Neoclassical Prints

Large Antique Greek Amphora Chromolithograph, Genick, 1883 Original antique color lithograph depicting an elaborately decorated ancient Greek amphora with a classical warrior scene,...

Antique Botanical Print of Carnations by Jean-Louis Prévost, 1805 Original antique botanical print depicting an elegant bouquet of carnations in richly varied striped, red, purple a...

Antique Greek Amphora with Classical Figures Color Lithograph, 1883 Original antique color lithograph depicting an elaborately decorated ancient Greek amphora with a dynamic classic...

Original Antique Print of Exotic Insects, Lanternfly and Mantis, c. 1790 Original antique hand-colored engraving depicting a spectacular collection of exotic insects, including a la...

Antique Greek Amphora & Classical Pottery Lithograph, 1883 Original antique color lithograph depicting an ancient Greek amphora, published in Berlin in 1883 as part of Albert Genick’s monumental work on Greek ceramics. The plate presents a large two-handled amphora decorated in the red-figure technique, with two standing figures occupying the principal pictorial field. An ornamental palmette and floral frieze decorates the neck, while a Greek-key border runs beneath the figural scene. A small line drawing at upper right records a detail of the vessel’s construction. The restrained black, terracotta-red and cream palette closely evokes the appearance of the original ancient pottery and gives the plate a particularly strong decorative quality. The print originates from the second edition of Albert Genick’s important publication on Greek ceramics, published by Ernst Wasmuth in Berlin in 1883. The complete work comprised 36 large color lithographic plates, including four double-page plates, illustrating amphorae, vases, bowls and other examples of ancient Greek ceramic art. The lithographs were produced by the Berlin printing establishment Hein & Mosler. Genick (1837–1906), a Berlin-trained architect, became particularly known for his precise graphic documentation of ancient ceramics. This publication is regarded as his principal work and complete examples are rare; individual plates are also increasingly difficult to find. Creator: Albert Genick (1837–1906) Publisher: Ernst Wasmuth, Berlin Printer: Hein & Mosler, Berlin Date: 1883 Edition: Second edition Technique: Color lithograph Origin: Germany Sheet size: Approximately 68 x 46 cm (26.8 x 18.1 inches) Period: Late 19th Century Style: Neoclassical / Archaeological Revival Condition: Good antique condition. General age-related toning with scattered foxing and spotting, particularly visible in the surrounding margins. Some minor wear and discoloration toward the sheet edges, consistent with age. Please study the photographs carefully as they form part of the condition description. An original antique lithograph printed in 1883, not a modern reproduction. The print is offered unframed. Any framed or interior images, if shown, are for presentation and inspiration only. Keywords: Albert Genick, Greek amphora, ancient Greek pottery, Greek ceramics, Greek vase, amphora print, archaeological print, classical antiquity, ancient Greece, Greek art, red figure pottery, red figure vase...

TITLE: French Garden & Hunting Carriage Designs, Diderot Encyclopédie, 1771 DESCRIPTION: Original antique 18th-century copper engraving illustrating elegant French garden, pleasure ...

Antique Greek Amphora with Winged Nike Color Lithograph, 1883 Original antique color lithograph depicting an ancient Greek amphora decorated with a striking representation of the winged goddess Nike, published in Berlin in 1883 as part of Albert Genick’s monumental work on Greek ceramics. The monumental black amphora is dominated by a single winged female figure rendered in terracotta red. The figure represents Nike, the ancient Greek personification and goddess of victory. She is shown in profile with outstretched wings and holding a staff-like object. A Greek-key meander border beneath the figure and stylized palmette ornament around the neck complete the vessel's decoration. The dramatic contrast between the deep black body of the amphora and the restrained terracotta-colored decoration makes this one of the particularly graphic and decorative plates from the series. The print originates from the second edition of Albert Genick’s important publication on Greek ceramics, published by Ernst Wasmuth in Berlin in 1883. The complete work comprised 36 large color lithographic plates, including four double-page plates, illustrating amphorae, vases, bowls and other examples of ancient Greek ceramic art. The lithographs were produced by the Berlin printing establishment Hein & Mosler. Albert Genick (1837–1906), a Berlin-trained architect, became particularly known for his precise graphic documentation of ancient ceramics. This publication is regarded as his principal work. Complete examples are rare, and individual plates from the series are increasingly difficult to find. Creator: Albert Genick (1837–1906) Publisher: Ernst Wasmuth, Berlin Printer: Hein & Mosler, Berlin Plate: II Date: 1883 Edition: Second edition Technique: Color lithograph Origin: Germany Sheet size: Approximately 68 x 46 cm (26.8 x 18.1 inches) Period: Late 19th Century Style: Neoclassical / Archaeological Revival Condition: Very good antique condition. The colors and deep black areas remain remarkably strong. Light age-related toning with minor scattered foxing and spotting, primarily in the margins. Minor edge wear consistent with age. Please study the photographs carefully as they form part of the condition description. An original antique lithograph printed in 1883, not a modern reproduction. The print is offered unframed. Any framed or interior images, if shown, are for presentation and inspiration only. Additional companion plates from Albert Genick’s series are available separately. Keywords: Albert Genick, Greek amphora, Nike goddess...

