Harlem Art

William Walworth Stilson, (American, 1874-1962) Signed: Walworth Stilson, (in pencil, lower, right) " A Harlem Landmark ", (titled in pencil, in lower, left margin) Circa 1910 Et...

In 1936 Bibel moved from California to join the Federal Art Project at Harlem Art Center in New York. He also taught at both P.S. 94 and Bronx House.

He co-produced Anti-Rabbit Art (2006), an installation created for the Multispecies Salon Exhibit (2010) in New Orleans.

A model in Harlem, New York City in 1968. All available sizes and editions: 20" x 24", Edition of 25 + 3 Artist Proofs 24" x 34", Edition of 25 + 3 Artist Proofs "Eve Arnold, born ...

Fire Hydrant, Harlem, 1963 by Leonard Freed is a 11.5" x 9.5" gelatin silver signed by the photographer Leonard Freed (on verso). Provenance: Freed Estate LITERATURE: W. A. Ewing, N....

This vibrant 1954 poster advertising the European tour of the Harlem Globetrotters is a striking example of mid-century sports promotion, blending spectacle, charisma, and bold graph...

Porte d'Amsterdam a Harlem is a black and white etching realized by Charles Cuisin (1832-1900) in 1870s. Titled in the lower. Image size: 31cmx22cm. Very Good condition. Signed o...

In 1936 Bibel moved from California to join the Federal Art Project at Harlem Art Center in New York. He also taught at both P.S. 94 and Bronx House.

Fashion Show, 1963, Harlem, USA by Leonard Freed, is an 11” x 14” gelatin silver print, which appears in the photographer's seminal Black in White America book. The photograph is sta...

Punctuated by documentary photo essays such as Black in White America, Fire Hydrant is one of Leonard Freed's most iconic in the Harlem, New York series. Two children enjoy a blissf...

The image of a bodybuilder capturing African-American life in Harlem in the 1960s, Mr. Harlem, 1963 by Leonard Freed, is a 14” x 11” black-and-white photograph from the photographer'...

Ellen Hackl Fagan is an interdisciplinary abstract painter who believes that synaesthesia can be taught. Through interactive tools and crowd sourcing, Fagan is developing a correspo...

Harlem, 1954 by Leonard Freed, is a 14” x 11” photograph from the photographer's Black in White America book (p. 91). The gelatin silver print from the estate is stamped verso (bac...

11 x 14" vintage silver gelatin photograph of Dance Theatre of Harlem dancer Donald Williams in 'Billy the Kid', 1988.

Beauty Contest, Harlem, 1963 by Leonard Freed is a 16" x 20" gelatin silver print, signed verso (on back) by the Freed estate. The image appears in American photographer Freed's semi...

Fire Hydrant, Harlem, 1963 by Leonard Freed is a 14" x 11" gelatin silver print signed by the photographer on verso (back of photo). Provenance: Freed estate LITERATURE: W. A. Ew...

Punctuated by documentary photo essays such as Black in White America, Fire Hydrant is one of Leonard Freed's most iconic in his Harlem series. In the image of Fire Hydrant, two ch...

Harlem, New York 1931 - Original Fortune Magazine Print Art Original print from Fortune Magazine 1931 by Zdzislaw Czermanski (Polish, 1900-1970).

Fire Hydrant, Harlem, 1963 by Leonard Freed is a 19" x 13" limited edition photograph. The portrait is signed verso (back of photo) by the estate by Brigitte Freed wife of the photog...

The image of an African-American body builder in Harlem captures the diversity of experiences and events in New York of the 1960s. Mr. Harlem, 1963 by Leonard Freed, is from the ph...

Children, Harlem, New York, USA 1963 by Leonard Freed is a 19" x 13" signed archival pigment print in an edition of 10. Signed by the estate on back of photograph by Freed's widow Br...

Muscle Boy is an iconic image by Leonard Freed who was a pioneer in documentary photography. In this photo a boy flexes his muscles for the camera perhaps making a statement about...

Muscle Boy, Harlem, 1963 by Leonard Freed is a signed and numbered archival Iris print. The edition 25/100 was in a planned edition of 100 and halted at 25 prints (as annotated on ve...

In 1936, Bibel moved from California to join the Federal Art Project of the New York City WPA. He was assigned to the Graphic Arts Project and the Easel Project at Harlem Art Center.

Lawrence's artistic journey began at the Harlem Art Workshop, where he studied under mentors like Augusta Savage and Charles Alston.

In 1936, Bibel moved from California to join the Federal Art Project of the New York City WPA. He was assigned to the Graphic Arts Project and the Easel Project at Harlem Art Center.

In 1936 Bibel moved from California to join the Federal Art Project of the New York City WPA. He was assigned to the Graphic Art Project and the Easel Project at Harlem Art Center.

He also taught and lectured on art and easel painting, Federal Art Project, NYC.

