Goya Caprichos

engraver Jacques Lagniet, the darkling phantasms and tragic reportage of Goya’s Caprichos and Disasters of

17th century engraver Jacques Lagniet, the darkling phantasms and tragic reportage of Goya’s Caprichos

, the darkling phantasms and tragic reportage of Goya’s Caprichos and Disasters of War, and the personal

engraver Jacques Lagniet, the darkling phantasms and tragic reportage of Goya’s Caprichos and Disasters of

phantasms and tragic reportage of Goya’s Caprichos and Disasters of War, and the personal mythologizing of

, the darkling phantasms and tragic reportage of Goya’s Caprichos and Disasters of War, and the personal

of Goya’s Caprichos and Disasters of War, and the personal mythologizing of the late paintings of

reportage of Goya’s Caprichos and Disasters of War, and the personal mythologizing of the late paintings of

darkling phantasms and tragic reportage of Goya’s Caprichos and Disasters of War, and the personal

darkling phantasms and tragic reportage of Goya’s Caprichos and Disasters of War, and the personal

of Goya’s Caprichos and Disasters of War, and the personal mythologizing of the late paintings of

engraver Jacques Lagniet, the darkling phantasms and tragic reportage of Goya’s Caprichos and Disasters of

darkling phantasms and tragic reportage of Goya’s Caprichos and Disasters of War, and the personal

engraver Jacques Lagniet, the darkling phantasms and tragic reportage of Goya’s Caprichos and Disasters of

reportage of Goya’s Caprichos and Disasters of War, and the personal mythologizing of the late paintings of

Linda maestra from Los Caprichos is an original artwork realized by the artist Francisco Goya and

Ni mas ni menos from Los Caprichos is an original artwork realized by the artist Francisco Goya and

Nadie nos ha visto from Los Caprichos is an original artwork realized by the artist Francisco Goya

Capricho de Goya n°4 is an original héliogravure and stencil, realized by Salvador Dalí in 1977

also started “Caprichos”. Goya's main success was under the reign of Carlo IV but when the power of

portraits and also started “Caprichos”. Goya's main success was under the reign of Carlo IV but when the

portraits and also started “Caprichos”. Goya's main success was under the reign of Carlo IV but when the

Aquellos Polbos is an original etching realized by Francisco Goya in 1799, from "Los Caprichos

right margin), from the famous series Los Caprichos by Francisco Goya. Third Edition. In very good

on which 'Caprichos de Goya-Coleccion de ochenta estampas grabadas al agua fuerte con aguadas de

An impression from the 1st edition published in 1799, the only edition published during Goya

1977. Drypoint etching on heliogravure with Pochoir. Sheet 38 from the "Los Caprichos de Goya

individuals and created a series of lithographs inspired by Francisco de Goya's Los Caprichos, a series of

heavily inspired by Francisco de Goya's Los Caprichos master etchings, a satirical commentary on Spain's

Goya Caprichos - Poster is an original offset print realized in 1975. Signed on the plate Good

Francisco De Goya (Spain, 1746-1828) 'Mucho hay que chupar (Caprichos. Estampa 45)', ca.1797-1799

Francisco De Goya (Spain, 1746-1828) 'A caza de dientes (Caprichos. Estampa 12)', ca.1797-1799

Medium: etching and aquatint. This is Plate 65 from Goya's Caprichos series. Image size: 7 1/4 x 4

Medium: etching and aquatint. This is Plate 40 from Goya's Caprichos series. Image size: 7 3/8 x 5

Hasta su Abuelo from Los Caprichos is an original artwork realized by the artist Francisco Goya and

No hai quien nos deshate from Los Caprichos is an original artwork realized by the artist Francisco

Series: Los Caprichos, Plate 70 Medium: Etching, aquatint and drypoint Dimensions: 8 1/16 x 6 7/16

Goya, from "Los Caprichos", These specks of dust series, Plate 1, second edition published in 1855. In

of the century, Los Caprichos, first Goya’s printed cycle created as a unit, can be located in a