"Porta nel Vestibolo dell'antica Università dei Lanaioli - Studio al Vero del Capitello" A rare extra-large reproduction print, printed on engraving paper with an antique star press and watercolored by hand representing an antique capital...

Original Antique Print of an Atlas Moth by Bertuch, circa 1800 Original antique hand-colored copper engraving depicting the magnificent Atlas moth (Attacus atlas), one of the largest and most spectacular moths in the world. The plate is titled “Insecten XXVIII / Insectes XXVIII” and originates from Friedrich Justin Bertuch’s celebrated “Bilderbuch für Kinder,” published in Weimar around 1800. The enormous moth is shown with its wings fully extended across a flowering branch. Its richly patterned wings are beautifully rendered in shades of rust, ochre, cream, black and pink, with the characteristic translucent, window-like markings prominently displayed. The combination of the dramatically oversized insect and delicate botanical background makes this one of the more visually striking natural-history subjects in Bertuch’s series. The Atlas moth is native to the tropical forests of South and Southeast Asia and is renowned for its extraordinary wingspan. Its distinctive wing tips have often been noted for their resemblance to the head of a snake, possibly serving as a defensive adaptation against predators. The engraving bears the inscription “Jacob H. Schmuzer” at lower right. Friedrich Justin Bertuch (1747–1822) was a German publisher, writer and patron of the arts. His monumental “Bilderbuch für Kinder” (Picture Book for Children) was one of the great illustrated educational encyclopedias of the late 18th and early 19th centuries. Published in Weimar from 1790 onward, the work contained hundreds of finely engraved and hand-colored plates devoted to natural history, geography, science, technology, costumes and mythology. A particularly decorative and impressive antique natural-history print, well suited to collectors of butterflies and moths, entomology and early scientific illustration. Creator: Friedrich Justin Bertuch (1747–1822) Engraver: Jacob H. Schmuzer Source: Bilderbuch für Kinder Plate: Insecten XXVIII / Insectes XXVIII Place of Publication: Weimar, Germany Date of Manufacture: Circa 1800 Period: Early 19th Century Style: Neoclassical – In the Period of Medium: Original hand-colored copper engraving on paper Condition: Good. Wear consistent with age and use. Light age-related toning and occasional minor spotting. Some marginal wear and small imperfections, particularly along the right edge. Original hand coloring remains strong and attractive. Please refer to the photographs for further details of condition. Please note: This is an original antique print from circa 1800, not a modern reproduction. The print is sold unframed. Framed images or interior views, if shown, are for presentation and inspiration only. Keywords: Atlas moth print, Attacus atlas, antique moth...

Antique Greek Hydria with Classical Figures Color Lithograph, 1883 Original antique color lithograph depicting a monumental ancient Greek hydria decorated with classical figures and elaborate ornamental bands, published in Berlin in 1883 as part of Albert Genick’s important work on Greek ceramics. This impressive large-format plate presents a single monumental hydria, the characteristic ancient Greek vessel traditionally used for carrying, storing and pouring water. The vessel is dominated by a broad, almost uninterrupted black body, creating a particularly bold and graphic composition. Across the shoulder runs a red-figure narrative scene with several classical figures rendered in terracotta against the deep black ground. Immediately below the figural scene is an exceptionally decorative continuous frieze composed of repeating palmette and rosette-like motifs. The intricate terracotta ornament...

Antique Greek Krater with Classical Procession Color Lithograph, 1883 Original antique color lithograph depicting an ancient Greek krater decorated with a striking classical process...

Vintage gold framed Chromolithograph of white roses by P. J. Redoute.

