Marble Plinth

-colored marble plinth. This small, exquisitely-crafted piece will look beautiful placed on a pedestal

Garanti Paris,” dark brown patina. Standing on a rectangular black marble plinth. Between 1805 and 1808

,” dark brown patina. Standing on a round, black marble plinth. This sculpture, “Lion au serpent” or “Lion

marble plinth with a mottled and stepped design. Above is Sophocles shown seated on a architectural

shaped tripod base with its conforming marble plinth. Rising from a trefoil base and bronze foot they

mirror in walnut with a marble plinth, dating to the Victorian period, circa 1860. Of impressive stature

raised on an oval rouge griotte marble plinth. ADDITIONAL INFORMATION Height

flambe urn on a foliate mounted moulded white marble plinth base and acanthus toupie feet French

allegorical gilt-bronze Empire style female mounts, both raised on a square rouge royal marble plinths

marble plinth, flanked by reclining bronze panthers, with cascading grape clusters applied throughout

further enhanced with a green figured and polished marble plinth with a suede leather protective lining to

bust is mounted on a cylindrical white marble plinth that creates a striking contrast to the bronze

Art Deco era. The figure is mounted on a heavy black marble plinth with bold white veining, providing

a black Belgian marble plinth, decorated with a mottled and reeded ormolu bottom border with rich

acanthus leaf cast gilt bronze bases set on square marble plinths. At the top, the capitals are enriched

supported on a square marble plinth base. These striking candelabra are closely related to two designs by

marble plinth and adds an elegant touch to the sculpture. This piece is perfect to be used as a

clock are a pair of matching two-arm candelabras, each mounted on a white marble plinth with gilt bronze

Française), and ‘Lorraine’. The bronze is signed ‘Jules Bertin / Paris / 1879’ and is set atop a red marble

and polished sienna marble plinths which are bolted from the underside to the three Grecian style

marble plinth, circa 1880 in date.   The shepherd is dressed in classical Italian peasant costume with

stands on a Belgian Marble plinth and is made from spelter and cold painted.

An Important Pair of Terracotta Sphinxes On later Sienna and Porphyry Marbleized Plinths

flanking a central sliding-door cupboard, providing a mix of open and concealed storage. The marble plinth

onto a stepped white and black well-figured marble plinth. This large and decorative piece was

square supports made of Rouge Griotte marble below a mottled white Carrara marble plinth. The tapered

Giltwood mirror. This most elegant mirror is supported on a wonderfully detailed faux painted green marble

, modeled with head turned to towards hind, inscribed "FRATIN", and mounted to a red marble plinth. The stag

hued marble plinth, lending the composition an imposing visual presence and a luxurious texture. The

gilded Bronze ‘’pond’’ atop a carved Ashford Black Marble plinth. The wonderfully figured head is carved

majestically, mounted atop a Breche Sanguine & Belgium Black marble plinth, three sides with palatial gilded

The PLINTH MARBLE side table is both sculptural and functional, a friendly, eclectic touch in any

butterfly in her left hand and the butterfly’s wings in her right hand; the red griotte marble plinth is

in their field across Europe at this point. The tazzas stand on double Siena marble plinths, the

. Raised on a two-color marble plinth. Unsigned. circa 20th century. The original model of this Kneeling

, set atop octagonal white marble plinths edged with a beaded gilt bronze border. The pair is French in

theatrical and sculptural presence. Mounted upon a circular variegated marble plinth with engraved titled

. The busts rest upon gilded socles which are mounted on square rogue marble plinths. The pieces are

, enhancing the sculptural depth and surface detail. Raised on a cylindrical marble plinth over a stepped base

Siena marble plinth adorned with beaded rims and raised on four ormolu toupie The left candelabra

1920s and early 1930s. Executed in dark patinated bronze and raised on a later custom black marble

spreads her arms as if to music. The figures stand on integral rocky bases above matching marble plinths

Notice the quality fur detail and the scales of the fish Presented upon a Belgian marble plinth with

solid marble plinth supported by four spherical brass feet. Excellent condition with minor wear

de Patricia marble plinth with an Ormolu bottom trim and upper Ormolu Rais de Coeur designed mottled

lines within the marble. Equally suited as a sculptural pedestal, side table, or display plinth, this

textured dark patinated base and is mounted on a solid marble plinth, enhancing its sculptural presence

marble plinth with clipped corners, the surface of which is carved to resemble a stony path. The

The pair of antique stone console table supports or pedestals have finely carved fluted fronts topped by acanthus leaves set against uncarved backings.  

show fine grain interest and rich caramel hues Cool and tactile white marble plinth to the circular

foliate-cast handles, on a scrolled base and shaped marble plinth The reverse of the gilt bronze mounting

bronze Apollo sun-burst motif. The clock is placed on a red marble plinth, the top of which is

detail. The bronze is mounted to a black marble plinth base. Dimensions: 16" x 8.5" x 19.5"h

Art Nouveau patinated bronze and ivory sculpture of a girl on a marble plinth by austrian author

central detail in antique bronze-finished brass adds a refined focal point. Base: Solid Botticino marble

Sienna marble plinth mounted with crisp bronze with detail of cornucopia, acanthus and scrolls. The

marble plinth with elaborate ormolu foliate, beaded and wreath mounts, standing on toupie feet. The