Ni Asi la Distingue is an original etching realized by Francisco Goya in 1799, from Los Caprichos

also started “Caprichos”. Goya's main success was under the reign of Carlo IV but when the power of

. Javier Blas, José Manuel Matilla, José Miguel Medrano El libro de los Caprichos. Francisco de Goya: Dos

also started “Caprichos”. Goya's main success was under the reign of Carlo IV but when the power of

Guernica (1937). Los Caprichos (1799), Goya's first great series of etchings was Los Caprichos, made in

Francisco Goya in 1799, first edition from Los Caprichos series. The artwork is the plate 2 (as printed on

Se repulen is a black and white etching, aquatint and burin, from the series “Los Caprichos” by

portraits and also started “Caprichos”. Goya's main success was under the reign of Carlo IV but when the

'Caprichos de Goya-Coleccion de ochenta estampas grabadas al agua fuerte con aguadas de resina por el mismo

also started “Caprichos”. Goya's main success was under the reign of Carlo IV but when the power of

Las Rinde El Sueno burnished aquatint, dry point etching by Franciso Goya from his Los Caprichos

El Vergponzoso (The Shamefaced One) etching & aquatint, 1799 Unsigned (as are all Goya etchings

Disasters of War are 80 original aquatint plates realized by Francisco Goya in 1863, on heavy wove

pasteboard covers on which 'Caprichos de Goya-Coleccion de ochenta estampas grabadas al agua fuerte con

heavily inspired by Francisco de Goya's Los Caprichos master etchings, a satirical commentary on Spain's

Buen Viage is a black and White aquatint, drypoint, and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-1886. 6th Edition.  Tit...

"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper 5th or 8th edition print of "Que pico de Oro" from the Los Caprichos with burnished aquatints, drypoints etchi...

Tu Que no Puedes is a black and White aquatint, drypoint and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-1886. 6th Edition.V...

Francisco de Goya, Spanish (1746 - 1828) - The Custody is as Barbarous as The Crime, Year: circa 1810, Medium: Etching and burin on cream laid paper, Image Size: 3.75 x 3 inches, Si...

Francisco José de Goya y Lucientes (1746 Fuendetodos – Bordeaux 1828), No se puede saber por qué – One can’t tell why ca. 1808–1814, etching, burnished aquatint, drypoint, an...

Extrana Devocion is an original artwork realized by the great Spanish artist Francisco Goya in 1810. Original Etching on paper. The artwork belongs to the famous series "Los Desa...

Disparate volante - from Los Proverbios is an original black and white etching realized by Francisco Goya (1746-1828). The artwork is the plate n. 5 from of the second edition of ...

El caballo raptor - from Los Proverbios is an original black and white etching realized by Francisco Goya (1746-1828). The artwork is the plate n. 10 from of the second edition of ...

Si Sabrá Mas is a black and White aquatint, drypoint, and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-1886. 6th Edition.  T...

FRANCISCO de GOYA y LUCIENTES (1746 -1828) OBSEQUIO á el MAESTRO (‘A gift for the master’) Plate 47 from the 1st edition of Los Caprichos (Blas, Matilla & Medrano 1999, no. 47; H...

Disparate claro - from Los Proverbios is an original black and white etching realized by Francisco Goya (1746-1828). The artwork is the plate n. 15 from of the second edition of th...

Nadie se conoce is an original artwork realized by the Spanish artist Francisco Goya and published for the first time in 1799. Original etching on paper. The plate is part of the T...

Correcion from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799. Etching and aquatint on paper. The etching is pa...

¿De qué mal morirá? from the first edition of Los Caprichos is an original artwork realized by the artist Francisco Goya and published in 1799. Etching and aquatint on paper. The e...

¿Quién más rendido? is an original etching realized by Francisco Goya and published for the first time in 1799. Etching on wove paper. The plate is part of the Third Edition of "Lo...

Otras Leyes por el Pueblo is a  modern artwork realized by Francisco Goya. Etching and Aquatint, from the Series "Los Proverbios", realized in 1815. This copy belongs to the editio...