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Old Fire Wagon, Monotype
Old Fire Wagon, Monotype

Joseph SolmanOld Fire Wagon, Monotype

$1,200

H 16.25 in W 18.25 in

Old Fire Wagon, Monotype

By Joseph Solman

Located in Surfside, FL

ukiyo-e prints in their emphasis on character and their flat linearity, but with spectacle replaced by a

Category

20th Century Modern More Art

Materials

Monotype

Berthoud Pass, Rocky Mountain Skiing

Berthoud Pass, Rocky Mountain Skiing

Located in Brooklyn, NY

with contemporary art forms. John's artistic style draws inspiration from the iconic Japanese ukiyo-e

Category

21st Century and Contemporary Abstract Impressionist Landscape Prints

Materials

Archival Ink, Rag Paper

Berthoud Pass, Rocky Mountain Skiing

Berthoud Pass, Rocky Mountain Skiing

Located in Brooklyn, NY

with contemporary art forms. John's artistic style draws inspiration from the iconic Japanese ukiyo-e

Category

21st Century and Contemporary Abstract Impressionist Landscape Prints

Materials

Archival Ink, Rag Paper

Alpine Lodge

John KatoAlpine Lodge, 2022

$2,400

H 32 in W 40 in

Alpine Lodge

Located in Brooklyn, NY

Japanese ukiyo-e artist Katsushika Hokusai, renowned for his woodblock print series, "Thirty-Six Views of

Category

21st Century and Contemporary Abstract Impressionist Still-life Prints

Materials

Archival Ink, Rag Paper

Renee's Breakfast

Renee's Breakfast

Located in Brooklyn, NY

from the iconic Japanese ukiyo-e artist Katsushika Hokusai, renowned for his woodblock print series

Category

21st Century and Contemporary Abstract Impressionist Still-life Prints

Materials

Archival Ink, Rag Paper

Japanese engraving, Japan, 19th century
Japanese engraving, Japan, 19th century

Japanese engraving, Japan, 19th century

$539

H 18.9 in W 14.18 in D 0.4 in

Japanese engraving, Japan, 19th century

Located in Auribeau sur Siagne, FR

Japanese woodblock print (ukiyo-e), Japan, 19th century, depicting an elegant female figure in an

Category

Antique 19th Century Japanese Japonisme Drawings

Materials

Glass, Wood, Paint

Portrait of a Mother and Child by Tsuguharu Foujita
Portrait of a Mother and Child by Tsuguharu Foujita

Portrait of a Mother and Child by Tsuguharu Foujita

By Léonard Tsuguharu Foujita

Located in New Orleans, LA

modernism by blending Japanese ukiyo-e techniques with European subjects and mediums. This dual influence

Category

20th Century Post-Impressionist Portrait Drawings and Watercolors

Materials

Paper, Ink, Watercolor

Authentic Woodblock print Set of 6 from 東海道五十三次大津 The 53 Stations of the Tōkaidō
Authentic Woodblock print Set of 6 from 東海道五十三次大津 The 53 Stations of the Tōkaidō

Authentic Woodblock print Set of 6 from 東海道五十三次大津 The 53 Stations of the Tōkaidō

By Utagawa Hiroshige

Located in London, GB

-three Stations of the Tōkaidō", created by the renowned Japanese ukiyo-e artist Utagawa Hiroshige (1797

Category

1930s Edo Landscape Prints

Materials

Ink, Washi Paper

Shunga: Twelve Signs of the Zodiac - Goat
Shunga: Twelve Signs of the Zodiac - Goat

Shunga: Twelve Signs of the Zodiac - Goat

Located in Fairlawn, OH

ukiyo-e print designer and painter active from 1769 to 1790. Life and career Koryūsai was born in 1735

Category

1770s Other Art Style Figurative Prints

Materials

Woodcut

Pair “Faux Bamboo” Frames With Old Italian Shell Prints With Overwritten Text.
Pair “Faux Bamboo” Frames With Old Italian Shell Prints With Overwritten Text.

Pair “Faux Bamboo” Frames With Old Italian Shell Prints With Overwritten Text.

