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Nanette Carter

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Making a Mojo Large Abstract Oil Painting African American Woman Artist
By Deborah Dancy
Located in Surfside, FL
, Candida Alvarez, Betty Blayton, Chakaia Booker, Lilian Thomas Burwell, Nanette Carter, Barbara Chase
Category

Late 20th Century Contemporary Abstract Paintings

Materials

Canvas, Oil

Making a Mojo Large Abstract Oil Painting African American Woman Artist
By Deborah Dancy
Located in Surfside, FL
, Candida Alvarez, Betty Blayton, Chakaia Booker, Lilian Thomas Burwell, Nanette Carter, Barbara Chase
Category

Late 20th Century Contemporary Abstract Paintings

Materials

Canvas, Oil

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Deborah Dancy for sale on 1stDibs

Deborah Dancy is a multi-media abstract artist, whose paintings, drawings, digital photography and sculptural objects examine and mine abstraction’s potential to move across mediums and materials exploring subtlety and confrontation. There is an undercurrent of nuance and tension that mark her work, as if something is poised to happen. Dancy’s gestural brushstrokes—what she calls “tangential entanglements” and “linear demarcations”—are characteristic of her engaging, disruptive style. Abutting shapes and colors are inserted to provoke and entice, yet disrupt. From densely painted fields to minimally suggested forms, Dancy’s work operates in the recognition that moments, meanderings, accidents and process operate best when beautiful and disconcerting are combined. Her paintings, sensuous linear gestures glide across the surface until abruptly they collide with the unexpected. Dancy embraces the natural ambiguity of abstraction. Although her works are inspired by her own emotions and experiences, they also allow viewers to contemplate their own relationships to her work. Dancy says, “I make abstract work because I am interested in its ability to operate in a realm in which beauty and tension simultaneously exist without explanation or narrative.” In her photography as well as her sculptures, one finds images, cobbled bricolage of detritus, found and fabricated objects, playful yet pointed exist as simultaneously humorous and grotesque. Deborah Dancy retired in 2017 as Professor Emeritus of art at the University of Connecticut where she was on the faculty in the Department of Art and Art History since 1981. She has received numerous significant honors and awards, including: a John Simon Guggenheim Foundation Fellowship, New England Foundation for the Arts/NEA Individual Artist Grant, Nexus Press Artist Book Project Award, Visual Studies Artist Book Project Residency Grant, The American Antiquarian Society’s William Randolph Hearst Fellowship, among others. In 2018 Dancy was included in the exhibition Magnetic Fields, organized by the Kemper Museum and traveled as well to the National Museum of Women in the Arts. Magnetic Fields places abstract works by multiple generations of black women artists in context with one another—and within the larger history of abstract art—for the first time, revealing the artists’ role as under-recognized leaders in abstraction. Dancy has exhibited nationally and internationally at museums and institutions such as The Fuller Museum, The Housatonic Museum, The Mattatuck Museum, The College of Saint Rose, The University of Rhode Island, Hobart and William Smith Colleges, The Spencer Museum, The Mead Art Museum, SACI Gallery, Florence, Italy, The US Embassy in Paris, and The DeCordova Museum. Her work is in numerous collections including: The Museum of Fine Arts, Houston, The Kemper Museum of Contemporary Art, Kansas City, MO, 21C Museum, The Museum of Fine Arts, Boston, The Birmingham Museum of Art, The Hunter Museum, The Detroit Institute of Art, The Montgomery Museum of Art, The Spencer Museum of Art, The Hunter Museum of Art, Vanderbilt University, Grinnell College, Oberlin College Museum of Art, Davidson Art Center, Wesleyan University, The Bellagio Hotel, and The United States Embassy in Cameroon.

A Close Look at contemporary Art

Used to refer to a time rather than an aesthetic, Contemporary art generally describes pieces created after 1970 or being made by living artists anywhere in the world. This immediacy means it encompasses art responding to the present moment through diverse subjects, media and themes. Contemporary painting, sculpture, photography, performance, digital art, video and more frequently includes work that is attempting to reshape current ideas about what art can be, from Felix Gonzalez-Torres’s use of candy to memorialize a lover he lost to AIDS-related complications to Jenny Holzer’s ongoing “Truisms,” a Conceptual series that sees provocative messages printed on billboards, T-shirts, benches and other public places that exist outside of formal exhibitions and the conventional “white cube” of galleries.

Contemporary art has been pushing the boundaries of creative expression for years. Its disruption of the traditional concepts of art are often aiming to engage viewers in complex questions about identity, society and culture. In the latter part of the 20th century, contemporary movements included Land art, in which artists like Robert Smithson and Michael Heizer create large-scale, site-specific sculptures, installations and other works in soil and bodies of water; Sound art, with artists such as Christian Marclay and Susan Philipsz centering art on sonic experiences; and New Media art, in which mass media and digital culture inform the work of artists such as Nam June Paik and Rafaël Rozendaal.

The first decades of the 21st century have seen the growth of Contemporary African art, the revival of figurative painting, the emergence of street art and the rise of NFTs, unique digital artworks that are powered by blockchain technology.

Major Contemporary artists practicing now include Ai Weiwei, Cecily Brown, David Hockney, Yayoi Kusama, Jeff Koons, Takashi Murakami and Kara Walker.

Find a collection of Contemporary prints, photography, paintings, sculptures and other art on 1stDibs.

Finding the Right abstract-paintings for You

Bring audacious experiments with color and textures to your living room, dining room or home office. Abstract paintings, large or small, will stand out in your space, encouraging conversation and introducing a museum-like atmosphere that’s welcoming and conducive to creating memorable gatherings.

Abstract art has origins in 19th-century Europe, but it came into its own as a significant movement during the 20th century. Early practitioners of abstraction included Wassily Kandinsky, although painters were exploring nonfigurative art prior to the influential Russian artist’s efforts, which were inspired by music and religion. Abstract painters endeavored to create works that didn’t focus on the outside world’s conventional subjects, and even when artists depicted realistic subjects, they worked in an abstract mode to do so.

In 1940s-era New York City, a group of painters working in the abstract mode created radical work that looked to European avant-garde artists as well as to the art of ancient cultures, prioritizing improvisation, immediacy and direct personal expression. While they were never formally affiliated with one another, we know them today as Abstract Expressionists.

The male contingent of the Abstract Expressionists, which includes Jackson Pollock, Willem de Kooning and Robert Motherwell, is frequently cited in discussing leading figures of this internationally influential postwar art movement. However, the women of Abstract Expressionism, such as Helen Frankenthaler, Lee Krasner, Joan Mitchell and others, were equally involved in the art world of the time. Sexism, family obligations and societal pressures contributed to a long history of their being overlooked, but the female Abstract Expressionists experimented vigorously, developed their own style and produced significant bodies of work.

Draw your guests into abstract oil paintings across different eras and countries of origin. On 1stDibs, you’ll find an expansive range of abstract paintings along with a guide on how to arrange your wonderful new wall art.

If you’re working with a small living space, a colorful, oversize work can create depth in a given room, but there isn’t any need to overwhelm your interior with a sprawling pièce de résistance. Colorful abstractions of any size can pop against a white wall in your living room, but if you’re working with a colored backdrop, you may wish to stick to colors that complement the decor that is already in the space. Alternatively, let your painting make a statement on its own, regardless of its surroundings, or group it, gallery-style, with other works.