flatware earned a gold medal and lavish praise from the international jury. Contemporary accounts particularly noted the flawless execution of the gilding and the ergonomic perfection of each piece, with one critic remarking that the flatware seemed to "anticipate the hand's movements before being lifted." Subsequent appearances at the 1862 London International Exhibition and the 1867 Paris World's Fair further cemented SPO's reputation as a leader in luxury flatware...

Direct from Paris: A magnificent 182pc. Louis XVI, 950 sterling silver flatware set by French silversmith Savary & Fils "Silversmith to the Kings and Queens of Europe". Includes an ...

Pair of extraordinary quality antique Russian .875 fine silver vermeil hand engraved rare toasting cups and saucers. Gilt "Florentine" or matte finish with bright gilding on cup i...

Direct from St Tropez: Direct from a private villa in St. Tropez, a magnificent 204pc. Louis XVI French 950 sterling silver flatware set by Henri Lapparra, includes a magnificent 5-...

Direct from Paris: A magnificent 170pc. 950 sterling silver original French art nouveau flatware set with 8 serving pieces by the world's premier French silversmith "Puiforcat" currently owned by Hermes, stunning luxury at an amazingly low price - circa early 1900s. The art of French silversmithing represents a centuries-old tradition of luxury, precision, and timeless elegance. Among the most distinguished names in this venerable craft stands Puiforcat, a Maison renowned for its exceptional craftsmanship, innovative design, and royal patronage. Established in the early nineteenth century, Puiforcat has maintained an unwavering commitment to excellence, producing sterling silver flatware, tableware, and decorative objects that embody both artistic mastery and functional beauty. The History and Legacy of Puiforcat: The origins of Puiforcat trace back to 1820, when master silversmith Jean-Baptiste Fuchs established his workshop in Paris. Fuchs was a consummate artisan who adhered to the exacting standards of French silversmithing, a tradition that demanded not only technical precision but also refined artistic sensibility. The Maison’s identity became firmly established when Fuchs' son-in-law, Émile Puiforcat, inherited the business and elevated its reputation to unprecedented heights. Émile Puiforcat emerged as more than just a silversmith; he was a true visionary who intuitively understood the evolving aesthetic sensibilities of the late nineteenth and early twentieth centuries. Under his inspired leadership, the Maison successfully transitioned from producing traditional silverware to embracing avant-garde movements, particularly Art Nouveau and later Art Deco. This remarkable ability to innovate while maintaining the highest standards of craftsmanship distinguished Puiforcat from its contemporaries and established its enduring reputation. During the glorious Belle Époque period spanning the late nineteenth to early twentieth century, Puiforcat flourished as French decorative arts entered a golden age. The Maison’s work during this period was characterized by several defining features that set it apart. Each piece bore the mark of meticulous hand-hammered finishes, a technique that gave Puiforcat silverware its distinctive texture and depth compared to mass-produced alternatives. The Maison’s artisans employed exquisite chasing and engraving techniques, including the sophisticated repoussé method where designs were carefully hammered into relief from the reverse side, followed by precise chasing to refine the front details. These labor-intensive processes resulted in breathtakingly intricate, lifelike motifs that became Puiforcat's signature. While Puiforcat's early work remained firmly rooted in rococo and neoclassical traditions, the Maison demonstrated remarkable adaptability by later embracing the clean lines and bold symmetry of Art Deco, particularly under Émile Puiforcat's visionary guidance. Royal Patronage and Aristocratic Clientele: Puiforcat's reputation for excellence quickly attracted the attention of Europe's most discerning elite. The Maison’s clientele included some of the most prominent figures of the nineteenth century, beginning with King Louis-Philippe of France, whose refined taste and appreciation for fine craftsmanship led him to commission ceremonial silverware from Puiforcat. This royal endorsement significantly enhanced the Maison’s prestige and visibility. Napoleon III followed suit, making Puiforcat silver services a staple at imperial banquets and state functions. Beyond French royalty, Puiforcat's creations became essential status symbols among the broader European aristocracy, finding homes in the collections of Russian nobles and British high society alike. The Maison’s ability to cater to royal tastes extended beyond mere prestige; it reflected a profound understanding of both ceremonial grandeur and functional design. Puiforcat's pieces were never merely decorative objects - each item was carefully engineered to enhance the dining experience. The ergonomic handles and perfectly balanced weights of their flatware demonstrated how Puiforcat harmonized aesthetic beauty with practical utility, creating pieces that were as delightful to use as they were to behold. Émile Puiforcat played a particularly transformative role in elevating the Maison’s standing during the early twentieth century. His visionary approach included collaborations with leading artists and architects of the period, most notably Jean-Michel Frank, the influential Art Deco designer. These creative partnerships ensured that Puiforcat's designs remained at the cutting edge of contemporary aesthetics. While many traditional silversmiths clung to conventional styles, Émile boldly embraced geometric abstraction, creating pieces that functioned simultaneously as tableware and sculptural art. His leadership earned Puiforcat international acclaim through awards at world expositions, cementing the Maison’s reputation as an innovator in luxury silverware. Émile's legacy proved so enduring that even after his death in 1945, Puiforcat continued to be synonymous with innovation and exclusivity in the world of fine silver. Awards and Accolades: Throughout its distinguished history, Puiforcat's commitment to excellence has been recognized through numerous prestigious awards, each reinforcing its status as a master of French silversmithing. The Maison’s participation in world expositions yielded particularly significant honors, beginning with gold medals at the Paris Exposition Universelle in both 1889 and 1900. These monumental exhibitions represented the pinnacle of industrial and artistic achievement in the nineteenth century, making Puiforcat's gold medals a powerful testament to its technical mastery and artistic vision. The Maison’s international reputation continued to grow through subsequent exhibitions in major European cultural capitals. At international exhibitions in Brussels, Barcelona, and Milan, Puiforcat demonstrated its remarkable ability to adapt to regional aesthetic preferences while maintaining its distinctive French elegance. This versatility, combined with uncompromising quality, earned the Maison consistent acclaim across diverse markets and cultures. In the modern era, Puiforcat's contributions to artisanal traditions have received official recognition through France's Living Heritage Company (Entreprise du Patrimoine Vivant, or EPV) designation. This prestigious distinction, awarded by the French government, honors enterprises that preserve and advance traditional artisanal skills. Puiforcat's inclusion in this select group underscores its ongoing dedication to handcrafted excellence in an increasingly industrialized world. The artistic significance of Puiforcat's work has been further validated through exhibitions at some of the world's most respected cultural institutions. The Musée des Arts Décoratifs in Paris and New York's Metropolitan Museum of Art have both showcased Puiforcat pieces, placing them in dialogue with other masterworks of decorative arts. These exhibitions not only celebrate Puiforcat's historical contributions but also affirm its continuing relevance in the narrative of fine craftsmanship. Association with Hermès - A Synergy of Luxury: The 1993 acquisition of Puiforcat by the Hermès luxury group marked a significant chapter in the Maison’s history, ensuring both the preservation and thoughtful evolution of its legacy. This strategic partnership brought together two French institutions united by their commitment to artisanal excellence and timeless design. Hermès demonstrated profound respect for Puiforcat's heritage, carefully maintaining the traditional techniques that had defined the silversmith's work for generations. Under Hermès' stewardship, Puiforcat continued to employ the same handmade techniques that had earned its reputation, including the exacting lost-wax casting process and meticulous hand engraving. The Maison maintained its uncompromising standards regarding materials, continuing to use 950-silver despite industry trends toward lower purity alloys. This commitment to quality ensured that every piece bearing the Puiforcat name remained worthy of its illustrious history. Hermès' global retail network provided Puiforcat with unprecedented access to international markets, introducing the silversmith's creations to new generations of collectors and connoisseurs worldwide. While honoring tradition, Hermès also encouraged thoughtful innovation, supporting new designs that respected Puiforcat's heritage while ensuring its relevance in contemporary luxury. This balanced approach has allowed Puiforcat to maintain its position at the forefront of fine silverware while staying true to its artisanal roots. Puiforcat's 950 Sterling Silver Art Nouveau Flatware Sets: Among Puiforcat's most celebrated achievements are its extraordinary 950 sterling silver Art Nouveau flatware sets, which perfectly encapsulate the Maison’s artistic and technical brilliance. The decision to use 950-silver, containing 95% pure silver rather than the standard 92.5%, resulted in pieces with a richer luster and greater durability than conventional sterling silver. This higher purity not only enhanced the visual appeal of each piece but also ensured that Puiforcat flatware...