Original Antique Print of Roman Chariot Racing and Circus Maximus by Bertuch, c. 1800 Original antique hand-colored copper engraving illustrating ancient Roman chariot racing and the Circus Maximus, published in Friedrich Justin Bertuch’s celebrated “Bilderbuch für Kinder” around 1800. The plate is titled “Alterthümer VIII / Antiquités VIII” and contains four illustrations relating to Roman chariot racing and the famous circus games of antiquity. Fig. 1 presents a reconstruction of the Circus Maximus in Rome, the enormous ancient arena used for chariot races and other public spectacles. The elongated track is shown surrounded by tiers of seating, monumental entrances and the central barrier or spina, decorated with an obelisk, statues and other monuments. Fig. 2 depicts a dramatic Roman quadriga: a four-horse chariot racing at speed, with the charioteer leaning forward and wielding his whip. The richly ornamented chariot and animated horses make this the visual centerpiece of the plate. Fig. 3 illustrates details of an ancient horse harness or bridle, while Fig. 4 reproduces an ancient representation of a chariot and driver. The engraving is delicately enhanced with original hand coloring in restrained shades of green, ochre, red and brown and bears the engraved signature “Jacob H. Schmuzer” beneath Fig. 4. Friedrich Justin Bertuch (1747–1822) was a German publisher, writer and patron of the arts. His monumental “Bilderbuch für Kinder” (Picture Book for Children) was one of the great illustrated educational encyclopedias of the late 18th and early 19th centuries. Published in Weimar from 1790 onward, the work contained hundreds of engraved and hand-colored plates covering natural history, geography, science, technology, mythology, ancient history and costumes. An attractive early 19th-century representation of ancient Rome, particularly appealing to collectors of classical antiquity, equestrian subjects and Grand Tour imagery. Creator: Friedrich Justin Bertuch (1747–1822) Engraver: Jacob H. Schmuzer Source: Bilderbuch für Kinder Plate: Alterthümer VIII / Antiquités VIII Place of Publication: Weimar, Germany Date of Manufacture: Circa 1800 Period: Early 19th Century Style: Neoclassical – In the Period of Medium: Original hand-colored copper engraving on paper Condition: Good. Wear consistent with age and use. Light age-related toning and scattered minor spotting. Some wear and irregularity along the right sheet edge and minor marginal imperfections. Original hand coloring remains attractive. Please refer to the photographs for further details of condition. Please note: This is an original antique print from circa 1800, not a modern reproduction. The print is sold unframed. Framed images or interior views, if shown, are for presentation and inspiration only. Keywords: Roman chariot print, chariot racing, Circus Maximus, ancient Rome print, Roman quadriga, four horse chariot, Roman horses, Roman antiquities, classical antiquity, Grand Tour print, equestrian engraving, Bertuch print, Friedrich Justin Bertuch, Jacob Schmuzer, hand colored engraving, Neoclassical print, antique Roman print

Antique Greek Amphora with Warrior & Horse Color Lithograph, 1883 Original antique color lithograph depicting an ancient Greek amphora decorated with a dynamic equestrian warrior scene, published in Berlin in 1883 as part of Albert Genick’s monumental work on Greek ceramics. The large black amphora is decorated in the characteristic terracotta-red palette of ancient Greek pottery. Its principal scene shows an armed horseman confronting a standing warrior. The mounted figure carries a long spear and wears armor, while the opposing warrior is shown with helmet, spear and a large decorated shield. The composition is framed below by a geometric Greek meander border. The neck of the amphora is decorated with a large stylized palmette, while the distinctive handles have a twisted or rope-like appearance. The combination of the monumental vessel, equestrian subject and strong black-and-terracotta coloring makes this a particularly decorative plate from the series. The print originates from the second edition of Albert Genick’s important publication on Greek ceramics, published by Ernst Wasmuth in Berlin in 1883. The complete work comprised 36 large color lithographic plates, including four double-page plates, illustrating amphorae, vases, bowls and other examples of ancient Greek ceramic art. The lithographs were produced by the Berlin printing establishment Hein & Mosler. Albert Genick (1837–1906), a Berlin-trained architect, became particularly known for his precise graphic documentation of ancient ceramics. This publication is regarded as his principal work. Complete examples are rare, and individual plates from the series are increasingly difficult to find. Creator: Albert Genick (1837–1906) Publisher: Ernst Wasmuth, Berlin Printer: Hein & Mosler, Berlin Plate: III Date: 1883 Edition: Second edition Technique: Color lithograph Origin: Germany Sheet size: Approximately 68 x 46 cm (26.8 x 18.1 inches) Period: Late 19th Century Style: Neoclassical / Archaeological Revival Condition: Very good antique condition. Strong black and terracotta coloring with good overall preservation. Light age-related toning and scattered foxing and spotting, mainly visible in the surrounding margins. Minor wear and slight irregularity along the sheet edges consistent with age. Please study the photographs carefully as they form part of the condition description. An original antique lithograph printed in 1883, not a modern reproduction. The print is offered unframed. Any framed or interior images, if shown, are for presentation and inspiration only. Additional companion plates from Albert Genick’s series are available separately. Keywords: Albert Genick, Greek amphora, Greek warrior, horseman, equestrian art, ancient Greek warrior, Greek pottery, Greek ceramics, Greek vase, amphora print, warrior print, horse print, archaeological print, classical antiquity, ancient Greece, Greek art, red figure pottery, red figure vase...

Original Antique Print of Ancient Greek and Roman Musical Instruments by Bertuch, 1802 Original antique hand-colored copper engraving illustrating a remarkable collection of musical...

Pair of Floral Engravings — France, 1920s Description: This is a refined pair of French engravings, created in France during the 1920s, depi...