Located in Prato, Tuscany

images and decorations, with lettering covering part or all of the illustration. Japanese ukiyo-e prints

Category

Antique Mid-18th Century Italian Other Prints

Materials

Faux Bamboo, Paper

Bonnieux Village Luberon France
Bonnieux Village Luberon France

Marilyn H HeilprinBonnieux Village Luberon France, 2000s

$600Sale Price|20% Off

H 15.5 in W 17 in D 0.5 in

Bonnieux Village Luberon France

Located in Soquel, CA

upon Japanese ukiyo-e woodblock printing, though there is evidence that a lesser-known Provincetown

Category

Early 2000s American Impressionist Landscape Paintings

Materials

Watercolor, Laid Paper, Woodcut

Pierre Bonnard, Untitled, from Correspondances, 1944
Pierre Bonnard, Untitled, from Correspondances, 1944

Pierre Bonnard, Untitled, from Correspondances, 1944

By Pierre Bonnard

Located in Southampton, NY

Paul Gauguin’s expressive color, Japanese ukiyo-e prints, and the structural clarity of Paul Cezanne

Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Pierre Bonnard, Untitled, from Correspondances, 1944
Pierre Bonnard, Untitled, from Correspondances, 1944

Pierre Bonnard, Untitled, from Correspondances, 1944

By Pierre Bonnard

Located in Southampton, NY

spirituality, symbolism, and decorative harmony. Influenced by Paul Gauguin’s expressive color, Japanese ukiyo

Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Pierre Bonnard, Untitled, from Correspondances, 1944
Pierre Bonnard, Untitled, from Correspondances, 1944

Pierre Bonnard, Untitled, from Correspondances, 1944

By Pierre Bonnard

Located in Southampton, NY

Paul Gauguin’s expressive color, Japanese ukiyo-e prints, and the structural clarity of Paul Cezanne

Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Pierre Bonnard, Untitled, from Correspondances, 1944
Pierre Bonnard, Untitled, from Correspondances, 1944

Pierre Bonnard, Untitled, from Correspondances, 1944

By Pierre Bonnard

Located in Southampton, NY

Paul Gauguin’s expressive color, Japanese ukiyo-e prints, and the structural clarity of Paul Cezanne

Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Pierre Bonnard, Untitled, from Correspondances, 1944
Pierre Bonnard, Untitled, from Correspondances, 1944

Pierre Bonnard, Untitled, from Correspondances, 1944

By Pierre Bonnard

Located in Southampton, NY

spirituality, symbolism, and decorative harmony. Influenced by Paul Gauguin’s expressive color, Japanese ukiyo

Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Pierre Bonnard, Untitled, from Correspondances, 1944
Pierre Bonnard, Untitled, from Correspondances, 1944

Pierre Bonnard, Untitled, from Correspondances, 1944

By Pierre Bonnard

Located in Southampton, NY

Paul Gauguin’s expressive color, Japanese ukiyo-e prints, and the structural clarity of Paul Cezanne

Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Pierre Bonnard, Untitled, from Correspondances, 1944
Pierre Bonnard, Untitled, from Correspondances, 1944

Pierre Bonnard, Untitled, from Correspondances, 1944

By Pierre Bonnard

Located in Southampton, NY

Paul Gauguin’s expressive color, Japanese ukiyo-e prints, and the structural clarity of Paul Cezanne

Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Pierre Bonnard, Untitled, from Correspondances, 1944
Pierre Bonnard, Untitled, from Correspondances, 1944

Pierre Bonnard, Untitled, from Correspondances, 1944

By Pierre Bonnard

Located in Southampton, NY

Paul Gauguin’s expressive color, Japanese ukiyo-e prints, and the structural clarity of Paul Cezanne

Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Pierre Bonnard, Untitled, from Correspondances, 1944
Pierre Bonnard, Untitled, from Correspondances, 1944

Pierre Bonnard, Untitled, from Correspondances, 1944

By Pierre Bonnard

Located in Southampton, NY

Paul Gauguin’s expressive color, Japanese ukiyo-e prints, and the structural clarity of Paul Cezanne

Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Pierre Bonnard, Untitled, from Correspondances, 1944
Pierre Bonnard, Untitled, from Correspondances, 1944

Pierre Bonnard, Untitled, from Correspondances, 1944

By Pierre Bonnard

Located in Southampton, NY

spirituality, symbolism, and decorative harmony. Influenced by Paul Gauguin’s expressive color, Japanese ukiyo

Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Pierre Bonnard, Untitled, from Correspondances, 1944
Pierre Bonnard, Untitled, from Correspondances, 1944

Pierre Bonnard, Untitled, from Correspondances, 1944

By Pierre Bonnard

Located in Southampton, NY

Paul Gauguin’s expressive color, Japanese ukiyo-e prints, and the structural clarity of Paul Cezanne

Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Pierre Bonnard, Untitled, from Correspondances, 1944
Pierre Bonnard, Untitled, from Correspondances, 1944

