Le Brun

He received his art education from his father, Etienne (1632-1721), from Le Brun and Jouvenet at the Royal Academy. His talents developed rapidly: at the age of sixteen he gained hon...

He received his art education from his father, Etienne (1632-1721), from Le Brun and Jouvenet at the Royal Academy. His talents developed rapidly: at the age of sixteen he gained hon...

He received his art education from his father, Etienne (1632-1721), from Le Brun and Jouvenet at the Royal Academy. His talents developed rapidly: at the age of sixteen he gained hon...

This series was designed by the artist Charles Le Brun, and was originally woven in the second half of the seventeenth century at the Royal Gobelins Manufactory in Paris, for King Lo...

Upon Le Brun’s death in 1690, Mignard succeeded him as Premier Peintre and as the Director of the Royal Academy.

There, Perrier worked in the circle of Vouet and had Charles Le Brun as his pupil. He is mostly remembered for his two series of prints after classical sculptures.

There, Perrier worked in the circle of Vouet and had Charles Le Brun as his pupil. He is mostly remembered for his two series of prints after classical sculptures.

There, Perrier worked in the circle of Vouet and had Charles Le Brun as his pupil. He is mostly remembered for his two series of prints after classical sculptures.

Frame. Housed in a beautiful Le Brun Boulet frame, 34 inches by 30 inches framed.

Through these it examines the stylistic developments of tapestry between 1590 and 1720, when such masters as Peter Paul Rubens, Jacob Jordaens, Simon Vouet, Charles Le Brun, Pietro d...

There, Perrier worked in the circle of Vouet and had Charles Le Brun as his pupil. He is mostly remembered for his two series of prints after classical sculptures.

Throughout the latter period (which took place during the reign of the monarch of that name, between 1661 and 1715, although it was only strongly prevalent until around the death of ...

The designs for these tapestries were often commissioned from prominent artists of the time, such as Charles Le Brun. The workshop employed skilled weavers who used traditional tech...

There, Perrier worked in the circle of Vouet and had Charles Le Brun as his pupil. He is mostly remembered for his two series of prints after classical sculptures.

There, Perrier worked in the circle of Vouet and had Charles Le Brun as his pupil. He is mostly remembered for his two series of prints after classical sculptures.

At that time, the lavish decorative programs designed by figures such as Le Vau and Le Brun were conceived to anchor royal power through architecture and ornament.

Classically trained, Adrien Thévenot demonstrated a deep knowledge of the masters and must have studied Poussin at length, without neglecting the Florentines and Le Brun. He was also...

Adam Frans van der Meulen, born in Brussels in 1632, was invited to France in 1664 by Charles Le Brun and entered the service of Louis XIV, becoming the principal painter of the king...

There, Perrier worked in the circle of Vouet and had Charles Le Brun as his pupil. He is mostly remembered for his two series of prints after classical sculptures.

His maternal grandmother, Angelica Catalani (1780-1849) had been painted by Élisabeth Vigée Le Brun. He became a painter who by 1894 was an associate of the Society of French artist...

Notable exhibitions include, Contemporary Abstract Printmaking, Artists- Rachel Clark, Ian Davenport, Christopher Le Brun, John McLean, Mali Morris, Iain Robertson, Clifford Chance C...

His work and talent, notably plied in Versailles, earned him the name of the "new Le Brun". He became Premier peintre du Roi and worked with other artists of the era, such as Nonotte...

Silvestre's atelier was large: he had at least two pupils who had careers as engravers, Franqois Noblesse and Meunier, and In 1670 Charles Le Brun recommended him for membership in t...

There, Perrier worked in the circle of Vouet and had Charles Le Brun as his pupil. He is mostly remembered for his two series of prints after classical sculptures.

Inspired by the accounts of Plutarch, Arrian, and Quintus Curtius, this subject was widely popularized in the 17th and 18th centuries thanks to the works of Charles Le Brun, Louis XI...

Notable exhibitions include, Contemporary Abstract Printmaking, Artists- Rachel Clark, Ian Davenport, Christopher Le Brun, John McLean, Mali Morris, Iain Robertson, Clifford Chance C...

Silvestre's atelier was large: he had at least two pupils who had careers as engravers, Franqois Noblesse and Meunier, and In 1670 Charles Le Brun recommended him for membership in t...

Silvestre's atelier was large: he had at least two pupils who had careers as engravers, Franqois Noblesse and Meunier, and In 1670 Charles Le Brun recommended him for membership in t...

Silvestre's atelier was large: he had at least two pupils who had careers as engravers, Franqois Noblesse and Meunier, and In 1670 Charles Le Brun recommended him for membership in t...

There, Perrier worked in the circle of Vouet and had Charles Le Brun as his pupil. He is mostly remembered for his two series of prints after classical sculptures.