A rare extra-large reproduction print, printed on engraving paper with an antique star press and watercolored by hand representing an antique capital. The capital's from a collection...

A detailed three-dimensional lithograph titled "In a Yankee State of Mind" by celebrated pop artist Charles Fazzino, known for his exuberant cityscapes and sculptural layering techni...

Original Antique Print of Archaeological Excavations by Bertuch, c. 1800 Original antique copper engraving depicting archaeological excavations and newly uncovered ancient architect...

Original Antique Print of Volcanic Eruptions and Ships by Bertuch, c. 1800 Original antique hand-colored copper engraving depicting two dramatic volcanic phenomena, published in Fri...

Title: Pair of Antique Hawk Moth Life Cycle Engravings – Bertuch, c.1800 A striking set of two original antique hand-colored copper engravings depicting large hawk moths or sphinx m...

Title: Pair of Antique Dragonfly, Cicada & Exotic Insect Engravings – Bertuch, c. 1815 A decorative set of two original antique hand-colored copper engravings depicting an extraordi...

An elegant set of four framed portrait engravings after the celebrated English engraver George Vertue, beautifully presented in giltwood frames with refined hand-colored matting bene...

Antique Greek Amphora with Lyre Player Classical Lithograph, 1883 Original antique color lithograph depicting an ancient Greek amphora with an elaborate classical figural and archit...

Original Antique Print of Two Sperm Whales by Bertuch, c. 1800 Original antique hand-colored copper engraving depicting two sperm whales, published in Friedrich Justin Bertuch’s celebrated “Bilderbuch für Kinder” around the beginning of the 19th century. The plate is titled “Fische XXXVIII / Poissons XXXVIII” and presents two different representations of the sperm whale, one of the largest toothed whales in the world. Both animals are shown in profile with their characteristic massive, almost rectangular heads, narrow toothed lower jaws and relatively small flippers. Jets of water emerge dramatically from the blowholes. The unusual appearance of the animals reflects both their distinctive anatomy and the way whales were understood and represented by European naturalists around 1800. The sperm whale was of considerable economic importance during this period. It was hunted particularly for spermaceti, the waxy substance contained within its enormous head, as well as for whale oil and ambergris. These early zoological representations are especially interesting because accurate observation of living whales was extremely difficult. Natural-history illustrators therefore frequently relied upon stranded or captured specimens, descriptions by sailors and whalers, and earlier published illustrations. The engraving is delicately enhanced with original hand coloring in restrained shades of black, gray and brown and bears the inscription “Jacob Hauer Schmuzer” at lower right. Friedrich Justin Bertuch (1747–1822) was a German publisher, writer and patron of the arts. His monumental “Bilderbuch für Kinder” (Picture Book for Children) was one of the great illustrated educational encyclopedias of the late 18th and early 19th centuries. Creator: Friedrich Justin Bertuch (1747–1822) Engraver: Jacob Hauer Schmuzer Source: Bilderbuch für Kinder Plate: Fische XXXVIII / Poissons XXXVIII Place of Publication: Weimar, Germany Date of Manufacture: Circa 1800 Period: Early 19th Century Style: Neoclassical – In the Period of Medium: Original hand-colored copper engraving on paper Condition: Good. Wear consistent with age and use. Light age-related toning and scattered minor spotting and marks. Some marginal wear and a small loss/irregularity at the upper right corner. Original hand coloring remains attractive. Please refer to the photographs for further details of condition. Please note: This is an original antique print from circa 1800, not a modern reproduction. The print is sold unframed. Framed images or interior views, if shown, are for presentation and inspiration only. Keywords: sperm whale print, antique whale print...

