J C Leyendecker

Cutler and Judy Goffman Cutler, J.C. Leyendecker: American Imagist, New York, 2008, illustrated p. 142

Signed by Artist Signed Lower Right The Discus Thrower, The American Victory at Athens, Collier's Weekly magazine cover, June 9, 1906 LITERATURE: L.S. Cutler and J.G. Cutler, J.C. ...

Medium: Oil on Canvas Signature: Signed Lower Left Sight Size 22.00" x 15.50", Framed 31.00" x 24.00" Success Magazine Cover, The Success Company, New York Literature: Success Magaz...

Signature: Unsigned Medium: Oil and Charcoal on Canvas This piece is a preparatory study for J.C. Leyendecker’s final painting, Trimming the Pie (1935, Private Collection), which wa...

L.S. Cutler, J.G. Cutler, National Museum of American Illustration, J.C.

Cutler and Judy Goffman Cutler, J.C. Leyendecker: American Imagist, New York, 2008, p. 91, illustrated in color p. 92 Notes: The Kuppenheimer Clothing Company used this painting as ...

Much less expensive than recent auction prices for this image! Famed artist: J. C. Leyendecker. The warrior is wearing a robe that symbolizes the US flag.

L.S. Cutler, J.G. Cutler, J.C. Leyendecker: American Imagist, New York, 2008, p. 167, illustrated.

Cutler and Judy Goffman Cutler, J.C. Leyendecker: American Imagist, New York, 2008, illustrated p. 178 Artwork Dimensions: 30" x 21" Medium: Oil and Pencil on Canvas Signature: Sign...

Kuppenheimer & Co, a men's clothing company which regularly ran advertisements created by J.C. Leyendecker in The Saturday Evening Post.

Baby caring a horse shoe on his shoulders reminiscent of the famous J. C. Leyendecker Baby covers for the Saturday Evening Post.

Cutler and Judy Goffman Cutler, J.C. Leyendecker: American Imagist, New York, 2008, illustrated pp. 122, 123 Judy Goffman Cutler and Laurence S.

Carter, Americans Abroad, exhibition catalogue, New York, 2008, n.p., no. 27, illustrated; L. Cutler and J. Cutler, J.C. Leyendecker: American Imagist, New York, 2008, p. 217, illus...

Cutler and Judy Goffman Cutler have noted in their magnificent art monograph, J. C. Leyendecker, Abrams, 2008, "While the Arrow Collar man was seminal in the business world, the New ...

During 'The Golden Age of American Illustration', for the Saturday Evening Post alone, J. C. Leyendecker produced 322 covers, as well as many advertisement illustrations for its inte...

Marines "Soldiers of the Sea" vintage poster by J.C. Leyendecker (c. 1917); linen-backed in A-, B+ condition, ready to frame.

Literature: The Saturday Evening Post, December 4, 1909, illus. cover Laurence S. and Judy Goffman Cutler, J. C. Leyendecker: American Imagist, New York, 2008, illus. unpaginated.

C. Leyendecker and the model Charles Beach in New Rochelle.

Literature: The Saturday Evening Post, 17 June 1916, illustrated on the cover Walt Reed, The Illustrator in America 1880-1980, New York, 1984, p. 99 Exhibitions: Knoxville Muse...

Cutler and Judy Goffman Cutler, J.C. Leyendecker: American Imagist, New York, 2008, p. 60, illustrated in color p. 61

Daniel Content painted in the grand tradition of the Golden Age of Illustration, in the style of Dean Cornwell, N.C. Wyeth, J.C Leyendecker and shared a studio with Mead Schaeffer an...

Original 1917 J.C. Leyendecker "America Calls – Enlist in the Navy" WWI Recruitment Authentic vintage poster.

During 'The Golden Age of American Illustration', for the Saturday Evening Post alone, J. C. Leyendecker produced 322 covers, as well as many advertisement illustrations for its inte...

J.C. Leyendecker's "Boy Scouts Signaling with Flags," first published on the cover of The September 9, 1911 edition of The Saturday Evening Post, quickly became an iconic image of th...

Signed by Artist Lower Right The Saturday Evening Post cover, September 18, 1937 One of the most prolific and sought-after artists of the Golden Age of Illustration, J.C. Leyendeck...

(American Mirror: The Life and Art of Norman Rockwell, New York, 2013, p. 116) Press: L.S. Cutler, J.G. Cutler, J.C. Leyendecker: American Imagist, New York, 2008, pp. 80-81, illus...

This fashion booklet also featured interior imagery by Frank Leyendecker’s renowned brother, J.C. Leyendecker.

Original cover for The Saturday Evening Post, published March 30, 1929. J.C. Leyendecker's holiday covers, particularly his iconic New Year's baby, were instrumental in driving The...