As a nephew of Louis XV's chief designer and painter Charles Le Brun, Jacques Caffiéri soon found good connections.

Description: An interesting 20th century French School drawing featuring a series of figurative studies after sculptural figures, with an inscription referring to drawings after Char...

Inspired by the famed Chaste de Monceaux panel from the late seventeenth-century Royal Houses series, this stunning masterwork traces its lineage to the artistic vision of Charles Le...

Many pastelists—such as Rosalba Carriera, Maurice Quentin de La Tour (French, 1704–1788), Élisabeth Vigée Le Brun (French, 1755–1842), Francis Cotes (English, 1726–1770) and John Rus...

Silvestre's atelier was large: he had at least two pupils who had careers as engravers, Franqois Noblesse and Meunier, and In 1670 Charles Le Brun recommended him for membership in t...

The composition reflects Montfaucon’s method of comparing sources, with references to earlier antiquarians such as Boissard and Le Brun. The second plate presents a lively array of R...

The subjects on this set of seating are inspired by the French artistic production prevalent during the Rococo period, which saw painters such as Jean-Baptiste Oudry, François Bouche...

This particular motif, originally conceived under the artistic direction of Charles Le Brun for Louis XIV’s commissions, became an enduring hallmark of Savonnerie carpets.

The central panel bears the artists signature, Le Brun. The large central clear serpentine glazed door opening to a large capacious cupboard below, flanked by clear glazed serpen...

He left his native Lyon for Paris at the age of twenty to work in the workshop of Charles Le Brun. He made his reputation by his portraits in pastels, to which he gave a sparkle and...

Ostiakes Engraving, 1718 From: Voyages de Corneille le Brun par la Moscovie, en Perse, et aux Indes Occidentales (French translation, 1718), Chapter XXI The Ostyak are a member of an...

Rigaud fixed for three centuries the image of the official portrait of European courts. On the advice of Le Brun, he devoted himself to portraiture, a genre which he elevated to its ...

Largillière secured his position in France's Academie in 1686 with his portrait of Charles Le Brun, which can now be viewed in the Louvre.

His brother, Claude Perrault, would be the one who devised the iconography of the sculptures (in the form of sketches) and, once royal approval had been given, Le Brun, painter and i...

The two brothers possessed a very similar style (their works are sometimes confused), and quickly garnered admiration and rave reviews at the exhibitions they participated in (Academ...

His favorite artist, Charles Le Brun, drew up cartoons of rug designs for the Louvre’s Grande Galerie.

His favorite artist, Charles Le Brun, drew up cartoons of rug designs for the Louvre’s Grande Galerie.

Interestingly the two figures and their burden reappear in the 17th century French tapestry of the Triumph of Alexander after Charles Le Brun, but they have been swung around to near...

He iInherited the Hôtel Lambert in Paris from his brother Jean Baptiste in 1644 and hired some of the most prominent artists of the time, including Charles Le Brun to decorate and fu...

Upon his acceptance as a candidate for admission to the Académie, he agreed to execute as his diploma picture a large portrait of Le Brun (completed 1686, Paris, Musée du Louvre, eig...

It is believed that through his friendship with Charles Le Brun, the King's First Painter, he was introduced to Madame de Montespan, who made him one of her official artists.

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Cheval Brun (The Brown Horse), from the folio Derriere le miroir, No. 44-45, originates from the 1952 edition publish...

Pierre Mignard (Troyes 1612 – Paris 1695), portraitist and history painter, was called to Paris in 1657 by Louis XIV, who employed him at Versailles and, on the death of Le Brun in 1...

These pictures show that he was an heir to the French grand tradition of pictorial design that may be traced to Charles Le Brun, the director of all artistic activity under Louis XIV...

Jean-Marc Nattier (Paris, 1685 - 1766) Son of a portrait painter and pupil of Rigaud, Nattier began his career as a history painter under the influence of Charles Le Brun and under ...

Hans Jean Arp Rouge, bleu, brun Derriere le miroir No. 21-22, Arp Mourlot Freres, Arp Maeght Editeur, Arp velin paper, Arp collectible lithograph.

In his earliest surviving works with their colourful rococo palette, even David, a distant cousin, was clearly influenced by Boucher. Not since Le Brun had a single French artist hel...

La structure est habillée d’ébène de Macassar, avec de petites incrustations carrées décoratives. L’assise et le dossier en cuir brun offrent un confort généreux.

Attribué à MAISON JANSEN Fauteuil à structure en métal formé d'un piètement dit "curule", l'assise et le dossier en cuir brun clouté prolongent des montants ornés de sphères et des c...

Plat rectangulaire en céramique d’Elisabeth Joulia, présenté sur socle, à la surface richement texturée. Les nuances profondes, mêlant bruns, noirs et reflets métallisés, animent la ...