Set of Three Antique Butterfly and Moth Prints by Bertuch, c. 1800 Set of three original antique hand-colored copper engravings depicting spectacular butterflies and moths together with their caterpillar and chrysalis stages, published in Friedrich Justin Bertuch’s celebrated “Bilderbuch für Kinder” around the beginning of the 19th century. The three plates are titled “Insecten XXIX / Insectes XXIX,” “Insecten XXIII / Insectes XXIII,” and “Insecten XXXI / Insectes XXXI.” Together they form a particularly decorative group illustrating the remarkable variety and metamorphosis of butterflies and moths. The first plate, Insecten XXIX, presents four large butterflies. Particularly striking is the brilliant blue specimen occupying the lower half of the composition, contrasted with three butterflies in more restrained shades of brown, cream and violet. The different views of the wings demonstrate the extraordinary variation in pattern and coloration among exotic butterflies. The second plate, Insecten XXIII, is devoted to two spectacular moths and their life cycles. The upper specimen is a Death’s-head Hawk-moth type, immediately recognizable by the remarkable skull-like marking on its thorax. It is accompanied by its large striped caterpillar and chrysalis. Below is another beautifully patterned moth shown together with its caterpillar and pupal stage. The third plate, Insecten XXXI, is dominated by a magnificent large eye-spotted moth. Its broad wings carry four prominent eye-like markings surrounded by intricate bands of black, cream, red and ochre. Beneath it are the extraordinary green caterpillar and dark chrysalis, illustrating three stages of the insect’s metamorphosis. The three engravings are beautifully enhanced with original hand coloring. Together they create an exceptionally attractive natural-history ensemble, combining strong decorative appeal with the scientific fascination with insect metamorphosis that characterized European natural history around 1800. The plates bear engraved signatures of Jacob Hauer Schmuzer, one of the engravers associated with Bertuch’s monumental publication. Friedrich Justin Bertuch (1747–1822) was a German publisher, writer and patron of the arts. His “Bilderbuch für Kinder” (Picture Book for Children), published in Weimar from 1790 onward, became one of the great illustrated educational encyclopedias of the late 18th and early 19th centuries. Its hundreds of engraved plates introduced readers to natural history, geography, science, technology, antiquity and cultures from around the world. The three plates work particularly well displayed together and would make an impressive grouping in a living room, library, study, bedroom or natural-history inspired interior. Creator: Friedrich Justin Bertuch (1747–1822) Engraver: Jacob Hauer Schmuzer Source: Bilderbuch für Kinder Plates: Insecten XXIII / Insectes XXIII Insecten XXIX / Insectes XXIX Insecten XXXI / Insectes XXXI Place of Publication: Weimar, Germany Date of Manufacture: Circa 1800 Period: Early 19th Century Style: Neoclassical – In the Period of Medium: Original hand-colored copper engravings on paper Number of Items: 3 Condition: Good. Wear consistent with age and use. General age-related toning, scattered minor spotting and occasional handling marks. Some minor marginal wear and edge irregularities. Original hand coloring remains strong and attractive. Please refer to the photographs for the individual condition of each sheet. Please note: These are three original antique engravings from around 1800, not modern reproductions. The prints are sold unframed. Framed images or interior views, if shown, are for presentation and inspiration only. Keywords: set of butterfly prints, antique butterfly prints, antique moth...

Original Antique Print of Exotic Lizards and Flying Dragon by Bertuch, c. 1800 Original antique hand-colored copper engraving depicting three remarkable exotic lizards, published in Friedrich Justin Bertuch’s celebrated “Bilderbuch für Kinder” around the beginning of the 19th century. The plate is titled “Amphibien XII / Amphibies XII” and presents three unusual reptiles individually numbered Fig. 1–3. Particularly striking is Fig. 3, a so-called flying dragon or flying lizard, shown with its characteristic wing-like membranes extended from the sides of its body. These remarkable reptiles became popular subjects in early European natural-history publications because of their unusual ability to glide between trees. The two larger lizards above are equally dramatically represented, with elongated tails, prominent claws and distinctive markings. The animals are finely engraved and enhanced with original hand coloring in black, brown, green, red and ochre. The plate bears the engraved inscription “Jacob Hauer Schmuzer” at lower right. Friedrich Justin Bertuch (1747–1822) was a German publisher, writer and patron of the arts. His monumental “Bilderbuch für Kinder” (Picture Book for Children) was one of the great illustrated educational encyclopedias of the late 18th and early 19th centuries. Published in Weimar from 1790 onward, the work contained hundreds of finely engraved and hand-colored plates covering natural history, geography, science, technology, antiquity, costumes and mythology. An unusual and highly decorative early zoological print, particularly appealing to collectors of reptiles, natural history and early scientific illustration. Creator: Friedrich Justin Bertuch (1747–1822) Engraver: Jacob Hauer Schmuzer Source: Bilderbuch für Kinder Plate: Amphibien XII / Amphibies XII Place of Publication: Weimar, Germany Date of Manufacture: Circa 1800 Period: Early 19th Century Style: Neoclassical – In the Period of Medium: Original hand-colored copper engraving on paper Condition: Good. Wear consistent with age and use. Light age-related toning and occasional minor spotting. Some marginal wear and small edge imperfections, particularly along the right edge. Original hand coloring remains attractive. Please refer to the photographs for further details of condition. Please note: This is an original antique print from circa 1800, not a modern reproduction. The print is sold unframed. Framed images or interior views, if shown, are for presentation and inspiration only. Keywords: antique lizard print, flying dragon lizard, flying lizard, Draco lizard, exotic reptiles, antique reptile print...

Beautiful set of 4 pcs P.J.Redoute floral botanical chronographs.

Wonderful image of Hebe Fine steel engraving. Published by Fisher. Dated 1833 Unframed.

Very original reproductions of decorative vases from important English mansions, printed on a hand press on 100% cotton engraving paper. Completely handpainted with a cream wash, umb...