In 1936, Bibel moved from California to join the Federal Art Project of the New York City WPA. He was assigned to the Graphic Arts Project and the Easel Project at Harlem Art Center.

Joseph described the Harlem Art Center as a “healthy and lively” place, where he had made wonderful friends.

HERE WE HAVE A VERY FINE STICK PIN - THE ART DECO GEM HAS THE EAGLE HEAD FRENCH HALLMARK.

This gorgeous, idyllic depiction of nude figures enjoying the beauty and abundance of Arcadia, some picking apples and others making love, was painted by David Karfunkle in the 1930s...

In 1936 Bibel moved from California to join the Federal Art Project of the New York City WPA. He was assigned to the Graphic Art Project and the Easel Project at Harlem Art Center.

In 1936 Bibel moved from California to join the Federal Art Project of the New York City WPA. He was assigned to the Graphic Art Project and the Easel Project at Harlem Art Center.

Lawrence began studying art at community centers such as the Harlem Art Workshop, where he received formal instruction and mentorship that would shape his artistic identity.

He dropped out of school at 16 but took classes at the Harlem Art Workshop with Charles Alston and frequently visited the Metropolitan Museum of Art.

An extraordinary and rare drawing produced by one of the great artists associated with the Harlem Renaissance, this depiction of a devil figure whispering into the ear of an idealize...

This extraordinary drawing produced by one of the great artists associated with the Harlem Renaissance depicts a nude male figure leaning against an icy slope and looking heavenward.

MITCHELL WAS THE FIRST BLACK BALLET DANCER TO BECOME A PRINCIPAL DANCER IN A MAJOR BALLET COMPANY, HE WENT ON TO FOUND THE DANCE THEATER OF HARLEM, AND RECEIVED THE KENNEDY CENTER HO...

Museum collections which hold works by the artist include the Art Institute of Chicago; Los Angeles County Museum of Art; The Metropolitan Museum of Art, New York; Museum of Contempo...

(BECC) was organized in January 1969 by a group of African American artists in response to the Metropolitan Museum of Art's "Harlem on My Mind" exhibit, which omitted the contributio...

Guggenheim Museum, New York The Studio Museum in Harlem The Walker Art Center, Minneapolis The Whitney Museum of American Art, New York Selected Solo Exhibitions 2010Untitled (Blac...

She has exhibited both locally and internationally in solo and group exhibitions, including Face, People, Places at Adeline Gallery; Strength of a Woman, Culture at the Brazilian Emb...

Since earning his MFA from the School of the Art Institute of Chicago in 2009, Otero has exhibited at Pérez Art Museum Miami, the Studio Museum in Harlem, the SCAD Museum of Art, the...

Since earning his MFA from the School of the Art Institute of Chicago in 2009, Otero has exhibited at Pérez Art Museum Miami, the Studio Museum in Harlem, the SCAD Museum of Art, the...

She has exhibited both locally and internationally in solo and group exhibitions, including Face, People, Places at Adeline Gallery; Strength of a Woman, Culture at the Brazilian Emb...

She has exhibited both locally and internationally in solo and group exhibitions, including Face, People, Places at Adeline Gallery; Strength of a Woman, Culture at the Brazilian Emb...

She has exhibited both locally and internationally in solo and group exhibitions, including Face, People, Places at Adeline Gallery; Strength of a Woman, Culture at the Brazilian Emb...

She has exhibited both locally and internationally in solo and group exhibitions, including Face, People, Places at Adeline Gallery; Strength of a Woman, Culture at the Brazilian Emb...

She has exhibited both locally and internationally in solo and group exhibitions, including Face, People, Places at Adeline Gallery; Strength of a Woman, Culture at the Brazilian Emb...

She has exhibited both locally and internationally in solo and group exhibitions, including Face, People, Places at Adeline Gallery; Strength of a Woman, Culture at the Brazilian Emb...

She has exhibited both locally and internationally in solo and group exhibitions, including Face, People, Places at Adeline Gallery; Strength of a Woman, Culture at the Brazilian Emb...

She has exhibited both locally and internationally in solo and group exhibitions, including Face, People, Places at Adeline Gallery; Strength of a Woman, Culture at the Brazilian Emb...

She has exhibited both locally and internationally in solo and group exhibitions, including Face, People, Places at Adeline Gallery; Strength of a Woman, Culture at the Brazilian Emb...

Guggenheim Museum, New York The Studio Museum in Harlem The Walker Art Center, Minneapolis The Whitney Museum of American Art, New York Selected Solo Exhibitions 2010Untitled (Blac...

Langa's work is held in the permanent collections of the Museum of Modern Art, New York, the Walker Art Center, Minneapolis, The Studio Museum in Harlem, New York, The Art Institute ...

His work has been highlighted in numerous magazines, museums and galleries stateside in New York, Texas, and globally in Spain. He has completed art residencies with Mas el sigols in...