Pierre Bonnard, Untitled, from Correspondances, 1944

By Pierre Bonnard

Located in Southampton, NY

Paul Gauguin’s expressive color, Japanese ukiyo-e prints, and the structural clarity of Paul Cezanne

Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Pierre Bonnard, Untitled, from Correspondances, 1944
Pierre Bonnard, Untitled, from Correspondances, 1944

Pierre Bonnard, Untitled, from Correspondances, 1944

By Pierre Bonnard

Located in Southampton, NY

Paul Gauguin’s expressive color, Japanese ukiyo-e prints, and the structural clarity of Paul Cezanne

Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Pierre Bonnard, Untitled, from Correspondances, 1944
Pierre Bonnard, Untitled, from Correspondances, 1944

Pierre Bonnard, Untitled, from Correspondances, 1944

By Pierre Bonnard

Located in Southampton, NY

spirituality, symbolism, and decorative harmony. Influenced by Paul Gauguin’s expressive color, Japanese ukiyo

Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Pierre Bonnard, Untitled, from Correspondances, 1944
Pierre Bonnard, Untitled, from Correspondances, 1944

Pierre Bonnard, Untitled, from Correspondances, 1944

By Pierre Bonnard

Located in Southampton, NY

spirituality, symbolism, and decorative harmony. Influenced by Paul Gauguin’s expressive color, Japanese ukiyo

Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Pierre Bonnard, Untitled, from Correspondances, 1944
Pierre Bonnard, Untitled, from Correspondances, 1944

Pierre Bonnard, Untitled, from Correspondances, 1944

By Pierre Bonnard

Located in Southampton, NY

Paul Gauguin’s expressive color, Japanese ukiyo-e prints, and the structural clarity of Paul Cezanne

Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Pierre Bonnard, Untitled, from Correspondances, 1944
Pierre Bonnard, Untitled, from Correspondances, 1944

Pierre Bonnard, Untitled, from Correspondances, 1944

By Pierre Bonnard

Located in Southampton, NY

Paul Gauguin’s expressive color, Japanese ukiyo-e prints, and the structural clarity of Paul Cezanne

Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Pierre Bonnard, Untitled, from Correspondances, 1944
Pierre Bonnard, Untitled, from Correspondances, 1944

Pierre Bonnard, Untitled, from Correspondances, 1944

By Pierre Bonnard

Located in Southampton, NY

Paul Gauguin’s expressive color, Japanese ukiyo-e prints, and the structural clarity of Paul Cezanne

Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Pierre Bonnard, Untitled, from Correspondances, 1944
Pierre Bonnard, Untitled, from Correspondances, 1944

Pierre Bonnard, Untitled, from Correspondances, 1944

By Pierre Bonnard

Located in Southampton, NY

Paul Gauguin’s expressive color, Japanese ukiyo-e prints, and the structural clarity of Paul Cezanne

Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Pierre Bonnard, Untitled, from Correspondances, 1944
Pierre Bonnard, Untitled, from Correspondances, 1944

Pierre Bonnard, Untitled, from Correspondances, 1944

By Pierre Bonnard

Located in Southampton, NY

Paul Gauguin’s expressive color, Japanese ukiyo-e prints, and the structural clarity of Paul Cezanne

Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Pierre Bonnard, Untitled, from Correspondances, 1944
Pierre Bonnard, Untitled, from Correspondances, 1944

Pierre Bonnard, Untitled, from Correspondances, 1944

By Pierre Bonnard

Located in Southampton, NY

Paul Gauguin’s expressive color, Japanese ukiyo-e prints, and the structural clarity of Paul Cezanne

Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Pierre Bonnard, Untitled, from Correspondances, 1944
Pierre Bonnard, Untitled, from Correspondances, 1944

Pierre Bonnard, Untitled, from Correspondances, 1944

By Pierre Bonnard

Located in Southampton, NY

Paul Gauguin’s expressive color, Japanese ukiyo-e prints, and the structural clarity of Paul Cezanne

Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Pierre Bonnard, Untitled, from Correspondances, 1944
Pierre Bonnard, Untitled, from Correspondances, 1944

Pierre Bonnard, Untitled, from Correspondances, 1944

By Pierre Bonnard

Located in Southampton, NY

Paul Gauguin’s expressive color, Japanese ukiyo-e prints, and the structural clarity of Paul Cezanne

Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Pierre Bonnard, Untitled, from Correspondances, 1944
Pierre Bonnard, Untitled, from Correspondances, 1944

Pierre Bonnard, Untitled, from Correspondances, 1944

By Pierre Bonnard

Located in Southampton, NY

Paul Gauguin’s expressive color, Japanese ukiyo-e prints, and the structural clarity of Paul Cezanne

Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Pierre Bonnard, Untitled, from Correspondances, 1944
Pierre Bonnard, Untitled, from Correspondances, 1944

Pierre Bonnard, Untitled, from Correspondances, 1944

By Pierre Bonnard

Located in Southampton, NY

Paul Gauguin’s expressive color, Japanese ukiyo-e prints, and the structural clarity of Paul Cezanne

Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Pierre Bonnard, Untitled, from Correspondances, 1944
Pierre Bonnard, Untitled, from Correspondances, 1944

Pierre Bonnard, Untitled, from Correspondances, 1944

By Pierre Bonnard

Located in Southampton, NY

Paul Gauguin’s expressive color, Japanese ukiyo-e prints, and the structural clarity of Paul Cezanne

Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Pierre Bonnard, Untitled, from Correspondances, 1944
Pierre Bonnard, Untitled, from Correspondances, 1944

Pierre Bonnard, Untitled, from Correspondances, 1944

By Pierre Bonnard

Located in Southampton, NY

Paul Gauguin’s expressive color, Japanese ukiyo-e prints, and the structural clarity of Paul Cezanne

Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Pierre Bonnard, Untitled, from Correspondances, 1944
Pierre Bonnard, Untitled, from Correspondances, 1944

Pierre Bonnard, Untitled, from Correspondances, 1944

By Pierre Bonnard

Located in Southampton, NY

Paul Gauguin’s expressive color, Japanese ukiyo-e prints, and the structural clarity of Paul Cezanne

Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Henri de Toulouse-Lautrec, Jockey, 1967 (after)
Henri de Toulouse-Lautrec, Jockey, 1967 (after)

Henri de Toulouse-Lautrec, Jockey, 1967 (after)

By Henri de Toulouse-Lautrec

Located in Southampton, NY

, Edgar Degas, and Edouard Manet, as well as the vivid color and composition of Japanese ukiyo-e woodblock

Category

1960s Post-Impressionist Figurative Prints

Materials

Lithograph

Henri de Toulouse-Lautrec, Clown Trainer, 1967 (after)
Henri de Toulouse-Lautrec, Clown Trainer, 1967 (after)

Henri de Toulouse-Lautrec, Clown Trainer, 1967 (after)

By Henri de Toulouse-Lautrec

Located in Southampton, NY

, Edgar Degas, and Edouard Manet, as well as the vivid color and composition of Japanese ukiyo-e woodblock

Category

1960s Post-Impressionist Figurative Prints

Materials

Lithograph

Henri de Toulouse-Lautrec, Female Trainer, 1967 (after)
Henri de Toulouse-Lautrec, Female Trainer, 1967 (after)

Henri de Toulouse-Lautrec, Female Trainer, 1967 (after)

By Henri de Toulouse-Lautrec

Located in Southampton, NY

, Edgar Degas, and Edouard Manet, as well as the vivid color and composition of Japanese ukiyo-e woodblock

Category

1960s Post-Impressionist Figurative Prints

Materials

Lithograph

Henri de Toulouse-Lautrec, Curtain Call, 1967 (after)
Henri de Toulouse-Lautrec, Curtain Call, 1967 (after)

Henri de Toulouse-Lautrec, Curtain Call, 1967 (after)

By Henri de Toulouse-Lautrec

Located in Southampton, NY

color and composition of Japanese ukiyo-e woodblock prints, Toulouse-Lautrec absorbed and transformed

Category

1960s Post-Impressionist Figurative Prints

Materials

Lithograph

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Japanese Ukiyo E For Sale on 1stDibs

You are likely to find exactly the japanese ukiyo e you’re looking for on 1stDibs, as there is a broad range for sale. Finding the perfect japanese ukiyo e may mean sifting through those created during different time periods — you can find an early version that dates to the 18th Century and a newer variation that were made as recently as the 21st Century. If you’re looking to add a japanese ukiyo e to create new energy in an otherwise neutral space in your home, you can find a work on 1stDibs that features elements of beige, gray, brown, blue and more. Finding an appealing japanese ukiyo e — no matter the origin — is easy, but Tsukioka Yoshitoshi, Katsushika Hokusai, Utagawa Kunisada (Toyokuni III), Utagawa Hiroshige (Ando Hiroshige) and Utagawa Hiroshige II each produced popular versions that are worth a look. Frequently made by artists working in paper, handmade paper and washi paper, these artworks are unique and have attracted attention over the years.

How Much is a Japanese Ukiyo E?

The average selling price for a japanese ukiyo e we offer is $973, while they’re typically $139 on the low end and $33,372 for the highest priced.