C. Leyendecker and William V. Cahill, among others.

Signed by Artist Signed Lower Center The Saturday Evening Post cover, June 13, 1914 LITERATURE: L.S. Cutler and J.G. Cutler, J.C. Leyendecker, American Imagist, New York, 2008, p. ...

The poem culminates with a compelling plea to "Release the suffering savior from the cross and give the waiting world its radiant god!" J.C. Leyendecker's accompanying illustration ...

During this period, his brother, J.C. Leyendecker, often provided artwork for the interior pages.

In the early spring of 1926, in preparation for upcoming Kuppenheimer advertising projects, J.C. Leyendecker visited the Aqueduct Racetrack horse racing facility in Queens, New York.

He was of the generation of and worked in the illustration style of Howard Pyle, Norman Rockwell, Maxfield Parrish, J.C. Leyendecker, Charles Dana Gibson. He also did quite a bit of ...

He possesses all of the illustration skills and imagination that rival the immortals - Norman Rockwell, J.C.leyendecker, Maxfield Parrish and Dean Cornwell.

The latter was done in style of J. C. Leyendecker; with Nijinsky, he emulated the Russian Leon Bakst, and for other assignments he created homages to Rolf Armstrong and Coles Phillips.

Weber's fresh and appealing style quickly gained popularity with readers, and editor-in-chief George Lorimer held her work in high regard, offering her a contract for a regular cover...

Calleri’s early influences were primarily the great American Illustrators such as N.C. Wyeth, Norman Rock- well, and J.C. Leyendecker, as well as Renaissance painters and the Masters...

He lived at 31 Poplar Street, Brooklyn and served as a former president to the New Rochelle Art Association in Westchester County, New York, an organization that included J.C. Leyend...

He lived at 31 Poplar Street, Brooklyn and served as a former president to the New Rochelle Art Association in Westchester County, New York, an organization that included J.C. Leyend...

He lived at 31 Poplar Street, Brooklyn and served as a former president to the New Rochelle Art Association in Westchester County, New York, an organization that included J.C. Leyend...

He lived at 31 Poplar Street, Brooklyn and served as a former president to the New Rochelle Art Association in Westchester County, New York, an organization that included J.C. Leyend...

Calleri’s early influences were primarily the great American Illustrators such as N.C. Wyeth, Norman Rock- well, and J.C. Leyendecker, as well as Renaissance painters and the Masters...

Calleri’s early influences were primarily the great American Illustrators such as N.C. Wyeth, Norman Rock- well, and J.C. Leyendecker, as well as Renaissance painters and the Masters...

Calleri’s early influences were primarily the great American Illustrators such as N.C. Wyeth, Norman Rock- well, and J.C. Leyendecker, as well as Renaissance painters and the Masters...

Calleri’s early influences were primarily the great American Illustrators such as N.C. Wyeth, Norman Rock- well, and J.C. Leyendecker, as well as Renaissance painters and the Masters...

Calleri’s early influences were primarily the great American Illustrators such as N.C. Wyeth, Norman Rock- well, and J.C. Leyendecker, as well as Renaissance painters and the Masters...

Calleri’s early influences were primarily the great American Illustrators such as N.C. Wyeth, Norman Rock- well, and J.C. Leyendecker, as well as Renaissance painters and the Masters...

Calleri’s early influences were primarily the great American Illustrators such as N.C. Wyeth, Norman Rock- well, and J.C. Leyendecker, as well as Renaissance painters and the Masters...

Calleri’s early influences were primarily the great American Illustrators such as N.C. Wyeth, Norman Rock- well, and J.C. Leyendecker, as well as Renaissance painters and the Masters...

Calleri’s early influences were primarily the great American Illustrators such as N.C. Wyeth, Norman Rock- well, and J.C. Leyendecker, as well as Renaissance painters and the Masters...

Calleri’s early influences were primarily the great American Illustrators such as N.C. Wyeth, Norman Rock- well, and J.C. Leyendecker, as well as Renaissance painters and the Masters...

Calleri’s early influences were primarily the great American Illustrators such as N.C. Wyeth, Norman Rock- well, and J.C. Leyendecker, as well as Renaissance painters and the Masters...

Calleri’s early influences were primarily the great American Illustrators such as N.C. Wyeth, Norman Rock- well, and J.C. Leyendecker, as well as Renaissance painters and the Masters...

Calleri’s early influences were primarily the great American Illustrators such as N.C. Wyeth, Norman Rock- well, and J.C. Leyendecker, as well as Renaissance painters and the Masters...

In the pantheon of American (nay, world) illustration, he stands, albeit slightly shorter and a little more rumpled, beside N.C. Wyeth, J. C. Leyendecker, and Normal Rockwell—and he’...

Calleri’s early influences were primarily the great American Illustrators such as N.C. Wyeth, Norman Rock- well, and J.C. Leyendecker, as well as Renaissance painters and the Masters...