This elegant framed horse print depicts “George Frederick,” a finely rendered equine portrait originally issued as Plate 18 in a 19th-century sporting or stud reference series. The composition showcases a richly colored chestnut horse in classical side profile, posed with lifted foreleg in the traditional stance favored for documenting prized bloodstock and conformation. The print is executed in warm brown and russet tones with subtle shading, emphasizing musculature, coat sheen, and anatomical precision. The artist’s approach reflects the golden age of British sporting art, where horses were treated with the same reverence as aristocratic portrait subjects. The work is presented in a decorative, patterned gilt frame with a repeating textile-like motif in gold and deep brown tones, likely a later 20th-century custom framing that complements the warmth of the image beautifully. A neutral mat with white inner liner provides balance and visual depth. The backing bears a label from Pirates Alley Picture Frames, Oklahoma City, indicating professional framing. This horse print is ideal for collectors of equestrian art, English sporting décor, or traditional library and study interiors. George Frederick This print references the horse George Frederick rather than the artist’s name, which is typical of 19th-century equestrian plates...

Antique Greek Lidded Amphora with Classical Figures Lithograph, 1883 Original antique color lithograph depicting an elaborate ancient Greek lidded amphora with classical figures and...

Title: Set of Two Saint-Cloud Garden Fountain Engravings by Baltard, Paris, 1803 Description: This elegant pair of original antique copperplate engravings depicts two picturesque v...

Title: Plan of the Château de Saint-Cloud First Floor by Baltard, Paris, 1803 Description: This finely executed original antique copperplate engraving presents a detailed architectural floor plan of the first floor of the Château de Saint-Cloud, one of France's most celebrated royal residences. The plan meticulously illustrates the palace's internal layout, grand courtyards, formal gardens, fountains, terraces, and surrounding landscape, offering a fascinating insight into the organization of the royal estate during the Napoleonic period. The Château de Saint-Cloud was a favored residence of the French monarchy and later of Napoleon Bonaparte. Overlooking the River Seine, it was renowned for its magnificent architecture and formal gardens, making it one of the grandest royal palaces in France before its destruction during the Franco-Prussian War in 1870. The engraving was created by the distinguished French architect and engraver Louis-Pierre Baltard (1764–1846) and published in Paris in 1803 as part of the celebrated Napoleonic-era publication Paris et ses Monuments, mesurés, dessinés et gravés. This monumental work documented France's most important monuments with exceptional architectural precision and artistic refinement. Both historically important and visually appealing, this engraving is an excellent acquisition for collectors of antique architectural plans...

Title: 18th Century French Coach & Carriage Engineering, 1771 Original antique copper engraving illustrating the construction and engineering of an elaborate 18th-century French pas...

Antique Exotic Seashells & Cone Shells Engraving – Bertuch, c.1800 Original antique hand-colored copper engraving depicting seven remarkable and highly decorative seashells, publish...

Original Antique Print of Four Corals by Bertuch, c. 1790 Original antique hand-colored copper engraving depicting four remarkable varieties of coral and marine growth, published in Friedrich Justin Bertuch’s celebrated “Bilderbuch für Kinder” around the end of the 18th century. The plate is titled “Corallen I / Corallia / Coraux I” and bears the reference “I.B.21” at lower right. It belongs to Bertuch’s early natural-history series illustrating the extraordinary diversity of marine organisms then collectively described as corals. Four dramatically different specimens are arranged across the sheet. Fig. 1 depicts a branching red coral with multiple upright stems. Its vivid original red coloring makes it the strongest color accent in the composition and recalls the precious red corals that had long been collected in the Mediterranean and used for jewelry and decorative objects. Fig. 2 shows a tall, dark branching form with an elegant tree-like structure, representative of the flexible horn-like corals historically grouped among the gorgonians. Fig. 3 illustrates a large irregular, porous coral formation, rendered in pale ochre and gray tones. Its complex surface and numerous cavities emphasize the extraordinary structural variety encountered in coral colonies. Fig. 4 dominates the upper part of the plate and is perhaps the most visually striking specimen. Its broad, deeply folded and radiating surfaces create an almost flower-like or sculptural appearance, demonstrating why corals occupied such a fascinating position between the botanical and zoological worlds in early natural-history classification. During the 18th century, the classification and biological nature of corals remained an important subject of scientific investigation. Earlier naturalists had frequently compared them with plants or mineral formations, while increasingly detailed observation established their animal nature. The terminology and organization of early coral collections therefore provide a fascinating insight into the development of marine zoology. The engraving combines finely engraved scientific detail with restrained original hand coloring in red, ochre, gray and black. Its large sculptural forms and spacious composition give the plate considerable decorative appeal in both traditional natural-history collections and contemporary coastal interiors. Friedrich Justin Bertuch (1747–1822) was a German publisher, writer and patron of the arts. His monumental “Bilderbuch für Kinder” was one of the great illustrated educational encyclopedias of the late 18th and early 19th centuries, covering zoology, botany, geography, science, technology, antiquity and numerous other subjects. Creator: Friedrich Justin Bertuch (1747–1822) Source: Bilderbuch für Kinder Plate: Corallen I / Corallia / Coraux I Reference: I.B.21 Subject: Four Corals and Marine Organisms Place of Publication: Weimar, Germany Date of Manufacture: Circa 1790 Period: Late 18th Century Style: Neoclassical – In the Period of Medium: Original hand-colored copper engraving on paper Condition: Good. Wear consistent with age and use. General age-related toning with scattered foxing, spotting and minor marks. Some discoloration and handling wear are visible, consistent with the age of the sheet. Original hand coloring remains attractive, particularly the strong red coloring of Fig. 1. Please refer to the photographs for further details of condition. Please note: This is an original antique engraving from the late 18th century, not a modern reproduction. The print is sold unframed. Framed images or interior views, if shown, are for presentation and inspiration only. Other companion marine-life and natural-history plates from Bertuch’s “Bilderbuch für Kinder” are also available separately. Keywords: antique coral print...