Direct from France: Direct from a Private Villa in St. Tropez, A Magnificent 220pc. Louis XVI French 950 Sterling Silver Flatware Set by Henri Lapparra, "Silversmith to the French E...

Exceptional vermeil cutlery set dating to the mid-20th century (circa 1945), crafted by J. Roca prestigious Barcelona jeweler regarded as one of the finest of its era, and still active today. Only three sets of this kind are known to exist in Spain, one of which belongs to the Archdiocese of Barcelona. This remarkable set includes 206 pc across 36 different types, with a total weight of 23.4 kg. For a detailed breakdown, including weights and quantities, please see the details in the picture or here: Forks 1 Regular fork vermeil – Qty: 18 – Unit weight: 87 g – Total weight: 1.566 kg – Dimensions: 21 x 2.7 cm 2 Appetizer fork vermeil – Qty: 12 – Unit weight: 60 g – Total weight: 720 g – Dimensions: 18 x 2.5 cm 3 Dessert fork vermeil – Qty: 12 – Unit weight: 33 g – Total weight: 396 g – Dimensions: 13.8 x 1.5 cm 4 Oyster fork vermeil – Qty: 12 – Unit weight: 38 g – Total weight: 456 g – Dimensions: 13.5 x 2.5 cm 5 Fish fork (3 prongs) vermeil – Qty: 12 – Unit weight: 64 g – Total weight: 768 g – Dimensions: 17.5 x 2.5 cm Knives 6 Regular knife vermeil...

We are delighted to offer this magnificent French silver gilt inkstand made circa late 19th/early 20th century by one of the most important Parisian silversmiths: Puiforcat. Puifo...

A refined set of six French vermeil teaspoons, elegantly housed in their original fitted presentation case, bearing the stamp of Jules Vieillard, the renowned Bordeaux silversmith ac...

An impressive and finely executed French ecclesiastical ciborium, crafted in 950-grade sterling silver and richly fire-gilded (vermeil) throughout the interior. This substantial vess...

Louis XVI silver vermeil beaker. France, late 18th century. Dimensions: 3.5" diameter x 3.63" height.

Art Deco Modernist tea and coffee set in sterling pure silver, vermeil and rosewood by Jean E. Puiforcat created in the 1930s. Service including: - a...

Pair of Puirforcat Silver and Gold-Plated Glasses, Signed and Sealed

An exceptionally fine pair of gilded sterling silver candelabra, showing upswept branches with tulip shaped nozzles radiating from domed weighted bases. Both exhibiting a lustrous go...

Silver, gold vermeil and gilt bronze jardinière, France, late 19th century. With silver marks. Interior in gilt bronze.  

Antique Set of 24 English "Vermeil" gold on sterling silver dessert cutlery, circa 1900.