La Grande Occassione Della Pittura Americana Milano (Hand Signed by Jim Dine)
Located in New York, NY
La Grande Occassione Della Pittura Americana Milano (Hand Signed by Jim Dine), 1963 Offset Lithograph invitation poster (hand signed by Jim Dine) Hand signed by Jim Dine on the front...
Lithograph, Offset
Called by Sake Woodcut Print, Pop Art Style, Signed, 1993, Edition 27/36, C.70
By Jim Dine
Located in Aventura, FL
Woodcut, collagraph and photo-engraving in colors, on Rives Lightweight Cream paper, with full margins. Hand signed, dated and numbered lower front by Jim Dine.
Paper, Engraving, Woodcut
Tool Box 5 Screen Print, Hand Signed, 1966, Edition of 150, Framed
By Jim Dine
Located in Aventura, FL
Hand signed on front; numbered on verso by the artist. From the 'A Tool Box' Portfolio. Printed by Christopher Prater; published by Editions Alecto. Artwork is in excellent condition...
Screen, Paper
Tool Box 2 Screen Print, Hand Signed, Edition 14/150, Pop Art, Framed, 1966
By Jim Dine
Located in Aventura, FL
Hand signed on front; numbered on verso by the artist. From the 'A Tool Box' Portfolio. Printed by Christopher Prater; published by Editions Alecto. Artwork is in excellent condition...
Screen, Paper
$6,000
Famous portrait of the artist's wife Nancy in their French garden, small edition
By Jim Dine
Located in Fairlawn, OH
Nancy Outside in July XX: Among French Plants Photogravure, aquatint and elkectric tools from three copper plates 1981 Signed "Jim Dine" lower left (see photo) Dated lower left Anno...
Etching
Self Portrait of the artist covered by Tulips, 1974, small edition
By Jim Dine
Located in Fairlawn, OH
Self Portrait in a Ski Hat (obliterated by Tulips) fourth state etching on copper plate, 1974 Signed "Jim Dine" lower left (see photo) Annotated A/P lower left Dated 1974 lower right...
Etching
Price Upon Request
Pinocchio
By Jim Dine
Located in Palo Alto, CA
Created in 2008, this woodcut is hand-signed by Jim Dine (Cincinnati, Ohio, 1935 –) on verso and is numbered from the edition of 118 on verso.
Screen, Woodcut
Vintage Abstract Torso Painting, Signed, 1980's, Jim Dine Style
By Hazel Cohen
Located in North Miami, FL
If you love the work of Jim Dine you will love this painting.
Wood, Paint
$300Sale Price|20% Off
Jim Dine Drawing from the Glyptothek, Pop Art Print, Signed Edition
Located in Brooklyn, NY
Paper Size: 12 x 9 inches ( 30.48 x 22.86 cm ) Image Size: 12 x 9 inches ( 30.48 x 22.86 cm ) The signed first edition book "Jim Dine: Drawing from the Glyptothek," published by ...
Paper
$716Sale Price|20% Off
Jim Lorriman Signed Reclaimed Recycled Natural Organic Large Wood Turned Bowl
Located in Studio City, CA
A wonderful, unique and quite engaging natural organic wood turned bowl by Canadian master wood turner/artist Jim Lorriman. This large piece is made of reclaimed/recycled/repurposed...
Wood, Elm
Ape and Cat by Jim Dine with Madonna of the Future Henry James, Arion Press 1997
Located in San Francisco, CA
The Madonna of the Future is also contained in the same custom box. The 2 books are signed by Jim Dine and numbered 5 of 200 on the respective colophons of each.
Metal
The Ohio-born artist Jim Dine brought his ever-shifting, multidisciplinary vision to New York in 1958, a time of transition in the American art world. Abstract Expressionism, which had dominated the scene for years, was on the wane, and a group of young artists, including Dine, Allan Kaprow, Jasper Johns and Robert Rauschenberg, was eager to replace it with a movement that flipped the traditional rules of art-making on their head.
Beyond dissolving the boundaries between mediums and genres, attaching found objects and detritus to their canvases, these revolutionaries began staging performative “happenings” in public spaces, redefining the very definition of a work of art. As Pop art took form, Dine used objects with personal significance, like his paintbrushes, to transform his paintings into two-dimensional sculptures. He was included in the Norton Simon Museum’s 1962 “New Painting of Objects,” often considered the first true Pop art exhibition in America, but he remained a chameleon, constantly changing his style, material and technique.
More than his contemporaries, Dine has forged new paths in drawing, scrawling words and names across the canvas to create graphic, abstract landscapes. He is obsessed by certain motifs — such as hearts and his own bathrobe — which recur in various forms throughout his oeuvre. He has occasionally worked in classical genres, such as portraiture, as exemplified by the 1980 aquatint Nancy Outside in July. He has also co-opted the bold, graphic vocabulary of advertising and commercials, as in the sleek 2010 composition Gay Laughter at the Wake.
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