Title: View of the Grand Water Jet at Saint-Cloud by Louis-Pierre Baltard, Paris, 1803 Description: This finely executed original antique copperplate engraving depicts the spectacul...

Original Antique Print of Gar and Exotic Armored Fish by Bertuch, c. 1800 Original antique hand-colored copper engraving depicting four unusual species of freshwater fish, published...

Original Antique Print of Roman Naval Battles and Warships by Bertuch, c. 1800 Original antique hand-colored copper engraving illustrating ancient Roman naval spectacles and warships, published in Friedrich Justin Bertuch’s celebrated “Bilderbuch für Kinder” around 1800. The plate is titled “Alterthümer XIII / Antiquités XIII” and illustrates the extraordinary Roman practice of staging mock naval battles, known as naumachiae. Fig. 1 depicts a large purpose-built naumachia: an oval amphitheater surrounding a flooded arena in which several vessels engage in a simulated naval battle. Additional ships are shown approaching through the monumental entrance and waterway below. Such elaborate spectacles were among the most ambitious forms of public entertainment in ancient Rome. Figs. 2 and 3 show detailed side views of ancient oared warships, illustrating their construction, banks of oars, raised sterns and military equipment. The combination of classical architecture, naval history and finely drawn ancient vessels makes this an especially interesting plate from Bertuch’s series. The engraving is signed “J. H. Schmuzer” at lower right. Friedrich Justin Bertuch (1747–1822) was a German publisher, writer and patron of the arts. His monumental “Bilderbuch für Kinder” (Picture Book for Children) was one of the great illustrated educational encyclopedias of the late 18th and early 19th centuries. Published in Weimar from 1790 onward, it contained hundreds of engraved and hand-colored plates covering natural history, geography, science, technology, mythology, antiquity and costumes. An unusual and decorative early print combining ancient Roman history, architecture and maritime subjects. Creator: Friedrich Justin Bertuch (1747–1822) Engraver: J. H. Schmuzer Source: Bilderbuch für Kinder Plate: Alterthümer XIII / Antiquités XIII Place of Publication: Weimar, Germany Date of Manufacture: Circa 1800 Period: Early 19th Century Style: Neoclassical – In the Period of Medium: Original hand-colored copper engraving on paper Condition: Good. Wear consistent with age and use. Light age-related toning and occasional minor spotting. Minor marginal wear. Original hand coloring remains attractive. Please refer to the photographs for further details of condition. Please note: This is an original antique print from circa 1800, not a modern reproduction. The print is sold unframed. Framed images or interior views, if shown, are for presentation and inspiration only. Keywords: Roman naval battle, naumachia, Roman warship, ancient Roman ships, Roman galley...

These are a pair of engraving, in color. They are representing, monuments of the city of Paris. They have been done durong the 19th century in France.

Opulent set of four framed and matted Etruscan vase engravings after Giovanni Passeri (Italian) by Sir William Hamilton illustrated in the Picturea Etruscor in Vaculis. The set inclu...

This is an engraving, in colors. With a large frame in wood. Representing an architectural place in Nancy. It has been made in France in the 18th century. The engraving has no glass...

Antique Decorative Ceiling Designs, Fontainebleau Gallery, Baltard, 1803 – Pair This elegant pair of architectural engravings presents richly detailed ceiling designs from the Châte...

