Japanese Ukiyo E

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

Blending Japanese ukiyo-e influences with contemporary figurative abstraction, Shunga I by Greek artist Konstantinos Papamichalopoulos is a visually arresting work that explores inti...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

Utagawa Kuniyoshi was one of the last great masters of Japanese ukiyo-e prints and paintings. He belonged to the Utagawa school.

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

Utagawa Hiroshige, born Ando Hiroshige (1797 – 12 October 1858), was a Japanese ukiyo-e artist, considered the last great master of that tradition.

Utagawa Hiroshige, born Ando Hiroshige (1797 – 12 October 1858), was a Japanese ukiyo-e artist, considered the last great master of that tradition.

Torii School 7th Head [4th Head Torii Kiyotada] Silk color scroll Japan No. 1 Momotaro Ukiyo-e Silk color Scroll head: Wood box:　Paulownia wood Image size: 410 (W) x 1150 (H) [mm] S...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

◆ Ukiyo-e ◆ Beautiful woman painting ◆ Japanese painting ◆ Hand-painted painting ◆ Silk ◆ Hanging scroll ◆ This work is drawn by hand and on silk.

Utagawa Hiroshige Dawn Inside the Yoshiwara, circa 1857 Woodblock print 11 x 7 inches Utagawa Hiroshige is recognized as a master of the ukiyo-e woodblock printing tradition, havin...

Utagawa Hiroshige, born Ando Hiroshige (1797 – 12 October 1858), was a Japanese ukiyo-e artist, considered the last great master of that tradition.

Utagawa Hiroshige, born Ando Hiroshige (1797 – 12 October 1858), was a Japanese ukiyo-e artist, considered the last great master of that tradition.

Kunichika Toyohara was one of the last Japanese ukiyo-e painter. His first signed print is from 1852, but it was only in 1854 that he took the gō (stage name) "Kunichika".

Utagawa Kunisada II (1823 - 1880), also known as Toyokuni IV and Kunimasa, was Japanese ukiyo-e (woodblock) artist of the late Edo to early Meiji periods.

In excellent condition, with vivid colours, this original Japanese print by one of the most famous ukiyo-e master, could embellish your house with an Oriental touch!

Untitled Woodcut print Sight: 16 x 29 1/2 in. Framed: 23 x 36 1/2 in.

This portrait transcends traditional representation, embedding Japanese ukiyo-e prints in the background—reflecting Van Gogh’s profound admiration for Japanese art and its influence ...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

'1760-1849' Color woodblock print on paper by Katsushika Hokusai, 1760 to 1849, a Japanese ukiyo-e printmaker of the late Edo period.

Utagawa Hiroshige, born Ando Hiroshige (1797 – 12 October 1858), was a Japanese ukiyo-e artist, considered the last great master of that tradition.

Born in Nigata prefecture, Tadashi Nakayama evolved a unique graphic style that combined traditional Japanese ukiyo-e print techniques with Western influences.

Professionally framed with archival matting. Style: Ukiyo-e / Japanese

[Kiyoshi Shimizu] Born in Tokyo in 1909, Kiyoshi Shimizu was a Japanese painter active during the early Showa period. Residing in Adachi Ward, Tokyo, he apprenticed under Yokoo Yosh...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

Product Description This piece 　　depicts a beautiful woman with her skirts 　　rolled up as she hunts for clams on a shallow shore , 　　giving it an indescribably impressive expression....

Utagawa Hiroshige, born Ando Hiroshige (1797 – 12 October 1858), was a Japanese ukiyo-e artist, considered the last great master of that tradition.

This is a rare opportunity to own an accessible, self-contained, and beautifully framed work by a blue-chip artist from one of the most significant years in Japanese history. Cr...

Wood Cut on Rice Paper "The Cicada Shell (Utsusemi)" by Gekko Ogata Woodcut is a striking 1892 woodblock print by Meiji-era master Ogata Gekko (Japanese, 1859–1920). It references T...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

Combining the visual languages of American Pop art and Japanese ukiyo-e woodblock prints, Shimomura creates bold, graphic compositions that are at once playful and pointed.

Combining the visual languages of American Pop art and Japanese ukiyo-e woodblock prints, Shimomura creates bold, graphic compositions that are at once playful and pointed.

Antique Woodblock Print Ukiyo-e Kunisada UTAGAWA (1786-1865) - Geisha with Parasol.

Technique: Woodblock print (ukiyo-e) Maker: Utagawa Toyokuni I, Japan, circa 1800

Artist Biography: Utagawa Hiroshige, born Andō Hiroshige (1797 – 12 October 1858), was a Japanese ukiyo-e artist, considered the last great master of that tradition.

Combining the visual languages of American Pop art and Japanese ukiyo-e woodblock prints, Shimomura creates bold, graphic compositions that are at once playful and pointed.

Kuniyoshi had an extremely fertile imagination and produced a steady stream of novel innovations: he served as a source of vital energy in the late ‘Ukiyo-e’ world. Biography of Pri...

Man of very diverse interests and great artistic sensitivity, studied Art History and in 2012, a deep interest in oriental art was awakened in him so that he began to study the great...

Rendered in a flat, graphic style that recalls Japanese Ukiyo-e prints, his paintings are both meditative and lyrical in their exploration of the still-life.

Hiroshige Utagawa "One Hundred Famous Views of Edo Kameido" Condition vertical width /114.5cm width /30.3Cm (actual paper) vertical width /28.8cm width /19.0cm Period. 20...

The design reveals the strong influence of Japanese ukiyo-e prints, whose flattened perspectives, asymmetrical compositions, and bold contours transformed European graphic arts durin...

Hasui worked almost exclusively on landscape and townscape prints based on sketches he made in Tokyo and during his travels in Japan. His subjects are not only 'meisho' (famous place...

Impressionist artists like Claude Monet were deeply inspired by Japanese ukiyo-e woodblock prints, particularly those by Hokusai and Hiroshige.

The Japanese inspired ukiyo-e style woodblock prints and lithograph works he created at Tyler Graphics in 1980 contain a 20th century "floating world" sensibility.

The Japanese inspired ukiyo-e style woodblock prints and lithograph works he created at Tyler Graphics in 1980 contain a 20th century "floating world" sensibility.

The Japanese inspired ukiyo-e style woodblock prints and lithograph works he created at Tyler Graphics in 1980 contain a 20th century "floating world" sensibility.

The Japanese inspired ukiyo-e style woodblock prints and lithograph works he created at Tyler Graphics in 1980 contain a 20th century "floating world" sensibility.

The Japanese inspired ukiyo-e style woodblock prints and lithograph works he created at Tyler Graphics in 1980 contain a 20th century "floating world" sensibility.

The Japanese inspired ukiyo-e style woodblock prints and lithograph works he created at Tyler Graphics in 1980 contain a 20th century "floating world" sensibility.