Napoleonic Architectural Engravings Set, Baltard Paris Monuments Plates, 1803 This striking set of eight early 19th-century architectural engravings originates from the rare French publication Paris et ses Monuments, mesurés, dessinés et gravés, created by architect and engraver Louis-Pierre Baltard and published in Paris in 1803 during the early Napoleonic period. Baltard’s monumental publication was dedicated to Napoleon Bonaparte and aimed to systematically document the architectural treasures of Paris and its surrounding monuments through precise measurement, architectural drawing, and finely executed copperplate engravings. Today the work is regarded as one of the earliest comprehensive visual surveys of Parisian architecture produced during the Napoleonic era. The present group forms a visually balanced and highly decorative set illustrating several aspects of classical and Renaissance architecture. The engravings include façade elevations, architectural plans, ornamental studies, sculptural fragments, and atmospheric architectural views. Together they present a remarkable overview of architectural design, structural composition, and decorative detail typical of the scholarly architectural publications produced in France at the beginning of the nineteenth century. One of the most notable plates in the group shows the measured plan of the Château d’Écouen, one of the most important Renaissance châteaux in France. Built in the sixteenth century for the powerful Montmorency family, the château later became an important national monument and today houses the Musée National de la Renaissance. The engraved plan carefully illustrates the château’s symmetrical layout around its central courtyard together with the surrounding terraces, landscaped grounds, and tree-lined avenues. Other plates depict grand classical façades, monumental arches, richly carved capitals, sculptural ornaments, and picturesque architectural views set within wooded landscapes. Baltard’s engravings are admired for their combination of architectural precision and refined artistic engraving. Crisp linework defines the structural forms, while delicate shading creates depth in the sculptural and landscape elements. Architectural engravings from Paris et ses Monuments have become increasingly desirable among collectors, architects, and interior designers. Their refined balance between scholarly architectural documentation and decorative visual appeal makes them particularly suitable for elegant interiors such as libraries, studies, galleries, or sophisticated European-style homes. Displayed together as a gallery wall, the engravings create a striking architectural ensemble reflecting the intellectual spirit and artistic ambition of the Napoleonic period. The original antique engravings are offered unframed, giving flexibility to select frames that best suit the intended interior. Condition report: Very good condition for early nineteenth-century engravings. Printed on laid paper with wide margins. Light age toning and occasional small spots consistent with age. The engraved impressions remain sharp and clear. Framing tips: These engravings display beautifully as a coordinated wall set. Dark walnut or black frames with generous ivory or warm off-white mats create a refined museum-style presentation. For a more contemporary interior, thin black gallery frames with wide mats highlight the elegant linework and architectural detail. Technique: Copperplate engraving Maker: Louis-Pierre Baltard, Paris, 1803 Keywords: napoleonic architectural engravings, baltard paris monuments 1803, antique french architecture prints...

This is a stunning and rare 18th-century, hand-coloured engraving/etching titled Satyrs and Maenads. This engraving was part of a scarce edition in four volumes, published by Pierre...

Antique Fontainebleau Architectural Views Triptych, Napoleon Era Engravings, 1803 This striking set of three architectural engravings presents refined views of the Château de Fontai...

Antique pair of zoological Chromolithographs by Smith and Hanhart of Monkeys Macacus in beautiful profiled gilded frames.

Large Roman marble vase printed on a hand press on 100% cotton engraving paper. Completely handpainted with a cream wash, pompeian red and blue highlights and details. Light brown ma...

Wonderful red ochre prints of 18th Century Francesco Bartolozzi engravings after Cipriani and Cosway. Publshed by Otto Limited, London 1907 Text...

Extra large Roman vase printed on a hand press on 100% cotton engraving paper. Completely handpainted with a cream wash, umber highlights, and matte black details. Light brown mat...

These six intaglio illustrations come from "Storia naturale degli uccelli" ("Natural History of Birds), a book written by the Italian ornithologist Francesco Saverio Manetti (1723-17...

Neoclassical Etching of three ancient Roman urn on pedestal, two oil lamps and a vase by Giovanni Battista Piranesi (1720-1778) originally publis...

Large Roman marble vase printed on a hand press on 100% cotton engraving paper. Completely handpainted with a cream wash, pompeian red and blue highlights and details. Light brown ma...

Bertuch African Slave Trade & Slave Ship Engraving, 1805 Description: Original antique hand-coloured copperplate engraving illustrating the transatlantic slave trade, published by F...

A refined pair of framed Neoclassical prints after Giovanni Battista Piranesi (Italy, 1720-1778), with Grand Tour and Greco-Roman influences. The first print, "Vaas met Maskers op Vo...

Antique View of Château de Fontainebleau, Napoleon Era Landscape Engraving, 1803 A panoramic view of Fontainebleau, capturing the grandeur of Napoleon’s residence within a refined l...

Museum Style Beetle Specimen Plates, Victorian Entomology Prints, Set of 8 Description: This striking decorative set of eight beetle plates originates from the celebrated German ent...

Beautiful Cottagecore Style antique 19th Century custom framed pair of Pomological William Henry Prestele Jeffries Apple, Kelsey and Satsuma Peaches prints 1887 and 1888 Fine, custom...

This striking pair of vintage prints offers a sophisticated homage to the world-renowned frescoes of ancient Pompeii. Each work captures the iconic "Pompeian Red" and obsidian black ...